Search results for ""forma edizioni""

Four Calabrian artists who trained during the 1970s, four different poetic paths and a communion of intentions. After Marginalia, the first group exhibition held in 1979, their path split across Italy, to reunite in 2021 in an exhibition bearing the same title. Francesco Correggia held the chair of Decoration Department in Brera Academy of Fine Arts in Milan. He initially focused on performances and site- specific actions, before turning to painting. Luigi Magli lives in Cosenza. He’s interested in semiotics and the language of art, investigating matter and its expressive possibilities through his ‘personal expressionism’. Rocco Pangaro lives in Rende. He teaches Artistic Anatomy at the Academy of Fine Arts in Catanzaro. His research is wedged in the relationship between the artistic intervention and the place that hosts it. Giovanni Vatrella moved to Gorizia. He incorporates reality in his works, showing and concealing it at the same time behind thin canvases. The book, edited by Bruno Corà, highlights the affinities and divergences of these artists. It is accompanied by a rich apparatus of significant archive images.

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Catalogue of the exhibition Parmiggiani dedicated to the artist Claudio Parmiggiani by Tornabuoni Art Paris gallery from October 2023 to January 2024. The exhibition will be the first entirely devoted to the artist''s Delocazioni series.Offering previously unpublished texts by Bruno Corà, Andrea Cortellessa and Philippe Dagen, the catalogue traces the stages of the artistic research of Parmiggiani, who was born in Luzzara in 1943 and is recognised as one of the leading artists on the Italian and international art scene. The exhibition offers a selection of works conceived in situ by the artist. Made with fire, dust and smoke, his first Delocazioni were born in the 1970s in Modena as a reflection on absence, shadow and trace.The catalogue is enriched with texts from his work-books published since 1970, quotations from the artist, photos from the exhibition and archival images in collaboration with Parmiggiani''s studio.Text in French. <

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This volume presents the artistic career of Klaus Münch through a selection of his work, ahead of an exhibition opening in Spoleto, Italy in October 2023. Born in Freiburg, Germany, after attending the Academy of Fine Arts in Carrara, where he graduated in sculpture, he studied in Munich, specialising in painting. Since then, he has chosen to live and work in Italy, where he pursues his personal artistic investigation of the world. His work moves in the fertile furrow between sculpture and painting. Starting from the examples of Mario and Marisa Merz, Gilberto Zorio, Giovanni Anselmo and comparing himself with artists of the same age such as Vittorio Messina and Eduard Winklhofer, Münch analyses the complex relationship between creation and space, between colour and shape. Includes essays by Marco Tonelli, Ivo Iori and the curator Bruno Corà himself. Text in English and Italian.

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Sicilian post-war and contemporary artist Vittorio Messina (b.1946), graduated from the Valle Giulia Faculty of Architecture in Rome, and his career incorporates a life-long interest in forms and materials linked with architecture. He is known for his striking installations, sculptures, and videos, and his work is often rooted in a space where the physical and the philosophical meet in cell-like constructions that are primarily formed from everyday objects that embody elusive and subtle uneasiness. His early training in architecture is seen in projects that reflect on the conditions, emotional as well as concrete, of urban life. This well-illustrated overview of his career is presented in three essays by noted art historians.

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The first monograph dedicated to the artistic journey of Sicilian-born Antonino Bove (b.1945), one of Italy’s most multifaceted contemporary artists, and his research into the sphere of dreaming and death. In the early 1960s, Antonino Bove began using a photographic camera to produce prints, and assembled images and texts, integrating materials like wax, tar, gauze, and different pigments into his paintings in addition to small objects and glass. His work is charged with an ethereal, psychological, and metaphysical sense of poetry. During the following decade, this orientation was intensified with deeper research into ethno-anthropology, characterised by social, political and historical elements. But the artist’s principal source of fascination was his utopian artistic project aimed at saving mankind from physical death, and at the same time, saving the universe itself. Text in English and Italian.

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This catalogue for the inaugural exhibition at Tornabuoni Art in Paris showcases works by the greatest exponents of contemporary Italian experimental art from the end of the 1950s to the late 1970s. It includes work by Vincenzo Agnetti, Alighiero Boetti, Agostino Bonalumi, Alberto Burri, Enrico Castellani, Mario Ceroli, Gianni Colombo, Dadamaino, Lucio Fontana, Emilio Isgrò, Jannis Kounellis, Sergio Lombardo, Piero Manzoni, Paolo Scheggi and Giuseppe Uncini. “Simplification is complex: it is an all-out choice. The Italian minimalist artists are the heavyweights in the boxing ring of art – and life.” Illaria Bignotti

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Senza data (Undated), an exhibition at the Stefano Bardini Museum in Florence, presents a series of works by Italian artist Luca Pignatelli painted on railway tarpaulins, wood, paper, sheet metal, and Persian carpets from the early 20th century. The painted carpets stand out immediately for their size and their link with the vast collection of carpets in the museum. Luca Pignatelli studied architectural composition during the period influenced by the theories of Aldo Rossi and the idea of the sedimentary growth of history. He is an artist able to accept the challenge of large-scale paintings, working with unusual supports on which he overlays his own selection of images, icons of collective memory like trains, planes, machines, and relics of classical culture. This catalogue includes an interview with the artist and an essay by director of the Museo Novecento in Florence.

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The selection, preparation and application of materials in architecture represent key decisions in the design process, today as in the past. This book features projects by Archea Associati, a firm of architects and designers founded in Florence in 1988, that demonstrate how materials can be used in innovative ways, while still honouring their traditional characteristics. Glass, terracotta, concrete and wood are just a few of the elements they work with. Examples of ancient and contemporary materials are featured throughout this well-illustrated volume. A gallery of photographic images accompanied by drawings and descriptive texts illustrate each building, alternating between details and general views, from the basic elements to the complete work as a whole.

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Berlin has proved to be an active stage for all the most important social transformations since the 20th century, marking a blurred boundary between Baroque and contemporary, within which fervent cultural and intellectual seasons, plans for massive industrialisation, World Wars, the establishment of schools of architecture and modern thought destined to make history have taken hold. A veritable laboratory of urban planning and architecture in continuous evolution, which still today constitutes a composite landscape of experiments in social urban planning, of mending the urban fabric between east and west, of places of representation of ministries, embassies and parliament between the Tiergarten and the Spree, of redesigning public space according to the model of critical reconstruction as can be seen at Bundeshauptsadt, Postdamer Platz and Friedrichstadt to which the major exponents of international modern architecture have contributed, and of building a cultural planning whose highest expression is the Museum Island, the most famous museum complex in the world.

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New York City is a metropolis in a constant state of metamorphosis. Amidst continuous construction, the redevelopment of the existing cityscape plays a fundamental role in the evolution of the Big Apple as a place to live, work, and visit. This pocket guide to highlights of modern and contemporary architecture features 85 famous skyscrapers, cutting-edge projects with abandoned infrastructure, post-industrial buildings, and inventive low-cost housing models. Each building is accompanied by text describing its history, use, materials, and architectural profile, in addition to directions, and public accessibility.

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