Search results for ""leda""

The collection of pictures at Wilton has been celebrated since the seventeenth century; and its historic arrangement is uniquely well documented in a series of catalogues of which the first, issued in 1731, was the earliest such publication about any private collection in England. Of successive owners of the house, three made significant contributions: William, 4th Earl of Pembroke, who commissioned van Dyck’s monumental portrait of his family that dominates the Double Cube Room he had created; his grandson, Thomas, 8th Earl of Pembroke who assembled what was in some respects a pioneering collection of old master pictures for the house; and his grandson, Henry, 10th Earl of Pembroke, patron of Reynolds and Wilson, among others. Such masterpieces as Lucas van Leyden’s Card Players, Cesare da Sesto’s Leda – long attributed to Leonardo – and Ribera’s Democritus are matched by remarkable portrait drawings by Raphael and Holbein. These are complemented by a substantial deposit of family portraits and other pictures that attest to the tastes and interests of successive generations of the Herbert family.

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Visions of Culture: A Reader, Second Edition, has been revised and expanded with new selections and is coordinated for use with Visions of Culture: An Introduction to Anthropological Theories and Theorists, Fifth Edition. Each selection is prefaced with a brief introduction about the anthropologist and the text. Each primary text is followed by a section titled “Queries and Connections,” a series of questions designed to help students focus on the central issues in each text and to relate them to other readings. NEW TO THIS EDITION Part VII: Neo-Darwinian Evolutionary Theories 25: Leda Cosmides and John Toobey, from The Evolutionary Primer 26: Eric Alden Smith, from Why Do Good Hunters Have Higher Reproductive Success? 27. Robert Boyd and Peter Richerson, from “Introduction” from The Origin and Evolution of Culture Part VIII—The Ontological Turn 28: Philippe Descola, from Beyond Nature and Culture 29: Tim Ingold, from Anthropology beyond Humanity 30: Bruno Latour, from “Introduction” from Reassembling the Social: An Introduction to Actor-Network-Theory

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Visions of Culture: A Reader, Second Edition, has been revised and expanded with new selections and is coordinated for use with Visions of Culture: An Introduction to Anthropological Theories and Theorists, Fifth Edition. Each selection is prefaced with a brief introduction about the anthropologist and the text. Each primary text is followed by a section titled “Queries and Connections,” a series of questions designed to help students focus on the central issues in each text and to relate them to other readings. NEW TO THIS EDITION Part VII: Neo-Darwinian Evolutionary Theories 25: Leda Cosmides and John Toobey, from The Evolutionary Primer 26: Eric Alden Smith, from Why Do Good Hunters Have Higher Reproductive Success? 27. Robert Boyd and Peter Richerson, from “Introduction” from The Origin and Evolution of Culture Part VIII—The Ontological Turn 28: Philippe Descola, from Beyond Nature and Culture 29: Tim Ingold, from Anthropology beyond Humanity 30: Bruno Latour, from “Introduction” from Reassembling the Social: An Introduction to Actor-Network-Theory

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While introducing Leda Morley, last of an ancient line of gatekeepers, to the ins and outs of her daemon-collecting work, Rachel Wilde encounters something far more dangerous than any daemon: a young boy who stands alone against an unseen yet terrifying enemy that has invaded his home—an inhuman creature who, hellbent on revenge for a minor slight, intends to harm the boy’s oblivious family. Meanwhile, Leda’s brother, Simon, is feeling left out of his maternal family legacy but is coping partly by helping Rachel’s friend Bach—a previously homeless man with unusual mental abilities—get his life back on track. In the midst of all of this, Bach unintentionally but serendipitously makes contact with a capable otherworldly being who, with great reluctance, agrees to help Bach and his friends take on the dangerous creature that’s just become their problem to solve. Together, this group of unlikely allies must put aside their differences to save an innocent child, and his family, from a monster—before it’s too late.

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Ron Koertge eagerly tries his talented hand at Flash Fiction. In “BFF,” a teenage girl from the near-future orders friends from Amazon. A few pages later, a robot who travels what is left of the world and observes through “well-engineered eyes” claims that the sound of turbines is his lullaby. A fed-up daughter finds a foolproof way to do away with her awful mother, while in “Jesus Dog” a mysterious animal helps a broken man recover. A page from Lois Lane’s diary reveals a shocking secret. Many mothers and daughters will see themselves in Ron’s version of the Persephone & Demeter story. Readers are ushered aboard a mysterious train and later invited to listen in as a teacher chats with a peculiar student named Oliver Oliver. A distant relative of Leda takes her boyfriend to the arboretum with grisly results, and Mr. Weenie tells his daughter how he and her mother met. “Sex World,” the title story, turns out to not be about sex at all, but heartbreak. In these and dozens more, Ron lives up to his reputation as someone who is funny the way the truly serious often are.

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'The Faber Book of Beasts is a generous and intelligent round- up of old favourites, new juxtapositions, and poems we mightn't know about ... Will set heads shaking, as well as nodding with pleasure.' Independent William Wordsworth's 'To a Skylark'W.B. Yeats' 'Leda and the Swan'Elizabeth Bishop's 'The Moose'D.H. Lawrence's 'Bat'Marianne Moore's 'Elephants'William Blake's 'The Tyger' Gerard Manley Hopkins' 'The Windhover'Thom Gunn's 'The Snail'Seamus Heaney's 'Otter'John Donne's 'The Flea'Christopher Smart's 'My Cat Jeoffry''Baa Baa Black Sheep' From childhood rhymes to canonical classics, Homer to Ted Hughes, this eclectic poetry anthology celebrating the earth's creatures brims with beastly delights. Celebrated poet Paul Muldoon's bestiary shows that we are 'most human in the presence of animals', whether tame or wild, common or exotic, mammals or reptiles, real or imaginary - and the result is a must-read for animal-lovers of all ages everywhere.'Animals bring the best out in us [and make] the best art ... Elephants, skunks, otters, hedgehogs and hippos feature in Muldoon's menagerie; how charming it is to observe how they nuzzle along together in his engaging anthology.' Irish Times

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Winner of the MLA Prize for Independent Scholars and the APA's Florence L. Denmark Award for Contributions to Women and Aging When the term “ageism” was coined in 1969, many problems of exclusion seemed resolved by government programs like Social Security and Medicare. As people live longer lives, today’s great demotions of older people cut deeper into their self-worth and human relations, beyond the reach of law or public policy. In Ending Ageism, or How Not to Shoot Old People, award-winning writer and cultural critic Margaret Morganroth Gullette confronts the offenders: the ways people aging past midlife are portrayed in the media, by adult offspring; the esthetics and politics of representation in photography, film, and theater; and the incitement to commit suicide for those with early signs of “dementia.” In this original and important book, Gullette presents evidence of pervasive age-related assaults in contemporary societies and their chronic affects. The sudden onset of age-related shaming can occur anywhere—the shove in the street, the cold shoulder at the party, the deaf ear at the meeting, the shut-out by the personnel office or the obtuseness of a government. Turning intimate suffering into public grievances, Ending Ageism, Or How Not to Shoot Old People effectively and beautifully argues that overcoming ageism is the next imperative social movement of our time. About the cover image: This elegant, dignified figure--Leda Machado, a Cuban old enough to have seen the Revolution--once the center of a vast photo mural, is now a fragment on a ruined wall. Ageism tears down the structures that all humans need to age well; to end it, a symbol of resilience offers us all brisk blue-sky energy. “Leda Antonia Machado” from “Wrinkles of the City, 2012.” Piotr Trybalski / Trybalski.com. Courtesy of the artist. A Declaration of Grievances "A Declaration of Grievances" was written by Margaret Morganroth Gullette and is excerpted from her book Ending Ageism, or How Not to Shoot Old People (2017, Rutgers University Press). The poster was designed by Carolyn Kerchof. A Declaration of Grievances (in English): https://d3tto5i5w9ogdd.cloudfront.net/wp-content/uploads/2023/01/15175130/A-Declaration-of-Grievances_Eng.pdf A Declaration of Grievances (in Spanish): https://d3tto5i5w9ogdd.cloudfront.net/wp-content/uploads/2023/01/15175131/A-Declaration-of-Grievances_Spanish.pdf A Declaration of Grievances (in French): https://d3tto5i5w9ogdd.cloudfront.net/wp-content/uploads/2023/01/15175130/A-Declaration-of-Grievances_French.pdf A Declaration of Grievances (in German): https://d3tto5i5w9ogdd.cloudfront.net/wp-content/uploads/2023/01/15175131/A-Declaration-of-Grievances_German.pdf Print the PDF (make sure to click "fit to page") and hang the Declaration up in your home or place of work. Please share this link with other people you know who care about the rights of older persons. Share on social media with the hashtags #ADeclarationOfGrievances and #EndingAgeismGullette. For more information, an excerpt, links to reviews, and special offers on this book, go to: https://www.rutgersuniversitypress.org/ending-ageismRelated website: (https://www.brandeis.edu/wsrc/scholars/profiles/gullette.html)

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Willoughby's new landlady at Gladstone Terrace is not what he expects. The flamboyant Ruby Hoffman wears a green beret on which she's pinned a velvet bird by its feet, explaining that she busks with her cousin, Gregor - Ruby playing accordion while Gregor dances. Ruby and Gregor, born nine years and one country apart, are bound to each other by a family weighed down with sacrifice in the Dutch resistance on one side and Nazi collusion on the other. While Ruby's colourful persona hides a brittle fragility, Gregor's burden of guilt is channelled into caring for others, feeding their strange group of tenants, each barely clinging to the edges of society. But when the enigmatic Leda Godwin turns up, wanting to know Gregor's story, the delicate balance of their lives is shaken. Peopled with intriguing and memorable characters and told with exquisite precision, The Dancer at World's End explores the legacy of violence, whether perpetrated by those committing genocide or those opposing them and how the stories handed down to us of who we are or should be, who we should love or hate, go on shaping lives across generations. An extraordinary sequel to the powerful events recounted in The Green Table, this is a courageous, heart-rending and important story. Set in mid-seventies London, the story goes back to Nazi Germany, as replete with pomp and ambition as it is with horror, and to post-War Netherlands, building a complex tale of identity, survival and grace.

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Perfect for fans of The Familiars and The Glass House, this is the intoxicating story of one woman's fight for freedom in Victorian England. ⭐⭐⭐⭐⭐ 'Outstanding gothic psychological thriller!' ⭐⭐⭐⭐⭐ 'Fantastic character and fantastic story. Buy this book' ⭐⭐⭐⭐⭐ 'Beautifully written and incredibly addictive' ⭐⭐⭐⭐⭐ 'I can’t stop thinking about it' ___________WHO IS MAUD LOVELL AND WHERE HAS SHE COME FROM? Maud has been at Angelton Lunatic Asylum for 5 years.She has no memory of her past or how she came to be here.They say she is violent and unstable, hysterical and untrustworthy.But when she's hypnotised, the memories come flooding back. And now it's time for revenge.Welcome to Angelton Lunatic Asylum. Once you're in, it's murder getting out . . . ___________PRAISE FOR THE ASYLUM:'Haunting and mesmerising' – Essie Fox, author of The Last Days of Leda Grey'Vivid, disturbing and visceral, The Asylum is this year's must-read!' – Ruby Speechley, author of A Mother Like You'This twisty rollercoaster story made me desperate for Maud's salvation and yearn for her revenge. Utterly compelling' – Kerry Fisher, author of The Woman I Was Before'Evocative, menacing and darkly sinister. A brilliantly executed gothic thriller that will leave you breathless' – Jane Isaac, international bestselling crime fiction author'A historic novel that seethes with claustrophobia, trauma and thoughts of revenge. What a sophisticated and gripping tale' – Fiona Mitchell, author of The Swap

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Many people first encounter Hawai‘i through the imagination—a postcard picture of hula girls, lu‘aus, and plenty of sun, surf, and sea. While Hawai‘i is indeed beautiful, Native Hawaiians struggle with the problems brought about by colonialism, military occupation, tourism, food insecurity, high costs of living, and climate change. In this brilliant reinvention of the travel guide, artists, activists, and scholars redirect readers from the fantasy of Hawai‘i as a tropical paradise and tourist destination toward a multilayered and holistic engagement with Hawai‘i's culture and complex history. The essays, stories, artworks, maps, and tour itineraries in Detours create decolonial narratives in ways that will forever change how readers think about and move throughout Hawai‘i. Contributors. Hōkūlani K. Aikau, Malia Akutagawa, Adele Balderston, Kamanamaikalani Beamer, Ellen-Rae Cachola, Emily Cadiz, Iokepa Casumbal-Salazar, David A. Chang, Lianne Marie Leda Charlie, Greg Chun, Joy Lehuanani Enomoto, S. Joe Estores, Nicholas Kawelakai Farrant, Jessica Ka‘ui Fu, Candace Fujikane, Linda H. L. Furuto, Sonny Ganaden, Cheryl Geslani, Vernadette Vicuña Gonzalez, Noelani Goodyear-Ka‘ōpua, Tina Grandinetti, Craig Howes, Aurora Kagawa-Viviani, Noelle M. K. Y. Kahanu, Haley Kailiehu, Kyle Kajihiro, Halena Kapuni-Reynolds, Terrilee N. Kekoolani-Raymond, Kekuewa Kikiloi, William Kinney, Francesca Koethe, Karen K. Kosasa, N. Trisha Lagaso Goldberg, Kapulani Landgraf, Laura E. Lyons, David Uahikeaikalei‘ohu Maile, Brandy Nālani McDougall, Davianna Pōmaika‘i McGregor, Laurel Mei-Singh, P. Kalawai‘a Moore, Summer Kaimalia Mullins-Ibrahim, Jordan Muratsuchi, Hanohano Naehu, Malia Nobrega-Olivera, Katrina-Ann R. Kapā‘anaokalāokeola Nākoa Oliveira, Jamaica Heolimelekalani Osorio, No‘eau Peralto, No‘u Revilla, Kalaniua Ritte, Maya L. Kawailanaokeawaiki Saffery, Dean Itsuji Saranillio, Noenoe K. Silva, Ty P. Kāwika Tengan, Stephanie Nohelani Teves, Stan Tomita, Mehana Blaich Vaughan, Wendy Mapuana Waipā, Julie Warech

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The moving new novel by the author of Harmless Like You, a New York Times Book Review Editors&; Choice and NPR Great Read On their first date, Mina told Oscar that she was bisexual, vegetarian, and on meds. He married her anyhow. A challenge to be met. She had low days, sure, but manageable. But now, maybe not so much . . . Mina is standing on the George Washington Bridge late at night, staring over the edge, when a patrol car drives up. She tries to convince the policeman she&;s not about to jump, but he doesn&;t believe her. Oscar is called to pick her up. With the idea of leaving New York for London&;a place for Mina &;to learn the floorplan of this sadness&;&;Oscar arranges a move. In London, Mina, a classicist, tries grappling with her mental health issues by making lists. Of WOMEN WHO SURVIVED&;Penelope, Psyche, Leda. Iphigenia, but only in one of the tellings. Of things that make her HAPPY&;enamel coffee cups. But what else? She at last finds a beam of light in Phoebe, and friendship and attraction blossom until Oscar and Mina&;s complicated love is tested. A gorgeously wrought novel, variously about love, mythology, mental illness, Japanese beer, and the times we need to seek out milder psychological climates, Rowan Hisayo Buchanan&;s Starling Days&;written in exquisite prose rich with lightly ironic empathy&;is a complex and compelling work of fiction by a singularly gifted young writer.

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Many people first encounter Hawai‘i through the imagination—a postcard picture of hula girls, lu‘aus, and plenty of sun, surf, and sea. While Hawai‘i is indeed beautiful, Native Hawaiians struggle with the problems brought about by colonialism, military occupation, tourism, food insecurity, high costs of living, and climate change. In this brilliant reinvention of the travel guide, artists, activists, and scholars redirect readers from the fantasy of Hawai‘i as a tropical paradise and tourist destination toward a multilayered and holistic engagement with Hawai‘i's culture and complex history. The essays, stories, artworks, maps, and tour itineraries in Detours create decolonial narratives in ways that will forever change how readers think about and move throughout Hawai‘i. Contributors. Hōkūlani K. Aikau, Malia Akutagawa, Adele Balderston, Kamanamaikalani Beamer, Ellen-Rae Cachola, Emily Cadiz, Iokepa Casumbal-Salazar, David A. Chang, Lianne Marie Leda Charlie, Greg Chun, Joy Lehuanani Enomoto, S. Joe Estores, Nicholas Kawelakai Farrant, Jessica Ka‘ui Fu, Candace Fujikane, Linda H. L. Furuto, Sonny Ganaden, Cheryl Geslani, Vernadette Vicuña Gonzalez, Noelani Goodyear-Ka‘ōpua, Tina Grandinetti, Craig Howes, Aurora Kagawa-Viviani, Noelle M. K. Y. Kahanu, Haley Kailiehu, Kyle Kajihiro, Halena Kapuni-Reynolds, Terrilee N. Kekoolani-Raymond, Kekuewa Kikiloi, William Kinney, Francesca Koethe, Karen K. Kosasa, N. Trisha Lagaso Goldberg, Kapulani Landgraf, Laura E. Lyons, David Uahikeaikalei‘ohu Maile, Brandy Nālani McDougall, Davianna Pōmaika‘i McGregor, Laurel Mei-Singh, P. Kalawai‘a Moore, Summer Kaimalia Mullins-Ibrahim, Jordan Muratsuchi, Hanohano Naehu, Malia Nobrega-Olivera, Katrina-Ann R. Kapā‘anaokalāokeola Nākoa Oliveira, Jamaica Heolimelekalani Osorio, No‘eau Peralto, No‘u Revilla, Kalaniua Ritte, Maya L. Kawailanaokeawaiki Saffery, Dean Itsuji Saranillio, Noenoe K. Silva, Ty P. Kāwika Tengan, Stephanie Nohelani Teves, Stan Tomita, Mehana Blaich Vaughan, Wendy Mapuana Waipā, Julie Warech

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Much current theorizing about literature involves efforts to renew our sense of aesthetic values in reading. Such is the case with new formalism as well as recent appeals to the notion of "surface reading." While sympathetic to these efforts, Charles Altieri believes they ultimately fall short because too often they fail to account for the values that engage literary texts in the social world. In Reckoning with the Imagination, Altieri argues for a reconsideration of the Kantian tradition of Idealist ethics, which he believes can restore much of the power of the arguments for the role of aesthetics in art. Altieri finds a perspective for that restoration in a reading of Wittgenstein’s later work that stresses Wittgenstein’s parallel criticisms of the spirit of empiricism. Altieri begins by offering a phenomenology of imagination, because we cannot fully honor art if we do not link it to a distinctive, socially productive force. That force emerges in two quite different but equally powerful realizations in his reading of John Ashbery’s "Instruction Manual," which explicitly establishes a model for a postromantic view of imagination, and William Butler Yeats’s "Leda and the Swan." He then turns to Wittgenstein with chapters on the role of display as critique of Enlightenment thinking, the honoring of qualities like sensitivity and the ability to attune to the actions of others, the role of expression in the building of models, and the contrast between ethical and confessional modes of judgment. Finally, Altieri produces his own model of aesthetic experience as participatory valuation and makes an extended argument for the social significance of appreciation as a way to escape the patterns of resentment fundamental to our current mode of politics. A masterful work by one of our foremost literary and philosophical theorists, Reckoning with the Imagination will breathe new life into ongoing debates over the value of aesthetic experience.

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Is it in our nature to be altruistic, or evil, to make art, use tools, or create language? Is it in our nature to think in any particular way? For Daniel L. Everett, the answer is a resounding no: it isn't in our nature to do any of these things because human nature does not exist at least not as we usually think of it. Flying in the face of major trends in Evolutionary Psychology and related fields, he offers a provocative and compelling argument in this book that the only thing humans are hardwired for is freedom: freedom from evolutionary instinct and freedom to adapt to a variety of environmental and cultural contexts. Everett sketches a blank-slate picture of human cognition that focuses not on what is in the mind but, rather, what the mind is in namely, culture. He draws on years of field research among the Amazonian people of the Piraha in order to carefully scrutinize various theories of cognitive instinct, including Noam Chomsky's foundational concept of universal grammar, Freud's notions of unconscious forces, Adolf Bastian's psychic unity of mankind, and works on massive modularity by evolutionary psychologists such as Leda Cosmides, John Tooby, Jerry Fodor, and Steven Pinker. Illuminating unique characteristics of the Piraha language, he demonstrates just how differently various cultures can make us think and how vital culture is to our cognitive flexibility. Outlining the ways culture and individual psychology operate symbiotically, he posits a Buddhist-like conception of the cultural self as a set of experiences united by various apperceptions, episodic memories, ranked values, knowledge structures, and social roles and not, in any shape or form, biological instinct. The result is fascinating portrait of the "dark matter of the mind," one that shows that our greatest evolutionary adaptation is adaptability itself.

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Groundbreaking developments, findings, and perspectives in evolutionary psychology The Handbook of Evolutionary Psychology is the field's leading resource, providing comprehensive coverage of the latest findings and theoretical developments. Now in its second edition, this two-volume set features expanded discussion on culture, neuroscience, and human development, with a broader scope that extends beyond the individual and into family dynamics, groups dynamics, societies, and cultures. Volume 1: Foundations provides a detailed overview of this exciting new field of study, and Volume 2: Integrations shows how the theory is applied in industries as diverse as politics, medicine, anthropology, marketing, and more. Contributions from Steven Pinker, Richard Dawkins, Paul Bloom, Paul Rozin, Donald Symons, Leda Cosmides, and John Tooby provide insight from thought leaders, rounding out the most respected evolutionary psychology reference on the market. Evolutionary psychology seeks to identify which human psychological systems are the results of natural selection, evolved to solve recurrent problems in human ancestral environments. These books bring together the fundamental concepts, latest developments, and expert insight to give you an accurate, comprehensive view of this area of study. A thorough revision and expansion of a groundbreaking handbook, commonly regarded as the definitive handbook for the field; Google Scholar citations to the individual chapters of previous editions well exceed 1,000 The luminaries of the field present both the foundations of Evolutionary Psychology (EP) and explain the new theoretical developments and empirical discoveries that continually appear Coverage of culture, neuroscience, and human development are expanded throughout Reflects broader concept of EP, beyond inclusive fitness EP, as well as exploring the intersection of EP with a broad variety of subject areas, including medicine, literature, consumer behavior, and organizational leadership 2 Volumes Evolutionary psychologists suggest that the field is more than a sub discipline of psychology, that it can provide a foundational, metatheoretical framework that integrates the entire field.

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This anthology explores the provocative intersection between feminist, literary, and legal theories. Written by feminist thinkers from law and literature, discourses that each produce culturally powerful representations of women, these essays contest the boundaries that usually separate these disciplines and thereby alter the possibilities of those representations that have traditionally disempowered women. Beginning with an exploration of the ways in which women are represented—how they either tell or have their stories told in literature, in the law, in a courtroom—this collection demonstrates the interrelatedness of the legal and the literary. Whether considering the status of medieval women readers or assessing the effectiveness and extent of contemporary rape law reform, the essays show that power first comes with telling one’s own story, and that the degree and effect of that power are determined by the cultural significance of the forum in which the story is presented. But telling the story is not enough. One must also be aware of how the story is contained within traditional constructs or boundaries and is thus limited in its effects, as Carol Sanger’s essay on mothers and legal/sexual identity makes clear. One must also recognize how a story might perpetuate an ideological agenda that is not in the best interests of the storyteller, as Elizabeth Butler Cullingford shows in her reading of Yeats’s "Leda and the Swan" and one must know the historical context of a story and of its telling, as Anne B. Goldstein’s essay on lesbian narratives discloses.Breaking down the boundaries between law and literature, this anthology makes evident the ways in which the effect of women’s stories has been constrained and expands the range of possibilities for those who represent women, tell women’s stories, or present women’s issues. Representing Women makes the retelling of old stories about women compelling and the telling of new ones both necessary and possible.Contributors. Kathryn Abrams, Linda Brodkey, Rita Copeland, Elizabeth Butler Cullingford, Margaret Anne Doody, Susan B. Estrich, Michelle Fine, Anne B. Goldstein, Angela P. Harris, Susan Sage Heinzelman, Christine L. Krueger, Martha Minow, Carol Sanger, Judy Scales-Trent

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When Robert Brundle took the SS Harmatris to Russia with Convoy PQ8 he was 47 years of age. Both ship and master were veterans and had already sailed in convoys across the North Atlantic and to South Africa. The 5,395 ton coal fired ship, laden with 8,000 tons of armaments originally set sail on 27 November 1941 to join convoy PQ6 but encountered a fierce storm in which a lorry broke free in the hold and started a fierce blaze below decks. Despite valiant attempts to extinguish the fire the Harmatris was forced to return to Glasgow for repair. Having discharged its cargo, examined and repaired the holds, it restowed and finally put to sea again on 26 December. She was now to join PQ8 and Brundle was elected Convoy Commodore. Two minesweepers, a cruiser and two destroyers escorted the eight merchant vessels. On 8 January the convoy left Reykjavik bound for Murmansk. Harmatris was struck by two torpedoes in No 1 hold which caused flooding. A third torpedo struck her a few hours later and the crew evacuated to HMS Speedwell in attendance. A volunteer crew reboarded and Speedwell took the wounded ship in tow. During the night the same U Boat that had struck Harmatris sunk the destroyer Matabele with the loss of all but two of her crew. A tug eventually replaced Speedwell and the entire crew now returned to their still stricken vessel. On 18 January the ships were twice attacked by low flying Heinkels. The stricken Harmatris finally berthed in Murmansk at 0800 on 20 January.Once unloaded the battered ship entered dry dock on 10 February. The damage was considerable. In a temperature of 40 degrees below zero the crew set about the repairs. It was difficult to locate engine parts and local labour was scarce. During the following months the crew continued to work on the ship, food was scarce and the port was frequently bombed by the Luftwaffe. Several ships close to Harmatris were sunk. It was 21 July when the ship finally left for Archangel. She took aboard a cargo of 3,000 tons of steel pipes and on 13 September she was instructed to join a convoy of 20 ships, QP14 for her return voyage. On 19 September the minesweeper HMS Leda, steaming close by Harmartris, was torpedoed. The convoy was under almost continuous U Boat attack and suffered six losses.As a result of his heroic efforts to preserve his ship and crew Captain Brundle was awarded the OBE and the Lloyds War Medal. He died in 1960 at the age of 66.

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