Search results for ""TWENTYSIX""

Written when Mishima was only twentysix, Forbidden Colors is a depiction of a male homosexual relationship, in which a rich older man buys the love of a young man who is stunningly handsome but who lacks the ability to love. As in Mann's Death in Venice, the older man's longing for the beauty of youth is associated with aestheticism and death.

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This photo series captures moments of periphery in Croatian Istria with 26 bus stops. Documentary and conceptual, the photographic cartography approaches the different perceptions of the places. Ed Ruscha’s methodology, and in particular his photographic series Twentysix Gasoline Stations, serve as a method and inspiration to examine the stops and their identity in the urban fabric. With this photographic concept as well as the texts, the observations are presented analytically and at the same time unfold a greater poetic meaning. How does it feel to live in the environs of urban reality? The book transmits the fascination for simple building methods, locations as well as the aesthetics of decay.

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This is a superbly illustrated look at the evolution of the photographic work of Ed Ruscha - the quintessential Los Angeles artist. Los-Angeles based contemporary artist Ed Ruscha is celebrated for his paintings, drawings, prints, and artist's books, receiving widespread critical acclaim for more than half a century. Capturing the quintessential Los Angeles experience with its balance of the banal and beautiful, his photobooks of the 1960s - such as TwentySix Gasoline Stations and Some Los Angeles Apartments - are known for their deadpan cataloguing of the city's functional architecture. This volume features 38 Ruscha plates and an essay that traces the evolution of the artist's thinking about his photographs initially as the means to end, and eventually as works of art in and of themselves.

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An early progenitor of the artist''s book genre, Warja Lavater was born in Winterthur, Switzerland in 1913. She worked as an illustrator for the magazine Jeunesse from 1944-1958, and moved to New York shortly thereafter where she began a wonderful series of artist''s books. These books were published between 1962 and 1971, an exceptionally ripe time for artists to turn to the book form, a time when the most often cited first artist''s book also appeared, Twentysix Gasoline Stations (1962) by Ed Ruscha. Many of Lavater''s books were made using the accordion-fold binding. Her aesthetic has been aptly described as very clean, very Swiss. Each book tells a story, sequentially, like traditional books, but varying from them by rarely using words. Instead she chooses a symbol to represent, for example, a character, as in the red dot standing in for Red Riding Hood in Little Red Riding Hood.

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The renowned artist Ed Ruscha was born in Nebraska, grew up in Oklahoma, and has lived and worked in Southern California since the late 1950s. Beginning in 1956, road trips across the American Southwest furnished a conceptual trove of themes and motifs that he mined throughout his career. The everyday landscapes of the West, especially as experienced from the automobile - gas stations, billboards, building facades, parking lots, and long stretches of roadway - are the primary motifs of his often deadpan and instantly recognizable paintings and works on paper, as well as his influential artist books such as Twentysix Gasoline Stations and All the Buildings on the Sunset Strip. His iconic word images - declaring Adios, Rodeo, Wheels over Indian Trails, and Honey...Twisted through More Damn Traffic to Get Here - further underscore a contemporary Western sensibility. Ruscha's interest in what the real West has become - and Hollywood's version of it - plays out across his oeuvre. The cinematic sources of his subject matter can be seen in his silhouette pictures, which often appear to be grainy stills from old Hollywood movies. They feature images of the contemporary West, such as parking lots and swimming pools, but also of its historical past: covered wagons, buffalo, teepees, and howling coyotes. Featuring essays by Karin Breuer and D. J. Waldie, and a fascinating interview with the artist conducted by Kerry Brougher, this stunning catalogue, produced in close collaboration with the Ruscha studio, offers the first full exploration of the painter's lifelong fascination with the romantic concept and modern reality of the evolving American West. Published in association with the Fine Arts Museums of San Francisco Exhibition dates: de Young, San Francisco: July 16-October 9, 2016.

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