Search results for ""Scientific American""

Leading-edge empirical observations are increasingly difficult to reconcile with 'scientific' materialism. Laboratory results in quantum mechanics, for instance, strongly indicate that there is no autonomous world of tables and chairs out there. Coupled with the inability of materialist neuroscience to explain consciousness, this is forcing both science and philosophy to contemplate alternative worldviews. Analytic idealism - the notion that reality, while equally amenable to scientific inquiry, is fundamentally mental - is a leading contender to replace 'scientific' materialism. In this book, the broad body of empirical evidence and reasoning in favor of analytic idealism is reviewed in an accessible manner. The book brings together a number of highly influential essays previously published by major media outlets such as Scientific American and the Institute of Art and Ideas. The essays have been revised and improved, while two never-before-published essays have been added. The resulting argument anticipates a historically imminent transition to a scientific worldview that, while elegantly accommodating all known empirical evidence and predictive models, regards mind - not matter - as the ground of all reality.

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At the close of the Second World War, modernist poets found themselves in an increasingly scientific world, where natural and social sciences claimed exclusive rights to knowledge of both matter and mind. Following the overthrow of the Newtonian worldview and the recent, shocking displays of the power of the atom, physics led the way, with other disciplines often turning to the methods and discoveries of physics for inspiration. In Physics Envy, Peter Middleton examines the influence of science, particularly physics, on American poetry since World War II. He focuses on such diverse poets as Charles Olson, Muriel Rukeyser, Amiri Baraka, and Rae Armantrout, among others, revealing how the methods and language of contemporary natural and social sciences-and even the discourse of the leading popular science magazine Scientific American-shaped their work. The relationship, at times, extended in the other direction as well: leading physicists such as Robert Oppenheimer, Werner Heisenberg, and Erwin SchrA dinger were interested in whether poetry might help them explain the strangeness of the new, quantum world. Physics Envy is a history of science and poetry that shows how ultimately each serves to illuminate the other in its quest for the true nature of things.

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Now a classic, this book was hailed upon its original publication in 1959 as "An event to be acclaimed . . . a book of genuine brilliance on Freud's cultural importance . . . a permanently valuable contribution to the human sciences."—Alastair MacIntyre, Manchester Guardian"This remarkably subtle and substantial book, with its nicely ordered sequences of skilled dissections and refined appraisals, is one of those rare products of profound analytic thought. . . . The author weighs each major article of the psychoanalytic canon in the scales of his sensitive understanding, then gives a superbly balanced judgement."—Henry A. Murray, American Sociological Review"Rieff's tremendous scholarship and rich reflections fill his pages with memorable treasures."—Robert W. White, Scientific American"Philip Rieff's book is a brilliant and beautifully reasoned example of what Freud's influence has really been: an increasing intellectual vigilance about human nature. . . . What the analyst does for the patient—present the terms for his new choices as a human being—Mr. Rieff does in respect to the cultural significance of Freudianism. His style has the same closeness, the same undertone of hypertense alertness. Again and again he makes brilliant points."—Alfred Kazin, The Reporter

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A spirited collection of essays by cutting-edge neuroscientists that irreverently explores the quirky and counterintuitive aspects of brain function“Make[s] us realize that what goes on in our minds is nothing short of magical.” —Yasemin Saplakoglu, Scientific American Neuroscientist David J. Linden approached leading brain researchers and asked each the same question: “What idea about brain function would you most like to explain to the world?” Their responses make up this one‑of‑a‑kind collection of popular science essays that seeks to expand our knowledge of the human mind and its possibilities. The contributors, whose areas of expertise include human behavior, molecular genetics, evolutionary biology, and comparative anatomy, address a host of fascinating topics ranging from personality to perception, to learning, to beauty, to love and sex. The manner in which individual experiences can dramatically change our brains’ makeup is explored. Professor Linden and his contributors open a new window onto the landscape of the human mind and into the cutting‑edge world of neuroscience with a fascinating and enlightening compilation that science enthusiasts and professionals alike will find accessible and enjoyable.

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T. A. Heppenheimer's acclaimed chronicle of rockets, politics, and the pioneers who dared to reach beyond humanity's limits. "The most comprehensive, up-to-date, and best written history of space flight there is."—The Times (London) "A lively account of the development of space activities in the U.S. and the Soviet Union . . . as good a one-volume overview of space as exists."—Scientific American "Countdown is by far the best history of space flight I have ever read. It is detailed, lucidly written for the layman, and full of fascinating stories."—Adrian Berry, Daily Telegraph "Science writer Heppenheimer's readable account provides a timely historical overview of the early visionaries, the engineers, and the geopolitical forces that placed men on the moon and created today's aerospace industry. . . . A thoughtful analysis that is highly recommended."—Library Journal "By far the most significant and technically insightful account of the ventures into the space environment I have seen. . . . [Heppenheimer] concentrates unerringly on key elements, both technical and managerial, in this account of man's initial space ventures."—Lee Atwood, Former president and chairman, North American Aviation Corporation "Like a skilled artisan, Heppenheimer weaves social, political, scientific, technological, military, and economic threads of the history of space flight into a tapestry that reveals fascinating patterns and themes."—Publishers Weekly

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The social dynamics of “alternative facts”: why what you believe depends on who you know“Empowering and thoroughly researched, this book offers useful contemporary analysis and possible solutions to one of the greatest threats to democracy.”—Kirkus ReviewsEditors’ choice, New York Times Book Review • Recommended reading, Scientific American Why should we care about having true beliefs? And why do demonstrably false beliefs persist and spread despite bad, even fatal, consequences for the people who hold them? Philosophers of science Cailin O’Connor and James Weatherall argue that social factors, rather than individual psychology, are what’s essential to understanding the spread and persistence of false beliefs. It might seem that there’s an obvious reason that true beliefs matter: false beliefs will hurt you. But if that’s right, then why is it (apparently) irrelevant to many people whether they believe true things or not?The Misinformation Age, written for a political era riven by “fake news,” “alternative facts,” and disputes over the validity of everything from climate change to the size of inauguration crowds, shows convincingly that what you believe depends on who you know. If social forces explain the persistence of false belief, we must understand how those forces work in order to fight misinformation effectively.

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For novice or pro, primary investigator or postdoc, the essentials for photographing science and technology for journals, grant applications, and public understanding. Award-winning photographer Felice C. Frankel, whose work has graced the covers of Science, Nature,and Scientific American, among other publications, offers a quick guide for scientists and engineers who want to communicate—and better understand—their research by creating compelling photographs. Like all the books in the Visual Elements series, this short guide uses engaging examples to train researchers to learn visual communication. Distilling her celebrated books and courses to the essentials, Frankel shows scientists and engineers the importance of thinking visually. When she creates stunning images of scientific phenomena, she is not only interested in helping researchers to convey understanding to others in their research community or to gain media attention, but also in making these experts themselves “look longer” to understand more fully. Ideal for researchers who want a foothold for presenting and preparing their work for conferences, journal publications, and funding agencies, the book explains four tools that all readers can use—a phone, a camera, a scanner, and a microscope—and then offers important advice on composition and image manipulation ethics. The Visual Elements—Photography is an essential element in any scientist’s, engineer’s, or photographer’s library.

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Are you ready to flip out? Hexaflexagons are six-sided, flat paper models that can be made to reveal hidden images through a series of flexes and folds. Flexagons were first introduced in a column written by Martin Gardner for Scientific American. From there, people started folding and figuring out creative ways to craft these interesting origami-like objects.Included in this delightful book are instructions and material to create hexaflexagons, tri-tetra flexagons, cubes, flexacubes, and more! Flexing kaleidocycles are shapes formed by taking several tetrahedra (four-sided 3D shapes) and joining their edges to form a ring, which can then be rotated so that it turns inside out to display a multitude different colors, shapes, and designs!This book contains:• A brief introduction on the history of hexaflexagons• Instructions on how to make 13 different fun flexagon models• 40 pages of easy tear-out pages with pieces to assemble your hexaflexagonsPeople are still discovering new ways to innovate with these enjoyable creations—so with some study and practice, you may be able to come up with a unique design and enter the pages of flexagon history! All you need to do is to cut out and assemble the various models in this book to create the most intriguing and entertaining designs available. Start folding your flexagons now!

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A Kirkus Reviews Best Book of the Year and Scientific American Book Club selection "Moreno pulls apart the debates on eugenics, abortion, end-of-life decisions, embryonic stem-cell research, reproductive cloning, chimeras and synthetic biology, among others, carefully reassembling what's at stake for each side. In graceful, sparkling prose, he illuminates intricate threads of history and complex philosophical arguments...Highly recommended for anyone interested in the[se] vital issues." --Kirkus Reviews (starred review) We have entered what is called the "biological century" and a new biopolitics has emerged to address the implications for America's collective value system, our well-being, and ultimately, our future. The Body Politic is the first book to recognize and assess this new force in our political landscape--one that fuels today's culture wars and has motivated politicians of all stripes to reexamine their platforms. As Moreno explains the most contentious issues, he also offers an engaging history of the intersection between science and democracy in American life, a reasoned (and often surprising) analysis of how different political ideologies view scientific controversies, and a vision for how the new biopolitics can help shape the quality of our lives. Jonathan D. Moreno is the David and Lyn Silfen University Professor at the University of Pennsylvania and the editor-in-chief for the Center for American Progress' online magazine, Science Progress. He divides his time between Philadelphia and Washington, DC.

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A Financial Times and Scientific American Best Book of the Year.A story of alchemy in Bohemian Paris, where two scientific outcasts discovered a fundamental distinction between natural and synthetic chemicals that inaugurated an enduring scientific mystery.For centuries, scientists believed that living matter possessed a special quality—a spirit or essence—that differentiated it from nonliving matter. But by the nineteenth century, the scientific consensus was that the building blocks of one were identical to the building blocks of the other. Elixir tells the story of two young chemists who were not convinced, and how their work rewrote the boundary between life and nonlife.In the 1830s, Édouard Laugier and Auguste Laurent were working in Laugier Père et Fils, the oldest perfume house in Paris. By day they prepared the perfumery’s revitalizing elixirs and rejuvenating eaux, drawing on alchemical traditions that equated a plant’s vitality with its aroma. In their spare time they hunted the vital force that promised to reveal the secret to life itself. Their ideas, roundly condemned by established chemists, led to the discovery of structural differences between naturally occurring molecules and their synthetic counterparts, even when the molecules were chemically identical.Scientists still can’t explain this anomaly, but it may point to critical insights concerning the origins of life on Earth. Rich in sparks and smells, brimming with eccentric characters, experimental daring, and the romance of the Bohemian salon, Elixir is a fascinating cultural and scientific history.

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A "fascinating and terrifying" memoir of one woman's extraordinary effort to save her husband's life (Scientific American) - and the discovery of a forgotten cure that has the potential to save millions more.Epidemiologist Steffanie Strathdee and her husband, psychologist Tom Patterson, were vacationing in Egypt when Tom came down with a stomach bug. What at first seemed like a case of food poisoning quickly turned critical, and by the time Tom had been transferred via emergency medevac to the world-class medical center at UC San Diego, where both he and Steffanie worked, blood work revealed why modern medicine was failing: Tom was fighting one of the most dangerous, antibiotic-resistant bacteria in the world.Frantic, Steffanie combed through research old and new and came across phage therapy: the idea that the right virus, aka "the perfect predator," can kill even the most lethal bacteria. Phage treatment had fallen out of favor almost 100 years ago, after antibiotic use went mainstream. Now, with time running out, Steffanie appealed to phage researchers all over the world for help. She found allies at the FDA, researchers from Texas A&M, and a clandestine Navy biomedical center - and together they resurrected a forgotten cure.A nail-biting medical mystery, The Perfect Predator is a story of love and survival against all odds, and the (re)discovery of a powerful new weapon in the global superbug crisis.

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"Christopher Wanjek uses a take-no-prisoners approach in debunkingthe outrageous nonsense being heaped on a gullible public in thename of science and medicine. Wanjek writes with clarity, humor,and humanity, and simultaneously informs and entertains." -Dr. Michael Shermer, Publisher, Skeptic magazine; monthlycolumnist, Scientific American; author of Why People Believe WeirdThings Prehistoric humans believed cedar ashes and incantations could curea head injury. Ancient Egyptians believed the heart was the centerof thought, the liver produced blood, and the brain cooled thebody. The ancient Greek physician Hippocrates was a big fan ofbloodletting. Today, we are still plagued by countless medicalmyths and misconceptions. Bad Medicine sets the record straight bydebunking widely held yet incorrect notions of how the body works,from cold cures to vaccination fears. Clear, accessible, and highly entertaining, Bad Medicine dispelssuch medical convictions as: * You only use 10% of your brain: CAT, PET, and MRI scans all provethat there are no inactive regions of the brain . . . not evenduring sleep. * Sitting too close to the TV causes nearsightedness: Your motherwas wrong. Most likely, an already nearsighted child sits close tosee better. * Eating junk food will make your face break out: Acne is caused bydead skin cells, hormones, and bacteria, not from a pizza witheverything on it. * If you don't dress warmly, you'll catch a cold: Cold viruses arethe true and only cause of colds. Protect yourself and the ones you love from bad medicine-the brainyou save may be your own.

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“Engrossing … [An] expedition through the hidden and sometimes horrifying microbial domain.” —Wall Street Journal “Fascinating—and full of the kind of factoids you can't wait to share.” —Scientific American Parasites can live only inside another animal and, as Kathleen McAuliffe reveals, these tiny organisms have many evolutionary motives for manipulating the behavior of their hosts. With astonishing precision, parasites can coax rats to approach cats, spiders to transform the patterns of their webs, and fish to draw the attention of birds that then swoop down to feast on them. We humans are hardly immune to their influence. Organisms we pick up from our own pets are strongly suspected of changing our personality traits and contributing to recklessness and impulsivity—even suicide. Germs that cause colds and the flu may alter our behavior even before symptoms become apparent. Parasites influence our species on the cultural level, too. Drawing on a huge body of research, McAuliffe argues that our dread of contamination is an evolved defense against parasites. The horror and revulsion we are programmed to feel when we come in contact with people who appear diseased or dirty helped pave the way for civilization, but may also be the basis for major divisions in societies that persist to this day. This Is Your Brain on Parasites is both a journey into cutting-edge science and a revelatory examination of what it means to be human. “If you’ve ever doubted the power of microbes to shape society and offer us a grander view of life, read on and find yourself duly impressed.” —Heather Havrilesky, Bookforum

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Was it necessary for a 17th century painter to know principles of optics to hide a skull in one of his masterpieces? Is it possible the violent deaths of Roman emperors obey a statistical law? Are there connections between market trends and geometry? How did Islamic artists draw almost perfectly regular nine-sided polygons, when these cannot be traced with the use of compasses? Dirk Huylebrouk asks these and other exciting questions in this collection of essays, originally written for the science magazine EOS, a Dutch equivalent of Scientific American, distributed in Belgium and in The Netherlands. Every chapter can be read independently, as some subjects are repeated, and not strictly interconnected. Such is the case for instance of the golden section, an often-recurring topic in general mathematics. The reader will appreciate the original point of view expressed through each chapter, which makes this book stand out against the general information one can find by browsing the general media. The subtly provocative character of some parts is meant to stimulate the reader for further exploration. The book's title itself may already generate surprise. Sure, to many, mathematics seems to come from hell, but the darkness in the title in fact refers to the lugubrious stories about math and skulls, murders or World War II. There is also a more down-to-earth part about math and maps, money, Facebook, folding paper, shapes in ice and the most earthly yet unsolved math problems. ‘Bright mathematics’ alludes to Vedic, Islam, New Age, a meta-divine section, and is concluded by an interview with a top mathematician who also wrote about the existence of God.

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A selection of the Scientific American book club Recommended by MSNBC, Los Angeles Times, & American Association for the Advancement of Science's SB&F magazine "This wonderful scientific memoir captures the romance and beauty of research in precise poetic prose that is as gorgeous and evocative as anything written by Rilke, painted by Seurat, or played by Casals." --Mary Doria Russell, author of Doc and The Sparrow "A radiant love letter to science from a scientist with a poet's soul ...Green is an exquisite writer, and his fierce focus and mastery of style are reminiscent of the biologist and essayist Lewis Thomas." --Kirkus Reviews In Boltzmann's Tomb, Bill Green interweaves the story of his own lifelong evolution as a scientist, and his work in the Antarctic, with a travelogue that is a personal and universal history of science. Like Richard Holmes' The Age of Wonder--this book serves as a marvelous introduction to the great figures of science. Along with lyrical meditations on the tragic life of Galileo, the wildly eccentric Tycho Brahe, and the visionary Sir Isaac Newton, Green's ruminations return throughout to the lesser-known figure of Ludwig Boltzmann. Using Boltzmann's theories of randomness and entropy as a larger metaphor for the unpredictable paths that our lives take, Green shows us that science, like art, is a lived adventure. Bill Green is a geochemist and professor emeritus at Miami University in Oxford, Ohio. He is also the author of Water, Ice & Stone: Science and Memory on the Antarctic Lakes which received the American Museum of Natural History's John Burroughs Award for Nature Writing, was a finalist for the PEN/Martha Albrand Award, and was excerpted in The Ends of the Earth: An Anthology of the Finest Writing on the Arctic and the Antarctic, edited by Elizabeth Kolbert.

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The San Francisco artist Jess (1923–2004) has for decades been known to cognoscenti as an inventive and sophisticated master of the collage aesthetic. Recently however, his works are receiving fresh attention from a younger generation attuned to Jess’ interests in myth, narrative and appropriation. Jess used images taken from sources ranging from Dick Tracy to Dürer, from a Beatles bubblegum card to medical textbook drawings, from 1887 Scientific American line engravings to frames from George Herriman’s Krazy Kat. In reexamining myth through a synthesis of art and literature, Jess’ work remains a crucial assemblage of the meanings of our time. This volume brings to light collages, collage books, word poems and altered comics that have been largely inaccessible or unavailable since their making. Originally published in small editions and hard-to-find journals, or made as one-off artist’s books, these works demonstrate the full range of Jess’s extraordinary verbal and visual play. Several of Jess’s surreal comic-strip manipulations, Tricky Cad (1954–1959), are reproduced for the first time in their entirety, as are others such as Ben Big Bolt and Nance that have never before been published. The book also includes a group of complex wraparound book covers, several unpublished collage poems, and two artist’s books never before reproduced in full: From Force of Habit, a “fantastic tale” which plays with the pages of a Swedish cult sci-fi novel, and When a Young Lad Dreams of Manhood, a homoerotic paean (and naughty parody) of the priapic urge. A facsimile reproduction of the 20-page collage masterpiece O! is included as a separate booklet, and the book sports a dustjacket that folds out into a poster-size collage.

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In this pathbreaking and richly illustrated book, Martin Kemp examines the major optically oriented examples of artistic theory and practice from Brunelleschi’s invention of perspective and its exploitation by Leonardo and Durer to the beginnings of photography. In a discussion of color theory, Kemp traces two main traditions of color science: the Aristotelian tradition of primary colors and Newton’s prismatic theory that influenced Runge, Turner, and Seurat. His monumental book not only adds to our understanding of a large group of individual works of art but also provides valuable information for all those interested in the interaction between science and art. "This beautifully made volume . . . shows us the unity of the visual study of nature—the exalted mutual task of Renaissance science and art."—Scientific American"[A] wonderful book. . . . Martin Kemp has convincingly demonstrated that even the most diverse styles of Western art from the Renaissance to modern times remained ever enthralled by scientific optics. . . . [A] handsome volume."—Samuel Y. Edgerton, American Scientist "An extraordinarily ambitious, even daring, enterprise. . . . The book leaves us in no doubt about its author’s expertise in both fields. It includes the most comprehensive account of the development of perspective theory and practice I know."—Thomas Puttfarken, Times Higher Education Supplement "Kemp has performed a valuable service. . . . His style is lucid and he emerges as an honest broker who judiciously weighs the historical evidence. He has an impressive command of the literature of both art and optical science across much of Europe and over a span of four centuries. . . . Kemp’s thesis is amply illustrated with several hundred plates, including many of his own line drawings. . . . The reader is led gently through the history of art and the details of optical science to appreciate their interrelationship."—Geoffrey Cantor, Oxford Art Journal

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To mark the birthday of the world's most renowned evolutionary biologist, Oxford University Press has reissued the definitive edition of Darwin's classic-a brilliantly entertaining and accessible exploration of human and animal behavior. Renowned psychologist Paul Ekman's edited version of this book is the first to appear the way Darwin ultimately intended, with all of the corrections and additions that were in Darwin's notes for a revision that was never published during his lifetime. "Why do we shrug? Why do dogs wag their tails? Why do we scowl when angry and pout when sad rather than the other way around? What is the difference between guilt and shame? This would be an extraordinary book even if it had only answered these and scores of similar questions about the emotions in 1872 ...Darwin enriched his arguments with hundreds of insightful observations, many with the pathos and humor of great literature, as when he describes the terror of a man being led to his execution or the comical dejection of his dog as soon as it sensed that a walk might end ...This edition has the feel not of a lovingly restored museum piece but of a recent seminal work." --Steven Pinker, Science "Darwin's most readable and human book ...undiminished and intensely relevant even 125 years after publication."--Oliver Sacks, author of Musicophilia and The Man Who Mistook His Wife for a Hat "The Expression of the Emotions predates Freud, and it will still be illuminating human psychology long after Freud's discrediting is complete."--Richard Dawkins, author of The God Delusion "Highly original ...this is scholarship at its best."--Simon Baron-Cohen, Nature "Ekman's edition is no mere reprint plus introduction."--Mark Ridley, Scientific American

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"The exploration of the social conditions that facilitate or retard the search for scientific knowledge has been the major theme of Robert K. Merton's work for forty years. This collection of papers [is] a fascinating overview of this sustained inquiry. . . . There are very few other books in sociology . . . with such meticulous scholarship, or so elegant a style. This collection of papers is, and is likely to remain for a long time, one of the most important books in sociology."—Joseph Ben-David, New York Times Book Review"The novelty of the approach, the erudition and elegance, and the unusual breadth of vision make this volume one of the most important contributions to sociology in general and to the sociology of science in particular. . . . Merton's Sociology of Science is a magisterial summary of the field."—Yehuda Elkana, American Journal of Sociology"Merton's work provides a rich feast for any scientist concerned for a genuine understanding of his own professional self. And Merton's industry, integrity, and humility are permanent witnesses to that ethos which he has done so much to define and support."—J. R. Ravetz, American Scientist"The essays not only exhibit a diverse and penetrating analysis and a deal of historical and contemporary examples, with concrete numerical data, but also make genuinely good reading because of the wit, the liveliness and the rich learning with which Merton writes."—Philip Morrison, Scientific American"Merton's impact on sociology as a whole has been large, and his impact on the sociology of science has been so momentous that the title of the book is apt, because Merton's writings represent modern sociology of science more than any other single writer."—Richard McClintock, Contemporary Sociology

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Over the past several decades, Richard Ellis has produced a remarkable body of work that has been called ""magnificent"" (Washington Post Book World), ""masterful"" (Scientific American), ""magical"" (Men's Journal), and a ""dazzling tour de force"" (Christian Science Monitor). Ellis's new book—a fascinating tour through the world of the sperm whale—will surely inspire more such praise for the author heralded by Publisher Weekly as ""America's foremost writer on marine research.""Written with Ellis's deep knowledge and trademark passion, verve, and wit—and illustrated with a wide array of images including his own signature artwork—his study covers the full spectrum of the sperm whale's existence from its prehistoric past to its current endangered existence. Ellis, as no one else can, illuminates the iconic impact of Physeter macrocephalus (""big-headed blower"") on our history, environment, and culture, with a substantial nod to Herman Melville and Moby-Dick, the great novel that put the sperm whale (and whaling) on the literary map.Ranging far and wide, Ellis covers the sperm whale's evolution, ecology, biology, anatomy, behavior, social organization, intelligence, communications, migrations, diet, and breeding. He also devotes considerable space to the whale's hunting prowess, including its clashes with the giant squid, and to the history of the whaling industry that decimated its numbers during the last two centuries. He even includes a story about a beached juvenile he helped rescue, an event that provided scientists with one of their first opportunities to observe a sperm whale in the water and up close.Offering a rich tapestry for anyone with an interest in the marvels of ocean life, Ellis's book provides an indispensable guide to the life and times of one of the planet's most intelligent, elusive, and endangered species.

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Short-listed for the Society of Biology Book Award 2014 Long-listed for the Royal Society Winton prize for science books 2014In The Compatibility Gene, leading scientist Daniel M Davis tells the story of the crucial genes that define our relationships, our health and our individuality. We each possess a similar set of around 25,000 human genes. Yet a tiny, distinctive cluster of these genes plays a disproportionately large part in how our bodies work. These few genes, argues Davis, hold the key to who we are as individuals and our relationship to the world: how we combat disease, how our brains are wired, how attractive we are, even how likely we are to reproduce.The Compatibility Gene follows the remarkable history of these genes' discovery. From the British scientific pioneers who struggled to understand the mysteries of transplants to the Swiss zoologist who devised a new method of assessing potential couples' compatibility based on the smell of worn T-shirts, Davis traces a true scientific revolution in our understanding of the human body: a global adventure spanning some sixty years.'Unusual results, astonishing implications and ethical dilemmas' The Times'Packed with an insider's knowledge' New York Times'He makes immunology as fascinating to popular science readers as cosmology, consciousness, and evolution' Steven Pinker'An elegantly written, unexpectedly gripping account' Bill Bryson Guardian, Books of the Year Daniel M Davis is director of research at the University of Manchester's Collaborative Centre for Inflammation Research and a visiting professor at Imperial College, London. He has published over 100 academic articles, including papers in Nature and Science, and Scientific American. He has won the Oxford University Press Science Writing Prize and given numerous interviews for national and international media. He was elected a Fellow of the Academy of Medical Sciences in 2011.

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'The combination of humorous, scientifically grounded text with detailed, realistic drawings will pique the interest of armchair naturalists and active explorers alike' - "Publisher's Weekly". Be alert, because when you step into this spooky, twilight zone, anything can happen. Suddenly, a bat squeaks overhead while a slithery something - a salamander - slides around your foot into a dark crack. Move your flashlight and cave crickets wiggle their antennas as a frog croaks somewhere nearby. Look up and the heart-shaped face of a barn owl may fix you with an icy stare. One small square at a time, you feel the mushiness of the damp earth and experience a world of natural wonders where shy inhabitants wait in shadows for you to discover them. "Cave" is just one of the exciting, vibrantly illustrated volumes in the critically acclaimed "One Small Square" series of science and nature books for children ages 6-9.Each book includes: stunning full-colour illustrations of each habitat and its creatures; motivating experiments and activities, along with clear, diagrammed instructions and safety tips; a picture field guide to the habitat; a glossary-index and resource list. "One Small Square" - an eye opening series - puts the whole world in perspective for children, one small square at a time. Each book is a thrilling, up-close encounter with mammals, insects, plants, birds, fish, amphibians, bacteria, and the ecosystems in which they live. 'Science education at its best' - Science Books and Films.About the author and illustrator: Donald M. Silver is the author of more than 40 science books for children and teachers alike. In addition to the award winning "One Small Square" series, he has written "The Animal World", "Why Save the Rain Forest?, "Extinction Is Forever", and "The Dinosaur Activity Book" - all illustrated by Patricia J. Wynne. Patricia J. Wynne's illustrations have also appeared in "Scientific American", "Natural History", and "The New York Times" as well as in the highly praised books "Hungry", "Hungry Sharks", and 'The Human Body". Both the author and illustrator live in New York City.

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A brilliant young environmental journalist argues that we must innovate and adapt to save planet Earth in this enlightening “trip around the world to meet people working out new ways for humanity to live as well as survive” (The New York Times Book Review).With the historical perspective of The Song of the Dodo and the urgency of Al Gore’s An Inconvenient Truth, The Unnatural World chronicles a disparate band of unlikely heroes: an effervescent mad scientist who would fertilize the seas; a pigeon obsessive bent on bringing back the extinct; a low-level government functionary in China doing his best to clean up his city, and more. These scientists, billionaires, and ordinary people are all working toward saving the best home humanity is ever likely to have. What is the threat? It is us. In a time when a species dies out every ten minutes, when summers are getting hotter, winters colder, and oceans higher, some people still deny mankind’s effect on the Earth. But all of our impacts on the planet have ushered in what qualifies as a new geologic epoch, thanks to global warming, mass extinction, and such technologies as nuclear weapons and plastics. “A futurist ray of hope amid the usual denial and despair” (Esquire), The Unnatural World examines the world we have created and analyzes the glimmers of light emerging from the efforts of incredible individuals seeking to change our future. Instead of a world without us, this history of the future shows how to become good gardeners, helping people thrive along with an abundance of plants, animals, all the exuberant profusion of life on Earth—a better world with us. The current era of humans need not be the end of the world—and “Biello describes both what we have done to alter our planet and what we should do in the future to ensure its habitability” (Scientific American).

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A compelling biography of Mark Weiser, a pioneering innovator whose legacy looms over the tech industry’s quest to connect everything—and who hoped for something better. When developers and critics trace the roots of today’s Internet of Things—our smart gadgets and smart cities—they may single out the same creative source: Mark Weiser (1952–99), the first chief technology officer at Xerox PARC and the so-called “father of ubiquitous computing.” But Weiser, who died young at age 46 in 1999, would be heartbroken if he had lived to see the ways we use technology today. As John Tinnell shows in this thought-provoking narrative, Weiser was an outlier in Silicon Valley. A computer scientist whose first love was philosophy, he relished debates about the machine’s ultimate purpose. Good technology, Weiser argued, should not mine our experiences for saleable data or demand our attention; rather, it should quietly boost our intuition as we move through the world. Informed by deep archival research and interviews with Weiser’s family and colleagues, The Philosopher of Palo Alto chronicles Weiser’s struggle to initiate a new era of computing. Working in the shadows of the dot-com boom, Weiser and his collaborators made Xerox PARC headquarters the site of a grand experiment. Throughout the building, they embedded software into all sorts of objects—coffeepots, pens, energy systems, ID badges—imbuing them with interactive features. Their push to integrate the digital and the physical soon caught on. Microsoft’s Bill Gates flagged Weiser’s Scientific American article “The Computer for the 21st Century” as a must-read. Yet, as more tech leaders warmed to his vision, Weiser grew alarmed about where they wished to take it. In this fascinating story of an innovator and a big idea, Tinnell crafts a poignant and critical history of today’s Internet of Things. At the heart of the narrative is Weiser’s desire for deeper connection, which animated his life and inspired his notion of what technology at its best could be.

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We've all asked ourselves the question. It's impossible to look up at the stars and NOT think about it: Are we alone in the universe? Books, movies and television shows proliferate that attempt to answer this question and explore it. In OUT THERE Space.com senior writer Dr. Michael Wall treats that question as merely the beginning, touching off a wild ride of exploration into the final frontier. He considers, for instance, the myriad of questions that would arise once we do discover life beyond Earth (an eventuality which, top NASA officials told Wall, is only drawing closer). What would the first aliens we meet look like? Would they be little green men or mere microbes? Would they be found on a planet in our own solar system or orbiting a star far, far away? Would they intend to harm us, and if so, how might they do it? And might they already have visited?OUT THERE is arranged in a simple question-and-answer format. The answers are delivered in Dr. Wall's informal but informative style, which mixes in a healthy dose of humor and pop culture to make big ideas easier to swallow. Dr. Wall covers questions far beyond alien life, venturing into astronomy, physics, and the practical realities of what long-term life might be like for we mere humans in outer space, such as the idea of lunar colonies, and even economic implications. Readers won't just be hearing from Dr. Wall. As a longtime science journalist--whose work at Space.com is syndicated in outlets from Scientific American to Fox News--he has assembled an impressive array of contacts to provide expert commentary. From a former NASA chief scientist to leading science educators like Neil DeGrasse Tyson and Bill Nye to would-be space traveler Elon Musk, Dr. Wall shares the insights of some of the leading lights in space exploration today, and shows how the next space age might be brighter than ever.

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Want to read just one book about autism? Read this. Written by Temple Grandin, one of the world's most accomplished and well-known adults with autism, this thought-provoking, insightful and inspirational book - with illustrative diagrams and key points pulled out for emphasis - will assist not only fellow autistics and families with affected members, but also researchers and physicians seeking to better understand the condition.'An extraordinary source of inspiration for autistic children, their parents - and all people' -- Time'The Autistic Brain can both enlighten readers with little exposure to autism and offer hope and compassion to those who live with the condition' -- Scientific American'Grandin has helped us understand autism not just as a phenomenon, but as a different but coherent mode of existence that otherwise confounds us...' -- New York Times'Enjoyable, insightful read' -- ***** Reader review'This book is a delight from start to finish' -- ***** Reader review'Superb, readable book' -- ***** Reader review'Great book. Very insightful and easy to follow' -- ***** Reader review********************************************************************************************It's estimated that one in almost a hundred people are diagnosed as being on the autistic spectrum but there is far more hope for them today than ever before thanks to ground-breaking new research.In this fascinating and highly readable book, Temple Grandin offers her own experience as an autistic person alongside remarkable new discoveries about the autistic brain, as well as genetic research.She highlights long-ignored sensory problems as well as the need to treat autism symptom by symptom, rather than with an umbrella diagnosis. Most exciting of all, she argues that raising and educating children on the autistic spectrum needs to be less about focusing on their weaknesses, and more about fostering their unique contributions.Written in a clear, concise and accessible way, with illustrative diagrams and key points pulled out for emphasis, this is an all-encompassing guide that will change the perception of autism.

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Many fields have explored the nature of mental life from psychology to psychiatry, literature to linguistics. Yet no common “framework” where each of these important perspectives can be honored and integrated with one another has been created in which a person seeking their collective wisdom can find answers to some basic questions, such as, What is the purpose of life? Why are we here? How do we know things, how are we conscious of ourselves? What is the mind? What makes a mind healthy or unwell? And, perhaps most importantly: What is the connection among the mind, the brain, and our relationships with one another? Our mental lives are profoundly relational. The interactions we have with one another shape our mental world. Yet as any neuroscientist will tell you, the mind is shaped by the firing patterns in the brain. And so how can we reconcile this tension—that the mind is both embodied and relational? Interpersonal Neurobiology is a way of thinking across this apparent conceptual divide. This Pocket Guide to Interpersonal Neurobiology is designed to aid in your personal and professional application of the interpersonal neurobiology approach to developing a healthy mind, an integrated brain, and empathic relationships. It is also designed to assist you in seeing the intricate foundations of interpersonal neurobiology as you read other books in the Norton Series on Interpersonal Neurobiology. Praise for Daniel J. Siegel's books: “Siegel is a must-read author for anyone interested in the science of the mind.” —Daniel Goleman, author of Social Intelligence: The New Science of Human Relationships “[S]tands out for its skillful weaving together of the interpersonal, the inner world, the latest science, and practical applications.” —Jack Kornfield, PhD, founding teacher of the Insight Meditation Society and Spirit Rock Center, and author of A Path With Heart “Siegel has both a meticulous understanding of the roles of different parts of the brain and an intimate relationship with mindfulness . . . [A]n exciting glimpse of an uncharted territory of neuroscience.” —Scientific American Mind “Dr. Daniel Siegel is one of the most thoughtful, eloquent, scientifically solid and reputable exponents of mind/body/brain integration in the world today.” —Jon Kabat-Zinn, PhD, author of Wherever You Go, There You Are, Full Catastrophe Living, and Coming to Our Senses

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'A dazzling, funny and elegantly angry demolition of our preconceptions about female behaviour and sex in the animal kingdom ... Bitch is a blast. I read it, my jaw sagging in astonishment, jotting down favourite parts to send to friends and reading out snippets gleefully...' Observer'A book that is tearing down the stereotypes and the biases. Absolutely fascinating.' BBC R4 Woman's Hour'From the heir to Attenborough. 5*' - Telegraph'Glorious ... A bold and gripping takedown of the sexist mythology baked into biology ... Full of marvellous surprises. Guardian'Colourful, committed and deeply informed.' Sunday Times'Gloriously original' Daily MirrorA 'sparkling attack on scientific sexism' Nature'Humorous, absorbing, sometimes shocking (for a variety of reasons), and bound to be a conversation starter' BBC Wildlife'Brilliant ... Cooke is a superb science writer' TLS'Zoologist Lucy Cooke's hilarious and enlightening book reclaims evolutionary biology for females of all species.' New Statesman'Introduces us to a marvelous zoetrope of animals.' The Atlantic'[An] effervescent exposé ... [A] playful, enlightening tour of the vanguard of evolutionary biology.' Scientific American Selected for the Telegraph's 'best books for summer 2022' and as one of the Guardian's '50 hottest new books for a great escape'._______________________________________________________________What does it mean to be female? Mother, carer, the weaker sex? Think again.In the last few decades a revolution has been brewing in zoology and evolutionary biology. Lucy Cooke introduces us to a riotous cast of animals, and the scientists studying them, that are redefining the female of the species.Meet the female lemurs of Madagascar, our ancient primate cousins that dominate the males of their species physically and politically.Or female albatross couples, hooking up together to raise their chicks in Hawaii.Or the meerkat mothers of the Kalahari Desert - the most murderous mammals on the planet.The bitches in BITCH overturn outdated binary expectations of bodies, brains, biology and behaviour. Lucy Cooke's brilliant new book will change how you think - about sex, sexual identity and sexuality in animals and also the very forces that shape evolution.__________Praise for Lucy's previous book THE UNEXPECTED TRUTH ABOUT ANIMALS'Endlessly fascinating' - Bill Bryson'I cannot remember when I enjoyed a non-fiction book so much' - Daily Express'A joy from beginning to end' - Guardian'Best science pick: deeply researched, sassily written' - Nature

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Julia Ward Howe Award Finalist NBC News "Top Science and Tech Books of the Year" selection Scientific American/FSG "Favorite Science Books of the Year" selection Nature.com "Top Reads of the Year" selection Kirkus Reviews "Best Books of the Year" selection Discover magazine "Top 5 Summer Read" "A masterful balance of science, history and rich narrative." --Discover magazine "Hirshfeld tells this climactic discovery of the expanding universe with great verve and sweep, as befits a story whose scope, characters and import leave most fiction far behind." --Wall Street Journal "Starlight Detectives is just the sort of richly veined book I love to read--full of scientific history and discoveries, peopled by real heroes and rogues, and told with absolute authority. Alan Hirshfeld's wide, deep knowledge of astronomy arises not only from the most careful scholarship, but also from the years he's spent at the telescope, posing his own questions to the stars." --DAVA SOBEL, author of A More Perfect Heaven: How Copernicus Revolutionized the Cosmos and Longitude In 1929, Edwin Hubble announced the greatest discovery in the history of astronomy since Galileo first turned a telescope to the heavens. The galaxies, previously believed to float serenely in the void, are in fact hurtling apart at an incredible speed: the universe is expanding. This stunning discovery was the culmination of a decades-long arc of scientific and technical advancement. In its shadow lies an untold, yet equally fascinating, backstory whose cast of characters illuminates the gritty, hard-won nature of scientific progress. The path to a broader mode of cosmic observation was blazed by a cadre of nineteenth-century amateur astronomers and inventors, galvanized by the advent of photography, spectral analysis, and innovative technology to create the entirely new field of astrophysics. From William Bond, who turned his home into a functional observatory, to John and Henry Draper, a father and son team who were trailblazers of astrophotography and spectroscopy, to geniuses of invention such as Leon Foucault, and George Hale, who founded the Mount Wilson Observatory, Hirshfeld reveals the incredible stories--and the ambitious dreamers--behind the birth of modern astronomy. Alan Hirshfeld, Professor of Physics at the University of Massachusetts Dartmouth and an Associate of the Harvard College Observatory, is the author of Parallax: The Race to Measure the Cosmos, The Electric Life of Michael Faraday, and Eureka Man: The Life and Legacy of Archimedes.

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Whether discussing hexaflexagons or number theory, Klein bottles or the essence of "nothing," Martin Gardner has single-handedly created the field of "recreational mathematics." The Colossal Book of Mathematics collects together Gardner's most popular pieces from his legendary "Mathematical Games" column, which ran in Scientific American for twenty-five years. Gardner's array of absorbing puzzles and mind-twisting paradoxes opens mathematics up to the world at large, inspiring people to see past numbers and formulas and experience the application of mathematical principles to the mysterious world around them. With articles on topics ranging from simple algebra to the twisting surfaces of Mobius strips, from an endless game of Bulgarian solitaire to the unreachable dream of time travel, this volume comprises a substantial and definitive monument to Gardner's influence on mathematics, science, and culture. In its twelve sections, The Colossal Book of Math explores a wide range of areas, each startlingly illuminated by Gardner's incisive expertise. Beginning with seemingly simple topics, Gardner expertly guides us through complicated and wondrous worlds: by way of basic algebra we contemplate the mesmerizing, often hilarious, linguistic and numerical possibilities of palindromes; using simple geometry, he dissects the principles of symmetry upon which the renowned mathematical artist M. C. Escher constructs his unique, dizzying universe. Gardner, like few thinkers today, melds a rigorous scientific skepticism with a profound artistic and imaginative impulse. His stunning exploration of "The Church of the Fourth Dimension," for example, bridges the disparate worlds of religion and science by brilliantly imagining the spatial possibility of God's presence in the world as a fourth dimension, at once "everywhere and nowhere." With boundless wisdom and his trademark wit, Gardner allows the reader to further engage challenging topics like probability and game theory which have plagued clever gamblers, and famous mathematicians, for centuries. Whether debunking Pascal's wager with basic probability, making visual music with fractals, or uncoiling a "knotted doughnut" with introductory topology, Gardner continuously displays his fierce intelligence and gentle humor. His articles confront both the comfortingly mundane—"Generalized Ticktacktoe" and "Sprouts and Brussel Sprouts"—and the quakingly abstract—"Hexaflexagons," "Nothing," and "Everything." He navigates these staggeringly obscure topics with a deft intelligence and, with addendums and suggested reading lists, he informs these classic articles with new insight. Admired by scientists and mathematicians, writers and readers alike, Gardner's vast knowledge and burning curiosity reveal themselves on every page. The culmination of a lifelong devotion to the wonders of mathematics, The Colossal Book of Mathematics is the largest and most comprehensive math book ever assembled by Gardner and remains an indispensable volume for the amateur and expert alike.

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This is the first and only book of portraits of android and humanoid robots. The robots in these photographs by Max Aguilera-Hellweg, a photojournalist for 40 years whose work has appeared in Life, NYT Magazine, Rolling Stone, Discover, Scientific American, Time, and National Geographic, are some of the most well known in the world of humanoid robotics. The photographs explore the many ways scientists and engineers are creating robots with human attributes, qualities, and abilities, and the means by which the robots engage us in what is known as human-robot interaction. The relationship of humans to robots can be as subtle as nonverbal communication; as intuitive as whether you should pass someone on the left or pass on the right to avoid sidewalk salsa; as intimate as developing an affectionate personal relationship with a machine, or as never before conceived of, but now as important as life and death—autonomous robots programmed for ethical decision making in the battlefield. Author and photographer Max Aguilera-Hellweg has embarked on a journey through Japan and the United States to explore the turning point in the evolution of robot science, where robots are becoming more like humans, crossing the great divide between data processing and sentience. Humanoid's breathtaking photographs present android robots designed to look and act like a human, beyond the imaginary Data from the TV series Star Trek, Pris, the replicant (played by Daryl Hannah) in the movie Blade Runner, or the "synths" of the hit TV series Humans. Some of the humanoid robots portrayed in this profound book, such as Bina48, Joey Chaos, and Geminoid-F have humanlike skin, hair, hands, even fingernails—they have been created to resemble with extreme accuracy an actual human being. Other humanoids are devoid of such external attributes but replicate the anatomy of a human—arms, legs, torso, a head and eyes—like, for example, the Terminator, not as Arnold Schwarzenegger but when he is all machine.Some of Aguilera-Hellweg's photographs reveal the different ways robot scientists approach the same engineering and design problem. BioBiped1, for instance, a humanoid based on biomimetics, comprised of a torso and pair of legs, has joints and moving parts modeled on human biology and systems, harnessing what nature has solved. Another such humanoid, aptly named Vocal Robot, consists of a pair of artificial lungs and a vocal chord from which it speaks. During the creation of many of these photos, an hour-long documentary, Au Couer des Robots (In the Heart of Robots), was shot. The English-language version is in postproduction and will soon seek distribution here and internationally. Max Aguilera-Hellweg's astonishing, gorgeous photography open our eyes to this brave new world in which humanoid robots—exciting, thrilling, frightening to some, strange to others, controversial, lifesaving—will change our lives in countless ways.

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Hurry! Hurry! Come one, come all. Meet a man who can pull two railroad passenger cars with his teeth and a real-life human cannon ball. Come face to face with a dead rattlesnake that still bites. And unlock the secrets of a magician’s bodiless head. Welcome to this updated edition of The Flying Circus of Physics, where death-defying stunts, high-flying acrobatics, strange curiosities, and mind-bending illusions bring to life the fascinating feats of physics in the world around us. In 1977, Wiley published the first edition of Jearl Walker’s The Flying Circus of Physics, which has sold over 100,000 copies and become a cult classic in the physics community. The Flying Circus is a compendium of interesting real world phenomena that can be explained using basic laws of physics. This new edition represents a thorough updating and modernization of the book. The new edition gives us the opportunity to highlight Jearl’s creativity, his communication skills, and his ability to make physics interesting. Jearl Walker, Ph.D., professor of physics at Cleveland State University and the man who frequently walked on hot coals and lay on beds of nails all in the name of science, is the first recipient of the Outstanding Teaching Award from Cleveland State's College of Science. The College's Faculty Affairs Committee selected Dr. Walker as the first honoree based on his impressive contributions to science teaching over the last 30 years. In fact, the award in future years will be named the Jearl Walker Outstanding Teaching Award in recognition of his many achievements. Jearl Walker received his B.S. in physics from MIT in 1967 and his Ph.D. in physics from the University of Maryland in 1973. His popular book, The Flying Circus of Physics, has been translated into at least 10 languages and is still being sold worldwide. For 16 years he toured his fun-filled Flying Circus lecture throughout the U.S. and Canada, introducing countless teachers to such physics phenomena as molecular adhesion by hanging spoons from his face and Leidenfrost's phenomenon by dipping his wet hand in molten lead without getting hurt. These lectures led to his national PBS television show, Kinetic Karnival, which ran for several years and won him a local Emmy Award. During his 13 years as a columnist with Scientific American magazine, Dr. Walker wrote 152 articles for "The Amateur Scientist" section, which were translated into at least 9 languages worldwide. His topics ranged from the physics of judo to the physics of bearnaise sauce and lemon meringue pie. In 1990, he took over the textbook Fundamentals of Physics from David Halliday and Robert Resnick and has now published the seventh edition of the book. He has appeared countless times on television and radio and in newspapers and magazines.

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‘Probably the most readable, exciting and authoritative writer on science we have. A new Lawrence Krauss book always goes to the top of the curious mind’s wish list.’ Stephen Fry “I loved the fight scenes and the sex scenes were excellent.” (Eric Idle) 'In the span of a century, physics progressed from skepticism that atoms were real to equations so precise we can predict properties of subatomic particles to the tenth decimal place. Lawrence Krauss rightly places this achievement among the greatest of all stories, and his book—at once engaging, poetic and scholarly—tells the story with a scientist’s penetrating insight and a writer’s masterly craft.' (Brian Greene, author of The Elegant Universe, and Director, Center for Theoretical Physics, Columbia University) "Unlike some very clever scientists, Lawrence Krauss is not content to bask on the Mount Olympus of modern physics. A great educator as well as a great physicist, he wants to pull others up the rarefied heights to join him. But unlike some science educators, he doesn’t dumb down. In Einstein’s words, he makes it 'as simple as possible but no simpler.'" (Richard Dawkins, author of The Magic of Reality) “In every debate I’ve done with theologians and religious believers their knock-out final argument always comes in the form of two questions: Why is there something rather than nothing? and Why are we here? The presumption is that if science provides no answers then there must be a God. But God or no, we still want answers. In A Universe From Nothing Lawrence Krauss, one of the biggest thinkers of our time, addressed the first question with verve, and in The Greatest Story Ever Told he tackles the second with elegance. Both volumes should be placed in hotel rooms across America, in the drawer next to the Gideon Bible." (Michael Shermer, Publisher Skeptic magazine, columnist Scientific American, Presidential Fellow Chapman University, author The Moral Arc.) "A Homeric tale of science, history, and philosophy revealing how we learned so much about the universe and its tiniest parts." (Sheldon Glashow, Nobel Laureate, 1979 in physics) “The Greatest Story Ever Told—So Far ranges from Galileo to the LHC and beyond. It's accessible, illuminating, and surprising—an ideal guide for anyone interested in understanding our accidental universe.” (Elizabeth Kolbert, Pulitzer Prize-winning author of The Sixth Extinction) “College students, hippies, squares, Christians, Muslims, democrats, republicans, libertarians, theists, even atheists—all of us—sit around BS-ing like: ‘So, how did all this, I mean everything, all of us, the whole universe, you know, man, everything, how did this all get here?’ While we were doing that, Lawrence Krauss and people like him were doing the work to figure it out. Then Krauss wrote this great book about it. ‘Wow, man, you mean, like we’re getting closer to really knowing? I guess we’ll have to go back to talking about politics and sex.’” (Penn Jillette, author of Presto!) “Discovering the bedrock nature of physical reality ranks as one of humanity’s greatest collective achievements. This book gives a fine account of the main ideas and how they emerged. Krauss is himself close to the field, and can offer insights into the personalities who have led the key advances. A practiced and skilled writer, he succeeds in making the physics ‘as simple as possible but no simpler.’ I don’t know a better book on this subject.” (Martin Rees, author of Just Six Numbers) “It is an exhilarating experience to be led through this fascinating story, from Galileo to the Standard Model and the Higgs boson and beyond, with lucid detail and insight, illuminating vividly not only the achievements themselves but also the joy of creative thought and discovery, enriched with vignettes of the remarkable individuals who paved the way. It amply demonstrates that the discovery that ‘nature really follows the simple and elegant rules intuited by the 20th- and 21st-century versions of Plato’s philosophers’ is one of the most astonishing achievements of the human intellect.” (Noam Chomsky, Institute Professor & Professor of Linguistics (Emeritus), MIT) “Charming... Krauss has written an account with sweep and verve that shows the full development of our ideas about the makeup of the world around us... A great romp.” (Walter Gilbert, Nobel Award, Chemistry, 1980) “History of science with an edge—humorous, personal, passionate, yet intellectually serious and authoritative.” (Frank Wilczek, Nobel Laureate, Physics)In the beginning there was light but more than this, there was gravity. After that, all hell broke loose... This is how the story of the greatest intellectual adventure in history should be introduced - how humanity reached its current understanding of the universe, one that is far removed from the realm of everyday experience. Krauss connects the world we know with the invisible world all around us, which is removed from intuition and direct sensation. He explains our current understanding of nature and the struggle to construct the greatest theoretical edifice ever assembled, the Standard Model of Particle Physics -- and then to understand its implications for our existence. Writing in the critically acclaimed style of A Universe from Nothing, Krauss celebrates the beauty and wonders of the natural world and details our place within it and how this shapes our understanding of it. Krauss makes this story accessible through profiles of the scientists responsible for these advances, and clear explanations of their discoveries. Krauss takes us on a tour of science and the brilliant personalities who shaped it, often against political and religious indoctrination, enduring persecution and ostracism. Krauss creates a captivating blend of research and narrative to invite us into the lives and minds of these figures,creating a landmark work of scientific history.

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