Search results for ""author thomas"

Poet, social justice advocate, and theologian Thomas Merton (1915--1968) is arguably the most influential American Catholic author of the twentieth century. In his short lifetime, he penned over seventy books and maintained a brisk correspondence with colleagues around the globe. However, many Merton scholars and fans remain unaware of the significant body of letters that were exchanged between the Trappist monk and Victor and Carolyn Hammer.Unable to leave his home at the Abbey of Gethsemani except on special occasions, Merton developed a unique friendship with this couple from nearby Lexington, Kentucky. Carolyn, who supplied Merton with many of the books he required for his writing and teaching, was a founder of the King Library Press at the University of Kentucky. Victor was an accomplished painter, sculptor, printer, and architect. The friendship and collaborations between Merton and the Hammers reveal their shared interest in the convergence of art, literature, and spirituality.In this volume, editors F. Douglas Scutchfield and Paul Evans Holbrook Jr. have collected the trio's complete correspondence for the first time. Their letters, arranged chronologically, vividly demonstrate a blossoming intellectual camaraderie and provide a unique opportunity to understand Merton's evolving philosophies. At times humorous, often profound, the letters in this volume shed light on a rare friendship and offer new insights into the creative intellect of Thomas Merton.

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Selected as a Times Literary Supplement Book of the Year 2021Offers a twin biography of Thomas Jefferson in retirement and of the University of Virginia in its earliest years. Andrew O'Shaughnessy reveals how Jefferson's vision anticipated the modern university and profoundly influenced the development of American higher education.

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Turner's strikingly original and penetrating account of Hardy's extraordinarily creative life and longevity offers a series of thirty-two chapters, each of which relates the biographical and literary background of a single work.

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Thomas Edison was a famous American inventor in the late 1800s. His work with light bulbs got a lot of attention. Over time, many stories were told about this work, including that he invented the light bulb. But this isn’t true! Discover what’s real and what’s fiction through infographics, primary sources and expertly levelled text.

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Thomas Aquinas on Faith, Hope, and Love is designed to make as easy as possible a first reading of key passages from the Summa theologiae. This book contains selections from the Summa that are most influential, most important, or likely to be most interesting to the contemporary reader. The text of the Summa itself is edited and arranged for beginners. Each article begins with Thomas’s answers to the question at hand and then goes to the first objection, followed by the reply to the first objection, the second objection and its reply, and so on. This arrangement provides a greater accessibility and ease in following the argument. Below the text, copious footnotes illuminate the text as a professor in the classroom might. Some notes provide historical background to figures that Thomas presupposes his reader will know such as Gratian, Dionysius, and Lombard. Other notes offer doctrinal summaries of other parts of the Summa that illuminate what Thomas says about faith, hope, or love. Thomas had an enormous influence on theologians, Church councils, and popes after his time, so some footnotes examine this influence. Thomas drew heavily on sources of wisdom before him, so other footnotes summarize the teachings of earlier authors, such as Aristotle and Augustine. This book also contains introductory essays on the Summa, on faith, on hope, and on love, which provide an overview to situate the reader and place treatment of the theological virtues in its larger context of the Summa. For those who have never read Thomas Aquinas on faith, hope, and love (and for those who teach them), this book provides ready access to the wisdom of the Angelic doctor.

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Thomas Aikenhead, a sometime University of Edinburgh student, was in 1697 the last person executed for blasphemy in Britain. Michael Graham uses the case to open a window into the world of late seventeenth-century Edinburgh and Scotland, exploring the core historical themes in a country in transition from confessional Reformation to polite, literary Enlightenment. Graham traces the roots of the Aikenhead case and the law of blasphemy which was evolving in response to new intellectual currents of biblical criticism and deism. He analyzes Aikenhead's trial and the Scottish government's decision to uphold the sentence of hanging and details the debates surrounding the execution which were carried out in print media across Scotland and England. Aikenhead's case grew into a media event which highlighted starkly the intellectual and cultural divisions dominating late seventeenth-century Britain.

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The fourth volume of The Correspondence of Thomas Hutchinson covers a twenty-month period extending from the acquittal of the soldiers standing trial for the Boston Massacre in November 1770 through the return of the General Court from Cambridge to its traditional meeting place at the Town House in Boston in June 1772. Some historians refer to this interval as the "quiet period" in the events leading up to the Revolution, but one would have had trouble convincing Thomas Hutchinson of the accuracy of that phrase. He continued to butt heads with Samuel Adams. No longer acting governor after March 1771, but governor-in-chief in his own right, Hutchinson was now free to use the patronage at his disposal to reward his political adherents and divide the opposition. Even though John Hancock ultimately declined the offer, Hutchinson attempted to separate him from the political tutelage of Samuel Adams, by dangling the prospect of a socially prestigious seat on the Governor's Council before the young merchant. At the same time, the Hutchinson also sought to sow seeds of suspicion and resentment between the Massachusetts House of Representatives and their new agent, Benjamin Franklin. Adams had long resisted Hutchinson's claim to summon the General Court to meet anywhere he chose, but in the spring of 1772, cooperation with Hancock enabled Hutchinson to end a long-standing impasse and return the Court to Boston without surrendering any his gubernatorial prerogative. Despite this seeming success, Hutchinson could have no idea of the crises that lay ahead in 1773 (the publication of his private letters and Parliament's efforts to aid the financially troubled East India Company) that would effectively end his governorship.Distributed for the Colonial Society of Massachusetts

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The organization of Thomas Aquinas' Summa Theologiae is a remarkable feat of clarity in comparison with its predecessors. Although Aquinas incorporates materials from very different theological traditions he reduces all of these topics to a concise and clear plan. Mark D. Jordan's translation, On Faith, captures this clarity, Aquinas' most characteristic achievement. v. 1. On faith, Summa theologiae, part 2-2, questions 1-16 of St. Thomas Aquinas.

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Thomas May's The Tragedy of Antigone (1631), edited by Matteo Pangallo, is the first English treatment of the story made famous by Sophocles. This edition contains a facsimile of the copy held at the Beinecke Library of Yale University, making the play commercially available for the first time since its original publication. The extensive introduction discusses, among other things, the ownership history of existing copies and their marginal annotations, and of the play's topical political implications in the light of May's wavering between royalist and republican sympathies. Writing during the contentious early years of Charles I's reign, May used Sophocles' Antigone to explore the problems of just rule and justified rebellion. He also went beyond the scope of the original, adding content from a wide range of other classical and contemporary plays, poems and other sources, including Shakespeare's Romeo and Juliet and Macbeth. This volume will be essential reading for advanced students, researchers and teachers of early English drama and seventeenth-century political history.

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A study of the prophetic tradition in medieval England brings out its influence on contemporary politics and the contemporary elite. The period from the twelfth century to the Wars of the Roses witnessed a dominant tradition of secular prophecy engaged with high political affairs, which this book charts, discussing the production of prophetic texts forecastingthe rule of the whole of Britain by the kings of England. It draws on the prophetic works of familiar authors and names, such as Geoffrey of Monmouth and Thomas of Erceldoune, alongside previously unpublished manuscript material,to study identity formation among medieval political elites. Alongside English prophetic texts, the author explores competing visions of the British future produced in Wales and Scotland, with which English prophetic authors entered into an overt dialogue; this was a cross-border exchange which in many ways shaped the development of this deeply influential discourse. Prophecy is revealed to be a dynamic arena for literary exchange, where alternative imaginings of the future sovereignty of Britain vied for acceptance, and compelled decision making at the highest political levels. Dr Victoria Flood is Lecturer in Medieval and Early Modern Literature at the University of Birmingham.

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Thomas Hoccleve produced the first author-curated 'collected poems' in the English language, preserved in two complementary manuscripts: Huntington Library, MSS HM 111 and HM 744 (copied 1422-26). This is the first full modern edition of these poems. The twenty-eight pieces span Hoccleve's entire career: they range from stirring devotional verse, to playful autobiography, deft translations of Latin and French texts, and timely political verse. The collection comprises the entirety of Hoccleve's poetic corpus, save his two longer works, the Regiment of Princes and the Series. It includes some of Hoccleve's most celebrated and widely studied poems, including 'The Epistle of Cupid', 'La Male Regle', 'To Sir John Oldcastle', 'Complaint Paramount', 'Learn to Die', and 'The Court of Good Company'. This edition engages for the first time with newly identified sources of poems; it also offers comprehensive textual variants for the poems, a full up-to-date chronology, and explanatory notes that engage with the wealth of recent scholarship on Hoccleve – including newly discovered details about Hoccleve's life and the dates of his poems, his relationship with heresy and orthodox reform movements, and his positioning within London scribal circles and coterie readerships.

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Rome and Religion in the Medieval World provides a panoramic and interdisciplinary exploration of Rome and religious culture. The studies build upon or engage Thomas F.X. Noble’s interest in Rome, especially his landmark contributions to the origins of the Papal States and early medieval image controversies. Scholars from a variety of disciplines offer new viewpoints on key issues and questions relating to medieval religious, cultural and intellectual history. Each study explores different dimensions of Rome and religion, including medieval art, theology, material culture, politics, education, law, and religious practice. Drawing upon a wide range of sources, including manuscripts, relics, historical and normative texts, theological tracts, and poetry, the authors illuminate the complexities of medieval Christianity, especially as practiced in the city of Rome itself, and elsewhere in Europe when influenced by the idea of Rome. Some trace early medieval legacies to the early modern period when Protestant and Catholic theologians used early medieval religious texts to define and debate forms of Roman Christianity. The essays highlight and deepen scholarly appreciation of Rome in the rich and varied religious culture of the medieval world.

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Provides a comprehensive criticism of Hardy’s entire output of short stories This critical study of Hardy’s short stories provides a thorough account of the ruling preoccupations and recurrent writing strategies of his entire corpus as well as providing detailed readings of several individual texts. It relates the formal choices imposed on Hardy as contributor to Blackwood’s Magazine and other periodicals to the methods he employed to encode in fiction his troubled attitude towards the social politics of the West Country, where most of the stories are set. No previous criticism has shown how the powerful challenges to the reader mounted in Hardy’s later stories reveal the complexity of his motivations during a period when he was moving progressively in the direction of exchanging fiction for poetry. Key Features The only book to provide comprehensive criticism of Hardy’s entire output of short stories The provision of extremely full, extremely detailed, close readings of a number of key stories enhances the book’s attractiveness as a potential teaching resource Draws on the work of social historians to make clear the background of social and political unrest in Dorset that is partly uncovered and partly hidden in Hardy’s portrayals of his fictional Wessex Offers fascinating insights into Hardy’s near-obsession in his mature phase with the marriage contract, and with its legal binding of erratic men and women

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Includes the whole of the First Part of the Summa Theologica. Pegis's revision and correction of the English Dominican Translation renders Aquinas' technical terminology consistently as it conveys the directness and simplicity of Aquinas' writing; the Introduction, notes, and index aim at giving the text its proper historical setting, and the reader the means of studying St. Thomas within that setting.

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Thomas Cromwell was a man of humble origins and outstanding intellect who rose up to become Henry VIII’s chief minister and right-hand man during the English Reformation. He wielded enormous power while he retained the king’s favour, but the failure of Henry’s marriage to Anne of Cleves, which Cromwell had arranged, led to his swift downfall and execution. In this biography, John Schofield reveals that the popular image of Cromwell as a blood-stained henchman is largely fictional. Detailed research into contemporary sources illuminates his brilliant mind and his love for and patronage of the arts and humanities, while short case studies shed new light on his relations with, and his reputation among, Henry VIII’s subjects. In his conclusion, Schofield narrates the drama of Cromwell’s downfall and highlights the king’s posthumous exoneration of the ‘most faithful servant he ever had’.

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This ground-breaking book follows the rise of a distinctive school of Australian art that first emerged in the 1940s. Beginning with the artists of the ‘Angry Penguins’ movement, Arthur Boyd, Albert Tucker, Joy Hester and Sidney Nolan, whose work exhibited a new strain of surrealism and expressionism, the book continues with the rich variety of 1970s work by Jan Seberg, Robert Jacks and George Baldessin, moving through to contemporary artists such as Rover Thomas and Judy Watson. Stephen Coppel traces the major developments in Australian art from the 1940s to the present day, and examines the significant interplay with the British art scene. The book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the recent rise of Aboriginal printmaking. It features 127 works by 61 artists, and includes concise artists’ biographies and individual commentaries on the works.

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In the 1980s David Thomas was an unemployed plumber with a seemingly impossible dream: to become a fashion stylist. He ran away to London, landed a job selling cassettes in Tower Records, spent weekends and evenings washing dishes and working as a lavatory attendant, and every spare moment hammering on the doors of fashion editors until one of them opened a tiny crack. As well as telling the touching and funny story of the “Billy Elliot of fashion’s” bumpy ride to success, Vanity Project examines the fascinating relationship between the fairytale worlds fashion and celebrity. It describes how the discipline of styling has evolved from the 1980s to now, from the streets of London to the red carpets of Hollywood. This story is told largely in the words of those in the front row seats: actors, musicians, designers, photographers, editors, directors, artists, and music business power brokers. In short, people who have shaped popular culture over more than three decades. This beautifully designed book features more than 300 iconic images – photographs, sketches, magazine covers, Polaroids, iPhone snaps, and press cuttings – that illustrate the creative process from the mind of the stylist and the client's brief to the end result. The rich visual archive is brought right up to date with a specially commissioned portfolio of never-before-seen portraits by some of the world's leading contemporary photographers. Vanity Project is a tale of stars, of clothes, and of the skill and sweat that goes into creating those glittering moments on stage and screen. Above all, it’s the story of how, with the right kind of help and belief, one boy’s dream came true. The publisher will donate 10% of the cover price to The Prince’s Trust. The total amount donated to The Prince’s Trust is expected to be £5 per book. The Prince’s Trust is a registered charity incorporated by Royal Charter in England and Wales (1079675) and Scotland (SC041198).

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Throughout the history of Thomas’s critical reception, psychoanalytic interpretations have been applied that have privileged the psychosexual over the psycho-linguistic elements of his work. The wealth of sexual and pseudo-sexual imagery has acquired a negative charge, and has been used to evidence claims that Thomas was the epiphon of his own disturbed psyche, thus reducing the poetry to the expression of the poet’s schizoid neuroses. Avoiding the biography-based approaches that have dominated hitherto, Liberating Dylan Thomas rescues his early poetry from the position of servitude to the discursive mastery of psychoanalysis. Placing the poetry and psychoanalysis together in a mutually illuminating dialogue, this book clearly demonstrates the ways in which the vital connection between post-Freudian psychoanalysis and Thomas’s early poetry can be articulated without reductive simplification.

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Meister Eckhart and Thomas of Erfurt lived streets away from one another. Thomas was the last great figure of the Modistae, the speculative grammarians who were concerned with the relationship between grammar and ontology, the structure of the sentence mirroring the structure of the world. Thomas’ major work – the Grammatica speculativa – was deeply influential in the medieval period. But does Thomas’ geographical proximity to Eckhart suggest a concomitant influence of modism on his thought? What of modism’s legacy after the rapid demise of the grammatical theory in the early-mid fourteenth century? The contributions to this volume deal with these matters, and were originally presented at the ‘Meister Eckhart and Thomas of Erfurt’ conference at the Max-Weber-Center at the University of Erfurt, 14-15 November 2013.

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Dylan Thomas's letters bring the fascinating and tempestuous poet and his times to life in a way that no biography can.The letters begin in the poet's schooldays and end just before his death in New York at the age of 39. In between, he loved, wrote, drank, begged and borrowed his way through a flamboyant life. He was an enthusiastic critic of other writers' work and the letters are full of his thoughts on the work of his contemporaries, from T.S. Eliot and W.H. Auden to Stephen Spender and Cecil Day-Lewis.A lifetime of letters tell a remarkable story, each taking the reader a little further along the path of the poet's self-destruction, but written with such verve and lyricism that somehow the reader's sympathies never quite abandon him.

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The Bijlmer Spinoza-Festival is an artwork, a sculpture, created by Swiss artist Thomas Hirschhorn in a peripheral borough of Amsterdam’s south-east known as the Bijlmer in 2009. This book recounts the event through the eyes of its “Ambassador”, art historian Vittoria Martini, who was invited by the artist to be an eyewitness to the existence of this “precarious” work. A term Hirschhorn sees as positive and creative: a means of asserting the importance of the moment and of the place, of asserting the Here and Now to touch eternity and universality. Appreciating the art historian’s presence as a central element of his sculpture, Hirschhorn consciously challenged the certainties of the profession by empowering and activating the role, thus leading Martini to find a new working methodology that she calls “precarious art history”. Accompanying the readers through her experience of the physical existence of The Bijlmer Spinoza-Festival, Martini’s commentary leads to the profound understanding of how a work that no longer exists physically, can live on in the mind— elsewhere, at some other time—because in the meantime it has become universal.

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Published by Boydell & Brewer Inc.

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'Magical, beguiling... Carries echoes of Toni Morrison's Beloved' Guardian A Vulture 'Book We Can't Wait to Read in 2022' They had not lost anyone that year, or the ones they had lost were not worth remembering... Set in the fictional Kenyan town of Mapeli, Things They Lost tells the story of four generations of women, each haunted by the mysterious curse that hangs over the Brown family. At the heart of the novel is Ayosa Ataraxis Brown, twelve years old and the loneliest girl in the world. Okwiri Oduor's stunningly original debut novel sings with Kenyan folklore and myth as it traces Ayosa's fragile, toxic relationship with Nabumbo Promise, her mysterious and beguiling mother who comes and goes like tumbleweed: lost, but not quite gone.

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Thomas Sankara was one of Africa's most important anti-imperialist leaders of the late 20th Century. His declaration that fundamental socio-political change would require a 'certain amount of madness' drove the Burkinabe Revolution and resurfaced in the country's popular uprising in 2014. This book looks at Sankara's political philosophies and legacies and their relevance today. Analyses of his synthesis of Pan-Africanism and humanist Marxist politics, as well as his approach to gender, development, ecology and decolonisation offer new insights to Sankarist political philosophies. Critical evaluations of the limitations of the revolution examine his relationship with labour unions and other aspects of his leadership style. His legacy is revealed by looking at contemporary activists, artists and politicians who draw inspiration from Sankarist thought in social movement struggles today, from South Africa to Burkina Faso. In the 30th anniversary of his assassination, this book illustrates how Sankara's political praxis continues to provide lessons and hope for decolonisation struggles today.

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