Search results for ""bloomsbury publishing plc""

A groundbreaking and incendiary exploration of the intertwined histories of slavery, racism, and higher education in America, from a leading African-American historian

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What is retailing today? Who are the players and how do they operate? And what will happen tomorrow? These are just some of the questions addressed by Retailing Principles: Global, Multichannel and Managerial Viewpoints, 2nd Edition, which has been thoroughly updated to reflect current trends and conditions in the global retail market. An essential companion for any student seeking a career in the world of retail, the text focuses on the strategies that retailers both large and small are employing to thrive in this challenging economic climate, and in a marketplace where globalization, multi-channel retailing, and issues of sustainability are dominant factors.

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A story about the pressures of social media, the lengths influencers will go to for fame, and the grief of losing a loved one to suicide, perfect for fans of Jandy Nelson and Gayle Forman. Seventeen-year-old Jules grew up in her mother’s spotlight. A “parenting influencer,” Britt shares details of her daughter’s life—pictures, intimate stories, insecurities, all—to a point that becomes unbearable to Jules. And suddenly she’s gone. Natalie has only barely begun to grieve her best friend Jules’s death when Britt announces her plans to publish a memoir that will dissect Jules’s life and death. But Nat knows the truth behind Britt's "perfect" Instagram feed—Jules hated the pressure, the inauthenticity, the persona. There’s so much more to Jules than Britt and her followers could ever know. As Nat connects with Jules’s boyfriend, Carter, and their shared grief and guilt bonds them, she becomes determined to expose Britt, to understand what really happened, and who is to blame. In a world that feels distorted by celebrity and the manipulations of social media and public opinion, Natalie and Carter need something real to hold onto. Remind Me to Hate You Later is a moving account of grief, depression, complex relationships, love, and the search for truth.

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Sy is a sheltered and timid seventeen-year-old queer Indian-Muslim boy who placed all his bets at happiness on his boyfriend Farouk...who then left him to try and "fix the world." Sy was too chicken to take the plunge and travel with him. Stuck in a dead-end coffee shop job with a Quran-wielding father who’s all too liberal with the belt, all Sy can do is wish for another chance... He never expects his wish to be granted. When a hot-mess-of-an-heiress slams into (and slides down, streaks of make-up in her wake) the front window of the coffee shop, Sy just shrugs it off and helps her up and on her way. But the girl offers him three wishes in exchange for helping her, and after proving she can grant at least one wish with a funds transfer of a million dollars into Sy's pitifully struggling bank account, a whole new world of possibility opens up. Does Sy have the courage to make his way from L. A. through London, Istanbul, and Marrakesh, led by his potentially otherworldly new friend, to track down his missing Farouk for one last, desperate chance at rebuilding his life and re-finding love?

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New York Times bestselling author A.G. Howard launches a dark and compelling new YA fantasy series about a girl whose family is cursed by Halloween. "Packed with action scenes, detailed world-building, and allusions to other popular media, this will be a crowd-pleaser with avid fantasy readers, likely to appeal to fans of Melissa Marr and Holly Black." -BCCB Phoenix “Nix” Loring knows her family is under a Halloween curse. When she was three, her parents tragically died on October 31st. Eleven years later, her twin sister Lark suffered a similar fate. Ever since, Nix has battled survivor guilt. She can’t even find comfort in Clarey, Lark’s boyfriend and the one person who understands her pain, because Nix’s hidden feelings for him go far beyond friendship. All that remains are her sketches, where she finds solace among the goblins and faeries in her imaginary world of Mystiquel. When her depression starts affecting her ability to see color, Nix all but gives up on her art, until her uncle goes missing on Halloween day. Hot on his trail, Nix and Clarey step through a portal, becoming trapped inside a decaying version of their town filled with Nix’s own sketches come to life. As Nix and Clarey search for her uncle within the sinister and dangerous world of Mystiquel, Nix discovers there’s more to her family curse and otherworldly artwork than she ever imagined—and unless she can solve the Goblin King’s maze before the clock strikes midnight, her life won’t be the only one the curse claims next. Set in a gritty, atmospheric world filled with magical creatures, New York Times bestselling author A.G. Howard launches a thrilling new fantasy full of romance, twists, and betrayals.

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National bestselling author Phil Stamper crafts the perfect summer friendship story, starring four queer boys with big hearts and even bigger dreams. It’s the summer before senior year. Gabriel, Reese, Sal, and Heath are best friends, bonded in their small, rural town by their queerness, their good grades, and their big dreams. But they have plans for the summer, each about to embark on a new adventure. Gabriel is volunteering at an environmental nonprofit in Boston. Reese is attending design school in Paris. Sal is interning on Capitol Hill for a senator. Heath is heading to Florida, to help out at his aunt’s boardwalk arcade. What will this season of world-expanding travel and life-changing experiences mean for each of them--and for their friendship? Phil Stamper treats readers to an emotionally resonant summer story, full of aspirational experiences, sweet romance, and joyously affirming friendship.

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In a YA thriller that is Crazy Rich Asians meets One of Us is Lying, students at an elite prep school are forced to confront their secrets when their ex-best friend turns up dead. Nancy Luo is shocked when her former best friend, Jamie Ruan, top-ranked junior at Sinclair Prep, goes missing, and then is found dead. Nancy is even more shocked when word starts to spread that she and her friends--Krystal, Akil, and Alexander--are the prime suspects, thanks to "the Proctor," someone anonymously incriminating them via the school’s social media app. They all used to be Jamie’s closest friends, and she knew each of their deepest, darkest secrets. Now, somehow the Proctor knows them, too. The four must uncover the true killer before The Proctor exposes more than they can bear and costs them more than they can afford, like Nancy’s full scholarship. Soon, Nancy suspects that her friends may be keeping secrets from her, too. Katie Zhao’s YA debut is an edge-of-your-seat drama set in the pressure-cooker world of academics and image at Sinclair Prep, where the past threatens the future these teens have carefully crafted for themselves. How We Fall Apart is the irresistible, addicting, Asian-American recast of Gossip Girl that we’ve all been waiting for.

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Sound Affects: A User’s Guide is a collection of sonically-charged concepts ranging from those felt, ‘heard’ and repeated (silence, the oriental riff, shuffle), to the vocal (whispers, sing, the disembodied voice), to sounds at the threshold (tin/ny, thump, buzz) to sounds beyond the limits of audibility (inaudible tremors, distortion, sub-bass). Sound Affects invites the reader to reflect on the ways that sounds produce affects and the ways that affects can operate as sound. Each of the entries develops a particular perspective on sound and affect through a close analysis of audiovisual and/or sonic objects. The objects chosen not only illustrate the concept in question but also demonstrate how the object encourages us to rethink the relationships between sounds and affects. Influenced by the sound theory of Eugenie Brinkema (2011), the concepts of Sound Affects plot the shift in volume from silence that opens up a space to be heard to the audibly near, from the audibly near to sounds beyond the limits of audibility. Sound Affects is an intellectual adventure for those who theorize and listen. The book can also be enjoyed as a narrative of sounds, its absences and its shifting intensities.

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Murray Pomerance, venerated film scholar, is the first to take on the 'cheat' in film, where 'cheating' constitutes a collection of production, performance, and structuring maneuvers intended to foster the impression of a screen reality that does not exist as presented. This usually calls for a suspension of disbelief in the viewer, but that rests on the assumption that disbelief is problematic for viewership, and that we must find some way to “suspend” or “disconnect” it in order to allow for the entertainment of the fiction in its own terms. The Film Cheat explores forty-five aspects of the 'cheat,' analyzing classic films such as Singin’ in the Rain and Chinatown, to more contemporary films like The Revenant and Baby Driver, with Pomerance engaging his encyclopedic knowledge of film history to point out numerous instances of suspensions of disbeliefs. Whether or not Gene Kelly is actually dancin' in the rain, or if Elliott is really flying on his bicycle carrying E.T., these cheats are what make movie magic. Elegantly weaving the narrative for one to dip into at random or to read from cover to cover, Pomerance turns things upside down so that the audience actually finds pleasure in the cheat itself, pleasure in the disbelief. To see the elegant fake, the supremely accomplished simulacrum is a pleasure in its own right, indeed one of the fundamental pleasures of cinema.

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Between the late 1950s and mid-1970s, British cinema experienced an explosion of X-certificated films. In parallel with an era marked by social, political, and sexual ferment and upheaval, British filmmakers and censors pushed and guarded the permissible limits of violence, horror, revolt, and sexuality on screen. Adult Themes is the first volume entirely devoted to the exploration of British X certificate films across this transformative period, since identified as ‘the long 1960s’. How did the British Board of Film Censors, harried on one side by the censorious and moralistic, and beset on the other by demands for greater artistic freedom, oversee and manage this provocative body of films? How did the freedoms and restrictions of the X certificate hasten, determine, and reshape post-war British cinema into an artistic, exploitational, and unapologetically adult medium? Contributors to this collection consider these central questions as they take us to swinging parties, on youthful crime sprees, into local council meetings, on police raids of cinemas, and around Soho strip clubs, and introduce us to mass murderers, lesbian vampires, apoplectic protestors, eroticised middle-aged women, and rebellious working-class men. Adult Themes examines both the workings and negotiations of British film censorship, the limits of artistic expression, and a wider culture of X certificate cinema. This is an important volume for students and scholars of British Film History and censorship, Media Studies, the 1960s, and Cultural and Sexuality Studies, while simultaneously an entertaining read for all connoisseurs of British cinema at its most vivid and scandalous.

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Bringing together philosophies of the maternal with digital technology may appear to be an arbitrary pairing. However, reading them intertextually through select creative practices reveals how both encompass an aesthetics of interruption that becomes a novel means of understanding subjectivity. EL Putnam investigates how the digital performances of certain artists, creators, and technologists rupture existing representations of the maternal, taking advantage of the formal properties of digital media. What results are interruptions of visual and aural constructions through an immanent merging of the performing body with digital technologies. Putnam bases her analysis on close examinations of the way certain makers use the formal properties of digital imagery, such as the gap, the glitch, and the lag, as means of rendering images of the maternal uncanny in order to challenge mediation, constituting an aesthetics of interruption. The result is a radical critical strategy for engaging with digital technology and subsequent understandings of the subject that defy current modes of assimilation.

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Mass Communications and Media Studies: An Introduction, 2nd edition is a comprehensive yet concise survey of the history of mass communication media, discussing the current state of each medium, and anticipating the future of mass media. Divided into twelve chapters, it can be used in either 16-week semesters or 12-week terms. Retaining the successful organization of the 1st edition, Peyton Paxson writes in an accessible and well-organized manner, catering to both the needs of students and instructors. He begins each chapter with a list of the current issues and trends concerning the chapter’s topic, followed by a brief history of that topic, its current state, predictions for the future, an assessment of career opportunities, and discussion questions for critical thinking. More than just updating statistical data, the 2nd edition weaves in discussions of relevant contemporary issues, including crowdsourcing, going ‘viral’, interactive advertising, tv industry consolidation, ‘the internet of things’, conflicting ideas of net neutrality and their continuing implications in a more-connected world.

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Although David Bowie has famously characterized himself as a "leper messiah," a more appropriate moniker might be "rock god": someone whose influence has crossed numerous sub-genres of popular and classical music and can at times seem ubiquitous. By looking at key moments in his career (1972, 1977-79, 1980-83, and 1995-97) through several lenses—theories of sub-culture, gender/sexuality studies, theories of sound, post-colonial theory, and performance studies, Waldrep examines Bowie's work in terms not only of his auditory output but his many reinterpretations of it via music videos, concert tours, television appearances, and occasional movie roles. Future Nostalgia looks at all aspects of Bowie's career in an attempt to trace Bowie's contribution to the performative paradigms that constitute contemporary rock music.

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Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Desert nomads tested their vision by distinguishing a pair of stars. But we have since created more disquieting ways to test the strength of the eyes. Reading the eye chart is an exercise in failure, since it only gets interesting when you cannot read any further. It is the opposite of interpretative reading, like one does with literature. When you have finished reading an eye chart, what exactly have you even read? From a Spanish cleric’s Renaissance guide to testing vision, to a Dutch ophthalmologist’s innovation in optical tech, to the witty subversion of the eye chart in advertising and popular culture, William Germano’s Eye Chart lets people see the eye chart at last. Object Lessons is published in partnership with an essay series in The Atlantic.

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Matthew Flisfeder introduces readers to key concepts in postmodern theory and demonstrates how it can be used for a critical interpretation and analysis of Blade Runner, arguably 'the greatest science fiction film'. By contextualizing the film within the culture of late 20th and early 21st-century capitalism, Flisfeder provides a valuable guide for both students and scholars interested in learning more about one of the most significant, influential, and controversial concepts in film and cultural studies of the past 40 years. The "Film Theory in Practice" series fills a gaping hole in the world of film theory. By marrying the explanation of film theory with interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Postmodern Theory and Blade Runner offers a concise introduction to Postmodernism in jargon-free language and shows how this theory can be deployed to interpret Ridley Scott's cult film Blade Runner.

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For the first time, a group of distinguished authors come together to provide an authoritative exploration of the cultural history of tragedy in the Middle Ages. Reports of the so-called death of medieval tragedy, they argue, have been greatly exaggerated; and, for the Middle Ages, the stakes couldn’t be higher. Eight essays offer a blueprint for future study as they take up the extensive but much-neglected medieval engagement with tragic genres, modes, and performances from the vantage points of gender, politics, theology, history, social theory, anthropology, philosophy, economics, and media studies. The result? A recuperated medieval tragedy that is as much a branch of literature as it is of theology, politics, law, or ethics and which, at long last, rejoins the millennium-long conversation about one of the world’s most enduring art forms. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual and myth; politics of city and nation; society and family, and gender and sexuality.

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