Search results for ""silvana editoriale""

A selection of pictures from the international motorbike event where riders can have fun with style. Deus Swank Rally is an international event, bizarre, eccentric and highly amusing. The name says it all: elegance, swank, but it's still a rally, so motorbikes and riders inevitably douse themselves in mud and dust. All the motorbikes are welcomed: studded specials, enduros with carburettors, even the most inappropriate. During the day gentlemanly competitions are held, self-timed, no cheating; in the evening there is a party among friends. What happens at a Swank Rally? It's all been captured in the beautiful pictures of this book. Text in English and Italian.

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Christine Rebet is fascinated by sleight of hand and optical illusions, the principal forms of entertainment before the invention of motion pictures. She combines history and fiction by creating fantasy universes that play with her viewers’ unconscious by means of deceptive measures, still employed in contemporary politics and the media. Drawing is at the heart of her artistic process and is closely linked to language and mime, as well as to sound and music. Christine Rebet uses animation, a hybrid medium in which the repetition of a drawing gives the illusion of movement, creating what she calls her ‘paper cinema’. Text in English and French.

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Nicole Bottet encapsulates time. The singular expression of an artistic career that doesn’t fit into any specific school, delicately presents itself and lets us into an intimate space, a sacred place of muted dialogues. Ungrounded and yet firmly rooted, her large paintings are paralleled by a long trail of letters, photos, old adverts. A bouquet withers on the canvas, its petals fall onto a father’s letter, a declaration of love bursts out of a tablecloth. Conversations become paintings. A red glow slips behind the mountain of letters. The unique demonstration of the sweetness of life amid everyday torment, this painting brings us face to face with a nude haloed in light, a sun-drenched wall, it discovers the sparkle of a crystal, the spontaneity of a vivid red, a deep green. Suspended like a star, gold shines through the obscurity. The work of Nicole Bottet can be seen in private collections and museums throughout Europe, Japan, China, the United States and Canada. Text in English and French.

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The volume is dedicated to the work of New York-based Croatian artists TARWUK, presented, for the first time in Italy, at the Maramotti Collection in Reggio Emilia. A constant depiction of the human form – exploring the multiple ways it can exist and the flowing, expressive quality of the body – represents the formal result of TARWUK’s deep, probing research into identity and the marks that memories and subconscious tensions leave on our bodies, shaping them physically. The artists, who were born in socialist Yugoslavia and grew up in the Balkans during the Croatian War of independence (1991-5), see their anatomically dissected sculptures as symbolising loss and conflict. However, they are also organisms with the potential for regeneration and rebirth: traces of beauty and the opportunity for transcendence can be glimpsed amidst the waste technological materials and signs of devastation. Drawing is another essential part of TARWUK’s practice: TARWUK’s drawings, which are fully fledged forms of expression, not preparatory works, have a dreamy and immediate quality, with echoes of late 19th-century and early 19th-century symbolism and the Vienna Secession, a period the artists see as a sort of equilibrium, a moment of balance between opposing tensions – death and beauty, decadence and decoration – that competed for dominance. The volume includes a text by Mario Diacono and a conversation between Bob Nickas and TARWUK. Text in English and Italian.

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Lee Mingwei's artistic practice is primarily concerned with rituals of giving and receiving. His solo exhibition presented at Gropius Bau in Berlin, showcases his installations and performances from the last three decades: central to the exhibition is an exploration of art's potential to be a transformative gift. In Lee Mingwei's works immaterial gifts such as song, conversation or contemplation are given and received. For many of his projects the starting point is his personal encounters, which are then transformed into installations. Seeing such experiences as moments in which time is gifted, Lee's projects reveal a fascination for the role of the host. Accordingly, in autumn 2019, the artist put out open calls looking for Berlin-based hosts to participate in several of his projects. In The Living Room hosts are invited to exhibit their unique collections and in The Mending Project the menders host conversations with visitors whilst repairing their damaged items of clothing. These processes create a common space where viewers are given the opportunity to enter into and exchange, and where rituals of care and healing begin to unfold. Text in German.

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Paintings, installations, sculptures and photographs from around fifty artists compose a chronological course of the different currents of non-conformist art in the former U.S.S.R and Russia. The Tretyakov Collection was created between 1983 and 2008 on the initiative of Russian art critic Andrei Erofeev to create a museum of the history of art mavericks in Moscow, as no Soviet institution was interested in the avant-garde. Originally composed of more than 5000 pieces, a selection of this collection eventually became part of the Tretyakov National Gallery, making it the first institution to house a department of Russian contemporary art. The exhibition thus allows a new dive in to this 'Underground' of the years 1960-2000. Each chapter brings together artists from the same movement and highlights their affinity with Tachism, kinetic art, Pop Art, conceptual art, or performance. The composition of the collection, revealing the sometimes-complex relationships between artists, official art of the Soviet era and institutions, will be evoked by historical documents, chronological friezes and an educational program. Text in English and French.

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From 12 October 2019 to 19 January 2020, the South Korean artist Kimsooja will surround the City of Poitiers on the occasion of the first edition of Traversées, a new international artistic and cultural event, closely linked to the destiny of a major building, the Palace of the Dukes of Aquitaine, and its neighbourhood, historical and heritage heart of the city. Kimsooja welcomes other artists, with whom her work resonates, and invites them to look at the city and create new perspectives. From India to Morocco, via South Korea, Peru or Japan, Traversées / Kimsooja is an invitation to a kaleidoscopic trip around the world, punctuated by installations, concerts and performances. Text in English and French.

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Showcasing the greatest talents to emerge from the world of ceramics over the last 25 years, 4 sites in the city of Vallauris, France, will be opening up their spaces to artists who will redefine the very concept of the Biennale. The Musée Magnelli de la Céramique, Eden, and the Maison des Quartiers, as well as Espace Grandjean, will in turn exhibit the latest trends in the field. Their fascinating exhibitions enhance this artistic vein, which is sparking renewed interest. Creative and innovative, the present edition of the Biennale highlights the emergence of new ways of creating with an orientation towards current technologies. Exemplary porcelains are presented here for the first time, next to the best of contemporary international ceramic creation.

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This volume celebrates Luigi Pericle, painter, but also thinker, literate, scholar of theosophy and esoteric doctrines, revealing his extraordinary history, made of profound research and great encounters. From well-known collector Peter G. Staechelin to Sir Herbert Read, trustee of the Tate Gallery; from the museologist Hans Hess, curator of the York Art Gallery, to the famous German artist and director Hans Richter - everyone was attracted by his charisma, his versatile personality, his 'clairvoyant' art. With Luigi Pericle, the history of informal art of the second post-war period unexpectedly opens to philosophy, to alternative spirituality, to the mysteries of the cosmos, against the background of the space age. Essays by: Marco Pasi, Luca Bochicchio, Chiara Gatti, Michele Tavola, Andrea Biasca-Caroni, Valeria Malossa, and Giovanni Cavallo. Text in English and Italian.

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The extraordinary fecundity of the photographic medium between the first and second world wars can be persuasively attributed to the dynamic circulation of people, of ideas, of images, and of objects that was a hallmark of that era in Europe and the United States. Voluntary and involuntary migration, a profusion of publications distributed and read on both sides of the Atlantic, and landmark exhibitions that brought artistic achievements into dialogue with one another all contributed to a period of innovation that was a creative peak both in the history of photography and in the field of arts and letters. Few, if any, collections of photography capture the imaginative spirit of this moment as convincingly as the Thomas Walther Collection at The Museum of Modern Art. This volume represents an important chapter in the rich and complex lives of these works, providing ample evidence of the brilliance of the photographers practicing on both sides of the Atlantic in the interwar period.

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The glorious Manifattura Lenci of Turin is the protagonist of this volume, which presents one hundred and fifty works belonging to the Ferrero Collection. Small plastics and decorative sculptures have made the fortune of this historical manufacture, first active in the field of cloths and dolls, for 'toys in general, furniture, furnishings and children's clothing', and subsequently, since 1927, in the ceramic sector. The Lenci production was inspired by the fashion magazines of its time, between customs and bon ton, reflecting the taste of an era and a society, which had identified in its products the bourgeois status symbol. Lenci was characterised over the years by the creative contribution of important artists such as Sandro Vacchetti, Elena Konig Scavini, Marcello Dudovich, Gigi Chessa, Mario Sturani, and Abele Jacopi, who made the ceramic production unique and inimitable. In 1934 Sandro Vacchetti, former artistic director of Lenci manufactory, founded the successful Essevi ceramics, which follows in the footsteps of Lenci and constitutes a continuation of their style.

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Front cover image Gasometro M.A.N. n. 3 Carlo Valsecchi Not yet printed due - 03/19 9788836642366 Hardback Silvana Editoriale Territory: UK, Ireland, Scandinavia, Iceland, Germany, Eastern Europe & Austria Size: 335 mm x 320 mm Pages: 60 Illustrations: 20 colour RRP £26.50 A sense of awe and sacredness surrounds the spectacular views of a newly restored gasometer in Bologna, portrayed by photographer Carlo Valsecchi The book presents the artistic project conceived by Carlo Valsecchi for the M.A.N. n.3 gasometer of Bologna, object of a recent restoration that, in returning it to the city, has given new strength to the landscape of which it is part. As the curator explains, in the architectural spaces that Valsecchi portrays, on the one hand one perceives the deepest mystery and fascination of these places, on the other one feels the sacredness of representation - subtle though evident in the scale adopted by the artist - and the sometimes coercive strength that these places bring with them. The volume includes an interview by Luca Massimo Barbero with the photographer, along with a biographical apparatus. Text in English and Italian.

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Front cover image Faces of Rome at Centrale Montemartini Photographs by Luigi Spina Claudio Parisi Presicce & Luigi Spina Not yet printed due - 06/19 9788836642724 Hardback Silvana Editoriale Territory: UK, Ireland, Scandinavia, Iceland, Germany, Eastern Europe & Austria Size: 300 mm x 240 mm Pages: 144 Illustrations: 60 b&w RRP £24.95 Sixty photographic prints depicting thirty-seven antique sculptures, covering a wide variety of types: Roman portraits from both the Republican and the Imperial periods Faces of Rome presents refined photographic research by Lugi Spina on the subject of ancient portraiture, carried out on the sculpture collection of the Capitoline Museums, housed in the Centrale Montemartini in Rome. At over 600 statues, the collection is one of the most important in the world. The photographs of the pieces have not been ordered and classified according to style and chronological order: instead, the author has set them out according to a system of evocations and similarities between the assorted faces, which are identified after long observation and deep analysis, and revealed through the skilful use of light and shadow. Text in English and Italian.

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The volume is the first publication dedicated exclusively to the theme of Italian perfumery. A real manual, divided into three parts, offering a summary of the perfumes produced in Italy, reviewing the great brands that have made the olfactory taste known throughout the world, through wonderful essences, cutting-edge marketing and bottles with a refined design. The author, in reminding us how modern perfumery was born in Italy – reaching the much more famous France only in the 16th century, when Caterina de ‘Medici married the Duke of Orleans – retraces in the first part of the book the events that have marked the development of this art, which has become one of the excellences of Made in Italy. An anthology of 100 famous perfumes follows – selected for the significance of their features – accompanied by extensive descriptive cards and divided by decades starting from the seventies, allowing you to follow the evolution of contemporary perfumery up until current trends. A chapter is then dedicated to the perfume production chain, told in the words of some excellent protagonists. Rich apparatuses complete the volume: research that covers the approximately 7,000 fragrances produced in Italy in the last 50 years, with an indication of the manufacturer, the genre and year, and a table that visually illustrates the 100 fragrances divided into olfactory groups, and their chronological placement. After the international success of the Design History Handbook, Silvana Editoriale presents a new tool intended not only for insiders, but also for anyone that uses and loves perfumes. The book is sponsored by the Accademia del Profumo.

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