Search results for ""author stephen sartarelli""

Set in Sicily, The Terracotta Dog is the second novel in the humorous Inspector Montalbano series by Andrea Camilleri.*Adapted for BBC4's Inspector Montalbano series*After a cloak and dagger exchange with an ageing Mafioso, Inspector Montalbano is left haunted by the man’s dying words, which lead him to a mountainside just west of Vigàta where he unearths two young lovers, dead fifty years and still embracing, watched over by a life-size terracotta dog.Heedless of personal danger, Montalbano’s drive to solve this old crime forces him on a journey through Sicily’s World War II history and to the dark heart of one family . . .The Terracotta Dog is followed by the third title in this satirical series, The Snack Thief.

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In The Sicilian Method, Andrea Camilleri's twenty-sixth novel in the Inspector Montalbano mystery series, a troubling murder invesitgation may see Montalbano find his answers on a theatre's stage . . .'[E]ven the contents of his fridge are described with the wit and gusto that make this narrator the best company in crime fiction today' – GuardianMimi Augello is visiting his lover when the woman's husband unexpectedly returns to the apartment. Hurriedly he climbs out the window and into the downstairs apartment, but finds himself swinging from one danger to another. In the dark he sees a body lying on the bed.Shortly afterwards another body is found and the victim is Carmelo Catalanotti, a director of bourgeois dramas with a harsh reputation for the methods he has developed for his actors: digging into their complexes to unleash their talent, a traumatic experience for all. Are the two deaths connected? Catalanotti scrupulously kept notes and comments on all the actors he worked with – as well as strange notebooks full of figures, dates and names . . .Inspector Montalbano finds all of Catalanotti's dossiers and plays, the notes on the characters and the notes on his final drama, Dangerous Turn. Indeed, it is in the theatre where he feels the solution lies.

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Montalbano's First Case and Other Stories is a brilliant collection of short stories, personally chosen by Andrea Camilleri.It follows Inspector Montalbano from his very first case in Vigàta, in which he stumbles upon a young girl lurking outside a courthouse with a pistol in her handbag. When she is taken in for questioning and won't utter a single word, Montalbano must find another way to learn who she is trying to kill, and why . . .Other cases include a missing woman who has run away from the love of her life; an old married couple who appear to be rehearsing their suicides; and a crime so dark there's only one person the inspector can call for help.With twists and turns aplenty, these short stories have all the wit, mystery and culinary gusto that Camilleri's fans have come to love him for.

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From Andrea Camilleri, the bestselling author of the Inspector Montalbano mysteries, comes The Brewer of Preston, a hilarious standalone comedy.1870s Sicily. Much to the displeasure of Vigàta's stubborn populace, the town has just been unified under the Kingdom of Italy. They're now in the hands of a new government they don't understand, and they definitely don't like. Eugenio Bortuzzi has been named Prefect for Vigàta, a regional representative from the Italian government tasked to oversee the town. But the rowdy and unruly Sicilians don't care much for this rather pompous mainlander nor the mediocre opera he's hell-bent on producing in their new municipal theatre. The Brewer of Preston, it's called, and the Vigàtese are revving up to wreak havoc on the performance's opening night . . .

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Longlisted for the CWA International Dagger 2017. Spring, 1967. The trail of tragedy and destruction that followed the previous winter's flood seems to have died down; Florence is beginning to recover. But Inspector Bordelli does not feel the same sense of relief - he has not had a moment's peace since his investigation of a young boy's murder went disastrously wrong.Unsettled and embittered, Bordelli resigns from the force and leaves the city. He could not continue to work as a policeman while the perpetrators of such a terrible crime were still at large.Now, in the solitude of his new home in the Tuscan hills, he spends his days cooking, going for long walks and learning to grow his own vegetables. But the thought of that case - of justice not served - is constantly with him. Until fate, in which he has never believed, unexpectedly offers him the chance of retribution . . .

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April 1964, but spring hasn't quite sprung. The bad weather seems suited to nothing but bad news. And bad news is coming to the police station.First, Bordelli's friend Casimiro, who insists he's discovered the body of a man in a field above Fiesole. Bordelli races to the scene, but doesn't find any sign of a corpse. Only a couple of days later, a little girl is found at Villa Ventaglio. She has been strangled, and there is a horrible bite mark on her belly. Then another little girl is found murdered, with the same macabre signature.And meanwhile Casimiro has disappeared without a trace.The investigation marks the start of one of the darkest periods of Bordelli's life: a nightmare without end, as black as the sky above Florence.

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SHORTLISTED FOR THE CRIME WRITERS' ASSOCIATION INTERNATIONAL DAGGER 2013.Florence, 1965. A man is found murdered, a pair of scissors stuck through his throat. Only one thing is known about him - he was a loan shark, who ruined and blackmailed the vulnerable men and women who would come to him for help.Inspector Bordelli prepares to launch a murder investigation. But the case will be a tough one for him, arousing mixed emotions: the desire for justice conflicting with a deep hostility for the victim. And he is missing his young police sidekick, Piras, who is convalescing at his parents' home in Sardinia.But Piras hasn't been recuperating for long before he too has a mysterious death to deal with . . .

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In 1790, while serving in the Piedmontese army, the French aristocrat Xavier de Maistre (1763–1852) was punished for dueling and placed under house arrest for forty-two days. The result was a discursive, mischievous memoir Voyage Around My Room, and its sequel, Nocturnal Expedition Around My Room. Admired by Nietzsche and Machado de Assis, Ossian and Susan Sontag, this classic book proves that sitting on the living-room sofa can be as fascinating as crossing the Alps or paddling up the Amazon. In addition to the Voyage and Expedition, this edition also includes the dialogue “The Leper of the City of Aosta,” a preface by Xavier’s better-known older brother (the royalist philosopher Joseph de Maistre), and an introduction by Richard Howard.

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Most people outside Italy know Pier Paolo Pasolini for his films, many of which began as literary works-Arabian Nights, The Gospel According to Matthew, The Decameron, and The Canterbury Tales among them. What most people are not aware of is that he was primarily a poet, publishing nineteen books of poems during his lifetime, as well as a visual artist, novelist, playwright, and journalist. Half a dozen of these books have been excerpted and published in English over the years, but even if one were to read all of those, the wide range of poetic styles and subjects that occupied Pasolini during his lifetime would still elude the English-language reader. For the first time, Anglophones will now be able to discover the many facets of this singular poet. Avoiding the tactics of the slim, idiosyncratic, and aesthetically or politically motivated volumes currently available in English, Stephen Sartarelli has chosen poems from every period of Pasolini's poetic oeuvre. In doing so, he gives English-language readers a more complete picture of the poet, whose verse ranged from short lyrics to longer poems and extended sequences, and whose themes ran not only to the moral, spiritual, and social spheres but also to the aesthetic and sexual, for which he is most known in the United States today. This volume shows how central poetry was to Pasolini, no matter what else he was doing in his creative life, and how poetry informed all of his work from the visual arts to his political essays to his films. Pier Paolo Pasolini was a poet of the cinema, as James Ivory says in the book's foreword, who left a trove of words on paper that can live on as the fast-deteriorating images he created on celluloid cannot. This generous selection of poems will be welcomed by poetry lovers and film buffs alike and will be an event in American letters.

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