Search results for ""Turtle Point Press""

In a voice that is urgent, Howard Altmann asks the world to be patient with all that it cannot hear. Poet John Ashberry calls Altmann's interrogations and his hypnotic, mysterious and dreamlike poems 'as essential as a glass of water'.

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A friend and confident of Igor Stravinsky, Gertrude Stein and many other dazzling figures from the 20th century, Lord Berners is now truly coming into his own. A newly discovered autobiographical reverie, Dresden, offers a window into the adolescence of an extremely perceptive and sensitive young man. Like Proust, it is in the deeply personal where Berners shines the brightest. Dresden is the final volume in his series of autobiographical work which are both charming and subtle.

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“A quiver of eclogues, couplets, Zen epigrams, and you-name-it literary mischief. The fun is all ours.” –Foreword Reviews “Mott’s whiplash insights are as provocative as coiled springs.” —Douglas Crase “Mott’s lyrical antics embody poetry at its most earnest and parodic, a deadly potion stolen from the fountain of imagination.” —Yunte Huang Glenn Mott’s Eclogues recast a classic pastoral form, making it uniquely suited to our times. He considers the inheritance of authority with a mixture of candor and humor in observations on social, natural, and metaphysical transactions. Inspired by China’s Manual of the Mustard Seed Garden, these epigrams, poems, and prose meditations achieve a heightened perception, transcending the garden variety truths of both East and West.

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"Easily ranks among the best fiction I've read this year.” —David Abrams “If you’ve come to look for America, it's here in The Big Impossible. Taut, urgent, emotionally powerful stories about the families, workers, and dreamers who are our neighbors, and Delaney’s range and sense of history make him the perfect writer to illuminate their lives.” —Christopher Castellani, author of Leading Men The short fiction in Ted Delaney's new collection explores guilt and redemption, aspiration and failure, and the stubbornness of modest hopes. The usual mileposts are fading, and choice is in the context of institutions and assumptions that are no longer holding steady. In “Clean,” a man waits for inevitable justice to come, as much as it will play against him. In “House of Sully,” a working-class family navigates the tumultuous year that 1968 was, as new perceptions shake long-held and dependable, if sometimes misguided, beliefs. Other stories examine the inner life of a school shooter, the comical posturing of writers at a literary party, a British veteran of The Great War living at a Florida retirement home but haunted by his losses, and a man’s bittersweet visits to past lives via Google Street View. In the sequence set in the West, an itinerant worker moves across the Great Plains, navigating stark landscapes, trying for foothold. The Atlantic’s C. Michael Curtis praised Ted Delaney’s debut collection for its “moral intensity . . . in the tradition of writers as varied as Ethan Canin and William Trevor.” Two decades later Delaney returns to the short fiction form with utter mastery.

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"A tour de force of deep knowledge, uncanny powers of observation, and brilliant tragicomic invention." —James Lasdun“A remarkable and very moving feat of storytelling.” —Andrew HolgateA Foreword Reviews Editor's pick!Money makes Beijing go round in Jonathan Tel's seductive, puzzle-like novel-in-stories. China is the center of the world, and the center of China is Beijing, and at the center of Beijing is a billionaire financier named Qin. At the opening of this novel-in-stories, billionaire Qin is lying in state at his funeral, victim of a sudden and premature death. Moving back and forth in time, we meet a wide range of Chinese, all linked to Qin by a degree or two of separation: a property developer, a street artist, a prostitute, a fashion model, a spy, a thief, an expat lawyer, a muckraking journalist. By the end of this biting, post-post-modern cultural observation, the manner of Qin’s death is revealed. Scratching the Head of Chairman Mao presents today’s China in its full and fabulous complexity.

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“One part Scheherazade, two parts Boccaccio, a twist of Bolaño, and a dash of bitters. Blue Label is intoxicating, hilarious, and the best novel on the calamity that is today’s Venezuela.”—Carmen Boullosa "This deftly and idiomatically translated novel . . . a quest of sorts, as a high school student in Chávez's Venezuela tries to make sense of love and life . . . packs a punch on many levels: personal, political, and even mythic." —Kirkus Reviews (starred review) Eugenia Blanc, a young Caraqueñan and quintessential teenager at war with the world around her, has one aim: after graduating from high school, to abandon Venezuela definitively. She embarks on a spontaneous road trip in a banged-up Fiat with her rebellious classmate Luis Tévez, in search of her grandfather, the one person who can provide her with the documents that would allow her to leave the country. While Eugenia and Luis’s tentative, troubled romance unfolds during the Chávez era, the story also looks back at Venezuela’s “lost decade” of the 1990s, a time of intractable violence, inequality, corruption, and instability that led to Chávez’s election. With an unvarnished fluidity that brings to mind Jack Kerouac and a crazy-ass playlist that ranges from REM to Bob Dylan to El Canto del Loco to Shakira, Blue Label is an audacious, dark novel with a gut-punch of an ending; the prize-winning first book by a writer who has cemented his reputation as a major young Latin American voice.

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Detailing the life of Jazz Age magician Robert The Great' Rouncival, The Magician's Study is an extended tour of the deceased conjurer's study and the wondrous possessions therein. Through these disparate objects, including a desk stolen from Chekhov's estate, the audacious personality of the young magician is revealed. Cantankerous, acerbic, self-centred and an inebriate womaniser, Robert nevertheless captures the imagination as he blazes a blackly comic path from Bowery flophouse to stardom upon the great stages of the world.'

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Making use of the old name for psychoanalysis in his title, American Book Award- and Pulitzer Prize-winner Richard Howard's poems are spoken out of a solitude and into a solitude, but passing through a company of some order, some chaos. Themed throughout with concerns of the psyche and psychoanalysis, a comic atmosphere yet pervades in this humble, yet triumphant work.

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In Psalm to Whom(e), the restless and astonishing Diane Glancy continues to break new ground with a hybrid collection of personal writings that considers the relationship between place and faith; the need for movement, stability, and inner exploration; and the search for home. Psalm to Whom(e) centers on Kansas and rural Texas, places that usually see the underside of planes. Glancy focuses on geography. History. Origins. Memory. Faith. Once in a while, in desperation, she offers a prayer to whom(e)ver is there. Glancy stretches and pulls the language to see behind the words: old Native thought patterns, for instance, or echoes of Gertrude Stein. She takes us with her into museums, churches, and national parks, shuttling freely between personal, cultural, and spiritual history, narration and poetic exploration. Psalm to Whom(e) defines the world as a place on which to mark, as evidenced in the earliest pictographs. Embedded in the markings on cave walls and rock facings are circles and spirals in which the impulses to move, to travel, to migrate, to explore one’s own inner wilderness and solitude are homed. The “whom(e)” is in an essay, “Among My Friends Are Letters of the Alphabet.” “As a loner I write a lot because I have to have something to do and the letters of the alphabet always are there.” The isolation of Covid may have driven her farther back into history, she says. Into the beginning of faith on the prairie. Into her own believing on her grandfather’s farm and her own father’s work in the stockyards. “Sometimes I add letters to words. As an ‘e’ as in ‘whome’ because then I see home, for which I always am looking.”

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"These are stories to cherish, as brilliant and charming as the writer himself."—Olivia Laing "The sensibility of a magician, a trickster's dark humor, and a formidable musical and literary erudition."—The New York Times Joseph Keckler's signatures are his magnificent three-plus-octave operatic voice and the mesmerizing stories he tells. Combining original pieces with material from his acclaimed performances, Keckler confirms his storytelling mastery, revealing still more of himself on the page.In these tales, one can't easily draw a line between reality, embellishment, and fantasy. Odd jobs and odder employers: what is it like to work for a blind man who runs an art gallery? Or for an aging club kid who administers a university classics department? These outré characters make an artful spectacle of daily life. Some strive to be center stage and others struggle to be seen, but all soldier on in the margins. In this world, you may board a familiar bus or train and find yourself in some shady netherworld, or skipping past midnight on New Year's Eve. There is sex with ghosts. And the incessant GPS voice that mocks the last moments of a longtime love.A celebration of the ridiculous and a tour through stations of longing, this diverse collection will thrill devotees and new fans alike.

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