Search results for ""author leland"

An accessibly-written survey of the origins and growth of the discipline of medievalism studies. The field known as "medievalism studies" concerns the life of the Middle Ages after the Middle Ages. Originating some thirty years ago, it examines reinventions and reworkings of the medieval from the Reformation to postmodernity,from Bale and Leland to HBO's Game of Thrones. But what exactly is it? An offshoot of medieval studies? A version of reception studies? Or a new form of cultural studies? Can such a diverse field claim coherence? Should it be housed in departments of English, or History, or should it always be interdisciplinary? In responding to such questions, the author traces the history of medievalism from its earliest appearances in the sixteenth century to the present day, across a range of examples drawn from the spheres of literature, art, architecture, music and more. He identifies two major modes, the grotesque and the romantic, and focuses on key phases of the development of medievalism in Europe: the Reformation, the late eighteenth century, and above all the period between 1815 and 1850, which, he argues, represents the zenith of medievalist cultural production. He also contends that the 1840s were medievalism's one moment of canonicity in several European cultures at once. After that, medievalism became a minority form, rarely marked with cultural prestige, though always pervasive and influential. Medievalism: a Critical History scrutinises several key categories - space, time, and selfhood - and traces the impact of medievalism on each. It will be the essential guide to a complex and still evolving field of inquiry. David Matthews is Professor of Medieval and Medievalism Studies at the University of Manchester.

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With this important book, esteemed economist Leland B. Yeager grounds moral and political philosophy in the requirements of a well-functioning society, one whose members reap the gains from peaceful cooperation while pursuing their own diverse goals. This book explores the reasons an individual may have for helping to uphold such a society rather than seeking a free ride on the moral behavior of others. A work in the tradition of Hume, Smith, Mill, von Mises, Hayek and Hazlitt, it expounds a rules or indirect version of utilitarianism. It reviews criticisms of utilitarianism in detail, as well as alternative grounds of ethics including contractarianism, rights-based doctrines, and appeals to specific intuitions. Yeager brings the insights of economics to bear on a field usually dominated by philosophers and theologians. Ethics comes across as a subject amply open to the findings of economics and the other social and natural sciences. Economists, philosophers and other students and scholars of the social sciences will welcome this book. It will also appeal to any reader interested in exploring the ideas of ethics.

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This volume is a collection of the Nobel Lectures delivered by the prizewinners, together with their biographies and the presentation speeches at the award ceremonies in Stockholm for the period 2001 - 2005. Each Nobel Lecture is based on the work for which the laureate was awarded the prize. This volume of inspiring lectures should be on the bookshelf of every keen student, teacher and professor of physiology/medicine as well as of those in related fields.The following is a list of the Nobel laureates during 2001 - 2005 with a description of the works that won them their prizes:(2001) Leland H Hartwell, Tim Hunt & Sir Paul Nurse — for their discoveries of key regulators of the cell cycle; (2002) Sydney Brenner, H Robert Horvitz & John E Sulston — for their discoveries concerning genetic regulation of organ development and programmed cell death; (2003) Paul C Lauterbur & Sir Peter Mansfield — for their discoveries concerning magnetic resonance imaging; (2004) Richard Axel & Linda B Buck — for their discoveries of odorant receptors and the organization of the olfactory system; (2005) Barry J Marshall & J Robin Warren — for their discovery of the bacterium Helicobacter pylori and its role in gastritis and peptic ulcer disease.

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If you or someone you know has just turned fifty, it’s time to accept that the rules of life have changed, and that fifty is not the new thirty for most of us. Leland Gregory understands the forgetful minds, sagging bodies, and flagging pride of his fellow middle-agers, and in 50 Things Not to Do after 50, he offers helpful advice aimed at combating the humiliations this stage of life can bring.For example, regardless of your gender, under no circumstances should you everattempt to wear leather pantsstart a story that involves a lot of names—you'll forget most of them before the story is overstalk your high school sweetheart on Facebook. You might discover the person you had the hots for in 10th grade isn’t so hot anymoreget drunk in Pamplona and deciding to run with the bullsvolunteer to be a drug muleSay things like "fo’shizzle," "whatev," or "cray-cray"And do we really need to mention thongs, Speedos, or jeggings?50 Things Not to Do after 50 is a lighthearted and sometimes painfully on-target book about how what we used to do in our twenties, thirties, and forties should be avoided at all costs now that we’re in our fifties.

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Beginning over 10,000 years ago and continuing until the arrival of the Spanish in the 1500s, hunter and gatherer societies occupied the Edwards Plateau of central Texas. Archaeological studies over the past eighty years have reconstructed their subsistence, technology, and settlement patterns, but until now little information has been available on their burial practices, due to the scarcity of known burial sites. This detailed archaeological report describes the human skeletal remains, burial furnishings, and fauna recovered from Bering Sinkhole in Kerr County, the first carefully excavated hunter-gatherer burial site in central Texas.The remains in Bering Sinkhole were deposited from 7,500 to 2,000 years ago. Leland Bement's analysis reveals a growing elaboration in burial rituals during the period and also uncovers important data on the diet and health of the hunter-gatherers. He discusses climate change based on faunal remains and compares burial goods such as bone, antler, freshwater shell, marine shell, turtle, and stone artifacts with those found at other Texas mortuary sites and with deposits at hunter-gatherer habitation sites in Central Texas.

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Readers have long responded to Samuel Beckett’s novels and plays with wonder or bafflement. They portray blind, lame, maimed creatures cracking whips and wielding can openers who are funny when they should be chilling, cruel when they should be tender, warm when most wounded. His works seem less to conclude than to stop dead. And so readers quite naturally ask: what might all this be meant to mean?In a lively and enlivening study of a singular creative nature, Leland de la Durantaye helps us better understand Beckett’s strangeness and the notorious difficulties it presents. He argues that Beckett’s lifelong campaign was to mismake on purpose—not to denigrate himself, or his audience, nor even to reconnect with the child or the savage within, but because he believed that such mismaking is in the interest of art and will shape its future. Whether called “creative willed mismaking,” “logoclasm,” or “word-storming in the name of beauty,” Beckett meant by these terms an art that attacks language and reason, unity and continuity, art and life, with wit and venom.Beckett’s Art of Mismaking explains Beckett’s views on language, the relation between work and world, and the interactions between stage and page, as well as the motives guiding his sixty-year-long career—his strange decision to adopt French as his literary language, swerve from the complex novels to the minimalist plays, determination to “fail better,” and principled refusal to follow any easy path to originality.

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This volume is a collection of the Nobel Lectures delivered by the prizewinners, together with their biographies and the presentation speeches at the award ceremonies in Stockholm for the period 2001 - 2005. Each Nobel Lecture is based on the work for which the laureate was awarded the prize. This volume of inspiring lectures should be on the bookshelf of every keen student, teacher and professor of physiology/medicine as well as of those in related fields.The following is a list of the Nobel laureates during 2001 - 2005 with a description of the works that won them their prizes:(2001) Leland H Hartwell, Tim Hunt & Sir Paul Nurse — for their discoveries of key regulators of the cell cycle; (2002) Sydney Brenner, H Robert Horvitz & John E Sulston — for their discoveries concerning genetic regulation of organ development and programmed cell death; (2003) Paul C Lauterbur & Sir Peter Mansfield — for their discoveries concerning magnetic resonance imaging; (2004) Richard Axel & Linda B Buck — for their discoveries of odorant receptors and the organization of the olfactory system; (2005) Barry J Marshall & J Robin Warren — for their discovery of the bacterium Helicobacter pylori and its role in gastritis and peptic ulcer disease.

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Fascinating profiles of modern writers and artists who tapped the political potential of fairy talesJack Zipes has spent decades as a “scholarly scavenger,” discovering forgotten fairy tales in libraries, flea markets, used bookstores, and internet searches, and he has introduced countless readers to these remarkable works and their authors. In Buried Treasures, Zipes describes his special passion for uncovering political fairy tales of the nineteenth and twentieth centuries, offers fascinating profiles of more than a dozen of their writers and illustrators, and shows why they deserve greater attention and appreciation.These writers and artists used their remarkable talents to confront political oppression and economic exploitation by creating alternative, imaginative worlds that test the ethics and morals of the real world and expose hidden truths. Among the figures we meet here are Édouard Laboulaye, a jurist who wrote acute fairy tales about justice; Charles Godfrey Leland, a folklorist who found other worlds in tales of Native Americans, witches, and Roma; Kurt Schwitters, an artist who wrote satirical, antiauthoritarian stories; Mariette Lydis, a painter who depicted lost-and-found souls; Lisa Tetzner, who dramatized exploitation by elites; Felix Salten, who unveiled the real meaning of Bambi’s dangerous life in the forest; and Gianni Rodari, whose work showed just how political and insightful fantasy stories can be.Demonstrating the uncanny power of political fairy tales, Buried Treasures also shows how their fictional realities not only enrich our understanding of the world but even give us tools to help us survive.

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With his best-selling track record, Gregory is one of AMPa (TM)s most successful non-cartoon humorists. Stupid American History was #12 on the New York Times paperback best-seller list in July 2009. From absurd 911 calls to presidential philosophizing and foolish felons, Leland Gregory generates the best laughs by exposing the worst of human nature. Collectively, his humor collections have sold more than 500,000 copies and generated two "New York Times" best-sellers. Inside "S Is for Stupid," Gregory sets his sights on the stupidest of stupid with a "best-of" collection featuring 50 percent new material and 50 percent fan favorites. As Gregory's largest collection yet, "S Is for Stupid" features more than 350 pages of outrageous stories, trivia, and factoids organized alphabetically by topic. Such entries include: * The following is a doctor's actual diagnostic notation: The patient is married but sexually active. * "Shooting Reported at Firing Range" --the State, Columbia, South Carolina, August 4, 2006 * Arrested for public urination in Bowling Green, Ohio: Mr. Joshua Pees. --the "Sentinel-Tribune," Bowling Green, Ohio, September 5, 2001 Because the stories Gregory chronicles are just that unbelievable, each anecdote, quote, or factoid is presented with relevant background information, including its verified news source.

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Leland Faust unmasks Wall Street’s unsavory tactics in powerful detail by giving readers a high-level view of how the financial services industry misleads them, overcharges them, and exposes them to needless risk. He documents the financial industry’s alluring come-ons, airbrushed risks, high-stakes gambling, half-truths, misleading statements, outlandish predictions, tricks to overcharge customers, bad deals, and outright fraud by the most prominent and renowned of Wall Street’s players.A Capitalist’s Lament is about what happens when financial firms and their employees forget whose interest they are supposed to protect. It shows how making foolish or wrong predictions is of no consequence to those who make them and how Wall Street luminaries with poor track records still garner celebrity status. Most of all, it spotlights how Wall Street manipulates the system and furthers its own interests at its customers’ expense and puts us all at great risk. Here is what you need to know to protect yourself from “business as usual” and get ahead—instead of getting taken.

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Silicon Valley has become the Mesopotamia of the Digital Age, built on cycles of innovation and disruption, monstrous ambition, and a steady supply of labour and capital. Yet for all that's known about companies like Apple, Google, and Facebook - and the personas behind those companies - the culture of Silicon Valley remains elusive and contradictory, even to many locals. This unique guidebook, written by longtime local Floriana Petersen, takes you on an insider's tour of 111 cool, offbeat, and very compelling places that offer insight into the evolving character of Silicon Valley. Visit the Cantor Arts Center at Stanford to see drawings done by Leland Jr. Stanford, after whom the university was named after his death at age 15 in 1884. Sit at the Rosewood Hotel bar to witness the mating habits of venture capitalists. Go to the Music@Menlo Festival to listen some of the best chamber music to be found anywhere in the country. Enjoy the Stanford Powwow, a festival to celebrate some of the great American Indian tribes of Northern California. Visit Steve Jobs' final resting place, or spend an afternoon at the Hakone Japanese gardens. Explore the Filoli Estate, a living testimony to the wealthy families who used the Gold Rush to build the infrastructure that has become Silicon Valley.

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"How should we read Lolita? The beginning of an answer is that we should read it the way all great works deserve to be read: with attention and intelligence. But what sort of attention should we pay and what sort of intelligence should we apply to a work of art that recounts so much love, so much loss, so much thoughtlessness—and across which flashes something we might be tempted to call evil? To begin with, we should read with the attention and intelligence we call empathy. A point on which all readers can agree is that great literature offers us a lesson in empathy: it encourages us to feel with the strange and the familiar, the strong and the weak, the vulgar and the cultivated, the young and the old, the lover and the beloved. It urges us to see our own fates as connected to those of others, to link the starry sky we see above us with whatever moral laws we might sense within."—from Style is Matter"Some of my characters are, no doubt, pretty beastly, but I really don't care, they are outside my inner self like the mournful monsters of a cathedral facade—demons placed there merely to show that they have been booted out."—Vladimir Nabokov, Strong OpinionsWith this quote Leland de la Durantaye launches his elegant and incisive exploration of the ethics of art in the fiction of Vladimir Nabokov. Focusing on Lolita but also addressing other major works (especially Speak, Memory and Pale Fire), the author asks whether the work of this writer whom many find cruel contains a moral message and, if so, why that message is so artfully concealed. Style is Matter places Nabokov's work once and for all into dialogue with some of the most basic issues concerning the ethics of writing and of reading itself.De la Durantaye argues that Humbert's narrative confession artfully seduces the reader into complicity with his dark fantasies and even darker acts until the very end, where he expresses his bitter regret for what he has done. In this sense, Lolita becomes a study in the danger of art, the artist's responsibility to the real world, and the perils and pitfalls of reading itself. In addition to Nabokov's fictions, de la Durantaye also draws on his nonfiction writings to explore Nabokov's belief that all genuine art is deceptive—as is nature itself. Through de la Durantaye's deft and compelling writing, we see that Nabokov learned valuable lessons in mimicry and camouflage from the intricate patterns of the butterflies he adored.

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Sin la extraordinaria acogida que han recibido los dos primeros volúmenes de este libro durante sus dos primeros años de vida, pienso que habría tomado más tiempo extendernos a este tercero. Sin embargo, el trabajo había quedado incompleto, y permanecía en nosotros una sensación de injusticia por no incorporar otros autores a aquellas dos compilaciones iniciales.Tal como lo hemos hecho en los dos primeros volúmenes, compilamos aquí otras 20 entrevistas de reconocidos miembros de la Escuela Austriaca, y en especial, intelectuales que han ejercido la docencia y la investigación por algunas décadas, o bien, que han trabajado en extender estas ideas a un público cada vez más amplio.Este tercer volumen incluye tres intelectuales austríacos como Friedrich Hayek, Gottfried von Haberler y Karl Popper; ocho americanos como Leland Yeager, Mark Skousen, Gerald ODriscoll, John P. Cochran, Bruce Caldwell, Thomas Di Lorenzo, George Selgin y Jeffrey Tucker; dos italianos como Darío Antiseri y R

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Titans of Bass: The Tactics, Habits, and Routines from over 140 of the World's Best reveals the experiences of over 140 of the world's top bassists to help the beginning bassist learn and play their first song. Picking up an instrument for the first time can be a confusing, frustrating experience, but KJ Jenson consulted the best players to give readers an inside look and a running start at the bass guitar. Navigate the first steps of taking on the bass, such as which songs to learn, what to practice every day to enhance skills, and which musicians to emulate. From over 140 interviews of the best bassists, KJ Jenson lends the perspectives of musical heroes on how they conquered the bass. Titans of Bass includes interviews with bass wizards such as Justin Chancellor (Tool), Billy Sheehan, Ron Carter, John Patitucci, Geezer Butler (Black Sabbath), Nathan East, Snow Owl, Abraham Laboriel, Sean Lennon, Leland Sklar, George Porter Jr., Christian McBride, Jack Casady, Stuart Hamm, Verdine White, Bill Laswell, and over 125 more.

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The completion of the transcontinental railroad in May 1869 is usually told as a story of national triumph and a key moment for American Manifest Destiny. The Railroad made it possible to cross the country in a matter of days instead of months, paved the way for new settlers to come out west, and helped speed America's entry onto the world stage as a modern nation that spanned a full continent. It also created vast wealth for its four owners, including the fortune with which Leland Stanford would found Stanford University some two decades later. But while the Transcontinental has often been celebrated in national memory, little attention has been paid to the Chinese workers who made up 90 percent of the workforce on the Western portion of the line. The Railroad could not have been built without Chinese labor, but the lives of Chinese railroad workers themselves have been little understood and largely invisible. This landmark volume explores the experiences of Chinese railroad workers and their place in cultural memory. The Chinese and the Iron Road illuminates more fully than ever before the interconnected economies of China and the US, how immigration across the Pacific changed both nations, the dynamics of the racism the workers encountered, the conditions under which they labored, and their role in shaping both the history of the railroad and the development of the American West.

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The completion of the transcontinental railroad in May 1869 is usually told as a story of national triumph and a key moment for American Manifest Destiny. The Railroad made it possible to cross the country in a matter of days instead of months, paved the way for new settlers to come out west, and helped speed America's entry onto the world stage as a modern nation that spanned a full continent. It also created vast wealth for its four owners, including the fortune with which Leland Stanford would found Stanford University some two decades later. But while the Transcontinental has often been celebrated in national memory, little attention has been paid to the Chinese workers who made up 90 percent of the workforce on the Western portion of the line. The Railroad could not have been built without Chinese labor, but the lives of Chinese railroad workers themselves have been little understood and largely invisible. This landmark volume explores the experiences of Chinese railroad workers and their place in cultural memory. The Chinese and the Iron Road illuminates more fully than ever before the interconnected economies of China and the US, how immigration across the Pacific changed both nations, the dynamics of the racism the workers encountered, the conditions under which they labored, and their role in shaping both the history of the railroad and the development of the American West.

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Aspects of the turbulent rule of Richard II freshly examined. The reign of Richard II is well known for its political turmoil as well as its literary and artistic innovations, all areas explored by Professor Nigel Saul during his distinguished career. The present volume interrogates many familiar literary and narrative sources, including works by Froissart, Gower, Chaucer, Clanvow, and the Continuation of the Eulogium Historiarum, along with those less well-known, such as coroner's inquests and gaol delivery proceedings. The reign is also notorious for its larger than life personalities - not least Richard himself. But how was he shaped by other personalities? A prosopographical study of Richard's bishops, a comparison of the literary biographies of his father the Black Prince, and Bertrand du Guesclin, and a reconsideration of Plantagenet family politics, all shed light on this question. Meanwhile, Richard II's tomb reflects his desire to shape a new vision of kingship. Commemoration more broadly was changing in the late fourteenth century, and this volume includes several studies of both individual and communal memorials of various types that illustrate this trend: again, appropriately for an area Professor Saul has made his own. Contributors: Mark Arvanigian, Caroline Barron, Michael Bennett, Jerome Bertram, David Carpenter, Chris Given-Wilson, Jill Havens, Claire Kennan, Hannes Kleineke, John Leland, Joel Rosenthal, Christian Steer, George Stow, Jenny Stratford, Kelcey Wilson-Lee.

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This ‘new journalism’ by Irish Times women writers originally appeared on the Women First pages during the 1970s. Together, the pieces reflect the enormous social and political upheaval of the years when, as the first woman’s page editor Mary Maher put it, “Irish women were invented”. The voices of this exciting anthology, diverse, sparkling, irreverent, record with wit and intelligence an Ireland on the brink of transformation. Changing The Times showcases the best of this writing, by Maeve Binchy, Mary Leland, Gabrielle Williams, Christina Murphy, Geraldine Kennedy, Maev Kennedy, Eileen O’Brien, Caroline Walsh, Theodora FitzGibbon, Nell McCafferty, Renagh Holohan, Elgy Gillespie and others. Issues of the day are articulated and explored: pregnancy, fashion, first loves, sexuality, a burgeoning feminism, an imploding Catholic Church, an exploding North. Nell McCafferty profiles a young Ian Paisley, visits New York and talks to the family of a girl tarred and feathered in Derry; Maeve Binchy interviews Samuel Beckett and Iris Murdoch; Mary Holland follows the North, while Renagh Holohan is caught in its explosions; Elgy Gillespie encounters Muhammed Ali, Tyrone Guthrie and Robert Lowell; while Mary Cummins interviews Bernadette Devlin about having her first baby. As the mirror of a confident young nation, and a window onto one of the most eventful decades in recent Irish history, Changing the Times gives these writings the afterlife they richly deserve.

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In his sci-fi debut, Bellecourt explores an alternate roaring 20s where a shell-shocked soldier must uncover latent telepathic abilities to save himself and the people around him.Liam Mulcahey, a reclusive, shell-shocked veteran, remembers little of the Great War. Ten years later, when he is caught in a brutal attack on a Chicago speakeasy, Liam is saved by Grace, an alluring heiress who's able to cast illusions. Though the attack appears to have been committed by the hated Uprising, Grace believes it was orchestrated by Leland De Pere--Liam's former commander and the current President of the United States. Meeting Grace unearths long-buried memories. Liam's former squad, the Devil's Henchmen, was given a serum to allow telepathic communication, transforming them into a unified killing machine. With Grace's help, Liam begins to regain his abilities, but when De Pere learns of it, he orders his militia to eliminate Liam at any cost. But Liam's abilities are expanding quickly. When Liam turns the tables and digs deeper into De Pere's plans, he discovers a terrible secret. The same experiment that granted Liam's abilities was bent toward darker purposes. Liam must navigate both his enemies and supposed allies to stop the President's nefarious plans before they're unleashed on the world. And Grace is hiding secrets of her own, secrets that could prove every bit as dangerous as the President's.

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A guide to managing data in the digital age.Winner of the ALCTS Outstanding Publication Award by the Association for Library Collections & Technical Services, Winner of the Waldo Gifford Leland Award by the Society of American ArchivistsMany people believe that what is on the Internet will be around forever. At the same time, warnings of an impending "digital dark age"—where records of the recent past become completely lost or inaccessible—appear with regular frequency in the popular press. It's as if we need a system to safeguard our digital records for future scholars and researchers. Digital preservation experts, however, suggest that this is an illusory dream not worth chasing. Ensuring long-term access to digital information is not that straightforward; it is a complex issue with a significant ethical dimension. It is a vocation.In The Theory and Craft of Digital Preservation, librarian Trevor Owens establishes a baseline for practice in this field. In the first section of the book, Owens synthesizes work on the history of preservation in a range of areas (archives, manuscripts, recorded sound, etc.) and sets that history in dialogue with work in new media studies, platform studies, and media archeology. In later chapters, Owens builds from this theoretical framework and maps out a more deliberate and intentional approach to digital preservation. A basic introduction to the issues and practices of digital preservation, the book is anchored in an understanding of the traditions of preservation and the nature of digital objects and media. Based on extensive reading, research, and writing on digital preservation, Owens's work will prove an invaluable reference for archivists, librarians, and museum professionals, as well as scholars and researchers in the digital humanities.

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Encuadernación: Rústica de bolsillo.Colección: Best Seller.Una presencia maligna pretende sembrar el caos en todo el pueblo de Castle Rock.Leland Gaunt abre una nueva tienda en Castle Rock llamada Cosas Necesarias. Todo el que entra en el establecimiento encuentra algún objeto que hace realidad sus sueños, por lo que Gaunt, al cerrar los tratos, siempre pide algo a cambio a los clientes. Estos favores empiezan a descontrolarse y, al poco tiempo, el pueblo entero está envuelto en una batalla, con varias muertes incluidas. El sheriff Alan Pangborn es el único que sospecha de Gaunt como instigador en la sombra de los crecientes sucesos violentos que están asolando a Castle Rock. Un día se me ocurrió que en los ochenta todo había tenido su etiqueta con el precio. Los últimos artículos que quedaron por vender fueron el honor, la integridad, el respeto por uno mismo y la inocencia. Cuando llegué a casa, ya había decidido convertir los ochenta en una pequeña tienda llamada Cosas Nec

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The twentieth century was one of profound transformation in rural America. Demographic shifts and economic restructuring have conspired to alter dramatically the lives of rural people and their communities. Challenges for Rural America in the Twenty-First Century defines these changes and interprets their implications for the future of rural America. The volume follows in the tradition of "decennial volumes" co-edited by presidents of the Rural Sociological Society and published in the Society's Rural Studies Series. Essays have been specially commissioned to examine key aspects of public policy relevant to rural America in the new century. Contributors include:Lionel Beaulieu, Alessandro Bonnano, David Brown, Ralph Brown, Frederick Buttel, Ted Bradshaw, Douglas Constance, Steve Daniels, Lynn England, William Falk, Cornelia Flora, Jan Flora, Glenn Fuguitt, Nina Glasgow, Leland Glenna, Angela Gonzales, Gary Green, Rosalind Harris, Tom Hirschl, Douglas Jackson-Smith, Leif Jensen, Ken Johnson, Richard Krannich, Daniel Lichter, Linda Lobao, Al Luloff, Tom Lyson, Kate MacTavish, David McGranahan, Diane McLaughlin, Philip McMichael, Lois Wright Morton, Domenico Parisi, Peggy Petrzelka, Kenneth Pigg, Rogelio Saenz, Sonya Salamon, Jeff Sharp, Curtis Stofferahn, Louis Swanson, Ann Tickameyer, Leanne Tigges, Cruz Torres, Mildred Warner, Ronald Wimberley, Dreamal Worthen, and Julie Zimmerman.

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In 1885 Jane and Leland Stanford co-founded a university to honour their recently deceased young son. After her husband’s death in 1893, Jane Stanford, a devoted spiritualist who expected the university to inculcate her values, steered Stanford into eccentricity and public controversy for more than a decade. In 1905 she was murdered in Hawaii, a victim, according to the Honolulu coroner’s jury, of strychnine poisoning. With her vast fortune the university’s lifeline, the Stanford president and his allies quickly sought to foreclose challenges to her bequests by constructing a story of death by natural causes. The cover-up gained traction in the murky labyrinths of power, wealth and corruption of Gilded Age San Francisco. The murderer walked. Deftly sifting the scattered evidence and conflicting stories of suspects and witnesses, Richard White gives us the first full account of Jane Stanford’s murder and its cover-up. Against a backdrop of the city’s machine politics, rogue policing, tong wars and heated newspaper rivalries, White’s search for the murderer draws us into Jane Stanford’s imperious household and the academic enmities of the university. Although Stanford officials claimed that no one could have wanted to murder Jane, we meet several people who had the motives and the opportunity to do so. One of these, we discover, also had the means...

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In 1885 Jane and Leland Stanford co-founded a university to honour their recently deceased young son. After her husband’s death in 1893, Jane Stanford, a devoted spiritualist who expected the university to inculcate her values, steered Stanford into eccentricity and public controversy for more than a decade. In 1905 she was murdered in Hawaii, a victim, according to the Honolulu coroner’s jury, of strychnine poisoning. With her vast fortune the university’s lifeline, the Stanford president and his allies quickly sought to foreclose challenges to her bequests by constructing a story of death by natural causes. The cover-up gained traction in the murky labyrinths of power, wealth and corruption of Gilded Age San Francisco. The murderer walked. Deftly sifting the scattered evidence and conflicting stories of suspects and witnesses, Richard White gives us the first full account of Jane Stanford’s murder and its cover-up. Against a backdrop of the city’s machine politics, rogue policing, tong wars and heated newspaper rivalries, White’s search for the murderer draws us into Jane Stanford’s imperious household and the academic enmities of the university. Although Stanford officials claimed that no one could have wanted to murder Jane, we meet several people who had the motives and the opportunity to do so. One of these, we discover, also had the means...

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The first in-depth study of Arthurian places in late medieval and early modern England and Wales. Places have the power to suspend disbelief, even concerning unbelievable subjects. The many locations associated with King Arthur show this to be true, from Tintagel in Cornwall to Caerleon in Wales. But how and why did Arthurian sites come to proliferate across the English and Welsh landscape? What role did the medieval custodians of Arthurian abbeys, churches, cathedrals, and castles play in "placing" Arthur? How did visitors experience Arthur in situ, and how did their experiences permeate into wider Arthurian tradition? And why, in history and even today, have particular places proven so powerful in defending the impression of Arthur's reality? This book, the first in-depth study of Arthurian places in late medieval and early modern England and Wales, provides an answer to these questions. Beginning with an examination of on-site experiences of Arthur, at locations including Glastonbury, York, Dover, and Cirencester, it traces the impact that they had on visitors, among them John Hardyng, John Leland, William Camden, who subsequently used them as justification for the existence of Arthur in their writings. It shows how the local Arthur was manifested through textual and material culture: in chronicles, notebooks, and antiquarian works; in stained glass windows, earthworks, and display tablets. Via a careful piecing together of the evidence, the volume argues that a new history of Arthur begins to emerge: a local history.

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Today's world of personal investing is not a friendly place. Individuals are assaulted with an unending barrage of financial news, "expert" advice, investing tools, trading systems, and more, to the point where they are overwhelmed. As a result, most people simply entrust their portfolios to third-party advisers and, in doing so, lose control of their financial security. Nobody is more familiar with this situation than author Leland Hevner. As President of the National Association of Online Investors (naoi.org) and a longtime educator in this field, he understands that to succeed in today's chaotic markets you don't need more news, advice, or analysis tools. Instead, you need a completely new and simpler approach to building an effective portfolio on your own—one that includes updated investing concepts and dramatically new ways of looking at the market. That's why he created The Perfect Portfolio. Written in a straightforward and accessible style, this reliable resource shows you, step by step, how to use a revolutionary approach to investing called the Perfect Portfolio Methodology (PPM). Developed by Hevner over the course of his successful career and based on input from hundreds of individual investors, the PPM allows you to capture incredible returns under any market condition without exposing yourself to unacceptable risk or requiring you to devote an extraordinary amount of time to the investing process. The journey to creating your unique Perfect Portfolio is divided into three parts: Part I reveals the problems faced by today's investors, outlines a new approach for solving them, and gets you started by showing how to design the Core Segment—or foundation—of your Perfect Portfolio Part II details how to "supercharge" your Perfect Portfolio's returns by adding a Target Market Segment consisting of five newly defined asset classes Part III illustrates how you can bring the Core and Target Market Segments together to form a Perfect Portfolio that meets your unique investing profile and current market conditions This is a book that financial advisers will not want you to read. Why? Because it takes them out of the loop by empowering you to make informed and profitable investing decisions on your own. The Perfect Portfolio places the power to control your wealth firmly in your hands, where it belongs. The Perfect Portfolio is more than just a book. It also includes a supplemental online component you can access via the Web at www.perfectportfoliobook.com. The use of this resource is not required to take full advantage of the book's content, but the information and tools presented in the online component can enhance your overall learning experience.

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Myths and theories of the American melting pot, of assimilation, and of pluralistic society were shattered as racial violence during the 1992 Los Angeles uprising vividly exposed the inadequacy of our prior assumptions. The uprising revealed that radical approaches are needed to address structural issues of economic and political inequality, and issues of race and representation. Los Angeles has emerged as a focal point for social scientists as they develop new ideas about race relations. This volume, based on a special issue of Amerasia Journal, focuses o race and ethnic relations in Los Angeles as they emerged out of the uprising and within the broader national picture. Latino and Asian and African American scholars, journalists, and writers have contributed two dozen essays, commentaries, and literary works. Among the scholarly essays are “Jewish and Korean Merchants in African American Neighborhoods” by Edward Chang, “Communication between African Americans and Korean Americans before and after the Los Angeles Riots” by Ella Stewart, “Asian Americans and Latinos in San Gabriel Valley, California” by Leland T. Saito, “The South Central Los Angeles Eruption: A Latino Perspective” by Armando Navarro, and “Race, Class, Conflict and Empowerment: On Ice Cube’s ‘Black Korea’” by Jeff Chang. Commentaries by Asian and African American writers feature Larry Aubry, Angela E. Oh, Sharon Park, Amy Uyematsu, Erich Nakano, Walter Lew, and Miriam Ching Louie. A selection of literary writings features Mari Sunaida, Ko Won, Wanda Coleman, Mellonee R. Houston, Sae Lee, Nat Jones, Arjuna, Chungmi Kim, and Lynn Manning.

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Myths and theories of the American melting pot, of assimilation, and of pluralistic society were shattered as racial violence during the 1992 Los Angeles uprising vividly exposed the inadequacy of our prior assumptions. The uprising revealed that radical approaches are needed to address structural issues of economic and political inequality, and issues of race and representation. Los Angeles has emerged as a focal point for social scientists as they develop new ideas about race relations. This volume, based on a special issue of Amerasia Journal, focuses o race and ethnic relations in Los Angeles as they emerged out of the uprising and within the broader national picture. Latino and Asian and African American scholars, journalists, and writers have contributed two dozen essays, commentaries, and literary works. Among the scholarly essays are “Jewish and Korean Merchants in African American Neighborhoods” by Edward Chang, “Communication between African Americans and Korean Americans before and after the Los Angeles Riots” by Ella Stewart, “Asian Americans and Latinos in San Gabriel Valley, California” by Leland T. Saito, “The South Central Los Angeles Eruption: A Latino Perspective” by Armando Navarro, and “Race, Class, Conflict and Empowerment: On Ice Cube’s ‘Black Korea’” by Jeff Chang. Commentaries by Asian and African American writers feature Larry Aubry, Angela E. Oh, Sharon Park, Amy Uyematsu, Erich Nakano, Walter Lew, and Miriam Ching Louie. A selection of literary writings features Mari Sunaida, Ko Won, Wanda Coleman, Mellonee R. Houston, Sae Lee, Nat Jones, Arjuna, Chungmi Kim, and Lynn Manning.

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Traditional jazz studies have tended to see jazz in purely musical terms, as a series of changes in rhythm, tonality, and harmony, or as a parade of great players. But jazz has also entered the cultural mix through its significant impact on novelists, filmmakers, dancers, painters, biographers, and photographers. Representing Jazz explores the "other" history of jazz created by these artists, a history that tells us as much about the meaning of the music as do the many books that narrate the lives of musicians or describe their recordings. Krin Gabbard has gathered essays by distinguished writers from a variety of fields. They provide engaging analyses of films such as Round Midnight, Bird, Mo’ Better Blues, Cabin in the Sky, and Jammin’ the Blues; the writings of Eudora Welty and Dorothy Baker; the careers of the great lindy hoppers of the 1930s and 1940s; Mura Dehn’s extraordinary documentary on jazz dance; the jazz photography of William Claxton; painters of the New York School; the traditions of jazz autobiography; and the art of "vocalese." The contributors to this volume assess the influence of extramusical sources on our knowledge of jazz and suggest that the living contexts of the music must be considered if a more sophisticated jazz scholarship is ever to evolve. Transcending the familiar patterns of jazz history and criticism, Representing Jazz looks at how the music actually has been heard and felt at different levels of American culture. With its companion anthology, Jazz Among the Discourses, this volume will enrich and transform the literature of jazz studies. Its provocative essays will interest both aficionados and potential jazz fans.Contributors. Karen Backstein, Leland H. Chambers, Robert P. Crease, Krin Gabbard, Frederick Garber, Barry K. Grant, Mona Hadler, Christopher Harlos, Michael Jarrett, Adam Knee, Arthur Knight, James Naremore

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This Companion provides a comprehensive analysis and appraisal of all of Scott's available (published and unpublished) music and a broad picture of his entire output in literary, dramatic and philosophical genres. Cyril Scott (1879-1970) was an English composer, writer and poet. He was a prolific composer-pianist writing over 400 works including four symphonies, three operas and concerti for piano, violin, cello, oboe and harpsichord. Oftenperforming his own compositions he became a pioneer of British piano music, and his music was admired by composers as diverse as Debussy, Strauss, Stravinsky and Percy Grainger, the last a lifelong friend. A true polymath, Scottwas also the author of forty-one books, including two autobiographies and one unpublished memoir, on subjects ranging from music, alternative medicine and humour to occultism, theosophy and Christianity. In addition, he wrote poems and plays and painted watercolours. This Companion explores the life and work of this remarkably creative man. It provides a comprehensive analysis and appraisal of all the available music and includes a complete catalogue of his musical works, along with a discography. Several works completely unknown to the musical world, both music and literary (such as the memoir 'Near the End of Life'), are here newly catalogued and discussed. Altogether, thevolume gives a broad picture of Scott's entire output in literary, dramatic and philosophical genres. LEWIS FOREMAN has published many books and articles on music. His Boydell titles include Bax: A Composer and hisTimes (2007), The John Ireland Companion (2011) and with Susan Foreman Felix Aprahamian (2015). DESMOND SCOTT is the son of Cyril Scott. He was an actor, theatre director and TV writer. He is also a sculptor and past-President of the Sculptors Society of Canada. He has contributed to The New Percy Grainger Companion (Boydell Press, 2010) and has published articles in musical journals on Cyril Scott. LESLIE DE'ATH isProfessor, Faculty of Music, Wilfrid Laurier University, Waterloo, Canada. He is Associate Editor of the Journal of Singing, a pianist, conductor and opera director. He has recorded Scott's complete solo piano music for Dutton. Contributors: PETER ATKINSON, MARTYN BRABBINS, LESLIE DE'ATH, PETER DICKINSON, LEWIS FOREMAN, KATHERINE HUDSON, VALERIE LANGFIELD , KURT LELAND, STEPHEN LLOYD, STEVEN MARTIN, ROHINTEN DADDY MAZDA, RICHARD PRICE, EDMUND RUBBRA, DESMOND SCOTT, MARTIN YATES

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Summer 1942. Defeatism hangs in the air. Britain stands alone. Winston Churchill is determined to strike back and has ordered the formation of a special operations force, dubbed "Commandos", with the mission to "set Europe ablaze."U.S. Marine Captain Jim Cain and his Gunnery Sergeant Leland Montgomery are surprised to receive orders to the British Commando training center in the Scottish Highlands. There they are put through the brutal specialized training that will hone their fighting skills and physical endurance. Pitiless forced marches, dangerous live fire exercises and hazardous assault courses separate the men from the boys, while building a strong sense of brotherhood among the British soldiers and the two Marines. Lucky to be quartered in the spacious home of the Commandos' CO, Cain has the pleasure of meeting Loreena. The stunning auburn-haired daughter of the CO is secretive about her work in London. Before Cain can learn more about her, the training course is interrupted. He and the commando squad are sent on a special mission to destroy a German radar station on a Nazi-held island off the coast of France.The site is defended by a squad of second-rate garrison soldiers who are no match for the highly trained and motivated commandos. A reaction force of infantry, led by a blooded German combat veteran, joins the fight. The action is fierce and bloody and there are heavy losses on both sides. The surviving raiders are able to withdraw to Royal Navy motor torpedo boats, as a marauding squadron of Schnellboots (E-Boats) lies in wait.The Commandos: Set Europe Ablaze is rich in detail and military accuracy which makes the story "come alive" and enables the reader to easily visualize the characters, the settings and the action scenes.

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The continued influence and significance of the legend of Arthur are demonstrated by the articles collected in this volume. The rich vitality of both the Arthurian material itself and the scholarship devoted to it is manifested in this volume. It begins with an interdisciplinary study of swords belonging to Arthurian and other heroes and of the smithswho made them, assessed both in their literary contexts and in "historical" references to their existence as heroic relics. Two essays then consider the use of Arthurian material for political purposes: a discussion of Caradog's Vita Gildae throws light on the complex attitudes to Arthur of contemporaries of Geoffrey of Monmouth in a time of political turmoil in England, and an investigation into borrowings from Geoffrey's Historia in a chronicle of Anglo-Scottish relations in the time of Edward I, a well-known admirer of the Arthurian legend, argues that they would have appealed to the clerical élite. Romance motifs link the subsequent pieces: women and their friendships in Ywain and Gawain, the only known close English adaptation of a romance by Chrétien, and the mixture of sacred and secular in The Turke and Gawain, with fascinating alchemical parallels for a puzzling beheading episode. This is followed by a discussion of the views on native and foreign sources of three sixteenth-century defenders of Arthur, John Leland, John Prise and Humphrey Llwyd, and their responses to the criticisms of Polydore Vergil. In twentieth-century reception history, John Steinbeck was an ardent Arthurian enthusiast: an essay looks at the significance of his annotations to his copy of Malory as he worked on his adaptation, The Acts of King Arthur and his Noble Knights. The volume moves to even more recent territory with an exploration of the adaptations of Malory and other Arthurian writers that occur in the comic books by Geoff Johns about Arthur Curry, aka Aquaman, King of Atlantis. The book is completed by a reprint of a classic essay by Norris Lacy on the absence and presence of the Grail in Arthurian texts from the twelfth century on.

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**A New York Times Best Crime Mystery of the Year**'Nanette Hayes may be the most charismatic crime-fiction heroine to appear in the last decade' BooklistIn the third book in the Nanette Hayes series, Nanette finds a voodoo doll is bringing her some much needed luck. . . until the doll's maker is murdered and she is dragged into the investigation.Nanette is on the rocks. Heartbroken and alone in New York, she finds what comfort she can in the bottom of a bottle. But her life seems to turn around when she's given a voodoo doll, so much so that Nanette seeks out the doll's creator, Ida, to thank her. That's when Nanette's luck seems to run out, and Ida ends up with a bullet in her head.Guilt-ridden, Nanette resolves to get justice for her new friend, only to find that Ida was hiding some dark skeletons in her closet. Now plunged into a dangerous world she doesn't understand, Nanette will have to team up with some unlikely allies, like her estranged father, a high school principal, and Leland Sweet, an NYPD officer with whom Nanette has some major history. But will Nanette solve Ida's murder or fall victim to the same forces that brought Ida down?Originally published in the 1990s, this stylish piece of noir is an original and page-turning read starring an unforgettable heroine.PRAISE FOR THE NANETTE HAYES MYSTERIES:'Funky scenes of New York's musical underworld. . . [a] sweet and saucy narrative voice' The New York Times on Drumsticks'Style's the thing in this breezy, sexy mystery narrated by Nanette, a French-speaking, sax-playing street musician' Publisher's Weekly'This Grace Jones lookalike with a degree in French is a splendid creation' Sunday Telegraph

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A landmark publication bringing together more than seventy voices illuminating the rich array of Indigenous art held by the McMichael Canadian Art Collection.Under the editorial direction of Anishinaabe artist and scholar Bonnie Devine, Early Days gathers the insights of myriad Indigenous cultural stakeholders, informing us on everything from goose hunting techniques, to the history of Northwest Coast mask making, to the emergence of the Woodland style of painting and printmaking, to the challenges of art making in the Arctic, to the latest developments in contemporary art by Indigenous peoples from across Turtle Island.Splendidly illustrated, Early Days not only tells the story of a leading collection but traces the emergence and increasing participation of many Indigenous artists in the contemporary art world. This publication will be the largest in the history of the McMichael, and represents a vital acknowledgment of the place of Indigenous art and ways of knowing in global art history.Featured contributors: Barry Ace, Pierre Aupilardjuk, Leland Bell, Dempsey Bob, Violet Chum, Hannah Claus, Dana Claxton, Taa.uu ‘Tuuwans Nika Collison, Alan Ojiig Corbiere, Marcia Crosby, Ruth Cuthand, Mique'l Dangeli, Sarah Florence Davidson, Robert Davidson, Blake Debassige, Bonnie Devine, Tarralik Duffy, Norma Dunning, David Garneau, John Geoghegan, Janice Grey, Haay'uups (Ron Hamilton), Jim Hart, Emma Hassencahl-Perley, Emily Henderson, Lynn Hill, Richard William Hill, Maria Hupfield, Heather Igoliorte, Luis Jacob, Gayle Uyagaqi Kabloona, William Kingfisher, Jessica Kotierk, Robin Laurence, Duane Linklater, Ange Loft, Tanya Lukin Linklater, Jean Marshal, Michael Massie, Kaitlin McCormick, Gerald McMaster, Ossie Michelin, Sarah Milroy, Antoine Mountain, Nadia Myre, Wanda Nanibush, Jeneen Frei Njootli, Ruth B. Phillips, Jocelyn Piirainen, Ryan Rice, Carmen Robertson, Paul Seesequasis, Leanne Betasamosake Simpson, Wedlidi Speck, Michelle Sylliboy, Snxakila Clyde Tallio, Drew Hayden Taylor, Nakkita Trimble, Jesse Tungilik, Camille Georgeson-Usher, William Wasden Jr., Jordan Wilson, Jessica Winters.

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Traditional jazz studies have tended to see jazz in purely musical terms, as a series of changes in rhythm, tonality, and harmony, or as a parade of great players. But jazz has also entered the cultural mix through its significant impact on novelists, filmmakers, dancers, painters, biographers, and photographers. Representing Jazz explores the "other" history of jazz created by these artists, a history that tells us as much about the meaning of the music as do the many books that narrate the lives of musicians or describe their recordings. Krin Gabbard has gathered essays by distinguished writers from a variety of fields. They provide engaging analyses of films such as Round Midnight, Bird, Mo’ Better Blues, Cabin in the Sky, and Jammin’ the Blues; the writings of Eudora Welty and Dorothy Baker; the careers of the great lindy hoppers of the 1930s and 1940s; Mura Dehn’s extraordinary documentary on jazz dance; the jazz photography of William Claxton; painters of the New York School; the traditions of jazz autobiography; and the art of "vocalese." The contributors to this volume assess the influence of extramusical sources on our knowledge of jazz and suggest that the living contexts of the music must be considered if a more sophisticated jazz scholarship is ever to evolve. Transcending the familiar patterns of jazz history and criticism, Representing Jazz looks at how the music actually has been heard and felt at different levels of American culture. With its companion anthology, Jazz Among the Discourses, this volume will enrich and transform the literature of jazz studies. Its provocative essays will interest both aficionados and potential jazz fans.Contributors. Karen Backstein, Leland H. Chambers, Robert P. Crease, Krin Gabbard, Frederick Garber, Barry K. Grant, Mona Hadler, Christopher Harlos, Michael Jarrett, Adam Knee, Arthur Knight, James Naremore

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Focuses on insights, approaches, and techniques that are essential to designing interactive graphics and visualizations Making Sense of Data III: A Practical Guide to Designing Interactive Data Visualizations explores a diverse range of disciplines to explain how meaning from graphical representations is extracted. Additionally, the book describes the best approach for designing and implementing interactive graphics and visualizations that play a central role in data exploration and decision-support systems. Beginning with an introduction to visual perception, Making Sense of Data III features a brief history on the use of visualization in data exploration and an outline of the design process. Subsequent chapters explore the following key areas: Cognitive and Visual Systems describes how various drawings, maps, and diagrams known as external representations are understood and used to extend the mind's capabilities Graphics Representations introduces semiotic theory and discusses the seminal work of cartographer Jacques Bertin and the grammar of graphics as developed by Leland Wilkinson Designing Visual Interactions discusses the four stages of design process—analysis, design, prototyping, and evaluation—and covers the important principles and strategies for designing visual interfaces, information visualizations, and data graphics Hands-on: Creative Interactive Visualizations with Protovis provides an in-depth explanation of the capabilities of the Protovis toolkit and leads readers through the creation of a series of visualizations and graphics The final chapter includes step-by-step examples that illustrate the implementation of the discussed methods, and a series of exercises are provided to assist in learning the Protovis language. A related website features the source code for the presented software as well as examples and solutions for select exercises. Featuring research in psychology, vision science, statistics, and interaction design, Making Sense of Data III is an indispensable book for courses on data analysis and data mining at the upper-undergraduate and graduate levels. The book also serves as a valuable reference for computational statisticians, software engineers, researchers, and professionals of any discipline who would like to understand how the mind processes graphical representations.

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Focuses on the use of simulation techniques to model and evaluate repetitive construction operations. Based on the CYCLONE and MICROCYCLONE software developed by the authors and used at 38 universities nationwide, it uses a variety of examples from all areas of construction to demonstrate the application of simulation to analyze construction operations.

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Written in 1975 in Buenos Aires when Ferreira Gullar was in political exile from the Brazilian dictatorship, Dirty Poem is an epic poem that amid life events traces the author’s political and artistic evolution and is by most accounts the most important long poem of contemporary Brazilian literature. Scholar and critic Otto Maria Carpeaux wrote: “Dirty Poem deserves to be called ‘National Poem’ because it embodies all of the experiences, victories, defeats, and hopes in the life of the Brazilian citizen.” It is a hypnotic work that draws on the poet’s memory of adolescence in the seaside city of Sao Luís do Maranhao during World War II and deals openly with the “dirty” shamefulness of a socio-economic system that abuses its citizens with poverty, sexism, greed, and fear.

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In late 1941, President Roosevelt agonized over the rapid advances of the Japanese forces in Asia; they seemed unstoppable. He foresaw their intentions of taking India and linking up with the two other Axis Powers, Germany and Italy, in an attempt to conquer the Eastern Hemisphere. US naval forces had been surprised and diminished in Pearl Harbor and the army was not only outnumbered but also ill-prepared to take on the invading hoards. One of Roosevelt's few options was to form a defensive line on the eastern side of the Patkai and Himalayan Ranges; there, he could look for support from the Chinese and Burmese. It was the only defence to a Japanese invasion of India. To support and supply the troops who were fighting in hostile jungle terrain, where overland routes had been cut off, he desperately needed to set up an air supply from Eastern India. His problem was lack of aircraft and experienced pilots to fly the dangerous 'Hump, over the world's highest mountains. Hence the inception of Operation Seven Alpha, a plan to enlist the aircraft - DC-3s - and the pilots - veterans of World War One - of American Airlines.This newly formed elite Squadron would fly the medium-range aircraft in a series of long-distance hops across the Pacific and Southern Asia to the Assam Valley in India. They would then create and operate the vital supply route, carrying arms, ammunition and food Eastward to the Allied bases, before returning with wounded personnel. This is the story of that little-known operation, carried out in the early days of the Burma Campaign. The book is based on first-hand experiences of those who were involved, and it serves as a fitting tribute to the bravery and inventiveness of a band of men who answered their country's desperate call at the outset of the war against Japan in Asia.

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This book explores porcelain wares produced by the Reinhold Schlegelmilch Porcelain Factory [marked R. S. Prussia], of Suhl, Germany, and sold to America from 1888 through 1900. The wonderfully molded and decorated plates and platters, tea sets, pitchers, clocks, and decorative objects are described with over 760 beautiful color images. An entire chapter is devoted to the company's charming toy china sets. Displayed are wares formed from a variety of molds (including Fleur-de-Lis and Melon) and patterns (outline transfer, King George, and Coraline patterns, to name a few). Newly discovered mold patterns are included, along with a history of the company's early operations, wholesale and trade catalog pages illustrating wares exported to the United States, the manufacturer's marks employed during this early period, a bibliography, and several appendices. This book will guide all collectors of Victorian porcelain to recognize the early pieces marked R. S. Prussia.

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This book explores porcelain wares produced by the Reinhold Schlegelmilch Porcelain Factory [marked R. S. Prussia], of Suhl, Germany, and sold to America from 1888 through 1900. The wonderfully molded and decorated plates and platters, tea sets, pitchers, clocks, and decorative objects are described with over 760 beautiful color images. An entire chapter is devoted to the company's charming toy china sets. Displayed are wares formed from a variety of molds (including Fleur-de-Lis and Melon) and patterns (outline transfer, King George, and Coraline patterns, to name a few). Newly discovered mold patterns are included, along with a history of the company's early operations, wholesale and trade catalog pages illustrating wares exported to the United States, the manufacturer's marks employed during this early period, a bibliography, and several appendices. This book will guide all collectors of Victorian porcelain to recognize the early pieces marked R. S. Prussia.

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This new edition of A Hitchcock Reader aims to preserve what has been so satisfying and successful in the first edition: a comprehensive anthology that may be used as a critical text in introductory or advanced film courses, while also satisfying Hitchcock scholars by representing the rich variety of critical responses to the director's films over the years. a total of 20 of Hitchcock's films are discussed in depth - many others are considered in passing section introductions by the editors that contextualize the essays and the films they discuss well-researched bibliographic references, which will allow readers to broaden the scope of their study of Alfred Hitchcock

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