Search results for ""author david scott""

Some people facing violence and persecution flee. Others stay. How do households in danger decide who should go, where to relocate, and whether to keep moving? What are the conditions in countries of origin, transit, and reception that shape people's options? This incisive book tells the story of how one Syrian family, spread across several countries, tried to survive the civil war and live in dignity. This story forms a backdrop to explore and explain the refugee system. Departing from studies that create siloes of knowledge about just one setting or ""solution"" to displacement, the book's sociological approach describes a global system that shapes refugee movements. Changes in one part of the system reverberate elsewhere. Feedback mechanisms change processes across time and place. Earlier migrations shape later movements. Immobility on one path redirects migration along others. Past policies, laws, population movements, and regional responses all contribute to shape states’ responses in the present. As Arar and FitzGerald illustrate, all these processes are forged by deep inequalities of economic, political, military, and ideological power. Presenting a sharp analysis of refugee structures worldwide, this book offers invaluable insights for students and scholars of international migration and refugee studies across the social sciences, as well as policy makers and those involved in refugee and asylum work.

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Paradise Lost remains as challenging and relevant today as it was in the turbulent intellectual and political environment in which it was written. This edition aims to bring the poem as fully alive to a modern reader as it would have been to Milton's contemporaries. It provides a newly edited text of the 1674 edition of the poem--the last of Milton's lifetime--with carefully modernized spelling and punctuation. Marginal glosses define unfamiliar words, and extensive annotations at the foot of the page clarify Milton's syntax and poetics, and explore the range of literary, biblical, and political allusions that point to his major concerns. David Kastan's lively Introduction considers the central interpretative issues raised by the poem, demonstrating how thoroughly it engaged the most vital--and contested--issues of Milton's time, and which reveal themselves as no less vital, and perhaps no less contested, today.The edition also includes an essay on the text, a chronology of major events in Milton's life, and a selected bibliography, as well as the first known biography of Milton, written by Edward Phillips in 1694.

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This Norton Critical Edition includes: Newly edited texts of the 1604 (A-Text) and the 1616 (B-Text) versions of the play. Editorial matter by David Scott Kastan and Matthew Hunter. Sources and background materials related to Christopher Marlowe, the composition and publication of Doctor Faustus, early performance of the play, the Faust legend, and Renaissance magic, including a new selection from James I and IV’s Of Daemonologie. Eighteen critical essays: five classic assessments and—new to the Second Edition—thirteen recent interpretations. A chronology and an updated selected bibliography.

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Considers the remake from a variety of critical and theoretical perspectives and positions it alongside other serialized cultural forms Examines the historical significance of the remake in revitalizing local industries and breathing life into established film genres (e.g., action-adventure, crime drama, romantic comedy, the Western, etc.) Draws attention to previously overlooked motion pictures produced in East Asia and acknowledges the significant contributions of several prolific yet neglected filmmakers Re-evaluates canonical texts and offers fresh assessments of legendary auteurs such as Ozu Yasujiro, Yu Hyun-mok, Miike Takashi, Johnnie To, and Stephen ChowShowcases the role of remakes in forging cross-cultural alliances both within and beyond the East Asian region while pointing toward prospects of increased transnational coproductions in the coming years This wide-ranging, historically grounded exploration of motion picture remakes produced in East Asia brings together original contributions from experts in Chinese, Hong Kong, Japanese, South Korean, and Taiwanese cinemas and puts forth new ways of thinking about the remaking process as both a critically underappreciated form of artistic expression and an economically motivated industrial practice. Exploring everything from ethnic Korean filmmaker Lee Sang-il's Unforgiven (2013), a Japanese remake of Clint Eastwood's Western of the same title, to Stephen Chow's The Mermaid (2016), a Chinese slapstick reimagining of Walt Disney's The Little Mermaid (1989) and Hans Christian Andersen's 1837 fairy tale, East Asian Film Remakes contributes to a better understanding of cinematic remaking across the region and offers vital alternatives to the Eurocentric and Hollywood-focused approaches that have thus far dominated the field.

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An earlier comedy from the Bard, "The Taming of the Shrew" brings us the feisty Katherina (the 'Shrew' of the title) and her peers. Addressing issues of cruelty and gender relations, this 'modern' play has enjoyed many adaptations on both the stage and the screen. Part of the "Barnes & Noble Shakespeare" series, this title features newly edited texts prepared by leading scholars from Great Britain and America, in collaboration with one of the world's foremost Shakespeare authorities, David Scott Kastan of Columbia University. Together they have produced texts as faithful as possible to those that Shakespeare wrote.

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As the two billion YouTube views for “Gangnam Style” would indicate, South Korean popular culture has begun to enjoy new prominence on the global stage. Yet, as this timely new study reveals, the nation’s film industry has long been a hub for transnational exchange, producing movies that put a unique spin on familiar genres, while influencing world cinema from Hollywood to Bollywood. Movie Migrations is not only an introduction to one of the world’s most vibrant national cinemas, but also a provocative call to reimagine the very concepts of “national cinemas” and “film genre.” Challenging traditional critical assumptions that place Hollywood at the center of genre production, Hye Seung Chung and David Scott Diffrient bring South Korean cinema to the forefront of recent and ongoing debates about globalization and transnationalism. In each chapter they track a different way that South Korean filmmakers have adapted material from foreign sources, resulting in everything from the Manchurian Western to The Host’s reinvention of the Godzilla mythos. Spanning a wide range of genres, the book introduces readers to classics from the 1950s and 1960s Golden Age of South Korean cinema, while offering fresh perspectives on recent favorites like Oldboy and Thirst. Perfect not only for fans of Korean film, but for anyone curious about media in an era of globalization, Movie Migrations will give readers a new appreciation for the creative act of cross-cultural adaptation.

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Rights advocacy has become a prominent facet of South Korea’s increasingly transnational motion picture output, especially following the 1998 presidential inauguration of Kim Dae-jung, a former political prisoner and victim of human rights abuses who received the Nobel Peace Prize in 2000. Today it is not unusual to see a big-budget production about the pursuit of social justice or the protection of civil liberties contending for the top spot at the box office. With that cultural shift has come a diversification of film subjects, which range from undocumented workers’ rights to the sexual harassment experienced by women to high-school bullying to the struggles among people with disabilities to gain inclusion within a society that has transformed significantly since winning democratic freedoms three decades ago. Combining in-depth textual analyses of films such as Bleak Night, Okja, Planet of Snail, Repatriation, and Silenced with broader historical contextualization, Movie Minorities offers the first English-language study of South Korean cinema’s role in helping to galvanize activist social movements across several identity-based categories.

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For many years the study of pre-seventeenth-century English drama was shaped largely by an understanding that everything written revolved around the individual author, either as part of the tradition that prepared the way for Shakespeare or as part of his legacy. Now twenty-five original essays by leading theorists and historians chart a paradigmatic shift within the field. In contrast to the traditional emphasis on individual authors, the contributors here explore the place of the stage within the larger society, as well as issues of performance and physical space. The essays are organized into three sections: "Early English Drama and Physical Space" examines the settings in which plays were acted; "Early English Drama and Social Space" juxtaposes the theater with such contemporary subcultures as the church, the city, and the court. Finally, "Early English Drama and Conditions of Performance and Publication" explores a wide range of material conditions and contexts, from props to printers. A major summary of contemporary scholarship and a storehouse of new theoretical and historical information, A New History of Early English Drama skillfully illustrates the complex influence of physical and social elements woven into the texts, and provides an innovative approach to literary studies and cultural history.

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This new Complete Works marks the completion of the Arden Shakespeare Third Series and includes all of Shakespeare’s plays, poems and sonnets, edited by leading international scholars. New to this edition are the 'apocryphal' plays, part-written by Shakespeare: Double Falsehood, Sir Thomas More and King Edward III. The anthology is unique in giving all three extant texts of Hamlet from Shakespeare's time: the first and second Quarto texts of 1603 and 1604-5, and the first Folio text of 1623. With a simple alphabetical arrangement the Complete Works are easy to navigate. The lengthy introductions and footnotes of the individual Third Series volumes have been removed to make way for a general introduction, short individual introductions to each text, a glossary and a bibliography instead, to ensure all works are accessible in one single volume. This handsome Complete Works is ideal for readers keen to explore Shakespeare's work and for anyone building their literary library.

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