Search results for ""jan""

Jan van Eyck was one of the most inventive and influential artists in the entire European tradition. The phenomenal realism of his paintings, now six centuries old, still astounds observers in a world accustomed to high-resolution images. But other dimensions of his work are just as original and absorbing. Unlike any earlier artist, Van Eyck infused his paintings with himself. In addition to portraying, reflecting and implying his own presence in a variety of works, he also introduced his voice, hand and mind in an array of inscriptions, signatures and even a personal motto. Incorporating a wealth of new research and recent discoveries within a fresh exploration of the paintings themselves, this book reveals how profoundly Jan van Eyck transformed the very idea of what an artist could be.

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On July 9, 1975, Dutch-born artist Bas Jan Ader set sail from Chatham, Massachusetts, on a thirteen-foot sailboat. He was bound for Falmouth, England, on the second leg of a three-part piece titled "In Search of the Miraculous". The damaged boat was found south of the western tip of Ireland nearly a year later. Ader was never seen again. Since his untimely death, Ader has achieved mythic status in the art world as a figure literally willing to die for his art. Considering the artist's legacy and concise oeuvre beyond the romantic and tragic associations that accompany his peculiar end, Alexander Dumbadze resituates Ader's art and life within the conceptual art world of Los Angeles in the early 1970s and offers a nuanced argument about artistic subjectivity that explains Ader's tremendous relevance to contemporary art. Bas Jan Ader blends biography, theoretical reflection, and archival research to draw a detailed picture of the world in which Ader's work was rooted: a vibrant international art scene populated with peers such as Ger van Elk, William Leavitt, and Allen Ruppersberg. Dumbadze looks closely at Ader's engagement with questions of free will and his ultimate success in creating art untainted by mediation. The first in-depth study of this enigmatic conceptual artist, Bas Jan Ader is a thoughtful reflection on the necessity of the creative act and its inescapable relation to death.

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Jan Tschichold (1902–1974 ) was one of the most outstanding and influential graphic artists and typographers of the 20th century. Throughout his life he stood in the service of print and writing, first as a talented young calligrapher and designer of some 70 posters and then, later on, as a self-critical typographer and typeface designer. In his posters, he expresses the avant-garde ideas of the Neue Typografie, or New Typography, which were strongly influenced by the Bauhaus. Tschichold received many prizes for his work. For example, the Société Typographique de France appointed him an honorary member in 1960, and he was named an honorary Royal Designer of Industry by the Royal Society of Arts in 1965. This book is an analytical examination of Tschichold’s posters. It contains his own collection of posters, with works by Hans Arp, El Lissitzky, László Moholy-Nagy, Oskar Schlemmer, and others, as well as the approximately 70 posters he designed himself.

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Jan Brueghel was a prominent painter in his hometown of Antwerp, a good friend and frequent collaborator of Rubens. What is perhaps less well known is that Jan was also an exceptional draughtsman. At the Snijders&Rockox House in Antwerp, some seventy works by Jan Brueghel have been brought together to create a unique exhibition. These drawings hail from collections held around the globe, including print rooms in Berlin, Paris, New York, Amsterdam, London and Stockholm, and is the first time they have all been on view together, presenting a significant cross-section of Jan Brueghel's authentic drawn oeuvre. Jan Brueghel - A magnificent draughtsman has been created by the publishing firm BAI, in collaboration with the Snijders&Rockox House to celebrate this exhibition. The book includes a biography, essays by Dr.Teréz Gerszi and Dr Wood Ruby on his draughtsmanship and six chapters in which the drawings are discussed according to their theme: sojourning in Italy, riverside and village scenes, study-sheets, roads and travellers, views of the sea and ports and coastal scenes, and impressions while travelling. The authors also place Brueghel's draughtsmanship within the context of his complete works and the times in which he lived, in the process signalling relationships and making enlightening comparisons.

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Celebrating an artistic and intellectual friendship This book encompasses a broad range of conversations between Jan Tumlir and Jorge Pardo, which span a period of 20 years, beginning in 1999. Cuban-born, Mexico-based artist Jorge Pardo (born 1963) explores the intersection of contemporary painting, design, sculpture and architecture. Employing a broad palette of vibrant colors, eclectic patterns, and natural and industrial materials, Pardo’s works range from murals to home furnishings to collages to larger-than-life fabrications. Here in conversation with art writer, teacher and curator Jan Tumlir (born 1962), he discusses contemporary art, design, publishing and music. The conversations also connect to the varied contexts of Los Angeles and Merida, Mexico, where they took place. The result is a story of a unique intellectual friendship that has helped define both of their thinking and practice.

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In 1776, at the Enlightenment’s height, Jan Christiaan Sepp published a wholly unique and striking work: A Representation of Marble Types. Across 100 richly hand-colored plates, it traced an elegant visual journey through 570 different marble types. This facsimile edition, a world first, devotedly brings to life a forgotten book of great knowledge and rare beauty.

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Jan Le Witt and George Him were a comparative rarity, a graphic design duo; signing their work as 'Lewitt-Him' they brought an innovative use of colour, imaginative abstraction and symbolism to commercial design. Both Polish by birth, they arrived in London in 1937, sponsored by the Victoria and Albert Museum and Lund Humphries. They established their reputation for fine poster work in World War II, and for their exhibition work with their much loved Guinness Clock at the Festival of Britain. In Poland their illustrations for Lokomotywa helped make it a children's classic and they continued with book illustration throughout their partnership. Of very different temperaments and artistic interests the partnership lasted some twenty years, to January 1955, when Le Witt left to develop his career as an artist. Him continued his commitment to graphic design - illustration, exhibitions and general commercial work - most remarkable of which were his witty illustrations marrying Stephen Potter's texts for Schweppes - 'Schweppshire', one of the longest lasting advertisement campaigns. The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Also available: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719 Paul Nash and John Nash ISBN: 9781851495191 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

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Visual artist, choreographer, writer and director, Jan Fabre has been one of the most influential figures on the European scene for over twenty years. His provocative forays into all different art forms are aimed at breaking down the artistic and moral barriers of his times. Published on the occasion of the exhibition of Fabre’s works at the MAXXI in Rome, the monograph brings together, for the first time, the action art and performances of the Belgian artist from the 70s to the present: drawings, “thinking models”, collages, films, photos and other documentation that lay the groundwork for a rediscovery of dozens of Fabre’s performances and interventions, both public and private, held in Belgium and abroad. The extreme, even brazen exploration of the human body, which frequently scandalizes viewers, is linked to the idea of metamorphosis, which Fabre may have derived from that passion for the sciences he inherited from his great-grandfather, the esteemed entomologist Jean-Henri Fabre. Jan Fabre has devoted much of his career to studying the human body and its transfiguration, central themes in his work; the artist considers performance art a “per-for-a(c)tion” of the body with respect to the outer world: a way to explore its limits, actions and reactions, both inside and out.

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Barbara von Barghahn is Professor of Art History at George Washington University and a specialist in the art history of Portugal, Spain, and their colonial dominions, as well as Flanders (1400-1800). In 1993, she was conferred O Grão Comendador in the Portuguese Order of Prince Henry the Navigator. She has spent nearly a decade completing research about Jan van Eyck's diplomatic visits to the Iberian Peninsula. This manuscript investigates Van Eyck's patronage by the Crown of Portugal and his role as diplomat-painter of the Duchy of Burgundy following his first voyage to Lisbon in 1428-1429 when he painted two portraits of Infanta Isabella, who became the third wife of Philip the Good in 1430. New portrait identifications are provided in the Ghent Altarpiece (1432) and its iconographical prototype, the lost Fountain of Life. These altarpieces are analyzed with regard to King João I's conquest of Ceuta, achieved by his sons who were hailed as an"illustrious generation." Strong family ties between the dynastic houses of Avis and Lancaster explain Lusitania 's sustained fascination with Arthurian lore and the Grail quest. Several chapters of this book are overlaid with a chivalric veneer. A second "secret mission" to Portugal in 1437 by Jan van Eyck is postulated and this diplomatic visit is related to Prince Henrique the Navigator's expedition to Tangier and King Duarte's attempts to forge an alliance with Alfonso V of Aragon. Late Eyckian commissions are reviewed in light of this ill-fated crusade and additional new portraits are identified. The most significant artist of Renaissance Flanders appears to have been patronized as much by the House of Avis as by the Duchy of Burgundy.

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Unlike the work of his contemporaries Rubens and Caravaggio, who painted on a grand scale, seventeenth-century Flemish painter Jan Brueghel’s tiny, detail-filled paintings took their place not in galleries but among touchable objects. This first book-length study of his work investigates how educated beholders valued the experience of refined, miniaturized artworks in Baroque Europe, and how, conversely, Brueghel’s distinctive aesthetic set a standard—and a technique—for the production of inexpensive popular images.It has been easy for art historians to overlook the work of Jan Brueghel, Pieter’s son. Yet the very qualities of smallness and intimacy that have marginalized him among historians made the younger Brueghel a central figure in the seventeenth-century art world. Elizabeth Honig’s thoughtful exploration reveals how his works—which were portable, mobile, and intimate—questioned conceptions of distance, dimension, and style. Honig proposes an alternate form of visuality that allows us to reevaluate how pictures were experienced in seventeenth-century Europe, how they functioned, and how and what they communicated.A monumental examination of an extraordinary artist, Jan Brueghel and the Senses of Scale reconsiders Brueghel’s paintings and restores them to their rightful place in history.

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This book offers a discovery: for the first time a comprehensive monograph explores the entire oeuvre of photographic artist Jan Groover (1943-2012), whose personal collection in 2017 was transferred to Musée de l'Elysée in Lausanne. Published to coincide with an exhibition at Musée de l'Elysée in autumn 2019 and generously illustrated, Jan Groover, Photographer: Laboratory of Forms traces the artist's career from the beginnings in America to her late years in western France. Having started her career as a painter, when she turned to photography in the 1970s she developed a distinct artistic attitude that saw her amalgamate the disciplines of photography and painting. She was especially known for her carefully composed photographic still-lifes. Essays on her life and work, her significance as an artist, alongside a very personal contribution by her husband, French artist and critic Bruce Boice, complement the images.

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This is the first in-depth historical study of Jan Gossart (ca. 1478-1532), one of the most important painters of the Renaissance in northern Europe. Providing a richly illustrated narrative of the Netherlandish artist's life and art, Marisa Anne Bass shows how Gossart's paintings were part of a larger cultural effort in the Netherlands to assert the region's ancient heritage as distinct from the antiquity and presumed cultural hegemony of Rome. Focusing on Gossart's vibrant, monumental mythological nudes, the book challenges previous interpretations by arguing that Gossart and his patrons did not slavishly imitate Italian Renaissance models but instead sought to contest the idea that the Roman past gave the Italians a monopoly on antiquity. Drawing on many previously unused primary sources in Latin, Dutch, and French, Jan Gossart and the Invention of Netherlandish Antiquity offers a fascinating new understanding of both the painter and the history of northern European art at large.

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In which Will Hodgkinson meets Arthur Brown, the God of Hellfire; Stephen Bayley attacks the idea of fun; we look at the surprising history of the chaise longue, and visit Britain after the Romans left (it was wild and free). Plus Georgia Mann, Stewart Lee, Virginia Ironside, Peter York and how to spot a psycho.

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A comprehensive overview of the oeuvre of Belgian painter Jan Van Imschoot A comprehensive overview of the oeuvre of Belgian painter Jan Van Imschoot (b. 1963), whose contemporary work builds bridges to predecessors such as Caravaggio, Tintoretto, Goya, and Manet. Van Imschoot’s painting consciously opts for a clear, sometimes contradictory and ironic style. The directness of his decisive brushwork and his balanced yet audacious use of color is strikingly contemporary, while his work draws on historical themes from literature and art history. In this way, Van Imschoot engages in a continuous dialogue with the past, in which he, with a dose of cynicism, often targets phenomena or figures that find themselves on the fringes of (contemporary) society. Bringing together more than 220 works by Van Imschoot with five accompanying texts, this book gives fresh insight into the painting practice of this Belgian master.Distributed for Mercatorfonds

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The original Haynes Repair Manual - Based on a complete stripdown and rebuild of a vehicle What's covered: Saloon, Hatchback and Estate, inc. special/limited editions. Petrol: 1.4 litre (1398cc) and 1.6 litre (1598cc). Diesel: 2.0 litre (1995cc). Exclusions: Does NOT cover Verso. Does NOT cover 1.8 litre petrol engine. Does NOT cover 1.4 litre diesel engine.

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Every manual is written from hands-on experience gained from stripping down and rebuilding each vehicle in the Haynes Project Workshop. The practical step-by-step instructions and clear photos are easy to follow and provide information on maintenance, servicing, fault finding, the MoT, brakes, electrics and Haynes tips to make many tasks easier.

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This is the first monograph on the life and work of the Czech born British architect Kaplicky (1937-2009). It is a fully comprehensive work based on a decade of research and is a distinctive portrait of one of the most distinguished architects and designers of the 20th and 21st centuries. At the same time it is an exploration into historical events, which influenced a number of talented artists, writers and designers, some of whom were forced, like Kaplicky, to emigrate from Czechoslovakia in order to expand their skills and search for beauty through living in freedom in democratic countries. After immigrating to the United Kingdom in 1968, Kaplicky applied his imagination and diligence and enhanced his skills and aptitude, gaining admiration and respect following the cofounding of the innovative Future Systems studio in 1979. With his wide-ranging architectural and design oeuvre Kaplicky affirmed greatness of his immense talent and ability. The author was a friend, through their shared émigré life experience, giving him broad insight into the inception and realisation of this book. He searched family archives and referenced Kaplickys private diaries. The author drew on everybody who had something important to say and gathered written memories and interviews from Kaplickys friends, colleagues, partners and clients, which form the cornerstone of the monograph. His aim was to write a book that would mirror Kaplickys life and work, a representation made up not only from the authors own point of view, but also according to others with whom Kaplicky had been in contact during his life. The book has many voices and has a kaleidoscopic format, which truly explores Kaplickys complex personality and his creativity. It does not overwhelm with excessive information, but builds a picture of the man behind his designs and tells his story. The author presents Kaplickys personal side with sensitivity and explains his dramatic decision-making.

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Jan Fabre’s latest series of works includes brilliant coral sculptures, as if ready to be offered to a temple, and blood drawings. The practice of comprehension of the mystery makes him dialogue with the artists and alchemists of the Renaissance, who tried to explain both the enigma of human formation and the origin of art on the basis of laboratory research, as well as with those religious writers who tried to understand the essence of the sacrament of marriage, one of the five (or seven) great sacraments, through the detailed study of sanctified texts. - Dimitri Ozerkov In Fabre’s artistic universe, beauty is a daimon that takes on a thousand forms, some even uncomfortable, disturbing, and acts as a bait to communicate a profound sense of life. The tension in his works and the astonishment they arouse are always infused with a spirituality that harmonises contrasts. The narrated caritas by Fabre is the universal act of love, which survives over the centuries and is all that matters. - Melania Rossi Texts by: Dimitri Ozerkov, Melania Rossi, Sara Liuzzi, Barbara De Coninck

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Born in 1360, Jan Zizka was a formidable figure whose life and military career was set amidst the whirlwind of monumental revolutions - military, religious, political and social - that engulfed medieval Europe in the 14th and 15th centuries. The leader of Bohemia's Hussite Revolution, the first of the religious wars during the Protestant Reformation, he was a forward-thinking military genius whose record is virtually unmatched. Zizka fielded a peasant militia, initially untrained and unequipped, and faced down the Holy Roman Empire's huge professional army of armoured knights known as The Men of Iron. Among his numerous innovations was the armoured wagon fitted with small cannons and muskets, presaging the modern tank. All this was achieved despite the fact that for much of his later career he went completely blind. Yet remarkably, beyond central Europe, very little is known about him, though today he is he is widely considered a Czech national hero. In this original and engrossing study, historian Victor Verney combines an authoritative analysis with colourful anecdotes to reveal the incredible exploits of this forgotten military genius and the fascinating cast of characters who surrounded him.

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This groundbreaking title brings together a critical selection of key papers by the Nobel Memorial Laureates in Economics that have helped shape the development and present state of economics. The editors have organised this comprehensive series by theme and focuses on those Laureates working in the same broad area of study. The careful selection of papers is set in context by an insightful introduction to the Laureates' careers and main published works. This landmark title will be an essential reference for scholars throughout the world.

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"A good city is like a good-party," you stay for longer than you plan," says Danish architect Jan Gehl. He believes that good architecture is not about form, but about the interaction between-form and life. Over-the last 50 years, Gehl has changed the way that we think about architecture and city planning, moving from the Modernist separation of uses to a human-scale approach inviting people to use their cities. At a time when growing numbers are populating cities, planning urban spaces to be humane, safe, and open to 'all' is ever-more critical. With the help of Jan Gehl, we can all become advocates for human scale design. Jan's research, theories, and strategies have been helping cities to reclaim their public space and recover from the great post-WWII car invasion. His work has influenced public space improvements in over 50 global cities, including New York, London, Moscow, Copenhagen, Melbourne, Sydney, and the authors' hometown of Perth. While much has been written by Jan Gehl about his approach and by others about his influence, this book tells the inside story of how he learned to Study urban spaces and implement his people-centred approach.People Cities discusses the work, theory, life, and influence of Jan Gehl from the perspective of those who have worked with him across the globe. Authors Matan and Newman celebrate Jan's role in changing the urban planning paradigm from an abstract, ideological modernism to a people-focused movement. It is organised around the creation of that movement, using key periods in Jan's working life as a structure. People Cities will inspire anyone who wants to create vibrant, human-scale cities and understand the ideas and work of an architect who has most influenced how we should and can design cities for people.

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In 1500 Malay Malacca was the queen city of the Malay Archipelago, one of the great trade centers of the world. Its rulers, said to be descendents of the ancient line of Srivijaya, dominated the lands east and west of the straits. The Portuguese, unable to compete in the marketplace, captured the town. They were followed a hundred years later by the Dutch who, lured in their turn by Malacca as symbol of the wealth and luxury of the east, were to rule this port city for more than a hundred and fifty years. It proved to be, in many ways, an empty conquest. Portuguese and Dutch governments imposed restrictions on Malacca’s trade, driving it to the newer ports in the north and south. Moreover, by the time the Dutch finally secured the town, they had established their own port at Batavia, in Java. Dutch Malacca was, by 1701, “a place of little trade.” Why then did the Dutch maintain their occupation of the port? Lewis draws on the extensive correspondence of the Dutch East India Company to examine the role the Dutch played as Malacca’s rulers in the eighteenth-century Malay world, arguing that their presence, though generally too weak to secure their own interests, disrupted the traditional political and economic organization of the Malay polities, contributing significantly to the disarray that beset the Malay world at the beginning of the nineteenth century.

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What's covered: Petrol: Nissan Qashqai 1.6L (1598cc) (2007 - 2014) Nissan Qashqai+2 2WD 1.6L (1598cc) (2007 - 2014) Nissan Qashqai+2 4WD 1.6L (1598cc) (2007 - 2014) Nissan Qashqai 2.0L (1997cc) (2007 - 2014) Nissan Qashqai+2 2WD 2.0L (1997cc) (2007 - 2014) Nissan Qashqai+2 4WD 2.0L (1997cc) (2007 - 2014) Turbo-diesel: Nissan Qashqai 1.5L (1461cc) (2007 - 2014) Nissan Qashqai+2 2WD 1.5L (1461cc) (2007 - 2014) Nissan Qashqai+2 4WD 1.5L (1461cc) (2007 - 2014) Nissan Qashqai 2.0L (1995cc) (2007 - 2014) Nissan Qashqai+2 2WD 2.0L (1995cc) (2007 - 2014) Nissan Qashqai+2 4WD 2.0L (1995cc) (2007 - 2014) Exclusions: Does NOT cover models with 1.6 litre diesel engine or CVT automatic transmission.

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Every manual is written from hands-on experience gained from stripping down and rebuilding each vehicle in the Haynes Project Workshop. The practical step-by-step instructions and clear photos are easy to follow and provide information on maintenance, servicing, fault finding, the MoT, brakes, electrics and Haynes tips to make many tasks easier.

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Sound – Space – Perception How can one inhabit a sound? What perspectives open up through the encounter of space, resonance and perception? And how are participants changed in the process? With Space Synthesis, artist and composer Jan St. Werner, known as one half of the duo Mouse on Mars, designs a radically new understanding of sound and space. The interplay between the two becomes a method of exploring architecture and social contexts. Space Synthesis is the catalog for Jan St. Werner's first solo exhibition and, at the same time, the document of a practice that turns against seemingly fixed knowledge and explores the productive power of sound from multiple perspectives. Numerous contributions deepen the understanding of his artistic work. Texts by: Michael Akstaller, Nikola Bojic, Louis Chude-Sokei, Damir Gamulin, Çagla Ilk, Gascia Ouzounian, Patricia Reed, Jan St. Werner, Oswald Wiener

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Jan Ullrich: The Best There Never Was is the first biography of Jan Ullrich, arguably the most naturally talented cyclist of his generation, and also one of the most controversial champions of the Tour de France.In 1997, Jan Ullrich announced himself to the world by obliterating his rivals in the first mountain stage of the Tour de France. So awesome was his display that it sent shockwaves throughout the world of cycling and invited headlines such as L’Équipe’s ‘The New Giant’. He went on to become Germany’s first ever Tour winner, storming to victory in that edition by almost ten minutes, a result that was greeted as an era-defining changing of the guard. Everyone agreed: Jan Ullrich was the future of cycling. He was soon also voted Germany’s most popular sportsperson of all time, and his rivalry with Lance Armstrong defined the most controversial years of the Tour de France.Now, Daniel Friebe – who has covered twenty-one editions of the Tour de France – has gone in search of the man who was said in 1997 would go on to dominate his sport for a generation, but never quite managed it.Just what did happen to the best who never was?This is a gripping account of how unbearable expectation, mental and physical fragility, the effects of a complicated childhood, a morally corrupt sport and one individual – Lance Armstrong – can conspire to reroute destiny.Daniel Friebe takes us from the legacy of East Germany’s drugs programme to the pinnacle of pro cycling and asks: what price can you give sporting immortality?

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Jan Ullrich: The Best There Never Was is the first biography of Jan Ullrich, arguably the most naturally talented cyclist of his generation, and also one of the most controversial champions of the Tour de France.'Magnificent' – Matt Dickinson, The Times'A superlative biography as well as social and sporting history' – ObserverIn 1997, Jan Ullrich announced himself to the world by obliterating his rivals at the Tour de France and becoming Germany’s first ever winner. Everyone agreed: Jan Ullrich would dominate the future of cycling. But he never quite managed it.This is a gripping account of how unbearable expectation, mental and physical fragility, the effects of a complicated childhood, a morally corrupt sport and one individual – Lance Armstrong – can conspire to reroute destiny.Acclaimed journalist Daniel Friebe takes us from the legacy of East Germany’s drugs programme to the pinnacle of pro cycling and asks: what price are you willing to pay for immortality?

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Jan Ullrich: The Best There Never Was is the first biography of Jan Ullrich, arguably the most naturally talented cyclist of his generation, and also one of the most controversial champions of the Tour de France.In 1997, Jan Ullrich announced himself to the world by obliterating his rivals in the first mountain stage of the Tour de France. So awesome was his display that it sent shockwaves throughout the world of cycling and invited headlines such as L’Équipe’s ‘The New Giant’. He went on to become Germany’s first ever Tour winner, storming to victory in that edition by almost ten minutes, a result that was greeted as an era-defining changing of the guard. Everyone agreed: Jan Ullrich was the future of cycling. He was soon also voted Germany’s most popular sportsperson of all time, and his rivalry with Lance Armstrong defined the most controversial years of the Tour de France.Now, Daniel Friebe – who has covered twenty-one editions of the Tour de France – has gone in search of the man who was said in 1997 would go on to dominate his sport for a generation, but never quite managed it.Just what did happen to the best who never was?This is a gripping account of how unbearable expectation, mental and physical fragility, the effects of a complicated childhood, a morally corrupt sport and one individual – Lance Armstrong – can conspire to reroute destiny.Daniel Friebe takes us from the legacy of East Germany’s drugs programme to the pinnacle of pro cycling and asks: what price can you give sporting immortality?

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A powerful remembrance of the lessons and legacy of Jan Karski, who risked his life to share the truth with the world—and a cautionary tale for our times. Richly illustrated with stills from the black-and-white film adaptation of the acclaimed stage play, Remember This: The Lesson of Jan Karski tells the story of World War II hero, Holocaust witness, and Georgetown University professor Jan Karski. A messenger of truth, Karski risked his life to carry his harrowing reports of the Holocaust from war-torn Poland to the Allied nations and, ultimately, the Oval Office, only to be ignored and disbelieved. Despite the West's unwillingness to act, Karski continued to tell others about the atrocities he saw, and, after a period of silence, would do so for the remainder of his life. This play carries forward his legacy of bearing witness so that future generations might be inspired to follow his example and "shake the conscience of the world." Accompanying the text of the stage play in this volume are essays and conversations from leading diplomats, thinkers, artists, and writers who reckon with Karski's legacy, including Secretary of State Madeleine Albright, Ambassador Stuart Eizenstat, award-winning author Aminatta Forna, best-selling author Azar Nafisi, President Emeritus of Georgetown Leo J. O'Donovan, SJ, Ambassador Samantha Power, Ambassador Cynthia P. Schneider, historian Timothy Snyder, Academy Award nominated actor David Strathairn, and best-selling author Deborah Tannen.

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