Search results for ""author umberto eco""

The gripping new conspiracy thriller by the bestselling author of The Name of the Rose1945, Lake Como. Mussolini and his mistress are captured and shot by local partisans. The precise circumstances of Il Duce’s death remain shrouded in confusion and controversy.1992, Milan. Colonna takes a job at a fledgling newspaper financed by a powerful media magnate. There he learns the paranoid theories of Braggadocio, who is convinced that Mussolini’s corpse was a body-double and part of a wider Fascist plot.Colonna is sceptical. But when a body is found, stabbed to death in a back alley, and the paper is shut down, even he is jolted out of his complacency. Fuelled by conspiracy theories, Mafiosi, love, corruption and murder, Numero Zero reverberates with the clash of forces that have shaped Italy since the Second World War. This gripping novel from the author of The Name of the Rose is told with all the power of a master storyteller.

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Nineteenth-century Europe abounds with conspiracy both ghastly and mysterious. Jesuits plot against Freemasons. Italian priests are strangled with their own intestines. French criminals plan bombings by day and celebrate black masses by night. Every nation has its own secret service, perpetrating forgeries, plots, and massacres. But what if, behind all of these conspiracies, lies just one man?

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Barbara Frale gives us an explosive, exhaustively researched history of the medieval world’s most powerful military order, the Templars. At its height, the Order of the Knights Templar rivaled the kingdoms of Europe in military might, economic power, and political influence. For 700 years, the tragic demise of this society of warrior-monks amid accusations of heresy has been plagued by controversy, in part because the transcript of their trial by the Inquisition—which held the key to the truth—had vanished. Templar historian Barbara Frale happened to be studying a document at the Vatican Secret Archives when she suddenly realized that it was none other than the long-lost transcript! It revealed that Pope Clement V had absolved the order of all charges of heresy. The Templars chronicles the spectacular rise and fall of the organization against a sweeping backdrop of war, religious fervor, and the struggle for dominance, and finally lifts the centuries-old cloak of mystery surrounding one of the world’s most intriguing secret societies.

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" . . . an excellent collection . . . " —Journal of Language & Social PsychologyAn important collection of original essays by well-known scholars debating the questions of logical versus psychologically-based interpretations of language.

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We are here to remember what happened and to declare solemnly that 'they' must never do it again. But who are 'they'?HOW TO SPOT A FASCIST is a selection of three thought-provoking essays on freedom and fascism, censorship and tolerance - including Eco's iconic essay 'Ur-Fascism', which lists the fourteen essential characteristics of fascism, and draws on his own personal experiences growing up in the shadow of Mussolini. Umberto Eco remains one of the greatest writers and cultural commentators of the last century. In these pertinent pieces, he warns against prejudice and abuses of power and proves a wise and insightful guide for our times. If we strive to learn from our collective history and come together in challenging times, we can hope for a peaceful and tolerant future. Freedom and liberation are never-ending tasks. Let this be our motto: 'Do not forget.''He brilliantly exposes all that is absurd and paradoxical in contemporary behaviour. Eco's irony is disarming, his cleverness dazzling' Guardian

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Nineteenth-century Europe abounds with conspiracy both ghastly and mysterious. Jesuits plot against Freemasons. Italian priests are strangled with their own intestines. French criminals plan bombings by day and celebrate black masses by night. Every nation has its own secret service, perpetrating forgeries, plots, and massacres. But what if, behind all of these conspiracies, lies just one man?

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Best-selling author Umberto Eco's latest work unlocks the riddles of history in an exploration of the "linguistics of the lunatic," stories told by scholars, scientists, poets, fanatics, and ordinary people in order to make sense of the world. Exploring the "Force of the False," Eco uncovers layers of mistakes that have shaped human history, such as Columbus's assumption that the world was much smaller than it is, leading him to seek out a quick route to the East via the West and thus fortuitously "discovering" America. The fictions that grew up around the cults of the Rosicrucians and Knights Templar were the result of a letter from a mysterious "Prester John"-undoubtedly a hoax-that provided fertile ground for a series of delusions and conspiracy theories based on religious, ethnic, and racial prejudices. While some false tales produce new knowledge (like Columbus's discovery of America) and others create nothing but horror and shame (the Rosicrucian story wound up fueling European anti-Semitism) they are all powerfully persuasive. In a careful unraveling of the fabulous and the false, Eco shows us how serendipities-unanticipated truths-often spring from mistaken ideas. From Leibniz's belief that the I Ching illustrated the principles of calculus to Marco Polo's mistaking a rhinoceros for a unicorn, Eco tours the labyrinth of intellectual history, illuminating the ways in which we project the familiar onto the strange. Eco uncovers a rich history of linguistic endeavor-much of it ill-conceived-that sought to "heal the wound of Babel." Through the Middle Ages and the Renaissance, Greek, Hebrew, Chinese, and Egyptian were alternately proclaimed as the first language that God gave to Adam, while-in keeping with the colonial climate of the time-the complex language of the Amerindians in Mexico was viewed as crude and diabolical. In closing, Eco considers the erroneous notion of linguistic perfection and shrewdly observes that the dangers we face lie not in the rules we use to interpret other cultures but in our insistence on making these rules absolute. With the startling combination of erudition and wit, bewildering anecdotes and scholarly rigor that are Eco's hallmarks, Serendipities is sure to entertain and enlighten any reader with a passion for the curious history of languages and ideas.

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In the tradition of his books On Beauty and On Ugliness and The Infinity of Lists, Umberto Eco presents an enthralling illustrated tour of the fabled places that have awed and eluded us through the ages."Eco is one of the most influential thinkers of our time" Los Angeles Times From the epic poems of Homer to contemporary science fiction, from the Holy Scriptures to modern mythology and fairy tale, literature and art are full of illusory places we have at some time believed are real, and onto which we have projected our dreams, ideals and fears. Umberto Eco leads us on an illuminating journey through these legendary lands - Atlantis, Thule and Hyperborea, the Earth's interior and the Land of Cockaigne - and explores utopias and dystopias where our imagination can confront concepts that are too incredible, or too challenging, for our limited real world. In The Book of Legendary Lands the author's text is accompanied by several hundred carefully assembled works of art and literature; the result is a beautifully illustrated volume with broad and enduring appeal.Translated from Italian by Alastair McEwen

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Holography, wax museums, the secret meaning of spectator sports, Superman and the intellectual effects of over-tight jeans are just a few of the subjects covered in this collection of witty, entertaining and thought-provoking delights from Umberto Eco, celebrated author of The Name of the Rose.

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The final collection of essays from the internationally acclaimed and bestselling author of The Name of the Rose and The Prague Cemetery, on the subjects of art and culture.In this collection of essays we find Umberto Eco’s perennial areas of interest explored in a lively and engaging style, accompanied by beautiful reproductions of the art he discusses. In these wide-ranging pieces he explores the roots of our civilization, changing ideas of beauty, our obsession with conspiracies and the emblematic heroes of the great narrative, amongst other fascinating topics.Umberto Eco was one of the most influential, and entertaining, intellectuals of the last century, as well as being a critically acclaimed and bestselling writer of both fiction and non-fiction.

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" . . . fascinating throughout. . . . the book is recreative in the highest sense." —Arthur C. Danto, The New Republic"A gem for Holmes fans and armchair detectives with a penchant for logical reflection, and Peirce scholars." —Library Journal

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This book sheds light on the most philosophically interesting of contemporary objects: the cell phone. “Where are you?”—a question asked over cell phones myriad times each day—is arguably the most philosophical question of our age, given the transformation of presence the cell phone has wrought in contemporary social life and public space. Throughout all public spaces, cell phones are now a ubiquitous prosthesis of what Descartes and Hegel once considered the absolute tool: the hand. Their power comes in part from their ability to move about with us—they are like a computer, but we can carry them with us at all times—in part from what they attach to us (and how), as all that computational and connective power becomes both handy and hand-sized. Quite surprisingly, despite their name, one might argue, as Ferraris does, that cell phones are not really all that good for sound and speaking. Instead, the main philosophical point of this book is that mobile phones have come into their own as writing machines—they function best for text messages, e-mail, and archives of all kinds. Their philosophical urgency lies in the manner in which they carry us from the effects of voice over into reliance upon the written traces that are, Ferraris argues, the basic stuff of human culture. Ontology is the study of what there is, and what there is in our age is a huge network of documents, papers, and texts of all kinds. Social reality is not constructed by collective intentionality; rather, it is made up of inscribed acts. As Derrida already prophesized, our world revolves around writing. Cell phones have attached writing to our fingers and dragged it into public spaces in a new way. This is why, with their power to obliterate or morph presence and replace voice with writing, the cell phone is such a philosophically interesting object.

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'The book is like the spoon: once invented, it cannot be bettered' - Umberto Eco.These days it is impossible to get away from discussions of whether the book will survive the digital revolution. Blogs, tweets and newspaper articles on the subject appear daily, many of them repetitive, most of them admitting ignorance of the future. Amidst the twittering, the thoughts of Jean-Claude Carrière and Umberto Eco come as a breath of fresh air. This thought-provoking book takes the form of a conversation in which Carrière and Eco discuss everything from how to define the first book to what is happening to knowledge now that infinite amounts of information are available at the click of a mouse. En route there are delightful digressions into personal anecdote. We find out about Eco's first computer and the book Carrière is most sad to have sold. And while, as Carrière says, the one certain thing about the future is that it is unpredictable, it is clear from this conversation that, in some form or other, the book will survive.

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