Search results for ""author patricia highsmith""

Now part of American film and literary lore, Tom Ripley, "a bisexual psychopath and art forger who murders without remorse when his comforts are threatened" (New York Times Book Review), was Patricia Highsmith's favorite creation. In these volumes, we find Ripley ensconced on a French estate with a wealthy wife, a world-class art collection, and a past to hide. In Ripley Under Ground (1970), an art forgery goes awry and Ripley is threatened with exposure; in The Boy Who Followed Ripley (1980), Highsmith explores Ripley's bizarrely paternal relationship with a troubled young runaway, whose abduction draws them into Berlin's seamy underworld; and in Ripley Under Water (1991), Ripley is confronted by a snooping American couple obsessed with the disappearance of an art collector who visited Ripley years before. More than any other American literary character, Ripley provides "a lens to peer into the sinister machinations of human behavior" (John Freeman, Pittsburgh Gazette).

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'My secrets - the secrets that everyone has - are here, in black and white.'Before Alfred Hitchcock adapted her debut novel, Strangers on a Train, for the big screen; before Thomas Ripley snaked his way into the canon of psychological suspense; before Carol became a cult classic of romantic obsession, who was Patricia Highsmith?Beginning in 1941 and encompassing Highsmith's adventurous twenties, The New York Years is an intimate self-portrait of a young artist, reading voraciously and honing her craft, intertwined with scenes from her dizzying social life, rife with sleepless nights spent in the queer bars of Greenwich Village.This condensed edition of Highsmith's monumental Diaries and Notebooks offers all the pleasures of her fiction, along with an unparalleled insight into the life, mind and times of this enigmatic, iconic, trailblazing author. 'One of the most observant and ecstatic accounts . . . about being young and alive in New York City' New York Times

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WITH A NEW FOREWORD BY VAL McDERMID Therese is just an ordinary sales assistant working in a New York department store when a beautiful, alluring woman in her thirties walks up to her counter. Standing there, Therese is wholly unprepared for the first shock of love. Therese is an awkward nineteen-year-old with a job she hates and a boyfriend she doesn't love; Carol is a sophisticated, bored suburban housewife in the throes of a divorce and a custody battle for her only daughter. As Therese becomes irresistibly drawn into Carol's world, she soon realizes how much they both stand to lose... First published pseudonymously in 1952 as The Price of Salt, Carol is a hauntingly atmospheric love story set against the backdrop of fifties' New York.

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'The No.1 Greatest Crime Writer' The Times'Ripley, amoral, hedonistic and charming, is a genuinely original creation' Daily TelegraphTom Ripley is struggling to stay one step ahead of his creditors and the law, when an unexpected acquaintance offers him a free trip to Europe and a chance to start over. Ripley wants money, success and the good life and he's willing to kill for it. When his new-found happiness is threatened, his response is as swift as it is shocking. **One of the BBC’s 100 Novels That Shaped Our World**

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**AS SEEN ON WRITE AROUND THE WORLD WITH RICHARD E GRANT**'The No.1 Greatest Crime Writer' The Times'Ripley, amoral, hedonistic and charming, is a genuinely original creation' Daily Telegraph'He is using you for what you are worth'Tom Ripley wants money, success, and the good life - and he's willing to kill for it. Struggling to stay one step ahead of his creditors, and the law, Ripley leaps at the chance to start afresh on a free trip to Europe. But when his new-found happiness is threatened, his response is as swift as it is shocking.This is the first in Highsmith's classic series featuring the character of Tom Ripley. The Talented Mr Ripley also inspired the Academy Award-winning film starring Matt Damon, Gwyneth Paltrow and Jude Law.One of the BBC's 100 Novels That Shaped Our World.

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BY THE BESTSELLING AUTHOR OF THE TALENTED MR RIPLEY, CAROL AND STRANGERS ON A TRAIN 'The No.1 Greatest Crime Writer' THE TIMES 'I love Highsmith so much . . . What a revelation her writing is' GILLIAN FLYNN 'No one has created psychological suspense more densely and deliciously satisfying' VOGUE 'Ramón had done it. Obviously! He thought about Ramón, his Catholic soul trapped in his passion for Lelia. He'd find Ramón and see that he paid with his life for what he had done.'In A Game for the Living, threads of sexual jealousy and guilt are shot through with all Patricia Highsmith's uncanny talent for the unexpected.Ramón mends furniture. Theodore paints. A devout Catholic, Ramón lives in Mexico City, not far from where he was born into poverty. Theodore, a rich German transplanted to a country where money buys some comfort but no peace, believes in nothing at all. You'd think the two had nothing in common. Except, of course, that both had slept with Lelia. The two were good friends, so neither minded sharing her affections. They did mind, however, when Lelia was found raped, murdered, and horribly mutilated. The two friends, suspects both, twist in a limbo of tension and doubt, each seeking his own form of solace and truth.A thrilling, psychologically complex novel, rich with setting, A Game for the Living is Highsmith at her best.

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Little Tales of Misogyny is Highsmith's legendary, cultish short-story collection. With an eerie simplicity of style, Highsmith turns our next-door neighbours into sadistic psychopaths, lying in wait among white picket fences and manicured lawns. In these darkly satirical, often hilarious, sketches you'll meet seemingly familiar women with the power to destroy both themselves and the men around them. 'The No.1 Greatest Crime Writer' The Times

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NOW A MAJOR MOTION PICTURE STARRING VIGGO MORTENSON AND KIRSTEN DUNST By the bestselling author of The Talented Mr Ripley, Carol and Strangers on a Train. 'The original, the best, the gloriously twisted Queen of Suspense' MARK BILLINGHAM 'The No. 1 greatest crime writer' THE TIMES 'I'm a huge fan' SARAH WATERS Two men meet in the picturesque backstreets of Athens. Chester MacFarlane is a conman with multiple false identities, near the end of his rope and on the run with his young wife Colette. Rydal Keener is a young drifter looking for adventure: he finds it in one evening as the law catches up to Chester and Colette, and their fates become fatally entwined.Patricia Highsmith draws us deep into a cross-European game of cat and mouse in this masterpiece of suspense from the bestselling author of The Talented Mr Ripley.

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BY THE BESTSELLING AUTHOR OF THE TALENTED MR RIPLEY, CAROL AND STRANGERS ON A TRAIN 'Highsmith writes about men like a spider writing about flies' OBSERVER 'For eliciting the menace that lurks in familiar surroundings, there's no one like Patricia Highsmith' TIME 'The Glass Cell has lost little of its disturbing power . . . Highsmith was a genuine one-off' DAILY TELEGRAPH Based on a true story, The Glass Cell is Highsmith's deeply disturbing fictionalisation of everything she learned. Falsely convicted of fraud, the easy-going but naive Philip Carter is sent to prison. Despite his devotion to Hazel, his wife, and the support of David Sullivan, a lawyer and friend who tries to avenge the injustice done to him, Carter endures six lonely and drug-ravaged years. Upon his release, Carter is a much more discerning, suspicious, and violent man. His beautiful wife is waiting for him. He has never had any reason to doubt her. For those around him, earning back his trust can mean the difference between life and death.

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BY THE BESTSELLING AUTHOR OF THE TALENTED MR RIPLEY, CAROL AND STRANGERS ON A TRAIN 'Bears Highsmith's unique, unsurpassed mixture of unsettling psychological insights' THE TIMES 'The original, the best, the gloriously twisted Queen of Suspense' MARK BILLINGHAM 'Highsmith's novels are peerlessly disturbing . . . bad dreams that keep us thrashing for the rest of the night' NEW YORKER Sydney Bartleby has killed his wife. At least, he has thought about it, compulsively, repeatedly, plotting schemes, designing escapes, forging alibis. Of course he has; he's a thriller writer. He even knows how to dispose of her body. But when Alicia takes a long, unannounced holiday, Sydney descends into the treacherous world of his own fantasy.A masterpiece of noir fantasy in which Highsmith revels in eliciting the unsettling psychological forces that lurk beneath the surface of everyday life.

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The Blunderer was written by Highsmith in between Strangers on a Train and The Talented Mr Ripley. The novel follows the young, successful and handsome, Walter Stackhouse who seems to have it all, that is, until the day his wife's body is found at the bottom of a cliff. Under the intense scrutiny of the investigation he commits one mistake, then another, until - in true Highsmithian fashion - Walter finds his perfect life derailed. Now Walter is running from the obsessions of the murderer, and the suspicions of the lead cop, not to mention his own increasingly life-threatening blunders.

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Just in time for the centennial celebration of groundbreaking noir fiction writer Patricia Highsmith comes a reissue of her propulsive, engrossing debut, Strangers on a Train, with a new introduction by best-selling author Paula Hawkins. Guy Haines and Charles Anthony Bruno are passengers on the same train. Haines is a successful architect in the midst of a divorce, Bruno a mysterious smooth-talker with a sadistic proposal: he’ll murder Haines’s wife if Haines will murder Bruno’s father. As Bruno carries out his twisted plan, Guy finds himself trapped in Highsmith’s perilous world, where, under the right circumstances, ordinary people are capable of extraordinary crimes. The inspiration for Alfred Hitchcock’s classic 1951 film, Strangers on a Train launched Highsmith’s prolific career, proving her a master at depicting the unsettling forces that tremble beneath the surface of everyday life.

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CLASSIC THRILLER BEHIND THE HITCHCOCK FILM AND HIGHSMITH'S FIRST NOVELBy the bestselling author of The Talented Mr Ripley and Carol 'Her books have stylistic texture, psychological depth, mesmeric readability' SUNDAY TIMES 'The original, the best, the gloriously twisted Queen of Suspense' MARK BILLINGHAM 'A gem . . . A magnificent suspense' DAILY MAILThe psychologists would call it folie a deux . . .'Bruno slammed his palms together. "Hey! Cheeses, what an idea! I kill your wife and you kill my father! We meet on a train, see, and nobody knows we know each other! Perfect alibis! Catch?'''Guy Haines and Charles Anthony Bruno are passengers on the same train. Haines is a successful architect in the midst of a divorce, Bruno a mysterious smooth-talker with a sadistic proposal: he'll murder Haines's wife if Haines will murder Bruno's father. As Bruno carries out his twisted plan, Guy finds himself trapped in Highsmith's perilous world, where, under the right circumstances, ordinary people are capable of extraordinary crimes. From this moment, almost against his conscious will, he is trapped in a nightmare of shared guilt and an insidious merging of personalities.

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BY THE BESTSELLING AUTHOR OF THE TALENTED MR RIPLEY, CAROL AND STRANGERS ON A TRAIN 'The No.1 Greatest Crime Writer' THE TIMES' I love Highsmith so much . . . What a revelation her writing is' GILLIAN FLYNN 'Highsmith was every bit as deviant and quirky as her mischievous heroes' J. G. BALLARD, DAILY TELEGRAPHDavid Kelsey has an invincible conviction that life is going to work out just as he has planned it - if he can just fix 'the situation'. His one true love, the brilliant, beautiful Annabelle, has married another man. But that doesn't mean they can't still be friends. And even though she is pregnant with her husband Gerald's baby, that surely doesn't mean she won't one day get back together with David. She still loves him, of that he is certain. David is sure she'll take him back, and, under an alias, is setting up a wonderful home for the two of them in a town close by. And everything is just about going to plan until things take a murderous turn, leaving David a desperate man on the run.

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BY THE BESTSELLING AUTHOR OF THE TALENTED MR RIPLEY AND STRANGERS ON A TRAIN INTRODUCED BY DENISE MINA'Highsmith is a giant of the genre. The original, the best, the gloriously twisted Queen of Suspense' MARK BILLINGHAM'She kind of takes you by the hand and walks you toward the cliff. I like that sensation' GILLIAN FLYNN 'One of Highsmith's finest novels' NEW YORK TIMES A gripping novel that explores the shifting sands of moral values - is murder still murder when committed in a lawless place?Howard Ingham, an American writer, is in Tunisia working on a screenplay, and feeling stranded. No one has written to him since he arrived - neither the film director who he is supposed to be meeting in Tunis, nor his lover in New York. The erratic mail eventually brings news of the director's suicide. For reasons obscure even to himself, Ingham decides to stay and work on a novel, but a series of events - a hushed-up murder and a vanished corpse - lures him inexorably into the deep, ambivalent shadows of the town; into deceit and away from conventional morality. Ultimately, what is in question is not justice or truth, but the state of his oddly quiet conscience. 'Highsmith is the poet of apprehension rather than fear . . . Highsmith's finest novel to my mind is The Tremor of Forgery, and if I were asked what it is about I would reply, "apprehension"' GRAHAM GREENE

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BY THE BESTSELLING AUTHOR OF THE TALENTED MR RIPLEY, CAROL AND STRANGERS ON A TRAIN 'Venomously accurate' SUNDAY TIMES 'A border zone of the macabre, the disturbing, the not quite accidental . . . Highsmith achieves the effect of the occult without any resources to supernatural machinery' NEW YORK TIMES BOOK REVIEW 'No one has created psychological suspense more densely and deliciously satisfying' VOGUE People Who Knock on the Door is a tale about blind faith and the slippery notion of justice that lies beneath the peculiarly American veneer of righteousness.In a pitiless story of prying suburban self-righteousness, Patricia Highsmith introduces the Alderman family as they descend into moral crisis. When small-town insurance salesman Richard Alderman becomes a born-again Christian, his once tight-knit family quickly begins to rip apart at the seams. He and his youngest son, Robbie, embrace their newfound faith, while his elder son Arthur rejects it. Caught in the middle of the ensuing web of lies, his wife, Lois, tries to keep the family together, but when the church elders start to interfere in Arthur's love life, events spiral toward violence. In this masterful late work, Highsmith weaves a powerful tale about blind faith and the peculiar ideas of justice that lie underneath the veneer of respectability.

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BY THE BESTSELLING AUTHOR OF THE TALENTED MR RIPLEY, CAROL AND STRANGERS ON A TRAININTRODUCED BY DENISE MINA'Highsmith probes to the very core of her heroine with a controlled ferocity and single-mindedness that illuminates every page of her novel' THE TIMES 'A work of extraordinary force and feeling . . . her strongest, her most imaginative' NEW YORKER 'One of the mere twenty or so that I would say were perfect, unimprovable masterpieces' A. N Wilson, DAILY TELEGRAPH Edith Howland's diary is her most precious possession, and as she is moving house she is making sure it's safe. A suburban housewife in fifties America, she is moving to Brunswick with her husband Brett and her beloved son, Cliffie, to start a new life for them all. She is optimistic, but most of all she has high hopes for her new venture with Brett, a local newspaper, the Brunswick Corner Bugle.As Edith Howland's life becomes harsh, her diary entries only become brighter and brighter. Life seems full of promise, and indeed, to read her diary, filled with her most intimate feelings and revelations, you would never think otherwise. Strange, then, that reality is so dangerously different . . .

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'If I really don't like somebody, I kill him . . . You remember Malcolm McRae, don't you?'Melinda Van Allen is beautiful, headstrong and sexy. Unfortunately for Vic Van Allen, she is his wife. Their love has soured, and Melinda takes pleasure in flaunting her many affairs to her husband. When one of her lovers is murdered, Vic hints to her latest conquest that he was responsible. As rumours spread about Vic's vicious streak, fiction and reality start to converge. It's only a matter of time before Vic really does have blood on his hands.Books included in the VMC 40th anniversary series include: Frost in May by Antonia White; The Collected Stories of Grace Paley; Fire from Heaven by Mary Renault; The Magic Toyshop by Angela Carter; The Weather in the Streets by Rosamond Lehmann; Deep Water by Patricia Highsmith; The Return of the Soldier by Rebecca West; Their Eyes Were Watching God by Zora Neale Hurston; Heartburn by Nora Ephron; The Dud Avocado by Elaine Dundy; Memento Mori by Muriel Spark; A View of the Harbour by Elizabeth Taylor; and Faces in the Water by Janet Frame

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BY THE BESTSELLING AUTHOR OF THE TALENTED MR RIPLEY, CAROL AND STRANGERS ON A TRAIN 'Highsmith is a damn fine writer' GUARDIAN'No one has created psychological suspense more densely and deliciously satisfying' VOGUE'The setting is Venice, the characterisation brilliant, the style spare and superb' DAILY MAIL The honeymoon is over; the bride dead by her own hand. Ray Garrett, the grieving husband, convinces the police in Rome of his innocence, but not his father-in-law, Ed Coleman, who shoots him at point-blank range and leaves him for dead. Ray survives and follows Coleman to Venice, where the two fall into an eerie game of cat-and-mouse - Coleman obsessed with vengeance and Ray determined to save his reputation, and himself. Those Who Walk Away simmers with violence and unease. As they switch between the roles of hunter and hunted, this tense psychological novel races towards a thrilling climax.

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By the bestselling author of The Talented Mr Ripley, Carol and Strangers on a Train* 'By opening this book, you've given Patricia Highsmith permission to follow you, catch you, take you apart. Get ready to run' CARMEN MARIA MACHADO* 'Every story shimmers like a dark gem as Highsmith turns her gimlet eye on domesticity, suburban madness, toxic families and the loneliness of childhood. Often mordantly funny and always psychologically acute, this collection is not to be missed' MEGAN ABBOTT* 'The sheer macabre, amoral brilliance of Patricia Highsmith surely makes her one of the finest writers in the English language' RICHARD OSMANINTRODUCED BY CARMEN MARIA MACHADOPatricia Highsmith was one of the great twentieth-century novelists, celebrated for classics The Talented Mr Ripley, Carol and Strangers on a Train, but she was also a masterful and prolific short-story writer. This definitive new collection, featuring two stories that have never been published before, confirms Highsmith as a genius of the genre. Peerlessly disturbing, exhilarating and savagely funny, Highsmith's stories still have the power to startle, presenting a world that is frighteningly familiar and as relevant today as when they were written.* Includes two newly discovered stories* This is the only volume of Highsmith's stories to select from a lifetime of short-story writing

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In a cruel twist of irony, Texas-born Patricia Highsmith (1921-1995) is being recognized only after her death for her inestimable genius in her native land. With the savage humor of Waugh and the macabre sensibility of Poe, she brought a distinctly contemporary acuteness to her prolific body of noir fiction. Including over 60 short stories written throughout her career, collected together for the first time, The Selected Stories reveals the stunning versatility and terrifying power of Highsmith's work. These stories highlight the remarkable range of Highsmith's powers her unique ability to quickly, almost imperceptibly, draw out the mystery and strangeness of her subject, which appears achingly ordinary to our naked eye. Whether writing about jaded wives or household pets, Highsmith continually upsets our expectations and presents a world frighteningly familiar to our own, where danger lurks around every turn. Stories from The Animal-Lovers Book of Beastly Murders portray, with incisive humor, the murderously competitive desires of our most trusted companions. In this viciously satirical reprise of Kafka, cats, dogs, and cockroaches are no longer necessary aspects of a happy home but actually have the power to destroy it. In the short sketches that make up the Little Tales of Misogyny, Highsmith rediscovers predictable female characters "The Dancer," "The Female Novelist," "The Prude" and, through scathing humor, invests them with uniquely destructive powers. As a writer, Highsmith was all too well aware of the stolid patriarchal conventions that ruled her day her publisher rejected her second book out of hand because of its homosexual content. She is not a polemicist, but, as stories like "Oona the Jolly Cave Woman" and "The Mobile Bed-Object" reveal, her bizarre, haunting fiction continually betrays the inadequacy of our conventional understanding of female character. Highsmith eventually moved away from these coolly satiric, darkly comic exercises, and in her later collections, The Black House, Slowly, Slowly in the Wind, and Mermaids on the Golf Course, she uses the warm familiarities of middle-class life the manicured lawns, the cozy uptown apartments, the local pubs as the backbone for her chilling portrayals. "The Black House," for instance, explores the small-town male camaraderie and the destructive secret it masks: in this world, the fact that everyone knows your name is more likely a curse than a blessing. In the title story of the final collection presented here, "Mermaids on a Golf-Course," a man's extraordinary brush with death endows his everyday desires with fantastically devastating consequences. In her later work, Highsmith adds a dimension of penetrating psychological insight, evoked most vividly in stories like "A Curious Suicide" and "The Stuff of Madness," where the precarious line between fantasy and reality is blurred and we experience the terrifying possibility of slipping between them. Great writers view the world askew, and in their art they reflect our world back to us, slightly distorted. The Selected Stories reveals Highsmith's deft and exacting style, her incisive satirical intelligence, and her faultless eye for depicting the inner tremblings of human character. Her world remains all the more frightening because we recognize it as our own.

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Now a major film starring Oscar-winner Ben Affleck and Golden Globe-nominee Ana de Armas.'If you read crime stories at all or perhaps especially if you don't, you should read Deep Water'SUNDAY TIMES'If I really don't like somebody, I kill him . . . You remember Malcolm McRae, don't you?'To everyone around them, Melinda and Vic Van Allen are the perfect couple - young, wealthy and attractive. But when their love sours, their mind games reach a twisted, dangerous climax.'If I really don't like somebody, I kill him . . . You remember Malcolm McRae, don't you?'Melinda Van Allen is beautiful, headstrong and sexy. Unfortunately for Vic Van Allen, she is his wife. Their love has soured, and Melinda takes pleasure in flaunting her many affairs to her husband. When one of her lovers is murdered, Vic hints to her latest conquest that he was responsible. As rumours spread about Vic's vicious streak, fiction and reality start to converge. It's only a matter of time before Vic really does have blood on his hands.

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Five gripping full-cast adaptations of Patricia Highsmith's bestselling 'Ripley' series - plus bonus materialCharming, cultured and clever, Tom Ripley has a taste for the finer things in life. And he is determined to get them, by any means necessary...These five plays - The Talented Mr Ripley, Ripley Under Ground, Ripley's Game, The Boy Who Followed Ripley and Ripley Under Water - chart Tom's journey from impoverished conman to wealthy bon viveur and serial killer. His homicidal adventures begin when he befriends shipping heir Dickie Greenleaf: he wants money, success, and he's willing to kill for it. But when he attains the luxurious lifestyle he craves, he is always on the edge of being discovered. Will his shadowy past finally catch up with him?BAFTA-winning actor Ian Hart stars as Ripley in these tense, thrilling dramas. Also included are two bonus documentaries: Looking for Ripley, in which crime writer Mark Billingham unravels the mystery behind our lasting fascination with Tom Ripley, and A Passionate Affair, presented by Marcel Berlins, who asks whether Patricia Highsmith fell in love with her suave, amoral anti-hero.Text © 1993 by Diogenes Verlag AG Zurich, all rights reserved.© 2022 BBC Studios Distribution Ltd (p) 2022 BBC Studios Distribution Ltd

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A fictionalized account of infamous author, Patricia Highsmith, caught up in the longing and obsession that would inspire her groundbreaking work of queer fiction, The Price of SaltFlung Out of Space is both a love letter to the essential lesbian novel The Price of Salt and an examination of its notorious author, Patricia Highsmith. Veteran comics creators Grace Ellis and Hannah Templer have teamed up to tell this story through Highsmith’s eyes—reimagining the events that inspired her to write the story that would become a foundational piece of queer literature. Flung Out of Space opens with Pat begrudgingly writing low-brow comics. A drinker, a smoker, and a hater of life, Pat knows she can do better. Her brain churns with images of the great novel she could and should be writing, what will eventually be Strangers on a Train, which would later be adapted into a classic film by Alfred Hitchcock in 1951.At the same time, Pat, a lesbian consumed with self-loathing, is in and out of conversion therapy, leaving a trail of sexual conquests and broken hearts in her wake. However, one of those very affairs—and a chance encounter in a department store—give Pat the idea for her soon-to-be beloved tale of homosexual love that was the first of its kind: It gave the lesbian protagonists a happy ending.This is not just the story behind a classic queer book but also of a queer artist who was deeply flawed. It’s a comic about what it was like to write comics in the 1950s, but also about what it means to be a writer at any time in history, struggling to find your voice. Author Grace Ellis contextualizes Patricia Highsmith as both an unintentional queer icon and a figure whose problematic views and noted anti-Semitism have cemented her controversial legacy. Highsmith’s life imitated her art with results as devastating as the plot twists that brought her fame and fortune.

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A fictional and complex portrait of bestselling author Patricia Highsmith caught up in the longing that would inspire her queer classic, The Price of Salt Flung Out of Space is both a love letter to the essential lesbian novel, The Price of Salt, and an examination of its notorious author, Patricia Highsmith. Veteran comics creators Grace Ellis and Hannah Templer have teamed up to tell this story through Highsmith’s eyes—reimagining the events that inspired her to write the story that would become a foundational piece of queer literature. Flung Out of Space opens with Pat begrudgingly writing low-brow comics. A drinker, a smoker, and a hater of life, Pat knows she can do better. Her brain churns with images of the great novel she could and should be writing—what will eventually be Strangers on a Train— which would later be adapted into a classic film by Alfred Hitchcock in 1951. At the same time, Pat, a lesbian consumed with self-loathing, is in and out of conversion therapy, leaving a trail of sexual conquests and broken hearts in her wake. However, one of those very affairs and a chance encounter in a department store give Pat the idea for her soon-to-be beloved tale of homosexual love that was the first of its kind—it gave the lesbian protagonists a happy ending. This is not just the story behind a classic queer book, but of a queer artist who was deeply flawed. It’s a comic about what it was like to write comics in the 1950s, but also about what it means to be a writer at any time in history, struggling to find your voice. Author Grace Ellis contextualizes Patricia Highsmith as both an unintentional queer icon and a figure whose problematic views and noted anti-Semitism have cemented her controversial legacy. Highsmith’s life imitated her art with results as devastating as the plot twists that brought her fame and fortune.

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