Search results for ""maney publishing""

This book explores the space Jean Paulhan sought to carve out, between art for art's sake and art for political ends, thereby establishing more clearly his place in the twentieth century. It deals with the challenge of Paulhan's work to represent contemporary, deconstructionist suspicions of truth.

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In the second half of the twentieth century, the Italian historical novel provided an unrivalled number of best sellers and publishing 'phenomena'. The success of the genre is closely related to a more general interest in revisiting the past in the light of a changed understanding of the nature, or philosophy, of history. This study aims to explore the particularly marked increase in the production and popularity of the historical novel in the period between the mid-1960s and the early 1990s, with reference to current debates on the nature of history. It presents a theoretical framework which establishes the centrality of philosophy of history to the development of the genre. The employment of this framework opens out the discussion of literary change to the consideration of historiographical developments and wider critical debate. The theoretical insights gained inform the close textual analysis provided in the chapters dealing with novels written by five of Italy's foremost contemporary writers: Leonardo Sciascia, Vincenzo Consolo, Sebastiano Vassalli, Umberto Eco, and Luigi Malerba.

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This work takes gender as its point of entry into the comedies of Carlo Goldoni (1707-93). The dramatization of femininity and masculinity is explored in conjunction with that of other social categories (class, the family, and age). The plays reinforce the patriarchal association of femininity with the body, with spectacle, and with theatricality, while the dramatic backdrop of Venice and carnival provides a context for the staging of issues relating to identity, disguise and fashion. In the plays, pretence and theatricality vie with bourgeois Enlightenment values of morality, honesty and respectability to produce dramatic tension with distinct gender implications.

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This title focuses on an Italian architect and engraver of the 18th century - Piranesi. In this book it is argued that Piranesi grants a metaphorical meaning to the Carcesi - a set of etchings - in order to impriso those he saw as obstructing the arts and threatening his own freedom. In light of the growing academic interest in Italy and the re-organization of many university courses in Italian, this series aims to bring together di fferent scholarly perspectives on Italy and its culture.

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This book explores the international trade of Bristol and its documentary and archaeological evidence, and offers a radical new interpretation for its early development. It is based on the conference held, from 20 to 24 July 1996, at Badcock Hall, University of Bristol.

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This book presents the latest research on the cities monuments from the arrival of Willibrord and Boniface and the establishment of the Bishopric. It focuses on 12th century sculptural iconography, manuscript production, fonts, secular architecture and the Gothic cathedral.

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This book focuses on the dress of one royal individual, Henry and his physique, portraiture, personal wardrobe, jewellery, regalia and ceremonial robes. It is the only other substantial record of the king's clothes in English archives on wardrobe and inventory.

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This book brings together critical essays on the role of the actor-author, spanning the period from the Renaissance to the present. It surveys the works of Dario Fo, De Filippo, and Bene, and casts light on a tradition which continues into Neapolitan and Sicilian theatre today.

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This book is an outcome of the conference on preserving archaeological remains in situ in Denmark. The conference focuses on long-term studies of degradation and monitoring of archaeological sites preserved in situ in urban, rural, and marine environments.

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This book looks at how the poetry of Seamus Heaney, born of the Troubles in Northern Ireland, has encountered the 'historically-tested imaginations' of Czeslaw Milosz, Joseph Brodsky, Osip Mandelstam, and Zbigniew Herbert. It argues that East Europeans have made a strong impact on Heaney's work.

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This book focuses on interpretations of the myth that lead to the Symbolist period and explores the Symbolist understanding of the Prometheus myth. It examines the main projections that were made onto the Prometheus figure, through a study of the artistic works devoted to the Titan.

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Chantries were religious institutions endowed with land, goods and money. At their heart was the performance of a daily mass for the spiritual benefit of their founders, and the souls of all faithful dead. To Church reformers, they exemplified some of medieval Catholicism’s most egregious errors; but to the orthodox they offered opportunities to influence what occurred in an unknowable afterlife. The eleven essays presented here lead the reader through the earliest manifestations of the chantry, the origins and development of ‘stone-cage’ chapels, royal patronage of commemorative art and architecture, the chantry in the late medieval parish, the provision of music and textiles, and a series of specific chantries created for William of Wykeham, Edmund Audley, Thomas Spring and Abbot Islip, to the eventual history and the cultural consequences of their suppression in the mid-16th century.

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This book examines the interface between two revolutionary writers of the twentieth century, James Joyce and Jorge Luis Borges. It argues that Borges created himself as a 'precursor' of Joyce and discusses the way in which Borges and Joyce conjured up the ghosts of Homer, Dante, and Shakespeare.

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This book provides a realistic historical and geographical perspective to begin closest to the Scandinavian homelands of Vikings and the Viking ideology and material culture, by looking at new research into aspects of their use of the sea, maritime communications and trade.

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Contemporary Italian Women Writers and Traces of the Fantastic

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This book examines and breaks the routine to propose alternative languages for criticism. It shows the commitments of some of the most distinctive voices in criticism, from literature, music, the visual arts, psychoanalysis, and philosophy, amongst others, to comparative thinking.

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This book acts as a stimulus to further debate and discussion about the archaeology and architecture of the medieval diocese of Llandaff. It presents work at Cardiff and Skenfrith castles and focuses on buildings at Caldicot and Raglan.

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Journeys of Remembrance

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This book presents essays that exemplify key themes including the interdependence of conservation, research and access; the need for a 21st-century inventory of the medieval sculpture; the breadth and value of the wide range of the research tools; and conservation issue.

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This book offers a detailed examination of the literary influences behind the experimental music of five twentieth-century Italian composers: Luigi Dallapiccola, Bruno Maderna, Luciano Berio, Giacomo Manzoni and Armando Gentilucci.

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This book attempts to reveal how the fantastic operates and how it produces its effects, and analyses the devices and techniques used by the fantastic in order to produce hesitation in the mind of the reader. It proceeds through an analysis of one French and one Russian work.

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This book examines the intellectual climate as Rilke experienced it at the turn of the century. It draws on existing scholarship and the Rilke's own pronouncements in order to explore the major influences on the young Rilke's conception of processes of becoming.

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This book provides the first book-length comparative analysis of the concept of dilettantism. It shows how French nineteenth-century uses of the concept dissolved the Weimar Classicist distinction between dilettantism and art.

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Defective Inspectors: Crime-fiction Pastiche in Late Twentieth-century French Literature

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Hulton Abbey was a minor Cistercian monastery in north Staffordshire (England), founded in 1219 and finally dissolved in 1538. This is the final report on the archaeological excavations undertaken there between 1987 and 1994. In particular, the chapter house was uncovered and re-assessed and the eastern part of the church and north aisle were completely excavated, together with the eastern half of the nave. The excavations are described by area and chronological phase with detailed specialist reports including architectural stonework and decorated floor tiles. An extensive programme of sampling and analysis of pollen remains from burials was also completed. The remains of 91 individuals, mainly men but also women and children, are reported on in detail, with sections on abnormalities and pathology as well as medieval burial goods such as a wax chalice and wooden wands. Comparisons with other published monastic sites in the region help to place Hulton into a wider context. An important element of the project was education and community involvement and today the site lies in a small urban park in Stoke-on-Trent.

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This work presents a detailed study of the political role of a criminal organization, the Neapolitan Camorra, in its historical context, that of Naples over the last fifty years. In Campania, until 1991, the population tacitly accepted the relationship between the Camorra and the local political elite (based on the exchange of votes for state contracts and protection), and because of the lack of reliable sources it could not seriously be studied by political scientists. In 1991, however, a law was passed which gave generous remission of sentences to criminals who wanted to cooperate with the police. Following this, many members of the Camorra revealed important aspects of the criminal, economic and political activities of their organization. This new information has permitted a re-examination of the Camorra and has provided material for the story to be told.

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This work examines the ways in which the culture and society of the Middle Ages impacted on the works of the Sienese poet, Cecco Angiolieri (c.1260-1312). It analyzes how Angiolieri's poetry conformed to medieval notions and practices of comicality. The study explores the means by which Cecco satirized important cultural movements of the late 13th and early 14th centuries, such as love literature and the ascendant Franciscan order. In addition, it looks at his relations with other writers of the day, including three insulting sonnets addressed to Dante Alighieri. The text shows that Angiolieri was not an isolated, "bizarre" figure, as some early 20th century scholars have described him, but rather an author in step with his times.

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"Assembling Çatalhöyük, like archaeological remains, can be read in a number of ways. At one level the volume reports on the exciting new discoveries and advances that are being made in the understanding of the 9000 year-old Neolithic site of Çatalhöyük. The site has long been central to debates about early village societies and the formation of mega-sites in the Middle East. The current long-term project has made many advances in our understanding of the site that impact our wider understanding of the Neolithic and its spread into Europe from the Middle East. These advances concern use of the environment, climate change, subsistence practices, social and economic organization, the role of religion, ritual and symbolism. At another level, the volume reports on methodological advances that have been made by team members, including the development of reflexive methods, paperless recording on site, the integrated use of 3D visualization, and interactive archives. The long-term nature of the project allows these various innovations to be evaluated and critiqued. In particular, the volume includes analyses of the social networks that underpin the assembling of data, and documents the complex ways in which arguments are built within quickly transforming alliances and allegiances within the team. In particular, the volume explores how close inter-disciplinarity, and the assembling of different forms of data from different sub-disciplines, allow the weaving together of information into robust, distributed arguments."

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This study shows that the potential for subversion personified by the German writer W. G. Sebald's solitary males is essential for understanding his work, while also demonstrating the contribution that Sebald made to the German tradition of queer writing.

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The book is based on the papers presented at the Mendel Friedman Yiddish conference held at St Hilda's College, University of Oxford, in August 2012, revisits the rich and diverse legacy of the Yiddish writer Pinkhas Kahanovitsh, known by his penname Der Mister.

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