Search results for ""author terence""

With this work, Terence C. Mournet contributes to the ongoing discussion regarding oral tradition and the formation of the Synoptic Gospels. Synoptic studies have been marked by an excessive bias towards exclusively literary models of Synoptic interrelationships. Despite the widespread recognition that oral tradition played a significant role in the formation of the gospel tradition, the gospels are often examined as literary works apart from their relationship to oral performance. While not dismissing the use of written sources in the process of gospel composition, a study of the relationship in antiquity between oral communication and written texts leads us to re-examine any solution to the Synoptic Problem that does not take into adequate account the influence of oral tradition upon the development of the gospel tradition. Orality studies, and in particular folklore research, can help provide additional insight into the transmission of the early Jesus tradition and the formation of the Synoptic Gospels. The author examines various so-called 'Q' pericopes in light of the folkloristic characteristics of variability and stability, and he raises questions about how we envision the form and scope of a 'Q' text. While not discounting the assured results of literary methods of Gospel analysis, it is suggested that more serious attention be given to an oral performance model of early Christian tradition transmission.

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The “astonishing and deeply poignant” (The Washington Post) memoir of one man’s search for a beloved family friend explores the depth of Iranian culture and the sweep of its history, and transcends today’s news headlines to remind us of the humanity that connects us all.Growing up in Tehran in the 1960s, Terence Ward and his brothers were watched over by Hassan, the family’s cook, housekeeper, and cultural guide. After an absence of thirty years and much turmoil in Iran, Ward embarks on a quixotic pilgrimage with his family in search of their lost friend. However, as they set out on this improbable quest with no address or phone number, their only hope lies in their mother’s small black and white photograph taken decades before. Crossing the vast landscape of ancient Persia, Ward interweaves its incredibly rich past, while exploring modern Iran’s deep conflicts with its Arab neighbors and our current administration. Searching for Hassan puts a human face on the long-suffering people of the Middle East with this inspirational story of an American family who came to love and admire Iran and its culture through their deep affection for its people. The journey answers the question, “How far would you go for a friend?” Including a revised preface and epilogue, this new and updated edition continues to demonstrate that Searching for Hassan is as relevant and timely as ever in shaping conversations and ways of thinking about different cultures both in the US and around the world.

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Terence Rattigan's devastating masterpiece, a classic study of forbidden love, suppressed desire and the fear of loneliness - but at heart a deeply moving love story. Published alongside its revival at the National Theatre in 2016.

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Fixing its gaze on writers as they are seldom seen, this anthology of photographs and accompanying stories provides an intriguing exploration into the personal and professional lives of various artists. This series of narratives delves inside the lives of its subjects, as well as the process of making portraits, before finishing with a touch of refined literary gossip. Based on a decade of research, this study takes a remarkable tour from the seventh-century scribe, Ezra, to the contemporary literary greats such as Man Booker Prize–winner Yann Martel and MacArthur Fellowship author Ann Carson.

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This textguides readers throughan orderly sequence of related topics from the field, from the molecular structure and function of DNA to how DNA controls protein development and the neural processes that underlie both normal and abnormal behaviour.Though focused primarily on human research, animal models are also included.

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Literary artefacts--the stories people tell, the songs they sing, the scenes they enact--are neither a by-product nor a side-issue in human culture. They provide a model of everything that cognition does. They refuse to separate thought from emotion, bodily responses from ethical reflection, perception from imagination, logic from desire. Above all, they demonstrate the essential fluidity and mobility of human cognition, its adaptive inventiveness. If we are astonished by the art of Chauvet or Lascaux as an early model of human cognition, then we should be continually astonished by what literature is and does as it reaches beyond itself to reimagine the world. This book argues that literary artefacts are quasi-autonomous living entities, fashioned to animate captured environments, embodied people and other creatures, ways of being and living that remain virtual. They own a freely delegated agency that allows them to speak to listeners and readers present and distant, present and future, adapting themselves and their meanings to whatever cognitive environment they encounter. Such an approach offers a way of linking a close attention to the specific properties of literary artefacts with the insights of cognitive anthropology and archaeology, and thus of satisfying the conditions for a properly interdisciplinary understanding of literature. It aims both to defend literary study against utilitarian and reductive arguments of all kinds and to argue that literary artefacts may give us new insights into how the mind (and its indispensable substratum, the brain) functions in the human ecology.

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Montaigne (1533-92) is commonly regarded as an early modern sceptic, standing at the threshold of a new secular way of thinking. He is also known for his ground-breaking exploration of the 'subject' or the 'self'. Terence Cave discusses these and other key aspects of the Essais (Montaigne's major work) not as philosophical themes but as features in the mapping of a mental landscape: the project of the Essais is cognitive rather than philosophical. Similarly, he reads the Essais not as 'essays' in the literary sense but as 'trials' or 'soundings' in which the manner of writing - the shape of the sentences, the use of metaphors and other figures - is crucial. Taking passages from many different chapters of the Essais, this book guides the reader through Montaigne's investigation of the 'subtle shades and stirrings' of the mind.

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An almost unbearably moving story of veiled emotions running deep, Terence Rattigan's In Praise of Love is based on the true life situation of Rex Harrison's wife, Kay Kendall, and her early death from cancer. Lydia is shielding her husband, Sebastian, from the knowledge that she is dying from leukaemia. But Sebastian does know and is seeking to spare her. She dies without either of them openly acknowledging their true feelings... The play was first produced as a one-act play under the title After Lydia in a double-bill with the short farce, Before Dawn, at the Duchess Theatre, London, in September 1973. Rattigan reworked and extended the play as In Praise of Love for its New York premiere at the Morosco Theatre in December 1974, starring Rex Harrison himself. This edition includes an authoritative introduction, biographical sketch and chronology. 'Few dramatists of this century have written with more understanding of the human heart than Terence Rattigan' Michael Billington

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After the horrors she suffered in Wales, Dr Sara Jones has returned to London and found a way to use her fledgling psychic abilities for good, belying the grim predictions of her former mentor, serial killer Eldon Carson.But when events cause Sara to doubt the trustworthiness of her visions, she is thrown into uncertainty. This happens just as Sara’s partner, ex-police Inspector Jamie Harding, accepts work from her late brother’s firm Thorndike Aerospace.It’s not just the dark morality of the arms trade that troubles Sara – it’s also her unsettling visions of Jamie’s new boss. But how can she trust what she’s seen? Is Jamie in as much danger as she fears?

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Divine Variations offers a new account of the development of scientific ideas about race. Focusing on the production of scientific knowledge over the last three centuries, Terence Keel uncovers the persistent links between pre-modern Christian thought and contemporary scientific perceptions of human difference. He argues that, instead of a rupture between religion and modern biology on the question of human origins, modern scientific theories of race are, in fact, an extension of Christian intellectual history. Keel's study draws on ancient and early modern theological texts and biblical commentaries, works in Christian natural philosophy, seminal studies in ethnology and early social science, debates within twentieth-century public health research, and recent genetic analysis of population differences and ancient human DNA. From these sources, Keel demonstrates that Christian ideas about creation, ancestry, and universalism helped form the basis of modern scientific accounts of human diversity—despite the ostensible shift in modern biology towards scientific naturalism, objectivity, and value neutrality. By showing the connections between Christian thought and scientific racial thinking, this book calls into question the notion that science and religion are mutually exclusive intellectual domains and proposes that the advance of modern science did not follow a linear process of secularization.

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Divine Variations offers a new account of the development of scientific ideas about race. Focusing on the production of scientific knowledge over the last three centuries, Terence Keel uncovers the persistent links between pre-modern Christian thought and contemporary scientific perceptions of human difference. He argues that, instead of a rupture between religion and modern biology on the question of human origins, modern scientific theories of race are, in fact, an extension of Christian intellectual history. Keel's study draws on ancient and early modern theological texts and biblical commentaries, works in Christian natural philosophy, seminal studies in ethnology and early social science, debates within twentieth-century public health research, and recent genetic analysis of population differences and ancient human DNA. From these sources, Keel demonstrates that Christian ideas about creation, ancestry, and universalism helped form the basis of modern scientific accounts of human diversity—despite the ostensible shift in modern biology towards scientific naturalism, objectivity, and value neutrality. By showing the connections between Christian thought and scientific racial thinking, this book calls into question the notion that science and religion are mutually exclusive intellectual domains and proposes that the advance of modern science did not follow a linear process of secularization.

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We are living in the age of the superhero and we cannot deny it. Avengers Assemble! is a vibrant and theoretically informed interrogation of one of the defining and most financially successful film franchises of the new millennium. In the first single-authored monograph on the topic of the Marvel cinematic universe, Terence McSweeney asks, "Why has the superhero genre reemerged so emphatically in recent years?" In an age where people have stopped going to the cinema as frequently as they used to, they returned to it in droves for the superhero film. What is it about these films that has resonated with audiences all around the globe? Are they just disposable pop culture artifacts or might they have something interesting to say about the fears and anxieties of the world we live in today?Beginning with Iron Man in 2008, this study provocatively explores both the cinematic and the televisual branches of the series across ten dynamic and original chapters from a diverse range of critical perspectives which analyse their status as an embodiment of the changing industrial practices of the blockbuster film and their symbolic potency as affective cultural artifacts that are profoundly immersed in the turbulent political climate of their era.

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How can children 'develop' spiritually and how do their teachers know when 'development' has occurred? This volume traces the roots and growth of school worship and spiritual development from Victorian times and earlier through the 1960s and beyond in order to see how we have reached the present situation. The subject is examined in various contexts: its historical and cultural background; politics and legislation; philosophy and values; curriculum development. The book addresses the problem of how to define spiritual development and the contentious issue of compulsory school worship. It offers new insights and a thesis for the way forward.

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Sir Terence Clark's My Life with Salukis is part-memoir, part-travelogue, and explores in lively and unprecedented detail the history and significance of the Saluki across the world. Indigenous to the Arabian peninsula, the desert-bred Saluki has for centuries been revered, and remains as highly valued today for its elegance and intelligence. Sir Terence's own life and work have been profoundly influenced by this ancient breed. His commitment to the study, enjoyment and preservation of these `Companions of Kings' has taken him far and wide and introduced him to extraordinary people and places: in Iraq and Oman (where he was British Ambassador), throughout the Middle East and across Syria, into Central Asia, Russia and China. Beautifully illustrated with personal photographs, artwork and calligraphy, this book interweaves Sir Terence's fascinating life story with the history of the breed throughout the region. His passion for Salukis is infectious - whether for hunting, showing, coursing, breeding or simply companionship, the reader cannot help but share the love.

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How societies use the past is one of their most revealing traits. Using this insight "Ireland's Polemical Past" examines how the inhabitants of nineteenth and twentieth-century Ireland plundered their pasts for polemical reasons. The ten essays explore how revolutionaries, politicians, churchmen, artists, tourists and builders (among others) used the Irish past in creating and justifying their own position in contemporary society. The result is a varied portrait of the problems and tensions in nineteenth and early twentieth-century society that these people tried to solve by resorting to the Irish past for inspiration and justification to make their world work. This is a book that will appeal to those who have an interest in the making of modern Ireland as well as those concerned with writing about the Irish past at any level.

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Written in the early fifties when Rattigan was at the height of his powers, The Deep Blue Sea is a powerful account of lives blighted by love - or the lack of it. The play opens with the failed suicide of Hester Collyer (Peggy Ashcroft in the first production), who has deserted her husband for the raffish charms of an ex-fighter pilot. Terence Rattigan's The Deep Blue Sea was first performed at the Duchess Theatre in the West End in March 1952. This edition includes an authoritative introduction, biographical sketch and chronology. 'Few dramatists of this century have written with more understanding of the human heart than Terence Rattigan' Michael Billington

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Television, the movies, and computer games fill the minds of their viewers with a daily staple of fantasy, from tales of UFO landings, haunted houses, and communication with the dead to claims of miraculous cures by gifted healers or breakthrough treatments by means of fringe medicine. The paranormal is so ubiquitous in one form of entertainment or another that many people easily lose sight of the distinction between the real and the imaginary, or they never learn to make the distinction in the first place. In this thorough review of pseudoscience and the paranormal in contemporary life, psychologist Terence Hines teaches readers how to carefully evaluate all such claims in terms of scientific evidence. Hines devotes separate chapters to psychics; life after death; parapsychology; astrology; UFOs; ancient astronauts, cosmic collisions, and the Bermuda Triangle; faith healing; and more. New to this second edition are extended sections on psychoanalysis and pseudopsychologies, especially recovered memory therapy, satanic ritual abuse, facilitated communication, and other questionable psychotherapies. There are also new chapters on alternative medicine, which is now marketed in our drug stores, and on environmental pseudoscience, with special emphasis on the evidence that certain technologies like cell phones or environmental agents like asbestos cause cancer. Finally, Hines discusses the psychological causes for belief in the paranormal despite overwhelming evidence to the contrary. This valuable, highly interesting, and completely accessible analysis critiques the whole range of current paranormal claims.

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Colloidal systems are important across a range of industries, such as the food, pharmaceutical, agrochemical, cosmetics, polymer, paint and oil industries, and form the basis of a wide range of products (eg cosmetics & toiletries, processed foodstuffs and photographic film). A detailed understanding of their formation, control and application is required in those industries, yet many new graduate or postgraduate chemists or chemical engineers have little or no direct experience of colloids. Based on lectures given at the highly successful Bristol Colloid Centre Spring School, Colloid Science: Principles, Methods and Applications provides a thorough introduction to colloid science for industrial chemists, technologists and engineers. Lectures are collated and presented in a coherent and logical text on practical colloid science.

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Burdened by the shame of a fresh secret she cannot share, Sara Jones is desperate to set back the clock. She reaches for past certainties, agreeing to consult on a series of ritual murders for London’s Metropolitan Police. As Sara pieces together the perpetrator’s heartbreaking motives, she sees how eerily alike the two of them are. Sara Jones grows ever-more certain she can catch this killer - but less-and-less sure that she wants to.

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An engaging self-help guide to using BrainWorking Recursive Therapy (BWRT) a psychological approach designed to tackle stress, anxiety, phobias and many other of life's challenges, and help make amazing changes.

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Written in the early fifties when Rattigan was at the height of his powers, The Deep Blue Sea is a powerful account of lives blighted by love - or the lack of it. Special film tie-in edition published alongside the release of The Deep Blue Sea film (2011), starring Rachel Weisz and Tom Hiddleston.

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A heartfelt portrait of Hank Aaron, featuring nearly 40 years of stories plus never-before-told insights from the home run king When journalist Terence Moore was 12 years old, he treasured his poster of Henry Aaron. Years later, Aaron would sign it for him: "Best wishes to Terry." Later still, Moore would be named an honorary pall bearer at the home run king's funeral, staying up late into the night with Aaron's widow, Billye, to get the obituary just right for the program. Friends and family knew Aaron as quick-witted, hilarious, and fiercely opinionated beyond what was shown in public. With the encouragement of Aaron's family, Moore now shares this intimate perspective on the baseball legend, the culmination of decades of friendship and correspondence. The Real Hank Aaron captures the icon's contagious laugh and pointed views, from the depth of his admiration for Jackie Robinson to his true thoughts on Barry Bonds and the steroid era.Also featuring Aaron's views on race, politics, media, and sports fandom, this is a charming and illuminating glimpse at the man outside the spotlight.

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A heartfelt portrait of Hank Aaron, featuring nearly 40 years of stories plus never-before-told insights from the home run king When journalist Terence Moore was 12 years old, he treasured his poster of Henry Aaron. Years later, Aaron would sign it for him: "Best wishes to Terry." Later still, Moore would be named an honorary pall bearer at the home run king's funeral, staying up late into the night with Aaron's widow, Billye, to get the obituary just right for the program. Friends and family knew Aaron as quick-witted, hilarious, and fiercely opinionated beyond what was shown in public. With the encouragement of Aaron's family, Moore now shares this intimate perspective on the baseball legend, the culmination of decades of friendship and correspondence. The Real Hank Aaron captures the icon's contagious laugh and pointed views, from the depth of his admiration for Jackie Robinson to his true thoughts on Barry Bonds and the steroid era. Also featuring Aaron's views on race, politics, media, and sports fandom, this is a charming and illuminating glimpse at the man outside the spotlight.

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TEACHING RELIGION is the first book to trace the developments in religious education in England and Wales in the half century to 1994. It starts with the 1944 Butler Act and ends with the DFE Circular of 1994 which was issued to take further the RE provision in the 1988 Education Reform Act. TEACHING RELIGION sets the changes in religious education against changes in education as a whole and changes in society. The complex interaction between and influence of religious thinkers, religious educators and politicians is explored, as is the suggestion that how we handle religion within the national education system can offer insights into the sort of society we are and aspire to be.

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In 1865, when San Francisco's Daily Evening Bulletin asked its readers if it were not time for the city to finally establish a public park, residents had only private gardens and small urban squares where they could retreat from urban crowding, noise, and filth. Five short years later, city supervisors approved the creation of Golden Gate Park, the second largest urban park in America. Over the next sixty years, and particularly after 1900, a network of smaller parks and parkways was built, turning San Francisco into one of the nation's greenest cities. In Building San Francisco's Parks, 1850-1930, Terence Young traces the history of San Francisco's park system, from the earliest city plans, which made no provision for a public park, through the private garden movement of the 1850s and 1860, Frederick Law Olmsted's early involvement in developing a comprehensive parks plan, the design and construction of Golden Gate Park, and finally to the expansion of green space in the first third of the twentieth century. Young documents this history in terms of the four social ideals that guided America's urban park advocates and planners in this period: public health, prosperity, social coherence, and democratic equality. He also differentiates between two periods in the history of American park building, each defined by a distinctive attitude towards "improving" nature: the romantic approach, which prevailed from the 1860s to the 1880s, emphasized the beauty of nature, while the rationalistic approach, dominant from the 1880s to the 1920s, saw nature as the best setting for uplifting activities such as athletics and education. Building San Francisco's Parks, 1850-1930 maps the political, cultural, and social dimensions of landscape design in urban America and offers new insights into the transformation of San Francisco's physical environment and quality of life through its world-famous park system.

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Two linked one-act plays set in a run-down residential hotel in Bournemouth. In the first of the plays, Table by the Window, a lonely divorcee tracks down her former husband in order to resume a kind of half-life with him. In the other, Table Number Seven, a repressed young spinster offers brave moral support to a fake major accused of importuning women in a local cinema. Terence Rattigan's play Separate Tables was first produced at the St. James's Theatre, London, in September 1954. In an alternative version, only recently discovered among Rattigan's papers, the major's offence was revealed to be homosexual; these 'alternative' scenes are published here for the first time. This edition, edited and introduced by Dan Rebellato, includes a biographical sketch and chronology. 'Few dramatists of this century have written with more understanding of the human heart than Terence Rattigan' Michael Billington

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A masterpiece of light comedy from Terence Rattigan, about a group of bright young things attempting to learn French on the Riviera amid myriad distractions. French Without Tears is the play that first made Rattigan's name, and ran for over a thousand performances in the 1930s. This edition includes an authoritative introduction, biographical sketch and chronology.

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Based on the true story of Alma Rattenbury, who, in 1935, went on trial with her eighteen-year-old lover for the murder of her husband. In the play, Terence Rattigan pits Alma against a formidable lady juror, whose own life offers a plangent counterpoint to the central tale of love, betrayal, guilt and obsession. Published in this edition alongside a major revival of the play at The Old Vic, London, Cause Célèbre was Rattigan's last play and was still running in the West End at the time of his death in 1977. It comes, like the other volumes in NHB's uniform edition of Rattigan's plays, with an authoritative introduction by Rattigan scholar Dan Rebellato. ‘Few dramatists of this century have written with more understanding of the human heart than Terence Rattigan’ - Michael Billington

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A double bill by Terence Rattigan, featuring two plays of striking contrast that display his astonishing range as a writer. The comic gem Harlequinade follows a classical theatre company whose intrigues and dalliances are revealed with increasingly calamitous consequences in an affectionate celebration of the lunatic art of putting on a play. A powerfully atmospheric one-woman play, All On Her Own tells the story of Rosemary who, alone at midnight in London, has a secret burden to share that is both heartbreaking and sinister. Harlequinade & All On Her Own was performed as part of the Kenneth Branagh Theatre Company’s Plays at the Garrick Season in 2015, starring Zoë Wanamaker and Kenneth Branagh, and co-directed by Branagh and Rob Ashford. This official tie-in edition features both plays, plus exclusive additional content including an introduction to Rattigan's work, interviews with Kenneth Branagh, Rob Ashford, Zoë Wanamaker and designer Christopher Oram, and reproductions of Oram's original design sketches.

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Two plays from one of the leading dramatists of the 20th century. In Who is Sylvia?, Mark is obsessed with a girl called Sylvia, whom he kissed just once at a garden party when he was 17. He makes a habit of pursuing physically identical girls for the rest of his life - despite having a wife and growing son. Terence Rattigan's play Who is Sylvia? premiered in the West End in 1950, where it ran for over a year. He seems to be offering a bittersweet portayal of his father - and maybe of his own frustrated love life. Also included in this volume is Duologue, a short monologue play for a female actor in which a woman reminisces movingly about her dead husband. Originally written for television and appearing here for the first time in print, Duologue was broadcast in 1968 and subsequently staged in 1976 in a double bill with The Browning Version.

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Love in Idleness is the third in Terence Rattigan's unofficial trilogy of war plays (after Flare Path and While the Sun Shines). It is published here alongside an earlier version of the play, Less Than Kind, which was never staged during Rattigan's lifetime. Michael, eighteen, returns to wartime London from schooling in Canada, brimming with youthful left-wing convictions. Reunited with his mother, he is alarmed as he begins to realise that she is the mistress of a leading member of the war cabinet. Sparks fly between the idealistic younger man and the pragmatic politician, while the mother is torn between them... Love in Idleness was first staged at the Lyric Theatre, London, in December 1944, in a version rewritten by Rattigan at the request of the production's stars, Alfred Lunt and Lynn Fontanne. The earlier version of the play, Less Than Kind, was never staged and remained unpublished until 2011, the centenary of Rattigan's birth. That version was premiered at Jermyn Street Theatre, London, in January 2011. This volume presents both plays in full so that readers may judge for themselves which is the better. This edition includes an authoritative introduction by Dan Rebellato, a biographical sketch and chronology.

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