Search results for ""poetry book society""
Carcanet Press Ltd Self-Portrait as Othello
Winner of the Forward Prize for Best Collection 2023. Winner of the T.S. Eliot Prize 2023. Shortlisted for the Writers' Prize 2024. The Poetry Book Society Spring Choice 2023. A Guardian and The Irish Times Book of the Year. Jason Allen-Paisant's debut collection Thinking With Trees won the 2022 OCM Bocas Prize for poetry and was an Irish Times and White Review Book of the Year 2021. In Poetry London Maryam Hessavi wrote, 'Jason Allen-Paisant is uncompromising when digging down through the undergrowth of our imperialist past - and yet he succeeds in replanting new narratives in the same soil where these toxic ideologies used to, and still, reside.' The interlocking poems of his second collection, Self-Portrait as Othello, imagine Othello in the urban landscapes of modern London, Paris and Venice and invent the kinds of narrative he might tell about his intersecting identities. Poetic memoir and ekphrastic experiment, Self-Portrait as Othello focuses on a character at once fictional and real. Othello here represents a structure of feeling that was emerging in seventeenth-century Venice, and is still with us. Portraiting himself as Othello, Allen-Paisant refracts his European travels and considers the Black male body, its presence, transgressiveness and vulnerabilities. Othello's intertwined identities as 'immigrant' and 'Black', which often operate as mutually reinforcing vectors, speak to us in the landscape of twenty-first-century Europe.
£12.99
Little, Brown Book Group Devotions
A New York Times Bestseller, chosen as Oprah's 'Books That Help Me Through' for Oprah's Book ClubChosen by Poetry Book Society as their special commendation'No matter where one starts reading, Devotions offers much to love, from Oliver's exuberant dog poems to selections from the Pulitzer Prize-winning American Primitive, and Dream Work, one of her exceptional collections. Perhaps more important, the luminous writing provides respite from our crazy world and demonstrates how mindfulness can define and transform a life, moment by moment, poem by poem' The Washington Post'It's as if the poet herself has sidled beside the reader and pointed us to the poems she considers most worthy of deep consideration' Chicago TribuneThroughout her celebrated career, Mary Oliver touched countless readers with her brilliantly crafted verse, expounding on her love for the physical world and the powerful bonds between all living things. Devotions is a stunning, definitive and carefully curated collection featuring work from over fifty years of writing - from Oliver's very first book of poetry, No Voyage and Other Poems, published in 1963 at the age of 28, through to her last collection, Felicity, published in 2015. This timeless volume, arranged by Oliver herself, showcases the beloved poet at her edifying best. Within these pages, she provides us with an extraordinary and invaluable collection of her passionate, perceptive, and much-treasured observations of the natural world.
£27.00
Bloodaxe Books Ltd Stranger to Nothing
Philip Levine was the authentic voice of America's urban poor. Born in 1928, the son of Russian-Jewish immigrants, he spent his early years doing a succession of heavy labouring jobs. Trying to write poetry 'for people for whom there is no poetry', he chronicled the lives of the people he grew up with and worked with in Detroit: 'Their presence seemed utterly lacking in the poetry I inherited at age 20, so I've spent the last 40-some years trying to add to our poetry what wasn't there.' Much of his poetry addresses the joys and sufferings of industrial life, with radiant feeling, as well as painful irony: 'It took me a long time to be able to write about it without snarling or snapping. I had to temper the violence I felt toward those who maimed and cheated me with a tenderness toward those who had touched and blessed me.' Always a poet of memory and invention, Philip Levine has continually written poems which search for universal truths. His plain-speaking poetry is a testament to the durability of love, the strength of the human spirit and the persistence of life in the face of death. Poetry Book Society Special Commendation.
£12.00
Carcanet Press Ltd Wow
A Poetry Book Society Winter 2020 Recommendation. Bill Manhire's Wow opens with the voice of an extinct bird, a song from anciency, and takes us forward into the present and the darkening future of other extinctions. For Manhire, the reach of the lyric is long: it has the penetration of comedy, satire, the Jeremiad, but also the delicacy of minute detail and the rhythms of nature's comfort and hope, the promise of renewal. In the title poem the baby says 'Wow', and the wonder is real at the world and at language. But the world will have the last word. Writing of Manhire, Teju Cole declared, 'Being the leading poet in New Zealand is like being the best DJ in Estonia, impressive enough on its own terms. But Bill Manhire is more than that: he's unquestionably world-class. As with Seamus Heaney, you get a sense of someone with a steady hand on the tiller, and both the will and the craft to take your breath away.' Bill Manhire was New Zealand's first poet laureate. He established and until recently directed the International Institute of Modern Letters at Victoria University of Wellington. This is the ninth of his Carcanet books in 30 years. They include a Selected and a Collected Poems.
£10.99
Carcanet Press Ltd Book of Days
Book of Days is a long poem recounting a journey along the popular pilgrimage route, or 'Camino' to Santiago de Compostela in northern Spain. Animated by song and conversation, the poem is filled with the stories of those encountered along the way, combining a multi-voiced soundscape with vivid verbal sketches of landscape and architecture. The possibilities and contradictions of a twenty-first-century pilgrimage are revealed: inevitably informed by tourism and technology, yet offering new kinds of fellowship and connection in an age of individualism and rootlessness. Book of Days can be read as a travel memoir, a meditation on community and solitude, on friendship and sisterhood, and on spirituality. What pilgrims seek on setting out and what they discover as they go prove to be complementary. Phoebe Power's debut collection, Shrines of Upper Austria (Carcanet, 2018), a Poetry Book Society Recommendation, was shortlisted for the 2018 T. S. Eliot Prize and won the 2018 Forward (Felix Dennis) Prize for Best First Collection. Book of Days extends the formal and thematic concerns of the first book, travelling a new set of paths but with the same restless curiosity and celebratory wonder.
£11.99
Bloodaxe Books Ltd Beauty/Beauty
The world of Beauty/Beauty is 'built from the nose/out, like a painting', accumulating its various feelings, ideas, objects, disappointments and joys to the point of almost overflowing. Preoccupied with demise and loss, as well as reimagination and regeneration, Rebecca Perry's debut collection has the duality and symmetry of its title at its core. Beauty/Beauty is a book with tenderness running through its veins, exploring salvation, reparation and the fullness of being alive; the difficulty of defining what love is, the heartbreak, the faraway friends, the overwhelming abundance of things in museums. It is alive with memories, with old loves hanging around in the corners of dark rooms, ghost mouths hidden inside the mouth you are kissing, and eulogies to dearly departed pets. Each poem creates its own tiny world to be lived in and explored; a stegosaurus is adored, a million silver spiders play dead, a list of flowers is not really a list of flowers, adorable dogs want to be friends, the flightless grow wings, and the stars turn green. Beauty/Beauty was a Poetry Book Society Recommendation, won the Michael Murphy Memorial Prize 2017, and was also shortlisted for the T.S. Eliot Prize, the Fenton Aldeburgh First Collection Prize and the Seamus Heaney Centre for Poetry Prize for First Full Collection.
£10.99
Carcanet Press Ltd This Afterlife: Selected Poems
Winner of the Anglo-Hellenic League Runciman Award 2023. Shortlisted for the London Hellenic Prize 2022. The Poetry Book Society Winter Special Commendation 2022. 'The ancients taught me how to sound modern,' A.E. Stallings said in an interview. 'They showed me that technique was not the enemy of urgency, but the instrument.' For her, 'technique' is rooted in traditions of strict forms and metres, an interest that sets her apart as modern - and American - in challenging ways, for being on the face of it old-fashioned, yet ambitiously experimental among the forms she uses. Raised in Atlanta, Georgia, she lives in Athens, Greece. Her poems come out of life's dailiness - as a wife, mother, teacher, an expatriate between languages, a brilliant translator of ancient and modern Greek. She also translates Latin, her most notable large work being the Penguin Lucretius, translated into fourteeners. Being a poet in Greece entails, for her, being part of that world. She was among volunteers helping refugees as they arrived in Greece, and their experience haunted her to write, 'My love, I'm grateful tonight / Our listing bed isn't a raft / Precariously adrift / As we dodge the coast guard light...' The sharp quatrain commends the observation to memory. The poems, without self-indulgence or confession, are intimate as they address 'My love', children or friends.
£15.99
Carcanet Press Ltd Shrines of Upper Austria
Longlisted for the 2019 Michael Murphy Memorial Prize Shortlisted for the 2019 Seamus Heaney First Collection Prize Shortlisted for the 2019 Somerset Maugham Award from the Society of Authors Shortlisted for the 2018 T. S. Eliot Prize. Winner of the 2018 Forward (Felix Dennis) Prize for Best First Collection. A Poetry Book Society Spring 2018 Recommendation. Wandering in central Europe, a traveller observes and records a landscape of lakes, folk culture and uneasy histories. Phoebe Power's Shrines of Upper Austria gathers numerous stories and perspectives, such as the fragmented narrative of an Austrian woman who married a British soldier after the Second World War, and the voices of schoolchildren and immigrants. Strange discoveries are made: a grave for two dead goats; a lantern procession on the night of Epiphany; a baby abandoned by a river; a homemade frog-puppet. The poems are a collage of stories and histories, set in a variety of forms and registers. They are attentive to local detail, rich in the names of people and places - Marija, Omegepta, Eck 4 and the Loser Mountain. Mixing poetry and prose, image and narrative, German and English, Power's poems are a celebration of creativity in unlikely places. Against a disquieting backdrop of mild winters and memories of snow, they invite us to question what it means to feel at once a stranger and at home.
£9.99
Bloodaxe Books Ltd The Bloodaxe Book of Modern Welsh Poetry
Welsh is the oldest surviving Celtic language, and the most flourishing. For around fifteen centuries Welsh poets have expressed an intense awareness of what it is like to be human in this part of the world in poems of extraordinary range and depth. And despite the global tendency towards homogenisation, Welsh poets have fought back, drawing inspiration from both the traditional and the contemporary to forge a new and rainbow-like modernism. This wide-ranging anthology of 20th-century Welsh-language poetry in English translation – by far the most comprehensive of its kind – will be a revelation for most readers. It will dispel the romantic images of Welsh poets as bards or druids and blow away any preconceived mists of Celtic twilight. This poetry is full of vitality, combining old craftsmanship and daring innovation, humour and angst, the oral and the literary. The selection brings together poets of every hue: from magisterial figures like T Gwynn Jones, R Williams Parry and Saunders Lewis to folk poets such as Alun Cilie and Dic Jones; from cerebral poets Pennar Davies and Bobi Jones to popular entertainers Geraint Løvgreen and Ifor ap Glyn. There are Chaplinesque poets, rebellious and subversive ones, lyrical voices and storytellers. The variety is enormous: from Welsh performance poetry to song lyrics; from the wry social comment of Grahame Davies to the contemporary parables of Gwyneth Lewis, who writes different kinds of poems in Welsh and English. This exuberant chorus of voices from the margins of Europe proves that poetry in this minority language is far from stagnant. Poetry Book Society Recommended Translation.
£18.95
Bloodaxe Books Ltd Women in Comfortable Shoes
Hot on the heels of her previous collection Men Who Feed Pigeons, Selima Hill's Women in Comfortable Shoes is her 21st book of poetry, presenting eleven contrasting but well-fitting sequences of short poems relating to women: Fishface: A disobedient young girl is sent to a Catholic convent school to give her mother a break. My Friend Weasel: The 50s. A girls' boarding school where the girls are somehow managing to make new friends. Susan and Me: On friendship. Two close friends, one of whom, Susan, is heading for a nervous breakdown. Dolly: Dolly is a duck. The other 29 women are, in their various ways, human. My Mother with a Beetle in Her Hair: A daughter's passion for swimming – despite of her mother hating every minute. Fridge: Lorries, geese and fridges speak of death, grief and absence. My Spanish Swimsuit: A daughter fears her rabbit-trapping father.. The Chauffeur: A pair of bad-tempered sisters, a parrot and a cat. Girls without Hamsters: An older woman's obsession with a spider-legged young man. Reduced to a Quivering Jelly: Vera is old, and getting older, but she doesn't seem to care. Dressed and Sobbing: A woman is surprised to find herself getting older and lazier. The book is a Poetry Book Society Recommendation.
£12.99
Carcanet Press Ltd The Crash Wake and other poems
The Poetry Book Society Winter Wild Card 2021. In February 2020, ventilated tetraplegic poet Owen Lowery and his wife, Jayne, were travelling to Scotland when their vehicle aquaplaned, spun round on the motorway, hit a barrier, flipped over the barrier and rolled over several times, before coming to rest on its side in a field. Having barely survived, Lowery emerged into a world transformed by the coronavirus, one in which life and death had moved closer. During his months of recovery from three brain bleeds, a shattered right arm, multiple seizures and pulmonary bleeding, Lowery returned to writing poems, many of which address the strangeness, the disorientation, of his situation and that of the world in general. Lowery wrote these poems amidst reports of Government and health initiatives that suggested potential utilitarian sacrifices of 'the vulnerable'. Completed shortly before his death in May 2021, the fear and loss of the vulnerable and the voiceless haunt many of the poems. In the 'Crash Wake' sequence, Lowery adopted a twelve-line form. Twelve lines was as long as he could manage to sustain a poem at the time, due to repercussions from his head injury. The form also allowed him to take what Keith Douglas called 'extrospective' snapshots of the new environment in which he found himself: streets empty of people, an Italian village cut off by the army, a train in India killing migrant workers in their sleep. Recovery, nature and love fill the gaps in this changed world. Lowery's final book appreciates afresh landscape and wildlife, family and marriage, the importance and fragility of life.
£12.99
Carcanet Press Ltd Virga
Winner of the African Poetry Book Fund's 2022 Luschei Prize for African Poetry. A Poetry Book Society Autumn 2021 Recommendation. An Irish Times Best Poetry Books of 2021. Virga is the third book of poems by Zimbabwean poet Togara Muzanenhamo, following on from his acclaimed collections Spirit Brides (2006) and Gumiguru (2014). Set in the twentieth century, Virga features historical events woven together by the weather. From the spiritual silence of a sundog during the 1911 Japanese Antarctic Expedition, to the 1921 World Championship chess matches in the Cuban heat, to the final hours of a young Bavarian mountaineer in the Bernese Alps in 1936 and strange white clouds decimating whole villages in northern Cameroon in 1986 - the poems capture stories of a rapidly evolving century beneath an ancient, fragile sky. The title relates to the meteorological phenomenon in which a column, shaft or band of rain or snow is seen falling from a cloud but never reaching the earth - evaporating before touchdown. Like Gumiguru, which has so much to do with weather, Virga continues with it, its impact on our daily lives. But, here, his geography broadens out to include wider worlds and different histories artfully strung together by the poet's fascination with the elements. Togara Muzanenhamo was shortlisted for the Jerwood Alderburgh First Collection Prize and the Glenna Luschei Prize for African Poetry.
£11.03
Faber & Faber England's Green
SHORTLISTED FOR THE T. S. ELIOT PRIZEPOETRY BOOK SOCIETY RECOMMENDATIONZaffar Kunial is a proven master of taking things apart, polishing the fugitive parts of single words, of a sound, a colour, the name of a flower, and putting them back together so that we see them in an entirely different light. In the poems of England's Green, we are invited to look at the place and the language we think we know, and we are made to think again. With everything so newly set, we are alert, as the poet is, to the 'dark missing / step in a stair', entering this new world with bated breath. By such close attention to the parts, the poems have a genius for invoking absence, whether that be a missing father, the death of a mother or a path not taken. Fully formed, they share a centre of gravity: migrations, memories, little transgressions and disturbances, summoned and contained in small gestures - a hand held, the smell of a newly bred rose or the scratch a limpet makes to mark its home.'Zaffar Kunial is a poet whose work thrills me, who makes you return to the origins of things, places, language and people again and again. He's a poet who takes traditions seriously but makes of them something entirely new - a must.' Jackie Kay
£12.99
Bloodaxe Books Ltd Collected Later Poems 1988-2000
R.S. Thomas (1913-2000) is one of the major poets of our time, as well as one of the finest religious poets in the English language and Wales’s greatest poet. This substantial gathering of his late poems shows us the final flowering of a truly great poet still writing at the height of his powers right through his 70s and 80s. It begins with his autobiographical sequence The Echoes Return Slow, which has been unavailable for many years, and goes up to Residues, written immediately before his death at the age of 87. These powerful poems – about time and history, the self, love, the machine, the Cross and prayer – cover all of his major areas of questioning. This is R.S. Thomas in a winter light, his fury concentrated on the inhumanity of man and modern technology, his gaze absorbed by the God he felt in Nature, but finding nourishment in 'waste places'. At the same time he writes with resigned feeling and immense insight, as well as grim humour and playful irony, of isolation, ageing, marriage and 'love’s shining greenhouses'. For Thomas, 'Poetry is that / which arrives at the intellect / by way of the heart.' Collected Later Poems 1988-2000 is the sequel to R.S. Thomas’s Collected Poems 1945-1990 (Dent, 1993; Phoenix Press, 1995), which only covers his collections up to Experimenting with an Amen (1986). It reprints in full the contents of R.S. Thomas’s last five collections, The Echoes Return Slow (Macmillan, 1988: unavailable for many years), and Bloodaxe’s Counterpoint (1990), Mass for Hard Times (1992), No Truce with the Furies (1995) and the posthumously published Residues (2002). It was a Poetry Book Society Recommendation. It was followed in 2013 by Uncollected Poems and in 2016 by Too Brave to Dream.
£18.00
Carcanet Press Ltd Child Ballad
A Poetry Book Society Winter Recommendation 2023. A Sunday Times Book of the Year. In Child Ballad, David Wheatley's sixth collection, he explores a world transformed by the experience of parenthood. Conducting his children through landscapes of Northern Scotland, he follows pathways laid down by departed Irish missionaries and by wolves. He maps a rich territory of rivers, trees and mountains. Also present are histories, some evidenced, some no longer visible and yet to be inferred. Stylistically, Child Ballad is multifaceted, drawing on influences from the Scottish ballad tradition and the Gaelic bards, on French symbolism and on the American Objectivists. Wheatley is an Irish poet living and teaching in Scotland: as a cultural corridor, his Scotland is a space of migrations and palimpsests, different traditions held in dynamic balance and fusion. Writing across geographical and historical distances as he does, Wheatley develops an aesthetic of complex intimacy, alert to questions of memory and loss, communicating the ache of the here and now. He sees through the eyes of young children and the world looks very different in its gifts and threats. Wheatley provides intimate descriptions of parenthood as well as of a Northern Scottish natural world. He deploys an ambitious range of poetic styles and forms. His poems put deep roots down into history and geology, and with translation into other languages. Themes of migration and politics are never far away. Child Ballad sings of midlife, of resettlement and marriage as well as of parenthood.
£12.99
Carcanet Press Ltd In the Same Light: 200 Tang Poems for Our Century
Winner of the Lucien Stryk Asian Translation Prize 2023. Shortlisted for the National Translation Award in Poetry 2023 by the American Literary Translators Association. The Poetry Book Society Spring 2022 Translation Choice. Chinese poetry is unique in world literature in that it was written for the best part of 3,000 years by exiles, and Chinese history can be read as a matter of course in the words of poets. In this collection from the Tang Dynasty are poems of war and peace, flight and refuge but above all they are plain-spoken, everyday poems; classics that are everyday timeless, a poetry conceived "to teach the least and the most, the literacy of the heart in a barbarous world," says the translator. C.D. Wright has written of Wong May's work that it is "quirky, unaffectedly well-informed, capacious, and unpredictable in [its] concerns and procedures," qualities which are evident too in every page of her new book, a translation of Du Fu and Li Bai and Wang Wei, and many others whose work is less well known in English. In a vividly picaresque afterword, Wong May dwells on the defining characteristics of these poets, and how they lived and wrote in dark times. This translator's journal is accompanied and prompted by a further marginal voice, who is figured as the rhino: "The Rhino in Tang China held a special place," she writes, "much like the unicorn in medieval Europe - not as conventional as the phoenix or the dragon but a magical being; an original spirit", a fitting guide to China's murky, tumultuous Middle Ages, that were also its Golden Age of Poetry, and to this truly original book of encounters, whose every turn is illuminating and revelatory.
£19.99
Bloodaxe Books Ltd Leabhar na hAthghabhála: Poems of Repossession
Poetry Book Society Recommended Translation Irish-English dual language edition This is the first comprehensive critical anthology of modern poetry in Irish with English translations. It forms a sequel to Seán Ó Tuama and Thomas Kinsella's pioneering anthology, An Duanaire 1600-1900 / Poems of the Dispossessed (1981), but features many more poems in covering the work of 26 poets from the past century. It includes poems by Pádraig Mac Piarais and Liam S. Gógan from the revival period (1893-1939), and a generous selection from the work of Máirtín Ó Direáin, Seán Ó Ríordáin and Máire Mhac an tSaoi, who transformed writing in Irish in the decades following the Second World War, before the Innti poets – Michael Davitt, Liam Ó Muirthile, Nuala Ní Dhomhnaill, Cathal Ó Searcaigh, Biddy Jenkinson – and others developed new possibilities for poetry in Irish in the 1970s and 80s. It also includes work by more recent poets such as Colm Breathnach, Gearóid Mac Lochlainn, Micheál Ó Cuaig and Áine Ní Ghlinn. The anthology has translations by some of Ireland's most distinguished poets and translators, including Valentine Iremonger, Michael Hartnett, Paul Muldoon, Eiléan Ní Chuilleanáin, Bernard O'Donoghue, Maurice Riordan, Peter Sirr, David Wheatley and Mary O'Donoghue, most of them newly commissioned for this project. Many of the poems, including Eoghan Ó Tuairisc's anguished response to the bombing of Hiroshima, 'Aifreann na marbh' [Mass for the dead] have not previously been available in English. In addition to presenting some of the best poetry in Irish written since 1900, the anthology challenges the extent to which writing in Irish has been underrepresented in collections of modern and contemporary Irish poetry. In his introduction and notes, Louis de Paor argues that Irish language poetry should be evaluated according to its own rigorous aesthetic rather than as a subsidiary of the dominant Anglophone tradition of Irish writing. Irish-English dual language edition co-published with Clo Iar-Chonnachta. [Leabhar na hAthghabhala is pronounced Lee-owr-rr ne hathar-bvola].
£27.00
Carcanet Press Ltd [To] the Last [Be] Human
A Poetry Book Society Special Commendation Autumn 2022. [To] The Last [Be] Human collects four extraordinary poetry books—Sea Change, PLACE, fast, and Runaway—by Pulitzer Prize winner Jorie Graham. From the introduction by Robert Macfarlane: The earliest of the poems in this tetralogy were written at 373 parts per million of atmospheric CO2, and the most recent at 414 parts per million; that is to say, in the old calendar, 2002 and 2020 respectively. The body of work gathered here stands as an extraordinary lyric record of those eighteen calamitous years: a glittering, teeming Anthropocene journal, rife with hope and raw with loss, lush and sparse, hard to parse and hugely powerful to experience. Graham's poems are turned to face our planet's deep-time future, and their shadows are cast by the long light of the will-have-been. But they are made of more durable materials than granite and concrete, and their tasks are of record as well as warning: to preserve what it has felt like to be a human in these accelerated years when "the future / takes shape / too quickly", when we are entering "a time / beyond belief". They know, these poems, and what they tell is precise to their form... Sometimes they are made of ragged, hurting, hurtling, and body-fleeing language; other times they celebrate the sheer, shocking, heart-stopping gift of the given world, seeing light, tree, sea, skin, and star as a "whirling robe humming with firstness". To read these four twenty-first-century books together in a single volume is to experience vastly complex patterns forming and reforming in mind, eye, and ear. These poems sing within themselves, between one another, and across collections, and the song that joins them all is uttered simply in the first lines of the last poem of the last book: The earth said remember me. The earth said don't let go, said it one day when I was accidentally listening
£19.99