Search results for ""Museum of Modern Art""

Jacob Lawrence Makes a World follows the creative adventures of the young artist as he finds inspiration in the vibrant colours and characters of his community in Harlem. From his mother’s apartment, where he is surrounded by brightly coloured walls with intricate patterns, to the streets full of familiar and not-so-familiar faces, sounds, rhythms and smells, to the art studio where he goes each day after school to transform his everyday world on an epic scale, Jacob takes readers on an enchanting journey through the bustling sights and sounds of his neighborhood. This vividly illustrated book about the artist Jacob Lawrence (1917- 2000) and his childhood in New York during the Harlem Renaissance is full of colourful street scenes that evoke the rich African-American culture and community captured by Lawrence in his landmark Migration series.

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To celebrate the 50th Anniversary and the 500th issue of the French film journal Positif - voila! A pre-eminent film magazine since its inception, the monthly Positif has always been at the forefront of critical thought, discerning trends in cinema as they are happening. With over fifty articles covering some of the most notable films of the past fifty years, this compendium reveals how the magazine accomplished that very feat throughout its existence. Read Bernard Chardere on Luis Bunuel's Los Olvidados, Paul-Louis Thirard on Maurice Burnan, Robert Benayoun on Frederico Fellini, and other critics on flicks from The African Queen and Hiroshima mon Amour to Reservoir Dogs. With an introduction by Michel Ciment, Positif's editor, and articles by distinguished critics and practitioners, this compilation pays tribute to both the importance of films and the lasting value of Positif.

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D. W. Griffith, most famous for his controversial film Birth of a Nation, was one of the undisputed pioneers of the film industry. This illustrated monograph, first published in 1940, traces Griffith's rise from an obscure actor-poet to the most imaginative and resourceful film producer of his time. In this facsimile edition of this classic book, Iris Barry gives a critical evaluation of the man under whose aegis the basic principles of the art of motion pictures were first fully developed. As Barry writes in the book's conclusion, 'the men who make films today know who it was that taught them the basis of their craft. The American public, who for 45 years have so keenly enjoyed and supported the motion picture...are recognizing that in Griffith they have one of the greatest and most original artists of our time.'

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There is a whole category of design objects and prototypes designed in order to respond to situations of emergency, to protect the body and the mind from dangerous or stressful situations, and to provide a sense of comfort and safety. This book explores these objects, featuring designs and objects in areas such as protective gear, everyday safety devices, emergency shelters, life support equipment, bioengineering and emergency vehicles.

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Robert Gober rose to prominence in the mid-1980s and was quickly acknowledged as one of the most significant artists of his generation. In the years since, his reputation has continued to grow, commensurate with the rich and complex body of work he has produced. Published in conjunction with the first comprehensive large-scale survey of the artist’s career to take place in the United States, this publication presents his works in all mediums, including individual sculptures and immersive sculptural environments, as well as a distinctive selection of drawings, prints, and photographs. Prepared in close collaboration with the artist, it traces the development of a remarkable body of work, highlighting themes and motifs that emerged in the early 1980s and continue to inform the artist’s work today. An essay by Hilton Als, and an in-depth chronology with extensive input from the artist himself, foregrounds images from Gober’s archives, including many neverbefore- published photographs of works in progress.

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American Modern presents a fresh look at The Museum of Modern Art’s holdings of American art made between 1915 and 1950, and considers the cultural preoccupations of a rapidly changing American society in the first half of the 20th century. Organized thematically and featuring paintings, drawings, prints, photographs, sculpture, and film, the publication brings together some of the Museum’s most celebrated masterworks, contextualizing them across mediums and amidst lesser-seen but revelatory works. The selection of works by artists such as Edward Hopper, Georgia O’Keeffe, Charles Sheeler, Charles Burchfield and Stuart Davis include urban and rural landscapes, scenes of industry, still-life compositions and portraiture. Although varying in style and specifics, they share certain underlying visual and emotional tendencies. Cityscapes and factories are eerily emptied of the crush of residents that flocked to them, becoming both a celebration of clean modern form and technological advances, as in Sheeler’s paintings and photographs, and a reflection of anxiety about increasingly urban life-styles and their consequences for the American individual, as in Hopper’s iconic Night Windows. Equally silent rural scenes are no less haunting, but perhaps reflect a nostalgia for seemingly simpler times, and a celebration of early American traditions and values. Rather than an encyclopedic view of American art of the period, this volume is a focused look at the strengths and surprises of MoMA’s collection in an area that has played a rich and major role in the institution’s history.

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