Search results for ""little toller books""

A Ukrainian-English dual language picture book for ages 3+ which tells an inspiring journey about what happens when we face life's dilemmas. A beautifully illustrated, heart-warming story about a girl, a cat and their unexpected journey to the sea. Mira has never been to the sea. She's dreamed about going but it's always been too far away. Things change when Mr Catsky arrives and Mira is plunged into an unexpected journey of friendship and imagination.

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Millstone Grit takes the form of a fifty mile walk through the West Riding and East Lancashire, exploring the industrial towns and moors. Glyn Hughes had grown up in the Cheshire countryside but on moving to the Pennines was deeply shocked by the impact of industry on the natural world; but over time he found beauty in its special landscapes and came to love the people who lived in them. In Millstone Grit the author investigates the specific culture of place - with chapters on Methodism and the Luddites, interviewing a millworker, examining the awakening of an urban working-class consciousness. Hughes is always observant, careful, poetic and no-nonsense, this new edition will find readers keen to rediscover his vision of the north.

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W.G. Hoskins was one of the most original and influential British historians of the twentieth century. He realised that landscapes are the richest record we have of the past, and with his masterpiece, The Making of the English Landscape, he changed forever how we experience the places we live and work in.Where we see a picturesque scene of rolling hills, distant spires and wooded valleys, Hoskins shows us the line of a Bronze Age trackway, the ghostly impression of an open-field system, the gridiron pattern of an industrial town, or the footprint of a Roman villa. By revealing these traces of the past, Hoskins enables us to appreciate different landscapes as if they were pieces of music, a series of compositions which enrich our understanding of the symphonic whole.While planning and building our future villages and towns, in both green and urban places, this pioneering account reminds us why we must be sensitive to the land and its past as we leave our own marks in England's historical landscape.

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The Helford River, Cornwall is a place of wonder and delight: one of the very few places in England where ancient woodland meets the sea. "This is oak country, and the oaks have that surprising variety of size and shape that only Cornwall and Devon oaks can offer. Smooth wooded hillsides, subtly mottled with the different greens or browns of individual oak-trees, sweep down to high-water mark." So begins Oliver Rackham's book covering 25 woods, predominantly in the north of the Lizard peninsula, including: Bonallack, Calamansack, Devichoys, Grambla, Gweek, Merthen, Reskymmer, Trelowarren, Tremayne and Treverry. He brings to life the curious industrial and cultural history of this unique area, and shows how these woods have survived and what the future may have in store. Illustrated throughout with photographs, maps and diagrams, this forms the second volume in the regional series The Ancient Woodlands of Britain. This book is published in collaboration with the Woodland Trust.

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Through the story of one man, Caleb Bawcombe, a shepherd whose flocks graze the Wiltshire, Hampshire and Dorset borders, we meet men and women of humble birth - poachers, gypsies, farmers and laborers - striving to survive on the land. As we read, the cumulative affect of their stories becomes much more than a record of rural life. It reads like a lost hymn, sung by people whose lives were disregarded and whose histories are now forgotten. W H Hudson's masterful book, merging fiction, reminiscence, memoir and oral history, was recognized as a classic when it was first published in 1910. It remains so today. First published by Methuen & Co.

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During the early 1970s Richard Mabey set about mapping his unofficial countryside. He walked crumbling city docks and overgrown bomb sites, navigating inner city canals and car parks, exploring sewage works, gravel pits, rubbish tips. What he discovered runs deeper than a natural history of our suburbs and cities. The Unofficial Countryside prescribes another way of seeing, another way of experiencing nature in our daily lives. Wild flowers glimpsed from a commuter train. A kestrel hawking above a public park. Enchanter's nightshade growing through pavement cracks. Fox cubs playing on a motorway's scrubby fringe. There is a scarcely a nook in our urban landscape incapable of supporting life. It is an inspiration to find this abundance, to discover how plants, birds, mammals and insects flourish against the odds in the most obscure and surprising places.

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King of Dust is a stonemason's personal journey through the landscapes of south-west England and the sculpture which first inspired him to pick up tools: the Romanesque. In the early years of the 21st century, mentally exhausted, the archaeologist Alex Woodcock carved a stone for the first time and realised how much more there was to learn about the subject from which he had made his life's work. Determined to understand the work by making and carving, as well as theoretically, he retrained as a stonemason and spent several years working at Exeter Cathedral. Ten years after that first carving a move to Cornwall prompted an urge to re-explore the little known Romanesque (12th century) carvings of the south-west. King of Dust follows a year of these wanderings, being both an archaeology of the images and a meditation on learning the craft. Ultimately it is about the power of medieval art to transform a life.

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A century ago woodlands were at the heart of daily life. Trees and hedgerows, copses and spinneys provided wood-fuel, thatch and bedding, woodland pasture for pigs and cattle, medicine from tree bark and a wild harvest of nuts and fruit for the home. But the role of woodlands has been in decline in the last two centuries, drifting ever further from our modern lives. Yet there is no other landscape in the British Isles that matches the complexity and variety of life in a woodland, above and below ground.And while sheltering wildlife, woods continue to enrich our language, feed our imagination and still have the power to transform us, literally and metaphorically. Woodlands have not only inspired folktales, music, novels, visual art and poetry, they are also finding new uses in healthcare and as outdoor classrooms.Arboreal is a landmark publication of new writing from woodlands across the UK and beyond. In memory of the great historical ecologist Oliver Rackham, the book gathers contributions from a variety of voices - novelists, teachers, poets, botanists, artists, architects and foresters - to explore why woods matter and mean so much.

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Neil Sentance revisits his native Lincolnshire riverlands and fields, farms and market towns, to explore the history of his family and the landscape which shaped them. But this is not a lament for a lost world. Peopled by characters forgotten by history, it celebrates the countryside with a rare combination of lyricism and muddy realism. Water and Sky collects together Neil Sentance's 'Scenes from the Waterside', a sequence of essays which first appeared on the Caught by the River website between 2010 and 2013. Water and Sky is an original and haunting blend of nature writing, memoir and historical fiction.

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Liverpool is a city of ghosts. Through the centuries, millions have lived here or come to find a new life, and found safe harbour. More than any other city in Britain its history resonates in the buildings, landscapes and stories that have seeped into the lives of its inhabitants. n Ghost Town, Jeff Young takes us on a journey through the Liverpool of his childhood - down back alleys and through arcades, into vanished tenements and oyster bars, strip tease pubs and theatres. We watch as he turns from schoolboy truant into an artist obsessed with Kafka, Terence Davies and The Fall. Along the way he conjures ghosts and puts hexes on the developers who've ruined the city of his dreams. Layering memoir, history, photography and more this is a highly original approach to this great city.

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King of Dust is a craftsman's personal journey through the landscapes of ancient sculpture which first inspired him to pick up tools. This journey through the Romanesque celebrates the lives of medieval carvers and contemporary stonemasons, interwoven with Alex's own life as he becomes a stonemason.

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John Wyatt first encountered the Lake District during a boyhood camping trip to Windermere. He was overwhelmed by the freedom of the landscape and the closeness to nature he felt. It was as if he belonged here, amongst the fells, the crags and the endless horizon. This call to the wild stayed with him, becoming so powerful that one day he did what many only dream of: he left a steady job and his town life to become a forestry worker in a Lakeland wood at Cartmel Fell. This is one of the finest books ever written on the Lake District. Like Thoreau, John Wyatt embraced the simplicity of living alone in a woodland hut, immersing himself in a life made rich by birdsong, foraging for food the smell of woodsmoke, and the extraordinary companionship of Buck, a young roe deer discovered in the woods.

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At the end of the 1960s, Kenneth Allsop, a famous television presenter and literary man-about-town, left London and settled amid the sunken lanes, ancient forests and chalk streams of west Dorset. He was at his very happiest here. He thought it the loveliest place on earth, and for three years he devoted a weekly newspaper column to his day-to-day life at the mill, brimming with humor and delight for the wildlife which shared his home. In the Country is not rustic or romantic. It is never unrealistic about agricultural modernisation and social change in the countryside. Yet, steeped with a deep sense of the past, Kenneth Allsop's writing speaks in defense of the natural world and stands firmly against the unchecked exploitation of the land. First published 1972 by Hamish Hamilton.

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The unlikely stars of Landfill are gulls. No, not seagulls. Gulls. Over the past century gulls have been brought ashore by modernity, living in our slipstream, following trawlers, ploughs and now rubbish trucks. They are more our contemporaries than other birds, living their wild lives in towns and cities, grabbing a bite where they can. Our story is theirs too. In Landfill, Tim Dee follows gulls to rubbish dumps, meets gull-watchers, discovers ancient poets, Victorian novelists and learns how gulls continue to tell us how the wild can share our world, if we'd only listen.

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This new book of essays from the author of Wild tracks the turning light of the day and seasons, an almanac of the turning times. Beginning in night and winter, it moves to dawn and spring, then noon and summer and finally evening and autumn. Set partly at the author's home in Wales, the book journeys widely, searching for a dead father in Prague, listening to the Sky-Grandmothers of Mexican myth and staying with the people of West Papua who, when they know they will fall over laughing, lie down first. It asks: what is the real gift of the misunderstood Goddess Nemesis? Why should flowers be prescribed as medicine? What do male zebra finches dream of? Where do the sands of time run fastest, and how is that connected to the age of anxiety? It explores the dawn chorus; the tradition of sacred hospitality; dust from the time before the sun even existed; the twilight time of the trickster and the daily rituals of morning. In all of these it asks: why does light, through the hours of the day and the seasons of the year, affect us? Griffiths concludes this extraordinary collection by deciding that light is in fact how we think.

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During the early 1970s Richard Mabey explored crumbling city docks and overgrown bomb-sites, navigated inner city canals and car parks, and discovered there was scarcely a nook in our urban landscape incapable of supporting life. The Unofficial Countryside is a timely reminder of how nature flourishes against the odds, surviving in the most obscure and surprising places. Originally published in 1973 this landmark book was described by Iain Sinclair as 'a proper reckoning, the Domesday Book of a topography too fascinating to be left alone.' This beautiful new edition forms part of the Richard Mabey library, published to celebrate the author's 80th birthday and has a cover by the artist Michael Kirkman.

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On 'Lady Day', March 1943 a group of Christian pacifists took possession of a vacant farm in Frating, a hamlet on the Essex Tendring Peninsula. There they established a working community, inspired by their association with The Adelphi journal, where D.H.Lawrence, John Middleton Murry, Vera Brittain, Iris Murdoch, George Orwell and others shared ideas for the future with European religious radicals such as Nikolai Berdyaev, Martin Buber and Simone Weil. Frating Hall Farm provided a settlement and livelihood for individuals and families (as well as a temporary sanctuary for refugees and prisoners-of-war), and over time became a successful arable and livestock land-holding of more than 300 acres. Scorned initially by their neighbours for their anti-war views, the Frating community won respect not only through their farming achievements, but having established a touring theatre company and choir, for bringing new life to the villages and churches around them. The lost story of Frating Hall Farm is based on the reminiscences of those who grew up on the farm, together with photographs, letters and organisational records, never before seen or published. The book is a kaleidoscopic history of a farm during its eleven-year occupation, and an enquiry into the passionate religious and political ideals of the back-to-the-land movement in wartime and post-war rural England.

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Originally published in 1948, and edited by the artist John Piper, An English Farmhouse is Geoffrey Grigson's careful survey of the old English farmhouse, and its associated buildings, whether made from sarsen, thatch, timber, tile or brick. Grigson paints a vivid and human picture of rural life in the preceding centuries and creates a delicate weave of social history.

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Richard Skelton spent nearly half a decade living in a small valley high in the Furness hills of Cumbria, in northern England. When not writing or composing music, most of his days were spent beating the valley's bounds, exploring its network of paths, streams and walls. Beyond the Fell Wall is a distillation of his observations and thoughts about this particular patch of land. It is a poetic enquiry into the life of an seemingly inanimate landscape - its otherwise unheard melodies and unseen movements. It considers both vast geological epochs and brief moments of intimacy, and in turn it asks us to consider sentience in all things, whether animal, vegetable or mineral. At the heart of the book is the fell wall itself: vast and serpentine - a vessel for the lives, voices and myths of the landscape.

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The Slender-billed Curlew, Numenius tenuirostris, 'the slim beak of the new moon', is one of the world's rarest birds. It once bred in Siberia and wintered in the Mediterranean basin, passing through the wetlands and estuaries of Italy, Greece, the Balkans and Central Asia. Today the Slender-billed Curlew exists as a rumour, a ghost species surrounded by unconfirmed sightings and speculation. The only certainty is that it now stands on the brink of extinction. Birds are key environmental indicators. Their health or hardship has a message for us about the planet, and our future. What does the fate of the Slender-billed Curlew mean for us, and for the natural world? What happened to it, and why? In Orison for a Curlew Horatio Clare journeys through a fractured Europe in search of the Slender-billed Curlew, following the bird's migratory path on an odyssey that takes us into the lives of the men and women who have fought to save the landscapes to which the bird belongs. This is a story of beauty, triumph, and the struggles of conservation. It is a homage to a bird which may never be seen again.

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First published in 1932 and written in simple, direct prose, Farmer's Glory is a portrait of a farming life in southern England and in western Canada, and is a model of the genre: warm and humorous as well as an astute and unflinching account of the hardships of a farming life. Introduced, in this new, edition by James Rebanks, bestselling author of The Shepherd's Life.

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John Fowles' writing life was dominated by trees. From the orchards of his childhood in suburban Essex,to the woodlands of wartime Devon, to his later life on the Dorset coast, trees filled his imagination and enriched his many acclaimed and best-selling novels.Told through his lifelong relationship with trees, blending autobiography, literary criticism, philosophy and nature writing, The Tree is a masterly, powerful work that laid the literary foundations for nature-as-memoir, a genre which has seen recent flourishings in Roger Deakin's Wildwood, Richard Mabey's Nature Cure, Robert Macfarlane's The Old Ways and Helen Macdonald's H is for Hawk.As lyrical and precise as his novels, The Tree is a provocative meditation on the connection between the natural world and human creativity, and also a rejection of the idea that nature should be tamed for human purpose. Now, nearly forty years after its first publication, Little Toller is proud to republish this classic book as a special hardback, featuring a new foreword by William Fiennes and especially commissioned wood engravings,in the spirit of The Man Who Planted Trees.This edition will be an important addition to Fowles' published works and appeal to the growing audience for new nature writing as a classic of the genre.

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In 1948, shortly after settling with his family in the village of Blaxhall, Suffolk, George Ewart Evans started recording the conversations he had with neighbours, many of whom were born in the nineteenth century and had worked on farms before the arrival of mechanisation. He soon realised that below the surface of their stories were the remnants of an ancient, rural culture previously ignored by historians. In the detail of village architecture, the of superstitions of tree-planting and rituals house-building, in the esoteric practices of horse cults or the pagan habit of 'telling the bees', The Pattern Under the Plough unearths the rich seam of customs and beliefs that this old culture has brought to our communities. Even in modern societies, governed by science and technology, there are still traces of a civilisation whose beliefs were bound to the soil and whose reliance on the seasons was a matter of life or death.

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Unhappily land-locked in his early adult life, Frank Fraser Darling's fortunes changed when he began visiting Scotland's west coast in the 1930s. Surviving treacherous boat journeys, a broken leg, and hell-bent storms, he made temporary homes with his family on some of the remotest Hebridean islands so he could study the habits of grey seals and seabirds. The family finally settled on an abandoned croft in the Summer Isles, on Tanera Mor, and started farming the barren land. They repaired a ruined herring fishery and its stone quay. They fertilised the ground with seaweed, cut peat for the fires, planted a garden behind sheltered walls. Slowly, they brought life back to the island. Little Toller republishes classic books about nature and rural life.

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H E Bates carried a woodland in his imagination. He fell under its spell as a boy growing up in the Midlands, becoming increasingly enchanted each time he stepped below the wooded canopy. Memory magnified its mystery over the years, enriching his stories as he grew successful as a writer. But why did this place become a part of him? What are the qualities of all woodlands that make them so special? Set in Kent, Bates returns to those trees of his youth to breath life into the changing character of a single woodland year, revealing how precious they are to the English countryside. Our new edition is illustrated throughout with Agnes Miller Parker's wonderful engravings. Little Toller republishes classic books about nature and rural life.

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A century before Charles Darwin, decades before the French Revolution, Gilbert White began his lifelong habit of measuring and observing the world around his Hampshire home. Daily rainfall levels and temperature shifts were recorded with home-made instruments. Bird song and seasonal migrations were noted. The feeding habits of frogs, bats and mice were jotted into his diaries and nature journals, as were the simple delights he felt hearing a cricket in the meadow or a blackbird in the hedgerows. The extraordinary detail of the natural history he described has given us, two hundred years later, a glimpse into ecosystems untouched by industry and an account of how changes in global climate can affect local weather patterns. Gilbert White is now considered England's first ecologist. The Natural History of Selborne is one the most published books in the English language. Yet the most enduring quality of his writing is the spirit of curiosity that bounds across every page, inspiring us to explore the abundance of life at our doorsteps and around our parishes.

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Adrian Bell's travels through East Anglia and lowland Britain reflect a world on the brink of change. Published in 1939, on the eve of the Second World War, his down-to-earth descriptions of the countryside were shaped by his own life working the land. Whether it be hedgerow flowers, a livestock auction, traditional farmyard, village forge, wheelwright's shop, the arrival of the tractor in the harvest field, the work of the ploughman, shepherd or woodman, Men and the Fields captures the character of rural life before modern agriculture altered the landscape and changed forever the way we eat and live.This new edition restores the original colour lithographs and black and white line drawings by John Nash that appeared in the first edition.

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