Search results for ""Verso""

Todo verso aspira a ser cantado algún día. Los de esta obra nacieron para servir a la mejor música de hoy.

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The dramatic art tradition of opera traces its roots to the earliest periods of ancient China. During the Tang Dynasty (618 907), the Emperor Taizong founded an opera school called Liyuan (Pear Garden). Chinese opera reached its pinnacle under the Qing court (1644 1911), giving birth to what is known as Peking Opera. Reproduced for this cover is a piece of beautifully embroidered opera skirt from that era.

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This cover design is based on a binding originally published by Salel Binder in Paris in 1514. The tome, Chroniques, was created at a time when books were evolving and binders were using smaller formats that were easier to bind. Pasteboards replaced wood covers and gold tooling grew in popularity. The exuberance of the Chroniques design reflects the sheer splendour of the Renaissance approach to decoration that influenced architecture, art and all facets of cultural life.

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Nobility and grace are restored in our filigreed cover design. Originally crafted in 1675 by the Queens’ Binder “A,” the balance of open space and intricate elements make it a shining jewel of the period. The binding was created to hold The Government of the Tongue by Richard Allestree, provost of Eton College.

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Michelangelo Buonarroti (1475 1564) is considered one of the masters of the Italian Renaissance. The handwritten letter reproduced here demonstrates the passion of one of humanity s greatest artists. And with the Sistine Chapel s The Creation of Adam featured on the back cover, the point of creation beautifully bookends this Embellished Manuscript.

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The Adventures of Asterix, our series in partnership with Les Editions Albert Rene, channels the spirit of Asterix the Gaul from the celebrated comic book series. In these stories, Asterix, along with his friend Obelix and canine companion Dogmatix, ventures to lands near and far with unwavering ingenuity and just a little bit of magic potion. This series is a chance to share the joy of these classic stories with a new audience.

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The first volume of The Idea of Communism followed the 2009 London conference called in response to Alain Badiou's 'communist hypothesis', where an all-star cast of radical intellectuals put the idea of communism back on the map.This volume brings together papers from the subsequent 2011 New York conference organized by Verso and continues this critical discussion, highlighting the philosophical and political importance of the communist idea, in a world of financial and social turmoil.Contributors include Alain Badiou, Etienne Balibar, Bruno Bosteels, Susan Buck-Morss, Jodi Dean, Adrian Johnston, François Nicolas, Frank Ruda, Emmanuel Terray and Slavoj Zizek.

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Slavoj Zizek, the maverick philosopher, author of over 30 books, acclaimed as the "Elvis of cultural theory", and today's most controversial public intellectual. His work traverses the fields of philosophy, psychoanalysis, theology, history and political theory, taking in film, popular culture, literature and jokes-all to provide acute analyses of the complexities of contemporary ideology as well as a serious and sophisticated philosophy. His recent films The Pervert's Guide to the Cinema and Zizek! reveal a theorist at the peak of his powers and a skilled communicator. Now Verso is making his classic titles, each of which stand as a core of his ever-expanding life's work, available as new editions. Each is beautifully re-packaged, including new introductions from Zizek himself. Simply put, they are the essential texts for understanding Zizek's thought and thus cornerstones of contemporary philosophy.The Sublime Object of Ideology: Slavoj Zizek's first book is a provocative and original work looking at the question of human agency in a postmodern world. In a thrilling tour de force that made his name, he explores the ideological fantasies of wholeness and exclusion which make up human society.

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One of the most influential intellectuals in the English-speaking world, Michael Ignatieff's story is generally understood to be that of an ambitious, accomplished progressive politician and writer, whose work and thought fit within an enlightened political tradition valuing human rights and diversity. Here, journalist Derrick O'Keefe argues otherwise. In this scrupulous assessment of Ignatieff's life and politics, he reveals that Ignatieff's human rights discourse has served to mask his identification with political and economic elites.Tracing the course of his career over the last thirty years, from his involvement with the battles between Thatcher and the coal miners in the 1980s to the Balkan Wars of the 1990s, Iraq, Afghanistan, and Israel's 2009 invasion of Gaza, O'Keefe proposes that Ignatieff and his political tradition have in fact stood in opposition to the extension of democracy and the pursuit of economic equality. Michael Ignatieff: The Lesser Evil? is a timely assessment of the Ignatieff phenomenon, and of what it tells us about the politics of the English-speaking West today. About the series: Counterblasts is a new Verso series that aims to revive the tradition of polemical writing inaugurated by Puritan and leveller pamphleteers in the seventeenth century, when in the words of one of them, Gerard Winstanley, the old world was "running up like parchment in the fire." From 1640 to 1663, a leading bookseller and publisher, George Thomason, recorded that his collection alone contained over twenty thousand pamphlets. Such polemics reappeared both before and during the French, Russian, Chinese and Cuban revolutions of the last century. In a period of conformity where politicians, media barons and their ideological hirelings rarely challenge the basis of existing society, it's time to revive the tradition. Verso's Counterblasts will challenge the apologists of Empire and Capital.

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In this landmark study of American labor history, Meredith Tax charts the actions of women in working-class, feminist, and socialist movements between 1880 and 1917 in the USA. Caught between the hostility of male trade unionists, the chauvinism of male socialist organizers, and the assumptions of middle-class feminists, women workers forged their own demands for economic and political justice in the industrializing landscape of North America. In doing so, Tax argues, a unique form of socialist-feminist class consciousness was created, whose remarkable history is chronicled in this work.With a focus on the histories of the Socialist Party and the Industrial Workers of the World (IWW), Tax shows how working-class socialist women navigated the terrain between the seemingly oppositional demands for suffrage and labour rights. The Rising of the Women also contains detailed case studies of two germinal moments in American labour history: the uprising of shirtwaist workers in New York City in 1909 - 1910, the real beginning of the International Ladies' Garment Worker Union; and the 1912 IWW strike of immigrant textile workers in Lawrence, Mass., making it an essential text for students of American labor history as well as readers interested in twentieth-century feminism.First published in 1980, the book is reissued by Verso as part of the highly successful Feminist Classics series, where it takes its place alongside texts by Sheila Rowbotham, Kathi Weeks, Stella Dadzie, Lynne Segal and more. The result of years of archival research, Tax blends original source material from the participants of the movements with her own sharp analysis into a rich narrative of women workers' struggle. The Rising of the Women is a classic of feminist labor history whose time has come to find the wide audience it deserves.

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Eleanor Marx is one of the most tragically overlooked feminist intellectuals in history, usually overshadowed by her father, Karl Marx. But not only did she edit, translate, transcribe and collaborate with her father, she also spent her extraordinary life putting his ideas into practice as a labour organizer, feminist radical, and Marxist theorist.The outstanding exception to the omission of Eleanor Marx from history is Yvonne Kapp's highly acclaimed biography. First published at the height of feminist organizing in the 1970s, Kapp's work brilliantly succeeds in capturing Eleanor's spirit, from a lively child opining on the world's affairs, to the new woman, aspiring to the stage, earning her living as a free intellectual, and helping to lead England's unskilled workers at the height of the new unionism; being always more than, yet at the same time inescapably, Karl Marx's daughter. It is also, inevitably, an unrivalled biography of the Marx household in Victorian London, of the Marx circle, and of Friedrich Engels, the family's extraordinary mentor.During today's resurgence of feminist writing, organizing, and protesting, Kapp's foundational single-volume biography serves as a crucial corrective to a narrative that puts feminists and marxists on opposing sides of radical history.

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Under the incurious gaze of the major media, the political establishment and the financial sector have become increasingly deceitful and dangerous in recent years. At the same time, journalists at Rupert Murdoch's News International and elsewhere have been breaking the law on an industrial scale. Now we are expected to stay quiet while those who presided over the shambles judge their own conduct.In The Return of the Public, Dan Hind argues for reform of the media as a necessary prelude to wider social transformation. A former commissioning editor, Hind urges us to focus on the powers of the media to instigate investigations and to publicize the results, powers that editors and owners are desperate to keep from general deliberation.Hind describes a programme of reform that is modest, simple and informed by years of experience. It is a programme that much of the media cannot bring themselves even to acknowledge, precisely because it threatens their private power. It is time the public had their say.

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From colonial newspapers to the Internet age, America's racial divisions have played a central role in the creation of the country's media system, just as the media has contributed to-and every so often, combated-racial oppression. This acclaimed book-called a "masterpiece" by the esteemed scholar Robert W. McChesney and chosen as one of 2011's best books by the Progressive-reveals how racial segregation distorted the information Americans have received, even as it depicts the struggle of Black, Latino, Asian, and Native American journalists who fought to create a vibrant yet little-known alternative, democratic press.Written in an exciting, story-driven style and replete with memorable portraits of journalists, both famous and obscure, News for All the People is destined to become the standard history of the American media.

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This book reinterprets the history of nineteenth and twentieth-century revolutions by composing a constellation of dialectical images: Marx’s locomotives of history, Alexandra Kollontai’s sexually liberated bodies, Lenin’s mummified body, Auguste Blanqui’s barricades and red flags, the Paris Commune’s demolition of the Vendome Column, among several others. It connects theories with the existential trajectories of the thinkers who elaborated them, by sketching the diverse profiles of revolutionary intellectuals—from Marx and Bakunin to Luxemburg and the Bolsheviks, from Mao and Ho Chi Minh to José Carlos Mariátegui, C.L.R. James, and other rebellious spirits from the South—as outcasts and pariahs. And finally, it analyzes the entanglement between revolution and communism that so deeply shaped the history of the twentieth century. This book thus merges ideas and representations by devoting an equal importance to theoretical and iconogra

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Nevertheless comprises essays on Machiavelli and on Pascal. The ambivalent connection between the two parts is embodied by the comma (,) in the subtitle: Machiavelli, Pascal. Is this comma a conjunction or a disjunction? In fact, both. Ginzburg approaches Machiavelli's work from the perspective of casuistry, or case-based ethical reasoning. For as Machiavelli indicated through his repeated use of the adverb nondimanco ("nevertheless"), there is an exception to every rule. Such a perspective may seem to echo the traditional image of Machiavelli as a cynical, "machiavellian" thinker. But a close analysis of Machiavelli the reader, as well as of the ways in which some of Machiavelli's most perceptive readers read his work, throws a different light on Machiavelli the writer. The same hermeneutic strategy inspires the essays on the Provinciales, Pascal's ferocious attack against Jesuitical casuistry. Casuistry vs anti-casuistry; Machiavelli's secular attitude towards religion vs Pascal's deep religiosity. We are confronted, apparently, with two completely different worlds. But Pascal read Machiavelli, and reflected deeply upon his work. A belated, contemporary echo of this reading can unveil the complex relationship between Machiavelli and Pascal - their divergences as well as their unexpected convergences.

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Lenin's booklet The State and Revolution struck the world of Marxist theory like a lightning bolt. Written in the months running up to the October Revolution of 1917, Lenin turned the traditional socialist concept of the state on its head, arguing for the need to smash the organs of the bourgeois state to create a 'semi-state' of soviets, or workers' councils, in which ordinary people would take on the functions of the state machine in a new and radically democratic manner. This new edition includes a substantial introduction by renowned theorist Antonio Negri, who argues for the continued relevance of these ideas.

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Summer 2022 issue of Salvage, featuring Richard Seymour, Stuart Hall, Sita Balani, and Sophie LewisA Ceaseless Storm includes an essay on Stuart Hall by Richard Seymour, and an essay by Stuart Hall on Marxism, Sita Balani on the nuclear family, Anne Rumberger on the evangelical anti-abortion movement, Robert Knox on conservatives selectively venerating institutions, Jamie Allinson on counter-revolution, Nadia Bou Ali on Lebanon, Brendan O’Connor on abolition and the state, Oliver Eagleton on Keir Starmer, and Sophie Lewis on abortion and bodily autonomy.With poetry by Mira Mattar and fiction by Anka Dabrowska.

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Old Gods, New Enigmas is the highly-anticipated book by the best-selling author of City of Quartz and Planet of Slums. Mike Davis spent years working factory jobs and sitting behind the wheel of an eighteen wheeler before his profile as one of the world's leading urbanists emerged with the publication of his sober, if dystopian survey of Los Angeles. Since then, he's developed a reputation not only for his caustic analysis of ecological catastrophe and colonial history, but as a stylist without peer.Old Gods, New Enigmas is Davis's book-length engagement with Karl Marx, marking the 200th anniversary of Marx's birth and exploring Davis's thinking on history, labor, capitalism, and revolution - themes ever present the early work from this leading radical thinker. This will be his first book on Marxism itself.In a time of ubiquitous disgust with political and economic elites, explores the question of revolutionary agency-what social forces and conditions do we need to transform the current order?-and the situation of the world's working classes from the US to Europe to China. Even the most preliminary tasks are daunting. A new theory of revolution needs to return to the big issues in classical socialist thought, such as clarifying "proletarian agency", before turning to the urgent questions of our time: global warming, the social and economic gutting of the rustbelt, and the city's demographic eclipse of the countryside. What does revolution look like after the end of history?

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Democracy means rule by the people, but in practice even the most robust democracies delegate most rule making to a political class. The gap between the public and its public officials might seem unbridgeable in the modern world, but Legislature by Lot presents a close examination of an inspiring solution: a legislature chosen through "sortition"-the random selection of lay citizens. It's a concept that has come to the attention of democratic reformers across the globe. Proposals for such bodies are being debated in Australia, Belgium, Iceland, the United Kingdom, and many other countries. Sortition promises to reduce corruption and create a truly representative legislature in one fell swoop. In Legislature by Lot, John Gastil and Erik Olin Wright make the case for pairing a sortition body with an elected chamber within a bicameral legislature. Gastil is a leading deliberative democracy scholar, and Wright a distinguished sociologist and series editor of the Real Utopias books, of which this is a part. In this volume, they bring together critics and advocates of sortition who studied ancient Athens, deliberative polling, political theory, social movements, and civic innovation. The constellation of voices in this book lays out a wide variety of ideas for how to implement sortition, without obscuring its limitations, and examine its potential for reshaping modern politics.Legislature by Lot includes sixteen essays that respond to Gastil and Wright's detailed proposal. Essays comparing it to contemporary reforms see it as a dramatic extension of deliberative "minipublics," which gather random samples of citizens to weight public policy dilemmas without being empowered to enact legislation. Another set of essays explores the democratic principles underlying sortition and elections and considers, for example, how a sortition body holds itself accountable to a public that did not elect it. The third set of essays consider alternative paths to democratic reform, which limit the powers of a sortition chamber or more quickly establish a pure sortition body.

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Old Gods, New Enigmas is the highly-anticipated book by the best-selling author of City of Quartz and Planet of Slums. Mike Davis spent years working factory jobs and sitting behind the wheel of an eighteen wheeler before his profile as one of the world's leading urbanists emerged with the publication of his sober, if dystopian survey of Los Angeles. Since then, he's developed a reputation not only for his caustic analysis of ecological catastrophe and colonial history, but as a stylist without peer.Old Gods, New Enigmas is Davis's book-length engagement with Karl Marx, marking the 200th anniversary of Marx's birth and exploring Davis's thinking on history, labor, capitalism, and revolution - themes ever present the early work from this leading radical thinker. This will be his first book on Marxism itself.In a time of ubiquitous disgust with political and economic elites, explores the question of revolutionary agency-what social forces and conditions do we need to transform the current order?-and the situation of the world's working classes from the US to Europe to China. Even the most preliminary tasks are daunting. A new theory of revolution needs to return to the big issues in classical socialist thought, such as clarifying "proletarian agency", before turning to the urgent questions of our time: global warming, the social and economic gutting of the rustbelt, and the city's demographic eclipse of the countryside. What does revolution look like after the end of history?

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What makes a fascist? Are there character traits that make someone more likely to vote for the far right? The Authoritarian Personality, written in the shadow of Fascism and the Holocaust, looked to analyse the rise of Fascism in Europe through the specific psychological traits that make people prone to authoritarianism. Based on extensive empirical studies of Americans conducted by a team which included the leading member of the Frankfurt School Theodor Adorno, The Authoritarian Personality ranked a range of character traits on what it called the 'F scale' (F for fascist). These included conventionalism, anti-intellectualism, superstition and occultism, power and toughness, destructiveness and cynicism, projectivity, and exaggerated concerns over sex.The Authoritarian Personality is not only one of the most influential works of social psychology ever written, it also marks a milestone in the development of Adorno's thought, showing him grabbling with the problem of fascism and the reasons for Europe's turn to reaction. Over half a century later and with the rise of right-wing populism and the reemergence of the far-right in recent years, this hugely influential study remains as insightful and relevant as ever.

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Red Flag Wounded brings together essays covering the controversies and debates over the fraught history of the Soviet Union from the revolution to its disintegration. Those monumental years were marked not only by violence, mass killing, and the brutal overturning of a peasant society but also by the modernisation and industrialisation of the largest country in the world, the victory over fascism, and the slow recovery of society after the nightmare of Stalinism.Ronald Grigor Suny is one of the most prominent experts on the revolution, the fate of the non-Russian peoples of the Soviet empire, and the twists and turns of Western historiography of the Soviet experience. As a biographer of Stalin and a long-time commentator on Russian and Soviet affairs, he brings novel insights to a history that has been misunderstood and deliberately distorted in the public sphere. For a fresh look at a story that affects our world today, this is the place to begin.

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Mr. Jurgenson makes a first sortie toward a new understanding of the photograph, wherein artistry or documentary intent have given way to communication and circulation. Like Susan Sontag’s On Photography, to which it self-consciously responds, The Social Photo is slim, hard-bitten and picture-free. – New York Times A set of bold theoretical reflections on how the social photo has remade our world.With the rise of the smart phone and social media, cameras have become ubiquitous, infiltrating nearly every aspect of social life. The glowing camera screen is the lens through which many of us seek to communicate our experience. But our thinking about photography has been slow to catch-up; this major fixture of everyday life is still often treated in the terms of art or journalism. In The Social Photo, social theorist Nathan Jurgenson develops bold new ways of understanding photography in the age

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John Berger was one of the most influential thinkers and writers of postwar Europe. As a novelist, he won the Booker Prize in 1972, donating half his prize money to the Black Panthers; as a TV presenter he changed the way we looked at art in Ways of Seeing; as a storyteller and political activist he defended the rights and dignity of workers, migrants and the oppressed around the world. In 1953 he wrote: "Far from dragging politics into art, art has dragged me into politics." He remained a revolutionary up to his death in January, 2017. In A Writer of Our Time, Joshua Sperling places Berger's life and works within the historical narrative of postwar Britain and beyond. The book also explores, through the work, the larger questions that vexed a generation: the purpose of art, the nature of creative freedom, the meaning of commitment. Drawing on extensive interviews, close readings and a wealth of archival sources only recently made available, the book brings the many different faces of John Berger together and shows him as one of the most vital, and brilliant, thinkers and storytellers of our time.

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The analysis of May 68 in Paris, Berkeley, and the Western world has been widely reconsidered. But 1968 is not only a year that conjures up images of Paris, Frankfurt, or Milan. It is also the pivotal year for a new anti-colonial and anti-capitalist politics to erupt across the Third World - Asia, Africa, the Middle East, and Latin America. Japan's position - neither in "the West" nor in the "Third World" -provoked a complex and intense round of mass mobilizations through the 1960s and early 70s. The Japanese situation remains remarkably under-examined globally. Beginning in the late 1950s, a New Left, independent of the prewar Japanese communist moment (itself of major historical importance in the 1920s and 30s), came to produce one of the most vibrant decades of political organization, political thought, and political aesthetics in the global twentieth century. In the present volume, major thinkers of the Left in Japan alongside scholars of the 1968 movements reexamine the theoretical sources, historical background, cultural productions, and major organizational problems of the 1968 revolutions in Japan.

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Over the last twenty years, critical discussion of Thomas Mann has highlighted the role of his homosexuality for his creative work. This not only is presented as a dynamic underlying Mann's creative work, but also is the supposed reason for the theme of guilt and redemption that grew ever stronger in Mann's fiction.Michael Maar mounts a devastating forensic challenge to this consensus: Mann was remarkably open about his sexual orientation, which he saw as no reason for guilt. But sexuality in Mann's work is inextricably bound up with an eruption of violence. Maar pursues this trail through Mann's writings and traces its origins back to Mann's second visit to Italy, during which the Devil appeared to him in Palestrina. Something happened to the twenty-one-year-old Thomas Mann in Naples that marked him for life with a burdensome sense of guilt...but what exactly was it?

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During the Cold War it became a dirty word in the United States, but "socialism" runs like a red thread through the nation's history, an integral part of its political consciousness since the founding of the republic. In this unapologetic corrective to today's collective amnesia, John Nichols calls for the proud return of socialism in American life. He recalls the reforms lauded by Founding Father Tom Paine; the presence of Karl Marx's journalism in American letters; the left leanings of founders of the Republican Party; the socialist politics of Helen Keller; the progressive legacy of figures like Chaplin and Einstein. Now in an updated edition, The "S" Word makes a case for socialist ideas as an indispensable part of American heritage. A new final chapter considers the recent signs of a leftward sea change in American politics in the face of increasing and historic levels of inequality.Today, corporations-like other rich "individuals"-pay fewer taxes than they did in the 1950s, while our infrastructure crumbles and the seas rise. The "S" Wordaddresses a nation that can no longer afford to put capital before people.

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The ultimate book on the worldwide movement of hackers, pranksters, and activists collectively known as Anonymous—by the writer the Huffington Post says “knows all of Anonymous’ deepest, darkest secrets”“A work of anthropology that sometimes echoes a John le Carré novel.” —Wired Half a dozen years ago, anthropologist Gabriella Coleman set out to study the rise of this global phenomenon just as some of its members were turning to political protest and dangerous disruption (before Anonymous shot to fame as a key player in the battles over WikiLeaks, the Arab Spring, and Occupy Wall Street). She ended up becoming so closely connected to Anonymous that the tricky story of her inside–outside status as Anon confidante, interpreter, and erstwhile mouthpiece forms one of the themes of this witty and entirely engrossing book. The narrative brims with details unearthed from within a notorio

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Every week young children are hospitalized on the playing fields of Britain. Yet this data is never collected, nor is there any concerted attempt to work out how to make sport safer. Using meticulous, peer-reviewed research, the book sets out the true risks associated with the sport, raising uncomfortable questions for politicians and the educational authorities. Would parents be so willing to let their children play rugby if they knew that the average risk of serious injury over the course of a season could be at least 17 percent, or nearly one in six?

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This volume continues the work of Martin Murray's book, South Africa: Time of Agony, Time of Destiny. It explores the social forces that are currently shaping the new South Africa and provides detail on the political and ideological rifts in the liberation movement, including analysis of the "homelands" parties, the trade unions and the ANC. The final chapter of this book surveys the results of the first multi-racial elections in South Africa and assesses their implications for the future of South Africa.

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For a long time, the term 'ideology' was in disrepute, having become associated with such unfashionable notions as fundamental truth and the eternal verities. The tide has turned, and recent years have seen a revival of interest in the questions that ideology poses to social and cultural theory, and to political practice. Mapping Ideology is a comprehensive reader covering the most important contemporary writing on the subject. Including Slavoj Zizek's study of the development of the concept from Marx to the present, assessments of the contributions of Lukács and the Frankfurt School by Terry Eagleton, Peter Dews and Seyla Benhabib, and essays by Adorno, Lacan and Althusser, Mapping Ideology is an invaluable guide to the most dynamic field in cultural theory.

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