Search results for ""author austin""

This volume of "Studies in Law, Politics, and Society" features a symposium on law and film as well as two articles of general interest. It brings together the work of scholars from several disciplines, work which usefully illuminates central questions in the operation of law and legal systems. The articles published here exemplify the exciting and innovative work now being done in interdisciplinary legal scholarship.

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Harry Field, an elderly professor looking after his baby granddaughter, allows Oliver, the child's absentee father, to take her to the park. Only too late do Harry and his daughter Judy realise that the child has fallen into the hands of the cult to which Oliver belongs - a group led by Miller, a dangerous man who claims to be God...

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This volume of "Studies in Law, Politics, and Society" presents a unique special issue "Constitutional Politics in a Conservative Era". This issue brings together the work of leading scholars of Constitutionalism, Constitutional law, and politics in the United States to take stock of the field to chart its progress, and point the way for its future development. Much of the way Americans have thought about Constitutional law has, until recently, been dominated by models developed during the Warren Court Era. Today, however, scholars seek new approaches, approaches that do not take for granted liberal hegemony in the courts. Among these, theories of popular constitutionalism and judicial minimalism appear to be increasingly popular. How should Scholars think about American courts in an era of conservative domination of the judiciary? What should/will constitutional politics in the United States look like over the next decade?

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Art and Social Theory provides a comprehensive introduction to sociological studies of the arts. It examines the central debates of social theorists and sociologists about the place of the arts in society and the social significance of aesthetics. provides a comprehensive introduction to sociological study of art; examines the central debates of social theorists and sociologists about the place of the arts in society and the social significance of aesthetics; discusses the meaning of the arts in relation to changing cultural institutions and socio-economic structures; explores questions of aesthetic value and cultural politics, taste and social class, money and patronage, ideology and utopia, myth and popular culture, and the meaning of modernism and postmodernism; presents lucid accounts of leading social theorists of the arts from Weber, Simmel, Benjamin, Kracauer and the Frankfurt School to Foucault, Bourdieu, Habermas, Baudrillard, Lyotard, Luhmann and Jameson.

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Is capital punishment just? Does it deter people from murder? What is the risk that we will execute innocent people? These are the usual questions at the heart of the increasingly heated debate about capital punishment in America. In this bold and impassioned book, Austin Sarat seeks to change the terms of that debate. Capital punishment must be stopped, Sarat argues, because it undermines our democratic society. Sarat unflinchingly exposes us to the realities of state killing. He examines its foundations in ideas about revenge and retribution. He takes us inside the courtroom of a capital trial, interviews jurors and lawyers who make decisions about life and death, and assesses the arguments swirling around Timothy McVeigh and his trial for the bombing in Oklahoma City. Aided by a series of unsettling color photographs, he traces Americans' evolving quest for new methods of execution, and explores the place of capital punishment in popular culture by examining such films as Dead Man Walking, The Last Dance, and The Green Mile. Sarat argues that state executions, once used by monarchs as symbolic displays of power, gained acceptance among Americans as a sign of the people's sovereignty. Yet today when the state kills, it does so in a bureaucratic procedure hidden from view and for which no one in particular takes responsibility. He uncovers the forces that sustain America's killing culture, including overheated political rhetoric, racial prejudice, and the desire for a world without moral ambiguity. Capital punishment, Sarat shows, ultimately leaves Americans more divided, hostile, indifferent to life's complexities, and much further from solving the nation's ills. In short, it leaves us with an impoverished democracy. The book's powerful and sobering conclusions point to a new abolitionist politics, in which capital punishment should be banned not only on ethical grounds but also for what it does to Americans and what we cherish.

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A masterful tale of betrayal and violence in a tight-knit community in Northern Ireland during the 1990s ceasefire of the Troubles, from the Irish Times-bestselling author of The Night Interns.

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Dr Austin Chiang is a leading gastroenterologist, based in the US. He is Chief Medical Officer for the Endoscopy arm of Medtronic, the global leader in health technology. He is also a practicing interventional and bariatric endoscopist and an Assistant Professor of Medicine at an academic teaching hospital in Philadelphia, PA. Dr Chiang is also a prominent health educator on multiple social media platforms and was named one of the top leaders in innovation in gastroenterology and has appeared in The New York Times, CNBC, BBC News, Men's Health as well as had articles published in many medical journals.

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In his New York Times bestseller Steal Like an Artist, Austin Kleon showed readers how to unlock their creativity by "stealing" from the community of other movers and shakers. Now, in an even more forward-thinking and necessary book, he shows how to take that critical next step on a creative journey-getting known. Show Your Work! is about why generosity trumps genius. It's about getting findable, about using the network instead of wasting time "networking." It's not self-promotion, it's self-discovery-let others into your process, then let them steal from you. Filled with illustrations, quotes, stories, and examples, Show Your Work! offers ten transformative rules for being open, generous, brave, productive. In chapters such as You Don't Have to Be a Genius; Share Something Small Every Day; and Stick Around, Kleon creates a user's manual for embracing the communal nature of creativity- what he calls the "ecology of talent." From broader life lessons about work (you can't find your voice if you don't use it) to the etiquette of sharing-and the dangers of oversharing-to the practicalities of Internet life (build a good domain name; give credit when credit is due), it's an inspiring manifesto for succeeding as any kind of artist or entrepreneur in the digital age.

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These are the highly controversial memoirs of Austin Mitchell, local TV star of the 1970s and MP for Great Grimsby. Austin was the poster boy for Calendar TV at a time when local television had a much greater impact than national TV and its stars were the celebrities of the day. Austin charts his career path and reveals how he fell into his role at Yorkshire Television and went on to become its most popular presenter. He reveals the truth behind some of the most popular moments in TV history, including the infamous spat between Brian Cough and Don Revie. Austin also reveals the massive difference between the politically correct obsessed journalistic world of today and that of the 1970s. After his television career, Austin went on to serve as MP for Great Grimsby taking over the seat in 1977. He is still MP today, but has announced that he will not stand at the next general election. Calendar Boy will be a highly entertaining read for anyone who remembers the glory days of Calendar and wants to learn about the truth behind working life at a hugely popular TV programme that many tried to imitate but never bettered.

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In the late nineteenth century, as much of the world adopted some variant of the gold standard, China remained the most populous country still using silver. Yet China had no unified national currency; there was not one monetary standard but many. Silver coins circulated alongside chunks of silver and every transaction became an "encounter of wits." China and the End of Global Silver, 1873–1937 focuses on how officials, policy makers, bankers, merchants, academics, and journalists in China and around the world answered a simple question: how should China change its monetary system? Far from a narrow, technical issue, Chinese monetary reform is a dramatic story full of political revolutions, economic depressions, chance, and contingency. As different governments in China attempted to create a unified monetary standard in the late nineteenth and early twentieth century, the United States, England, and Japan tried to shape the direction of Chinese monetary reform for their own benefit. Austin Dean argues convincingly that the Silver Era in world history ended owing to the interaction of imperial competition in East Asia and the state-building projects of different governments in China. When the Nationalist government of China went off the silver standard in 1935, it marked a key moment not just in Chinese history but in world history.

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A new collection about violence and the rural Midwest from a poet whose first book was hailed as “memorable” (Stephanie Burt, Yale Review) and “impressive” (Chicago Tribune)Flyover Country is a powerful collection of poems about violence: the violence we do to the land, to animals, to refugees, to the people of distant countries, and to one another. Drawing on memories of his childhood on a dairy farm in Illinois, Austin Smith explores the beauty and cruelty of rural life, challenging the idea that the American Midwest is mere “flyover country,” a place that deserves passing over. At the same time, the collection suggests that America itself has become a flyover country, carrying out drone strikes and surveillance abroad, locked in a state of perpetual war that Americans seem helpless to stop.In these poems, midwestern barns and farmhouses are linked to other lands and times as if by psychic tunnels. A poem about a barn cat moving her kittens in the night because they have been discovered by a group of boys resonates with a poem about the house in Amsterdam where Anne Frank and her family hid from the Nazis. A poem beginning with a boy on a farmhouse porch idly swatting flies ends with the image of people fleeing before a drone strike. A poem about a barbwire fence suggests, if only metaphorically, the debate over immigration and borders. Though at times a dark book, the collection closes with a poem titled “The Light at the End,” suggesting the possibility of redemption and forgiveness.Building on Smith’s reputation as an accessible and inventive poet with deep insights about rural America, Flyover Country also draws profound connections between the Midwest and the wider world.

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This volume of "Studies in Law, Politics, and Society" contains a Special Issue on crime and criminal justice. It brings together the work of scholars whose work usefully illuminates central questions in about how we define and process those who violate the criminal law and about the technologies of policing and punishment. The articles published here exemplify the exciting and innovative work now being done in interdisciplinary legal scholarship.

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Set in Barbados in the 1940s, this is a novel of Caribbean childhood with several key features, in addition to the fresh vigour of the young Austin Clarke's style. It is one of the most angry books on the attempted destruction of innocence and hope by the colonial education system in which savage beatings play a distressing part. It is one of the first novels of childhood to focus on the role of emigration on parental absence. Milton Sobers' father is in the USA and his stories of Harlem make Milton want to leave Barbados and join him. Milton's response is to run away in the hope that he can escape his stepfather and even reach Harlem.Austin C. Clarke is hailed as a pioneer of Caribbean-Canadian literature and is one of Canada's most prolific, if not well known, writers.

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Studies in Law, Politics, and Society provides a vehicle for the publication of scholarly articles within the broad parameters of interdisciplinary legal scholarship. In this latest edition of this highly successful research series, chapters examine a diverse range of legal issues and their impact on and intersections with society. This volume focusses on Law and the Imagining of Difference with each chapter examining how law responds to the claims of difference, how and when it recognizes difference and accommodates it, as well as when and why such recognition and accommodation is resisted. Topics covered include disability, same-sex marriage and gender equality. This volume brings together leading scholars and will be vital reading for all those researching in this subject area.

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'Austin Duffy's uniquely dry, laconic style adds a subversive and compelling charge to this moving and intense story of the relationship between a father and daughter. A terrific novel' William Boyd Wolf travels to New York with his daughter to scatter the ashes of his recently estranged wife, Miriam. Buffeted by the loss, his fraught relationship with his daughter and the antagonism of Miriam's conservative Jewish family, Wolf is also coming to terms with a burgeoning concern of his own: growing dislocations in his mind, and the hollowing out of his memories. Set across the High Holy Days of Rosh Hashanah and Yom Kippur, Ten Days is a tender, nuanced and beautifully crafted story of a father's reckoning with his daughter and a profound, compelling meditation on family, time and the bonds of marriage. 'An absolutely beautiful book about time and mortality, love and memory, in which heartbreaking sadness and dry humour are held in exquisite tension' Carys Davies

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This volume of Studies in Law, Politics and Society brings together the work of scholars of several different generations and several different national contexts. The articles published here feature both cutting edge issues of major interest to policy makers and activists as well as those that address venerable issues in the interdisciplinary study of law. They illuminate family law, the way law deals with children, international human rights, and the way law deals with injury and damages claims.

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Volume 56 of "Studies in Law, Politics, and Society" presents the latest scholarship on human rights. The work contained in this volume examines both the theoretical dimensions and dilemmas of human rights in the modern world and particular cases in which the problems and possibilities of human rights are examined. Taken together the contributions point to a need for more searching examination of the way human rights work and highlight the contribution of human rights to the advancement of claims for justice. "Studies in Law, Politics, and Society" is a leading socio-legal publication that truly embraces innovative, theoretically informed, interdisciplinary legal scholarship.

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From one of the pioneers of pub trivia, Jeopardy! champion Austin Rogers, comes the complete resource for playing and running an uproariously entertaining trivia night, whether you're hanging out with friends and family, spicing up a party, or hosting an official event at your local pub.More than a random collection of facts, The Ultimate Book of Pub Trivia features over 300 rounds of ten-question quizzes. Each one is carefully curated to encourage a night of lively competition. The result? Hours and hours of fun as you and your friends answer challenging questions on everything from Bad Movie Descriptions to Winter Sports to the Kardashians to Brit Lit.

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Celebrate the 10th anniversary of a groundbreaking book on creativity with this limited anniversary hardcover, with a new afterword, color endpapers pulled from Austin Kleon’s sketchbooks, and a ribbon marker. Ten years after its initial publication, the message of Steal Like an Artist remains powerful: embrace influence, follow interests wherever they take us, forget old clichés like writing about what you know—instead, write the book that you want to read, make the movie you want to watch. And above all, find the space you need to be wild and daring in your imagination and your work. This 10th anniversary edition includes a new afterword by the author, discussing the book’s influence and how “stealing” has been misunderstood, and offering a unique, personal perspective on a book that’s touched so many. Unlock your creativity 1.Steal like an artist. 2.Don’t wait until you know who you are to get started. 3.Write the book you want to read. 4.Use your hands. 5.Side projects and hobbies are important. 6.The secret: Do good work and share it with people. 7.Geography is no longer our master. 8.Be nice. (The world is a small town.) 9.Be boring. (It’s the only way to get work done.) 10.Creativity is subtraction.

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Gruesome Spectacles tells the sobering history of botched, mismanaged, and painful executions in the U.S. from 1890 to the present. Since the book's initial publication in 2014, the cruel and unusual executions of a number of people on death row, including Clayton Lockett in Oklahoma and Joseph Wood in Arizona, have made headlines and renewed vigorous debate surrounding the death penalty in America. Austin Sarat's book instantly became an essential resource for citizens, scholars, and lawmakers interested in capital punishment—even the Supreme Court, which cited the book in its recent opinion, Glossip v. Gross. Now in paperback, the book includes a new preface outlining the latest twists and turns in the death penalty debate, including the recent galvanization of citizens and leaders alike as recent botched executions have unfolded in the press. Sarat argues that unlike in the past, today's botched executions seem less like inexplicable mishaps and more like the latest symptoms of a death penalty machinery in disarray. Gruesome Spectacles traces the historical evolution of methods of execution, from hanging or firing squad to electrocution to gas and lethal injection. Even though each of these technologies was developed to "perfect" state killing by decreasing the chance of a cruel death, an estimated three percent of all American executions went awry in one way or another. Sarat recounts the gripping and truly gruesome stories of some of these deaths—stories obscured by history and to some extent, the popular press.

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The purpose of this special issue of "Studies in Law, Politics, and Society" is to examine the situation of law and literature. Once hailed as a promising new way to think about law and as opening a vital conversation about literature the question today is whether the law and literature enterprise has lived up to its initial promise. Has it succeeded in establishing a new interdiscipinarity or lost energy as law and literature courses become part of the mainstream both in legal and literary studies? Has the study of law and literature given way or been incorporated into boarder interdisciplinary configurations? What, if any, new paradigms of literary study of legal phenomena are on the horizon?This is a contemporary study of law and literature. It includes contributions by an international group of leading scholars.

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Law punishes violence, yet law depends on violence. In this book, a group of leading interdisciplinary legal scholars seeks to map the inexorable but unstable relationship of law to violence. What does it mean to talk about the violence of law? Do high incarceration rates and increased reliance on capital punishment indicate that U.S. law is growing more violent at a time when violence is being restrained in other legal systems? How is the violence of law represented in popular culture and does this affect law's actual legitimacy? Does violence express or distort the essence of law? Does law's violence serve justice? In deeply original essays, the authors build on the seminal work of Robert Cover--one of the few legal scholars ever to consider the question of law and violence. In striving to situate his insights within current political, social, economic, and cultural contexts, they contemplate diverse and interrelated subjects surrounding the theme of law and violence. Among these are the purpose of law as punishment, the increasing number of executions in the United States, prison violence, racial disparity in sentencing, and the meaning of torture. The result is a remarkable volume that stimulates us to reconsider connections that we too often leave unexplored. In addition to the editor, the contributors are Marianne Constable, Peter Fitzpatrick, Thomas R. Kearns, Peter Rush, Jonathan Simon, Shaun McVeigh, and Alison Young.

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Becoming Audible explores the phenomenon of human and animal acoustic entanglements in art and performance practices. Focusing on the work of artists who get into the spaces between species, Austin McQuinn discovers that sounding animality secures a vital connection to the creatural.To frame his analysis, McQuinn employs Gilles Deleuze and Félix Guattari’s concept of becoming-animal, Donna Haraway’s definitions of multispecies becoming-with, and Mladen Dolar’s ideas of voice-as-object. McQuinn considers birdsong in the work of Beatrice Harrison, Olivier Messiaen, Céleste Boursier-Mougenot, Daniela Cattivelli, and Marcus Coates; the voice of the canine as a sacrificial lab animal in the operatic work of Alexander Raskatov; hierarchies of vocalization in human-simian cultural coevolution in theatrical adaptations of Franz Kafka and Eugene O’Neill; and the acoustic exchanges among hybrid human-animal creations in Harrison Birtwistle’s opera The Minotaur. Inspired by the operatic voice and drawing from work in art and performance studies, animal studies, zooarchaeology, social and cultural anthropology, and philosophy, McQuinn demonstrates that sounding animality in performance resonates “through the labyrinths of the cultural and the creatural,” not only across species but also beyond the limits of the human.Timely and provocative, this volume outlines new methods of unsettling human exceptionalism during a period of urgent reevaluation of interspecies relations. Students and scholars of human-animal studies, performance studies, and art historians working at the nexus of human and animal will find McQuinn’s book enlightening and edifying.

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This first volume in a new series of essays from the archive of the British journal Radical Philosophy reflects upon the rich and troubled history of the Enlightenment concept of critique as it has been extended, transformed, translated and betrayed in Marxism, feminism and post-colonial theory. The editors, Austin Gross, Matt Hare and Marie Louise Krogh, are PhD candidates in the Centre for Research in Modern European Philosophy (CRMEP), Kingston University London.

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This second volume of a new series of essays from the archive of the British journal Radical Philosophy reflects upon the seemingly inextricable connection of philosophy – in Europe and beyond – to discourses of the nation: its shifting historical meanings and functions, implications and consequences, political significance and limits. The editors, Austin Gross, Matt Hare and Marie Louise Krogh, are PhD candidates in the Centre for Research in Modern European Philosophy (CRMEP), Kingston University London.

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READ THE THRILLING, ACERBIC AND HILARIOUS NOVEL FROM THE AUTHOR OF SOON I WILL BE INVINCIBLE ''The Avengers meets The Breakfast Club wry and engaging'' James Swallow, Sunday Times bestselling author of Nomad''A spiky, fierce, erudite riff on the wonderful world of silver age superheroes'' Charles Stross, bestselling author of The Atrocity Archives''Blending the lurid, anything-goes madness of Silver Age comic books with emotionally complicated characters and realistic consequences on a cosmic scale'' SFX----Dr Rick Tower is a mild-mannered English professor easing into middle-age at a medium-sized New England college. A genial blur, he thinks. Even his vices are unremarkable.But it wasn't always like this. Not until they changed his name, altered his looks and told him: pretend you were never different'.Because, decades earlier after a

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Secret Wars is the first book to systematically analyze the ways powerful states covertly participate in foreign wars, showing a recurring pattern of such behavior stretching from World War I to U.S.-occupied Iraq. Investigating what governments keep secret during wars and why, Austin Carson argues that leaders maintain the secrecy of state involvement as a response to the persistent concern of limiting war. Keeping interventions “backstage” helps control escalation dynamics, insulating leaders from domestic pressures while communicating their interest in keeping a war contained.Carson shows that covert interventions can help control escalation, but they are almost always detected by other major powers. However, the shared value of limiting war can lead adversaries to keep secret the interventions they detect, as when American leaders concealed clashes with Soviet pilots during the Korean War. Escalation concerns can also cause leaders to ignore covert interventions that have become an open secret. From Nazi Germany’s role in the Spanish Civil War to American covert operations during the Vietnam War, Carson presents new insights about some of the most influential conflicts of the twentieth century.Parting the curtain on the secret side of modern war, Secret Wars provides important lessons about how rival state powers collude and compete, and the ways in which they avoid outright military confrontations.

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Austin Kleon is a cartoonist and poet from Austin, Texas, who takes a page from an existing newspaper and blacks out words until he finds a new hidden meaning in the text. Hilarious and profound, silly and contemplative, the poems in this collection will provide readers with a sense of satisfaction and much-needed comic relief during these tough times.

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This book provides a comprehensive introduction to the core topics, theories and debates in modern social theory. Fourteen chapters have been written by leading specialists in the field, providing up-to-date guidance on the full sweep of the modern sociological imagination, from the legacies of the classical figures of Marx, Durkheim, Weber, Simmel and Parsons to the work of cutting-edge contemporary theorists. Separate chapters discuss functionalism and its critics, interpretive and interactionist theory, historical social theory, western Marxism, psychoanalytic social theory, structuralism and post-structuralism, structure and agency theory, feminist social theory, postmodernism and its critics, and theories about globalization. All chapters are supplied with questions for discussion, study boxes, guidance on further reading and useful website addresses. It is ideal for students of sociology and cultural studies pursuing foundational courses in the history and theory of social analysis, and is also accessible for the general reader.

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Drawing on fifteen years of work in the antislavery movement, Austin Choi-Fitzpatrick examines the systematic oppression of men, women, and children in rural India and asks: How do contemporary slaveholders rationalize the subjugation of other human beings, and how do they respond when their power is threatened? More than a billion dollars have been spent on antislavery efforts, yet the practice persists. Why? Unpacking what slaveholders think about emancipation is critical for scholars and policy makers who want to understand the broader context, especially as seen by the powerful. Insight into those moments when the powerful either double down or back off provides a sobering counterbalance to scholarship on popular struggle. Through frank and unprecedented conversations with slaveholders, Choi-Fitzpatrick reveals the condescending and paternalistic thought processes that blind them. While they understand they are exploiting workers' vulnerabilities, slaveholders also feel they are doing workers a favor, often taking pride in this relationship. And when the victims share this perspective, their emancipation is harder to secure, driving some in the antislavery movement to ask why slaves fear freedom. The answer, Choi-Fitzpatrick convincingly argues, lies in the power relationship. Whether slaveholders recoil at their past behavior or plot a return to power, Choi-Fitzpatrick zeroes in on the relational dynamics of their self-assessment, unpacking what happens next. Incorporating the experiences of such pivotal actors into antislavery research is an immensely important step toward crafting effective antislavery policies and intervention. It also contributes to scholarship on social change, social movements, and the realization of human rights.

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