Search results for ""author rainer"

This book examines the intellectual climate as Rilke experienced it at the turn of the century. It draws on existing scholarship and the Rilke's own pronouncements in order to explore the major influences on the young Rilke's conception of processes of becoming.

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In Paris in 1902, Auguste Rodin had just completed The Thinker; visiting from Prague was Rainer Maria Rilke, broke and with writer’s block. When Rilke was commissioned to write a book about Rodin, everything changed. You Must Change Your Life tells one of the great stories of modern art and literature: Rodin and Rilke’s years together as master and disciple, their heartbreaking rift and finally, their moving reconciliation. Rachel Corbett reveals how Rodin’s friendship led Rilke to write his most celebrated poems and inspired his Letters to a Young Poet. She captures the dawn of Modernism amid the characters that made up Rilke and Rodin’s circle, including Paul Cezanne, Henri Matisse, Lou Andreas-Salome, George Bernard Shaw and Jean Cocteau. And she recounts the friendship of two artists whose work reverberates a century later.

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The insights here are of such depth, and contain such beauty in them, that time and again the reader must pause for breath. At last Rilke has met a critic whose insight, courage, and humanity are worthy of his life and work." —Leslie Epstein Director, Graduate Creative Writing Program, Boston University "[A] well-reasoned, fairly fascinating, and illuminating study which soundly and convincingly applies Freudian and particularly post-Freudian insights into the self, to Rilke's life and work, in a way which enlightens us considerably as to the relationship between life and work in original ways. Kleinbard takes off where Hugo Simenauer's monumental psycho- biography of Rilke (1953) left off. . . . He succeeds in giving us a psychic portrait of the poet which is more illuminating and which . . . does greater justice to its subject than any of his predecessors.. . . . Any reader with strong interest in Rilke would certainly welcome the availability of this study." —Walter H. Sokel,Commonwealth Professor of German and English Literatures,University of Virginia. For beauty is nothing but the beginning of terror, which we are just able to bear, and we wonder at it so because it calmly disdainsto destroy us." —Rilke Beginning with Rilke's 1910 novel, The Notebooks of Malte Laurids Brigge, The Beginning of Terror examines the ways in which the poet mastered the illness that is so frightening and crippling in Malte and made the illness a resource for his art. Kleinbard goes on to explore Rilke's poetry, letters, and non-fiction prose, his childhood and marriage, and the relationship between illness and genius in the poet and his work, a subject to which Rilke returned time and again. This psychoanalytic study also defines the complex connections between Malte's and Rilke's fantasies of mental and physical fragmentation, and the poet's response to Rodin's disintegrative and re-integrative sculpture during the writing of The Notebooks and New Poems. One point of departure is the poet's sense of the origins of his illness in his childhood and, particularly, in his mother's blind, narcissistic self- absorption and his father's emotional constriction and mental limitations. Kleinbard examines the poet's struggle to purge himself of his deeply felt identification with his mother, even as he fulfilled her hopes that he become a major poet. The book also contains chapters on Rilke's relationships with Lou Andreas Salom and Aguste Rodin, who served as parental surrogates for Rilke. A psychological portrait of the early twentieth-century German poet, The Beginning of Terror explores Rilke's poetry, letters, non-fiction prose, his childhood and marriage. David Kleinbard focuses on the relationship between illness and genius in the poet and his work, a subject to which Rilke returned time and again.

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Lou Andreas-Salomé (1861-1937) begegnete zu Beginn des 20. Jahrhunderts zwei bedeutenden Protagonisten sehr unterschiedlicher Geistesströmungen, die sich der Erforschung von subjektiven Innenwelten widmeten: Sigmund Freud mit seiner neuen Wissenschaft der Psychoanalyse und Rainer Maria Rilke mit seiner Philosophie eines Innerlichkeitskosmos. Von beiden Gedankenwelten zutiefst berëhrt, entwickelte Lou Andreas-Salomé eine eigene Synthese. Anders als Freud, fër den das Unbewusste als ein Reservoir fër Verdrängtes und somit potenziell Pathologisches galt, betrachtete Andreas-Salomé gerade diese Innenanteile als Quelle fër Kreativität und Weiterentwicklung. Den Trieb verstand sie nicht als etwas den Menschen primär Bedrängendes, dem er ausgeliefert sei, sondern eher als ein Begehren nach dem Anderen, als eine Sehnsucht nach Beziehung. Gerade hierdurch sah Lou Andreas-Salomé intrapsychische Entwicklungsprozesse induziert. Somit ist sie nicht nur als eine Schëlerin Freuds, sondern als eine Weiterdenkerin psychoanalytischen Gedankenguts zu betrachten. Ihre Auffassungen von Beziehung und ihr Einfordern des Intuitiven und Spirituellen als einer erweiterten Dimension des Psychischen finden sich heute aufgegriffen in der Bindungs- und Psychotherapieforschung und auch in der Diskussion um Mentalisierungsprozesse.

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Rainer Maria Rilke's 55 Sonnets to Orpheus remain a testimony to a writer whose significance other poets continue to testify to. Don Paterson's translation offers a radiant and at times distressing version of the great work.

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