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Verlag Kettler Georg Schmidt Interface
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Verlag Kettler Max Olderock
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Verlag Kettler Buchinger Wilhelmi
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Verlag Kettler Bergheim M Reclaim the Unknown
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Verlag Kettler SEE COLLECTIVE
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Verlag Kettler Hefte zur Baukunst 5
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Verlag Kettler BildungStadtBautenRuhr
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Verlag Kettler Inke Günther
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Verlag Kettler Joseph Beuys Intuition 1968
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Verlag Kettler Pleasure to burn
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Verlag Kettler Ship Ahoi
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Verlag Kettler nachtgelichtet Zeichnung
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Verlag Kettler Counter Balance
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Verlag Kettler Der Architekt Peter Grund und die Tradition in der Moderne
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Verlag Kettler Marco Stanke Alf Lechner
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Verlag Kettler MATCHENDLICHKEIT
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Verlag Kettler Erinna König
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Verlag Kettler Wolfgang Folmer
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Verlag Kettler Martin Bruno Schmid
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Verlag Kettler Peter Schmersal und Raimund van Well
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Verlag Kettler Gregor Guski
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Verlag Kettler Georges Adéagbo
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Verlag Kettler Menschenleer voll Menschlichkeit
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Verlag Kettler FACE TO FACE
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Verlag Kettler Harald Deilmann
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DruckVerlag Kettler Sammlung Philara: Attempts to be Many
The Sammlung Philara and Verlag Kettler are pleased to present a resource-saving and affordable art book series in pocket format, aimed at mobile readers. In them, discursive exhibitions of the Philara Collection are documented and complemented with socio-critical voices from theoretical, journalistic or writing perspectives. As an opener, the publication Attempts to Be Many poses the question of how dynamic concepts of identity can be formulated in opposition to rigid constructs of foreign attribution and ideological one-dimensionality. The exhibition of the same name with works by Nara Bak, Jana Buch, Donja Nasseri, Arisa Purkpong, Anys Reimann and Theresa Weber in the Philara Collection 2021/2022 also negotiated the plurality of identities and new narrative forms in relation to learned narratives. The renowned cultural scientist and writer Mithu Sanyal opens up a very personal approach with her text to the exhibition by breaking through identity-political regulatory discourses that flatten into the categories of origin, ethnicity, religion, or gender. Text in English, German and Thai.
£20.70
DruckVerlag Kettler further 01: Fotobus Society
The Fotobus Society, set up by Christoph Bangert, is a network that connects more than 400 photography students from 29 German and European universities and photography schools. Members can benefit from a wide range of cultural and social activities offered by the association. At the heart of the community is a 30-year-old bus serving as a mobile photography school that regularly carries members to photo festivals, symposia, and professional events. Over the years, the association has firmly established itself as a promoter of cultural and academic exchange within the international photography scene. This book, showcasing selected works by members, inaugurates a series that will be published annually by Verlag Kettler. The projects presented in this first edition offer an overview of different contemporary approaches that oscillate between documentary and conceptual photography, challenging and crossing the boundaries of the genre. Many of these works have already received international awards. Collected in a single volume, they provide intriguing insights into today's young European world of photography.
£22.50
DruckVerlag Kettler Matheus Rocha Pitta: For the Winners the Potatoes
The KfW Foundation and the cultural centre Künstlerhaus Bethanien are collaborating on a studio programme offering a twelve month residency in Berlin to young artists from Africa, Latin America and the Middle East. Verlag Kettler presents the artistic work of the grant holders in an on-going book series. Matheus Rocha Pitta (born 1980 in Tiradentes, Brazil, lives and works in Rio de Janeiro) has created a new group of works entitled For the Winners the Potatoes. At the time of publication, this work an be found at the exhibition room of Künstlerhaus Bethanien, as well as in two of Berlin's underground stations, Hermannplatz and Gesundbrunnen, and in a showcase at SOX in Berlin's Oranienstraße. Rocha Pitta's performative installations at Künstlerhaus Bethanien and in the underground stations allow him to interact with the public. He presents trophies that are made of plastic bags or concrete instead of gold, silver or bronze, and invites visitors to take along potatoes as victory trophies. His work deconstructs the concept of victory and the hierarchy of winners and losers, creating a dense network of historical references going back to Ancient Greece and asking fundamental questions about the meaning of gestures, the community and its value. Rocha Pitta portrays his trophies with a mocking sense of humour. By connecting glory with mundane, everyday objects, he aims to subvert the hierarchy of winners and losers and invites the spectator to rethink the meaning of victory and defeat.
£18.00