Search results for ""author jean""

Understanding the rheological properties of fresh concrete, the hydration phenomenon of cement responsible for structuration, the relationship between the characteristics of the porous solid obtained and its mechanical performances or resistance to the aggressive penetration requires a complex knowledge of the physicochemistry of reactive porous materials. The development of simple formulation rules therefore requires the assimilation of this knowledge and a good command of the properties of these materials.The purpose of this book is to provide the mix designer with useful knowledge on granular materials and porous materials, which will enable the innovative design of concrete. Topics covered include the characterization of granular materials, the concepts of porosity and specific surface area, and the transport properties (diffusion and permeation) of concrete. Some of these topics are already covered in other general books dedicated to granular or porous materials. The objective here is to bring them together in one book by adapting them for use by concrete specialists.Applications in the form of exercises are offered at the end of each chapter to enable readers to assimilate the theoretical knowledge and to apply such knowledge to concrete problems encountered in civil engineering. Contents 1. Description of Granular Materials, Definitions.2. Granulometry.3. Specific Surface Area of Materials.4. Voids in Granular Materials and the Arrangement of Grains.5. Voids in Concrete.6. The Fundamentals of Diffusion.7. Permeability.

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Expectation is a major volume of Jean-Luc Nancy’s writings on literature, written across three decades but, for the most part, previously unavailable in English. More substantial than literary criticism, these essays collectively negotiate literature’s relation to philosophy. Nancy pursues such questions as literature’s claims to truth, the status of narrative, the relation of poetry and prose, and the unity of a book or of a text, and he addresses a number of major European writers, including Dante, Sterne, Rousseau, Hölderlin, Proust, Joyce, and Blanchot. The final section offers a number of impressive pieces by Nancy that completely merge his concerns for philosophy and literature and philosophy-as-literature. These include a lengthy parody of Valéry’s “La Jeune Parque,” several original poems by Nancy, and a beautiful prose-poetic discourse on an installation by Italian artist Claudio Parmiggiani that incorporates the Faust theme. Opening with a substantial Introduction by Jean-Michel Rabaté that elaborates Nancy’s importance as a literary thinker, this book constitutes the most substantial statement to date by one of today’s leading philosophers on a discipline that has been central to his work across his career.

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With the growing maturity of information and communication technologies, systems have been interconnected within growing networks, yielding new services through a combination of the system functionalities. This leads to an increasing complexity that has to be managed in order to take advantage of these system integrations. This book provides key answers as to how such systems of systems can be engineered and how their complexity can be mastered. After reviewing some definitions on systems of systems engineering, the book focuses on concrete applications and offers a survey of the activities and techniques that allow engineering of complex systems and systems of systems. Case studies, ranging from emergency situations such as Hurricane Katrina and its crisis management or a generic scenario of a major traffic accident and its emergency response, to the establishment of a scientific basis in the Antarctic region illustrate key factors of success and traps to avoid in order to cope with such situations.

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The financial crisis that began in 2007 in the United States swept the world, producing substantial bank failures and forcing unprecedented state aid for the crippled global financial system. Bringing together three leading financial economists to provide an international perspective, Balancing the Banks draws critical lessons from the causes of the crisis and proposes important regulatory reforms, including sound guidelines for the ways in which distressed banks might be dealt with in the future. While some recent policy moves go in the right direction, others, the book argues, are not sufficient to prevent another crisis. The authors show the necessity of an adaptive prudential regulatory system that can better address financial innovation. Stressing the numerous and complex challenges faced by politicians, finance professionals, and regulators, and calling for reinforced international coordination (for example, in the treatment of distressed banks), the authors put forth a number of principles to deal with issues regarding the economic incentives of financial institutions, the impact of economic shocks, and the role of political constraints. Offering a global perspective, Balancing the Banks should be read by anyone concerned with solving the current crisis and preventing another such calamity in the future.

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For more than 100 years, winter sports have been an integral part of the image of mountainous regions. Skiing in particular became the “in” activity for the rich and beautiful during the “roaring twenties”. The sport was as much about competition as it was about an exclusive lifestyle. Since that time, winter sports destinations have adver tised their assets through artistically designed posters. Renowned Artists have used pencils and water colors to express the ideals of winter vacations in top Alpine locations such as St. Moritz, Chamonix and Gröden, as well as dream places like Vail and Whistler in the Rocky Mountains. The collection in this book documents the stylistic development while presenting in different chapters the most beautiful and exceptional posters of the era.

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Manderley Press is delighted to announce the publication of a brand-new edition of Helene Hanff's Letter from New York - another literary jewel from the author of 84, Charing Cross Road. To showcase this wonderful book, we commissioned the New York Times bestselling author Jean Hanff Korelitz (The Plot) to pen a new introduction - she is a cousin of Helene Hanff's, and was inspired to become a writer after meeting her as a teenager. The front cover was specially designed by New Yorker illustrator Bruce Eric Kaplan, also a fan of the author and a resident of New York City too. Over several years, Helene Hanff read aloud these stories of her life in New York for BBC Radio 4's Woman's Hour. This book is a collection of selected scripts from this series, composed with a British audience in mind, in which the author offers us a glimpse into her own everyday tales of the city. Written in her trademark whimsical and upbeat style, Helene Hanff transports us right to the heart of Manhattan in the 1980s, describing her favourite places, people and pets with gentle humour, and introducing the reader to the ups and downs of life in a high-rise apartment building in New York City ("the last small town in America"). We are introduced to Bentley, the Old English Sheepdog belonging to a neighbour who captured the author's heart; we take a stroll through the beautiful Shakespeare's Garden in Central Park; and we join the author to enjoy annual city parades down Fifth Avenue - especially the St Patrick's Day parade, when the whole of New York turned green. And we meet Helene's friends: Arlene, whose glamorous social life - and wardrobe - puts Hanff's tiny apartment and simple writer's life into perspective, and Nina, whose garden on the sixteenth-floor overflows with flowers and fruit trees. Finally, we accompany the author as she travels to London to celebrate the opening night of the dramatisation of her best-selling book 84, Charing Cross Road. What started out as a six-month trial in 1978 eventually turned into a six-year project, during which time Helene Hanff captivated radio audiences with her monthly broadcasts - each one a love letter to her beloved NYC. Long before the cast of Friends - and Sarah Jessica Parker's iconic evocation of life in the city - recreated a New York existence for us to experience vicariously, these 5-minute vignettes were the perfect way for native New Yorkers and international readers alike, to revel in the quotidian as well as the glamour of city life, and to discover the unexpected hidden gems - and treasured traditions - of New York City. Letter from New York is still a delight to read, 40 years after it was first written - a timeless and beguiling tale of everyday life in this great city, by one of the best-loved authors of the 20th-century.

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Expectation is a major volume of Jean-Luc Nancy’s writings on literature, written across three decades but, for the most part, previously unavailable in English. More substantial than literary criticism, these essays collectively negotiate literature’s relation to philosophy. Nancy pursues such questions as literature’s claims to truth, the status of narrative, the relation of poetry and prose, and the unity of a book or of a text, and he addresses a number of major European writers, including Dante, Sterne, Rousseau, Hölderlin, Proust, Joyce, and Blanchot. The final section offers a number of impressive pieces by Nancy that completely merge his concerns for philosophy and literature and philosophy-as-literature. These include a lengthy parody of Valéry’s “La Jeune Parque,” several original poems by Nancy, and a beautiful prose-poetic discourse on an installation by Italian artist Claudio Parmiggiani that incorporates the Faust theme. Opening with a substantial Introduction by Jean-Michel Rabaté that elaborates Nancy’s importance as a literary thinker, this book constitutes the most substantial statement to date by one of today’s leading philosophers on a discipline that has been central to his work across his career.

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The definitive reference on the most current economics of development and institutionsThe essential role that institutions play in understanding economic development has long been recognized across the social sciences, including in economics. Academic and policy interest in this subject has never been higher. The Handbook of Economic Development and Institutions is the first to bring together in one single volume the most cutting-edge work in this area by the best-known international economists. The volume’s editors, themselves leading scholars in the discipline, provide a comprehensive introduction, and the stellar contributors offer up-to-date analysis into institutional change and its interactions with the dynamics of economic development.This book focuses on three critical issues: the definitions of institutions in order to argue for a causal link to development, the complex interplay between formal and informal institutions, and the evolution and coevolution of institutions and their interactions with the political economy of development. Topics examined include the relationship between institutions and growth, educational systems, the role of the media, and the intersection between traditional systems of patronage and political institutions. Each chapter—covering the frontier research in its area and pointing to new areas of research—is the product of extensive workshopping on the part of the contributors.The definitive reference work on this topic, The Handbook of Economic Development and Institutions will be essential for academics, researchers, and professionals working in the field.

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TWO-VOLUME SET!Buy volume 4, I & 4, II together and receive € 20 discount.You only pay €109 instead of € 129! > Ce quatrième volume dans la collection dédiée aux écrits de Jean-François Lyotard sur l'art contemporain et les artistes contient neuf essais sur l'esthétique générale et la théorie de l'art. Ces essais sont publiés en français, la langue originale, avec les traductions en anglais. La plupart de ces textes, préservés à la Bibliothèque Littéraire Jacques Doucet à Paris, sont publiés en ce lieu pour la première fois. Ils ne manifestent pas un « autre » Lyotard que celui que nous connaissons de ses écrits majeurs. Mais ils couvrent l'entière période de sa production, de 1969 à 1997, et rendent le développement de sa philosophie de l'art plus explicite. Après la conception « libidinale » dans ses premiers écrits sur l'art, on constate chez Lyotard vers 1980 le « tournant kantien » qui place sa philosophie de l'art sous l'égide du sublime. Ces essais suggèrent ce que signifient, pour Jean-François Lyotard, la main du peintre tout comme le regard de l'amoureux de la résonance des couleurs.This fourth volume in the series devoted to Jean-François Lyotard's writings on contemporary art and artists presents nine essays on general aesthetics and the theory of art. They are published in the original French along with English translations on facing pages. Most of these texts, preserved in the Lyotard archives of the Bibliothèque Littéraire Jacques Doucet in Paris, are published here for the first time. They do not reveal ‘another Lyotard' than the one whom we know through his major writings. Nevertheless, they cover the whole period of his production, from 1969 to 1997; and they make the development of his philosophy of art explicit. After the ‘libidinal' conception of art in his early writings, the ‘Kantian twist' of around 1980 places his view on art under the aegis of the sublime.These essays specify what, for Jean-François Lyotard, the hand of the painter means, as well as the gaze of the viewer, enamoured with resonant colours.This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

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The owner of the largest collection of Elsa Schiaparelli garments in the world writes about his lifelong love affair with the work-and the entire persona-of the iconic designer. At age fourteen, designer and artist BillyBoy* had a transformative experience, brought on by the discovery of an Elsa Schiaparelli hat in a Parisian flea market. So began a love affair with Schiaparelli clothes that has lasted more than forty years. For BillyBoy*, Schiap's designs are talismans: they not only show how the chic designer revolutionized fashion, but also speak to him powerfully about how she lived her life. An artist working in Switzerland with a glamorous and fascinating past, BillyBoy* adopted Schiap as a guardian angel of sorts and has spent a lifetime searching for her through her clothes. Inspired by Shocking Life, Schiap's own memoir, this book will resonate with anyone who loves historic haute couture. Built around some of the most iconic pieces ever created by the designer, it is a book about endless discoveries and the meaning that can be transmitted across decades by a simple piece of clothing. Peopled by dazzling characters from Schiap's inner circle and the worlds of art and fashion in 1970s and 1980s New York, London, and Paris, this is a scintillating yet profound homage to a woman who saw life as art, and who inspired a young boy to do the same.

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Villa Savoye is an icon of modern architecture. But who were Eugénie and Pierre Savoye, who had the house built between 1928 and 1930? Why did they commission Le Corbusier? And how did they live in the country house they dubbed "Villa les Heures Claires"? Their grandson Jean-Marc Savoye tells the story of the villa and its residents using rare documents and family memories. In his pictures, illustrator Jean-Philippe Delhomme – long fascinated by the building – brings to life the construction site, everyday life, the war period, its use as a barn, and its rescue from demolition. In 1965, Le Corbusier lived to see Villa Savoye declared a monument; in 2016 it earned a spot on the UNESCO World Heritage list and now welcomes 40,000 visitors each year.

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'The book is like the spoon: once invented, it cannot be bettered' - Umberto Eco.These days it is impossible to get away from discussions of whether the book will survive the digital revolution. Blogs, tweets and newspaper articles on the subject appear daily, many of them repetitive, most of them admitting ignorance of the future. Amidst the twittering, the thoughts of Jean-Claude Carrière and Umberto Eco come as a breath of fresh air. This thought-provoking book takes the form of a conversation in which Carrière and Eco discuss everything from how to define the first book to what is happening to knowledge now that infinite amounts of information are available at the click of a mouse. En route there are delightful digressions into personal anecdote. We find out about Eco's first computer and the book Carrière is most sad to have sold. And while, as Carrière says, the one certain thing about the future is that it is unpredictable, it is clear from this conversation that, in some form or other, the book will survive.

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We inhabit a time of crisis—totalitarianism, environmental collapse, and the unquestioned rule of neoliberal capitalism. Philosopher Jean Vioulac is invested in and worried by all of this, but his main concern lies with how these phenomena all represent a crisis within—and a threat to—thinking itself. In his first book to be translated into English, Vioulac radicalizes Heidegger’s understanding of truth as disclosure through the notion of truth as apocalypse. This “apocalypse of truth” works as an unveiling that reveals both the finitude and mystery of truth, allowing a full confrontation with truth-as-absence. Engaging with Heidegger, Marx, and St. Paul, as well as contemporary figures including Giorgio Agamben, Alain Badiou, and Slavoj Žižek, Vioulac’s book presents a subtle, masterful exposition of his analysis before culminating in a powerful vision of “the abyss of the deity.” Here, Vioulac articulates a portrait of Christianity as a religion of mourning, waiting for a god who has already passed by, a form of ever-present eschatology whose end has always already taken place. With a preface by Jean-Luc Marion, Apocalypse of Truth presents a major contemporary French thinker to English-speaking audiences for the first time.

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"What is most impressive about this book is its intelligence, its sophistication, and its charm. . . . This book presents Piaget's work and his person better than anything else that I know about."—David Elkind, Tufts University"The tone is one of constant movement from the most ordinary to the most abstruse. There are 14 conversations with 'le Patron,' some in 1969, some in 1975, and several more with co-workers in various fields. . . . In Mr. Bringuier's book, in a pleasant informal way, we see a sophisticated non-scientist exploring Piaget's domain with the master. Some of Piaget's best-known findings about children as explained along the way, but Mr. Bringuier has ways of bringing out the relation of this psychological work to the whole of Piaget's enterprise, and we get a good sense of the man and his work."—Howard E. Gruber, New York Times Book Review

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Social and ecological developments are closely intertwined in our present day. To what extent, however, is usually revealed too late and only at the moment of catastrophe. This is precisely what Julien Guinand’s spectacular documentary photographs show. His camera focuses on two mountain ranges in Japan: the Kii Mountains, on the peninsula of the same name, and the Ashio in northern Tokyo. Both are places that have suffered greatly from man-made climate change, whether through the destructive power of a gigantic typhoon season or the immense stress of industrial copper mining. Guinand has tracked the massive environmental destruction that continues to leave its traces. His pictures are impressive evidence of past disasters, which at the same time open up a warning view of the future.

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In 2015, the Vendôme column regained its initial splendour thanks to a long restoration campaign supported by the Vendôme committee and particularly the Ritz. During the dismantling of the scaffolding, David Bordes took exceptional shots of all the column plates. Published here for the first time, these 450 photographs form a fascinating and totally new corpus: the details of the battle scenes, the military costumes, the landscapes which constitute the setting of the battle of Austerlitz allow one to discover the column as it had never been revealed. Based on the shots of David Bordes, but also on paintings, old photographs, period documents, this widely illustrated art book in exceptional format and workmanship brings the history of the column to life, its sources, its destruction, its restoration, and also describes the moving history of the daily life of the Grande Armée during the Austerlitz campaign.

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Cruzada la frontera de los cincuenta años, con la imagen de la muerte delante y con la guerra rozándole los talones, Jean Cocteau ha llegado a la conclusión de que la comedia está ya muy avanzada. La dificultad de ser es el ajuste de cuentas que Cocteau hace consigo mismo, con el yo que fue en la época del esplendor social y con el yo que es en las angustias del presente. El autor de La sangre de un poeta escribe La dificultad de ser mientras rueda La bella y la bestia. Al ensalmo de esa joya del cine, el pasado emerge de un mar de sombras para acabar dando a luz un singular libro de memorias, donde las reflexiones morales se combinan con las literarias, y las unas y las otras con la evocación de personajes ?Apollinaire, Max Jacob, Jean Genet y tantos otros? del mundo del arte y la literatura. En ocasiones ?es el caso de Marcel Proust y de Nijinsky?, se diría que Cocteau nos los hace ver a través del ojo de la cerradura, sin que por ello se amortigüe el clima de ensimismado dramatismo

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Encuadernación: RústicaEsta primera novela de Jean Cocteau de 1919, todavía inédita en español, es un verdadero experimento trasgresor y significó su nacimiento como escritor. Cocteau nos ofrece un montaje de textos, acompañados por un centenar de dibujos de trazos sorprendentes y de inspiración cubista.En esta particular novela gráfica Cocteau nos presenta una obra poblada de seres fabulosos, enigmáticos e irreales, algunos de los cuales de una crueldad aterradora: los sanguinarios y voraces Eugènes que devoran a una ingenua y aburguesada pareja de recién casados, los Mortimer; el cocodrilo que "se come a mordiscos a Odilia", en un poema declamado por la Faringe, otra criatura extraña; el Minotauro que invita a Teseo a visitarle y a hacerle compañía; y, por supuesto, El Potomak, ese enigmático monstruo que vive en un acuario situado en los sótanos de la iglesia de La Madeleine.

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E sta documentadísima obra analiza la historia de Rusia de los últimos ciento diez años, los que van desde los años finales del zarismo hasta la actual y difícil consolidación de la democracia bajo el mandato de Vladímir Putin. Sus páginas ponen de manifiesto las contradicciones de un país que, a caballo entre Europa y Asia, ha padecido el despotismo en todas sus manifestaciones, pero que también fue capaz de elaborar una elevadísima espiritualidad y en el que las formas de opresión despiadadas han convivido con la cultura más refinada.El historiador Jean Meyer, un gran conocedor del mundo eslavo, narra los avatares de la nación rusa a lo largo de las dos guerras mundiales, la Revolución de Octubre, la tragedia del Gulag, la guerra fría, la caída del comunismo, la desmembración de la URSS o los retos de los últimos años, como la irrupción del capitalismo salvaje y de los nacionalismos más agresivos. Junto al perfil de personajes clave del siglo xx , como Lenin, Stalin o Gorbachov, e

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Hasta la asunción de la filosofía griega por los padres apologistas, la primera teología cristiana adoptó una estructura semítica, cuyos restos perduraron incluso tras su extinción. Se trató de una teología visionaria, dominada por la apocalíptica. Tal es la tesis mantenida por Daniélou en este libro y, fiel a la misma, elabora en él una investigación de interés histórico pero, además, de resonancias teológicas. La traducción ha sido hecha a partir de la versión francesa de 1974, corregida por el autor.

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"Qué hacemos aquí? Por qué y para qué, o para quién, estamos aquí-? Qué debemos y qué podemos hacer? Qué no es permitido esperar? No hace falta invocar el testimonio de ilustres filósofos, estas son las preguntas fundamentales de la filosofía, las únicas que importan. (...) Toda filosofía, toda vida, se funde en la espera (esperanza). La espera (esperanza) de este libro es la de articular esta filosofía."Jean Grondin es profesor de filosofí-a en la universidad de Montreal y reputado estudioso de la obra filosóficade Martin Heidegger y de Hans-Georg Gadamer. Desde 1982, ha publicado una docena de libros en francés, inglés y alemán; también ha traducido al francés los libros más importantes de Gadamer.

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