Search results for ""McFarland Co Inc""

While the American Revolution is often associated with New England and names like Boston, Concord, and Lexington, the Southern Colonies and names like Kings Mountain, Cowpens, and Charleston were also crucial to the war that established the United States of America. This analysis of the role of the Southern Colonies in the Revolution covers the origin of these five colonies - Maryland, Virginia, North Carolina, South Carolina, and Georgia - and their participation in the cause of American independence. Crucial Southern battles, from the coast to the mountains, are examined in detail, with attention to the larger context of the war and its significance, as well as to the role of the ordinary Southerner, both patriot and Tory.

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This is the history of air racing from its beginnings in 1909 at Reims, France, to the end of the 2008 racing season at Reno, Nevada. The history of air racing is very much the history of aviation, with glamorous pilots, some of military fame (e.g., Jimmy Doolittle) and builders (e.g., Glenn Curtiss), machines that captivated the national imagination, and many relatively unknown tinkerers and designers. This book follows air racing from pre-World War I European races, through the interwar years when popular air races stimulated military design, and the booms and struggles of the postwar years before racing found a permanent home in the Nevada desert.

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The life of Karl Dane was a Cinderella story gone horribly wrong. The immigrant from Copenhagen was rapidly transformed from a machinist to a Hollywood star after his turn as the tobacco-chewing Slim in ""The Big Parade"" in 1925. After that, Dane appeared in more than 40 films with such luminaries as Lillian Gish, John Gilbert and William Haines until development of talkies virtually ruined his career. The most famous casualty of the transition from silent to sound film, Dane reportedly lost his career because of his accent, finding himself broke at the height of the Depression. He reportedly operated a hot dog stand outside the studio where he earned his fame, then committed suicide in 1934. This biography tells the tale of a daring yet tragic man who aimed for his wildest dreams and succeeded, if only for a short time.

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The 1900 Olympic Games have been termed ""The Farcical Games."" The events were poorly organized and years later many of the competitors had no idea that they had actually competed in the Olympics. They only knew that they had competed in an international sporting event in Paris in 1900. No official records of the 1900 Olympics exist.Based primarily on 1,900 sources, the sites, dates, events, competitors, and nations as well as the event, the results are compiled herein for all of the 1,900 Olympic events, including archery, track and field, cricket, equestrian, fencing, soccer, pelota basque, water polo, and rowing, among other sports.

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From its beginnings in the 1920s, Columbia Pictures Corporation has churned out an enormous variety of material, wide ranging in quality, subject matter and length. It has also served as a major distributor for foreign and domestically produced independent works. This thorough reference documents the studio's 2,371 feature length films, 57 serials, 596 cartoons and 76 miscellaneous short subjects. Release date, running time, major technical personnel, cast, and brief synopsis, when available, are given for each. Appendices list Columbia's movie series, Western series and stars, Academy Awards, and the studio's comedy shorts and their main stars. It includes a complete name index. Replacement volumes can be obtained individually under ISBN 0-7864-3122-9 (for Volume 1) and ISBN 0-7864-3123-7 (for Volume 2).

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With a career in films spanning nearly fifty years, Burt Lancaster brought his unique charisma and energy to roles in films ranging from the adventurous to the bittersweet. This comprehensive filmography of Lancaster's career is accompanied by a biography that provides the background for his immense range of work on the screen. Production information, a synopsis, and commentary is provided for each of Lancaster's 85 films, from the first - The Killers - to the last - Separate But Equal. Photographs from nearly all of Lancaster's films accompany the text, and an index and bibliography are also included.

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This book discusses the definition and types of FGM and explores the common justifications for the practice, along with the incidence in Africa, global laws, legal issues, rights and religion. Ethical considerations are examined, as are progress and the role of culture. Personal interviews help to expand and enrich the discussion. The book concludes with thoughts on the movement from tradition to cultural evolution.

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This volume presents a comprehensive annotated bibliography of Kinnamon's essays, books, and articles from 1983 through 2003. Arranged alphabetically by author within years are some 8,320 entries ranging from unpublished dissertations to book-length studies of African American literature and literary criticism.

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Many playwrights, authors, poets and historians have used images, metaphors and references to and from Greek tragedy, myth and epic to describe the African experience in the New World. The complex relationship between ancient Greek tragedy and modern African American theatre is primarily rooted in America, where the connection between ancient Greece and ancient Africa is explored and debated the most. The different ways in which Greek tragedy has been used by playwrights, directors and others to represent and define African American history and identity are explored in this work. Two models are offered for an Afro-Greek connection: Black Orpheus, in which the Greek connection is metaphorical, expressing the African in terms of the European; and Black Athena, in which ancient Greek culture is ""reclaimed"" as part of an Afrocentric tradition. African American adaptations of Greek tragedy on the continuum of these two models are then discussed, and plays by Peter Sellars, Adrienne Kennedy, Lee Breuer, Rita Dove, Jim Magnuson, Ernest Ferlita, Steve Carter, Silas Jones, Rhodessa Jones and Derek Walcott are analyzed. The concepts of colorblind and nontraditional casting and how such practices can shape the reception and meaning of Greek tragedy in modern American productions are also covered.

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In 1970, an LA Times headline called Monte Hellman ""Hollywood's Best Kept Secret."" More than thirty years later, Hellman and his work are still secrets, his genius recognized only by a small but passionate fan base - folks willing to slip into dark alleys to purchase old copies of his film Back Door to Hell. This work is a biography of Hellman and an extensive study of his films and films he has worked on, including The Wild Ride, The Intruder, Ski Troop Attack, Creature from the Haunted Sea, Last Woman on Earth, The Terror, Dementia 13, Bus Riley's Back in Town, Flight to Fury, Beach Ball, and lguana, to name just a few. It covers his youth (when he directed his first theatrical performance at the age of ten), his development as a stage actor and director, his break into the film industry after receiving the screenplay for Beast from Haunted Cave, and his involvement with other films and filmmakers. Attention is focused on the hallmarks of Hellman's work, including his dominant themes; his characters, who always seem to be involved in undefined or questionable activity; and his fusion of form and content to such a degree that they become inseparable.

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The experience of going to the movies, be it a single screen theater, twin, multiplex or drive-in, is affected by many different factors that have shifted over the years. Just as movies emerged from silent to talking, black and white to color, there has invariably been change in the way movies are made, copied, distributed and viewed. This change in the moviegoing experience, for better or for worse, is worth studying. This work examines the American moviegoing experience from 1968 to 2001 - the way in which movies are made and regulated (including the demise of the Production Code and the emergence of the ratings system) as well as changes in lighting, cinematography and coloring techniques. The projection practices of the past and present, during and after the presence of the Projectionists Union, and the advent of the ""platter,"" which allowed for automated projection, are discussed. How home video and cable affected the content of films after the eighties and the history of computerized special effects leading to the development of digital cinema projection are included. The work also covers the changing types of venues over the last third of a century and other aspects that affect, positively or negatively, the entire moviegoing experience.

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Albert J. Luxford has long been known as “The Gimmick Man” in the film and television industry, but he has remained one of its unsung and unknown geniuses despite his well-known work. He equipped James Bond with some of his most memorable gadgets; made possible many of the effects and sequences in the Carry On series. He worked on such shows and movies as Are You Being Served?, The Muppets, Highlander, and Chitty Chitty Bang Bang among many others.In this memoir, Luxford reminisces with great good humour about his life and work and shares some tricks of the trade. He left school at 16 to attend the Institute of Automobile Engineers in West London and began in the film industry as an engineer at Pinewood Studios. The bulk of this work is made up of Luxford’s recollections about his experiences in special effects. This is a genuine tour behind the scenes by an incomparable master of movie magic.

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In 1966, U.S. Army Special Forces were pushed out of the A Shau Valley by the North Vietnamese Army. In 1967, Douglas Coulter, serving with the Fifth Special Forces Group, led five-man reconnaissance teams into A Shau to discover whether NVA and Viet Cong troops were marshalling for an attack on the ancient city of Hue. His clear-eyed memoir recalls nighttime helicopter insertions and deep-jungle patrols miles behind enemy lines, and reflects on the cruel narcissism of U.S. moral and military superiority as the underlying cause of the Vietnam War.

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In its expanded third edition, this definitive work on Classics Illustrated explores the enduring series of comic-book adaptations of literary masterpieces in even greater depth, with twice the number of color plates as in the second edition. Drawing on interviews, correspondence, fanzines, and archival research, the book covers in full detail the work of the artists, editors, scriptwriters, and publishers who contributed to the success of the World''s Finest Juvenile Publication. Many previously unpublished reproductions of original art are included, along with new chapters covering editor Meyer Kaplan, art director L.B. Cole, and artist John Parker; additional information on contributions from Black artists and scriptwriters such as Matt Baker, Ezra Jackson, George D. Lipscomb, and Lorenz Graham; and a complete issue-by-issue listing of significant international series.

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For more than half a century, Black baseball players, barred from the Major Leagues by systemic racism, competed in leagues of their own. This book re-interprets the history of race in baseball from the ground up, telling the story of how the Major Leagues became the 'Caucasian Leagues,' and naming the person most responsible for their segregation; showing how Major League owners and executives tried to delay and even prevent integration; and proving, using a broad range of methods, that Negro League players were every inch the equals of their Major League counterparts. Cherished records held by white players since the days of segregation are shown to belong rightfully to Negro League superstars. This book takes a fresh look at a subject that's both straight from today's headlines and as old as baseball itself.

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This is by a large degree the most comprehensive accounting of the games of this brilliant chess player. Presented are 2,543 of Alekhine’s games, in an exhaustive catalog that is the result of many years of digging—an effort unparalleled in the history of chess game collections. Many of the games are annotated by Alekhine and 1,868 diagrams appear overall. The book includes games from his earliest correspondence tournaments in 1902 through his final match with Francisco Lupi at Estoril, Portugal, in January 1946.

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This volume is the seventeenth in a series dedicated to presenting the latest findings in the fields of comparative drama and performance. Featuring eleven essays from the 2021 Comparative Drama Conference in Orlando, it includes new research on contemporary plays by Anne Washburn, Will Arbery, Matthew Lopez, Anna Deveare Smith and Qui Nguyen. Chapters also present new research for classic plays such as Measure for Measure and Cyrano, arguments for teaching science through drama, changing approaches for training actors, and using the insights of neuroscience to lure audiences back to live theatre. This year's volume also features a new interview with playwright Anne Washburn and seven book reviews centered on drama and theatre studies.

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Fans and the billion-dollar franchises in which they participate have together become powerful agents within popular culture. These franchises have launched avenues for fans to expand and influence the stories that they tell. This book examines those fan-driven narratives as "wilderness texts," in which fans use their platforms to create for themselves while also communicating their visions to the franchises, thus spurring innovation.The essays in this collection look at how fans intervene in the production of mass media. Scholars analyze the negotiations between fan desires for both novelty and familiarity that franchises must maintain in order to achieve critical and commercial success. Applying varying theoretical approaches to discussions of fan responses to franchises, including Star Wars, Marvel, Godzilla, Firefly, The Terminator, Star Trek, DC, and The Muppets, these essays provide insight into the ever-changing relationships between fandom and transmedia storytelling.

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For the first 70 years of television, broadcasters dictated the terms of the viewing experience, deciding not only when but how much of a program an audience could watch. Binge-watching destroyed that model by placing control of the experience in the hands of the viewer.In this book, media scholar Emil Steiner chronicles the technological and cultural struggle between broadcasters and viewers, which reached a climax in the early 2010s with the emergence of streaming video platforms. Through extensive interviews and archival research, this ground-breaking project traces the history of binge-watching from its idiot box roots to the new normal of Peak TV. Along the way, Steiner exposes the news campaigns waged by disruptive technology companies that exploited a long-simmering, revolutionary narrative of viewer empowerment to take over the broadcast industry. Binge-watching, an individual's act of gaining control and losing control through the remote control, exposed a debate that had been raging since the first TV set was turned on--one that asks, "Who controls the story?

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An anthology of a different sort, this volume presents a representative sample of contemporary American poetry in 2021, with a road map of its origins. Bringing a diversity of styles and sensibilities, 62 poets from across the United States—some well known, some up-and-coming—illuminate their craft. Each contributes one poem, accompanied by an essay discussing their creative process and how the verse came to fruition.

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Innovative sounds in pop, rock and soul in the 1960s and 1970s meant that music appealed to more people than ever before. While some songs appealed to a broad audience, some targeted a much narrower demographic, meaning songs on the pop charts might not do as well on the adult contemporary or soul charts, or vice versa.This book examines forty songs featured on song charts of the 1960s and 1970s. Charts considered are Billboard Pop, Billboard Soul, Adult Contemporary, Cashbox and British Charts. Each listing includes discussion of the factors that contributed to the songs' popularity. Author interviews with songwriters, musicians and artists such as KC (of KC and the Sunshine Band), Mark Farner (of Grand Funk), Jerry Butler, Ron Dante (of the Archies and the Cuff Links), Freda Payne, Lou Christie, Tommy Roe, The Spinners and others tell the stories behind some of the era's most popular songs.

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The Victorian Era saw a revolution in communication technology. Millions of texts emerged from a complex network of writers, editors, publishers and reviewers, to shape and be shaped by the dynamics of a rapidly industrializing society. Many of these works offer fundamental, often surprising insights into Victorian society. Why, for example, did the innocuously titled Essays and Reviews (1860) trigger public outrage? How did Eliza Lynn Linton, almost forgotten today, become the first salaried woman journalist in England? What is "table-talk"?Critical approaches to Victorian prose have long focused on a few canonical writers. Recent scholarship has recognized a wide diversity of practitioners, forms and modes of dissemination. Presented in accessible A-Z format, this literary companion reinstates nonfiction as a principal vehicle of knowledge and debate in Victorian Britain.

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Generally naive about their world, children are thought to be nearly incapable of serious wrongdoing and are rarely suspects in violent crimes. Yet, from the 1960s to the mid-90s, the U.S. saw several waves of juvenile murders that caused widespread public concern. The phenomenon created longstanding debates about the sources or causes of a child killer's mindset. Some blame external triggers like video games, rock music or pornography, while others argue the causes are deeper issues, such as an underdeveloped brain experiencing abuse and neglect. The quest to uncover the causes of these crimes is ongoing, and how the American justice system should handle these young killers remains a controversy. This book assesses ten murder cases in modern American criminal history, examining the minds of the children who perpetrated them. Chapters compile decades of research on the psychology of child murderers in hopes of creating a more coherent understanding of why kids kill.

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When "talking" pictures first appeared in cinema theaters in the late 1920s, representations of newspaper journalists quickly became a Hollywood mainstay, resulting in a variety of responses from working reporters, editors, and photographers. The newspaper film was a popular genre in the 1950s, and famous films such as All the President's Men (1976) and Spotlight (2015) have brought the power of the press to life since then. Journalists have also been portrayed in films that aren't specifically about newspapers, appearing in noir films like Woman on the Run (1950), westerns such as Fort Worth (1951), comedies like The Ghost and Mr. Chicken (1966), musicals like Wake Up and Live (1937) and historical epics like Lawrence of Arabia (1962). A film historian and former newspaper writer, the author investigates how accurately films have portrayed journalists across the decades. The book also details what journalists thought of the depictions at the time, contributing to brief histories and analyses for each film. Featured journalist archetypes include airy reporters, screaming editors, photographers, sportswriters and war journalists. Classics, misfires, westerns, obscure treasures and films the press both adored and detested are all included in this comprehensive filmography.

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Americans began chewing gum long before 1850, scraping resin from spruce trees, removing any bits of bark or insects and chewing the finished product. Commercially-made gum was of limited availability and came in three types--tree resin, pretroleum-based paraffin and chicle-based--the latter, a natural latex, ultimately eclipsing its rivals by 1920. Once considered a women-only bad habit, chewing gum grew in popularity and was indulged in by all segments of society. The gum industry tried vigorously to export the habit, but it proved uniquely American and would not stick abroad.This book examines the chewing gum industry in America from 1850 to 1920, the rise and spread of gum chewing and the reactions--almost uniformly negative--to the habit from editorial writers, reformers, religious figures, employers and the courts. The age-old problem of what to do with chewed gum--some saved it in lockets around their neck; some shared it with friends--is also covered.

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Ken Follett: The Triumph of a Popular Writer is an investigation of the craft of writing, the negotiation of serious and popular literary concerns, and the artistic development of an author who wrote his first international bestseller, Eye of the Needle, when he was twenty-five years old. Follett has since been one of the most consistent international best-selling authors, with approximately 130 million copies of his books sold worldwide. Through the blending of different genres, his influence on the thriller form has been manifold and includes the pioneering use of strong female characters in espionage stories and the development of a new kind of novel - the historical thriller, as exemplified by a recent work such as Winter of the World (2012). While tracing his artistic development from his earliest attempts at short stories and screenplays through his mature thrillers and entertainment fiction, Ken Follett: The Triumph of a Popular Writer makes significant use of unpublished primary source materials, including Follett's business and personal correspondence, notes, unpublished early drafts, journal entries and outlines and concludes that Follett's dramatic shift to writing historical fiction may have resulted in his most enduring legacy.

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Kafka's Architectures is just as much about Kafka as it is about Architecture, on the one hand, adopting Kafka as a lens to examine modern conceptions in architecture, while on the other, using architecture to pry open new interpretations in Kafka scholarship. The book is composed of eight chapters, each taking up an architectural condition to explore meanings central to both literature and architecture, during and after Kafka's time. We learn, for instance, that while the stairs continues to function as vertical circulation, in Kafka's hands it becomes an instrument of science, testing the merit of natural selection. Doors similarly open and close less to allow access but to find the right alchemy of air between one psychological interior and the next. Notions of plumbing and hygiene, while already part and parcel of modern living, now begin to acquire a new meaning that wasn't there before. An architect like Mies van der Rohe suddenly begins to make more sense, especially his tabula rasa approach to design, signifying less a harsh disdain for site and more a response to a reality in which the ceremony of the stairs had died and was replaced by the pervasive flatness of the modern floor.

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After World War II, the United States military increasingly found itself involved in operations that have been described variously as limited wars, small wars, low intensity conflicts, operations other than war, support and stability operations, and the like. The name common for such operations throughout much of the 1990s was ""operations other than war"" (OOTW). During this period there was an explosion of doctrinal material on the subject, including an official field manual, FM 100-5, which appeared in 1993 and listed six principles of OOTW: objective, unity of effort, legitimacy, perseverance, restraint and security. The author of the present work examines four successful OOTWs (the Greek Civil War, Lebanon, the Dominican Republic, and Nicaragua/Honduras) and four failed ones (Vietnam, Beirut, Somalia, and Haiti) and concludes that there is a positive correlation between adherence to the principles and the operation's outcome. Furthermore, the author suggests that some of the principles serve as ""necessary conditions"" for others.

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The first in-depth study of its subject, this book seeks to historically account for a type of modernist film that revolves around bereavement. Identifying the roots of the genre in classical melodrama and horror cinema, and tracing perennial themes and aesthetic devices through to the European and American ""intellectual melodramas"" of the postwar decades, the book provides a taxonomy of characteristics. In the course of detailed case studies, the book deploys the film theory of Gilles Deleuze and Daniel Frampton while making use of Freudian psychoanalysis and present-day grief counselling theory. In making its case for the new genre, the book reflects upon the ways in which the very notion of genre has, in the post-classical period, responded to changing exhibition patterns, the rise of domestic spectatorship, and the proliferation of Web-based film literature.

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Beginning in 1870, the hunger for scientific discovery in Great Britain drove prominent scientists, philosophers, and others to promote the legitimacy of telepathy. At the same time, mind-reading as a form of entertainment gained increasing popularity as persuasive performers like John Randall Brown, W. I. Bishop, and Stuart C. Cumberland convinced reporters that they truly could read the thoughts of others. The widely publicized, sometimes bizarre, interactions between scientists and these charlatans ushered in the Thought Reader Craze, a period that lasted through 1910 and saw entertainers make and lose fortunes and scientists make and lost reputations. This volume explores this unusual cultural phenomenon, showing how it endured through the years due to public scientific pronouncements, astonishing performances by the thought readers, and the rapidly changing industrial society.

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The fundamental point of this book is that, in the past, the world's political, economic, military, and social development took place during a time of relatively stable sea level. That time, however, is now over: The world must begin to cope with inevitable increases in sea level. These increases are certain to have important domestic and international consequences--almost all of them negative. This book is a wide-ranging introductory survey of sea level rise. It addresses global warming, the hydrologic cycle, why we should care about the rise of the oceans, storm surges and other extreme events, the changing seas and their shorelines, cities and countries of the Atlantic, Pacific and Indian ocean basins, the West Antarctic Ice Sheet and the Greenland Ice Sheet, case studies on how the Netherlands and the U.S. plan to cope with sea level rise, the likely impacts of this rise, getting to know the experts on sea level rise, and very long term prospects for the world's shorelines.

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Many American folk singers have tried to leave their world a better place by writing songs of social protest. Musicians like Woody Guthrie, Leadbelly, Pete Seeger, Bob Dylan, and Joan Baez sang with fierce moral voices to transform what they saw as an

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From 1900 through 2000, the Catholic Church has had nine popes. Their terms of office have ranged from over 25 years (Leo XII) to slightly over one month (John Paul I). As the 21st century began, John Paul II was in his 22nd year as head of the church. During the century over 600 cardinals have helped to lead the church. This biographical reference work covers all nine popes and all 641 cardinals. The first section presents the popes in chronological order and provides full biographical information as date and place of birth and death, educational training and background for the priesthood, positions held within the church, and roles in church leadership and various conclaves. In the second section the cardinals are listed alphabetically and much the same biographical information is provided for them. (An appendix gives all the cardinals appointed by John Paul II in 2001.)

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From aerial survey to zoology, Part I of this two-part encyclopedia covers all aspects of underwater archaeology, treasure hunting and salvaging. For example, entries are included for different types of artifacts, notable treasure hunters, the various salvaging equipment, and techniques in mapping and excavating. Part II covers the shipwrecks themselves, dividing them into 13 geographical categories. Beginning with the northernmost category (Canada) and ending with the southernmost (South America), every known shipwreck - both identified and unidentified - receives an entry in alphabetical order under its appropriate geographical category. Entries are by name, such as Andrea Gail, Titanic, and Queen Ann's Revenge. Unidentified is used when a shipwreck's name remains unknown. Entries give the nationality (e.g., Spanish, British, American), type (schooner, frigate, brig are three), function (examples: slave transportation, piracy, fishing), location and history of the shipwreck.

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Medieval Europe was a hotbed of revolt against religious dogma. Particularly offensive to the established church were the views of the Cathars, whose dualist beliefs Rome condemned as heretical. Through a variety of literary works, this book explores the dualist religious movement which developed as a culture of the masses and took place in Europe between the 12th and 17th centuries. It examines the strong parallels between the Bogomils and Cathars and the religious practices of the British Lollards, extrapolating Lollardy's spread from eastern to western Europe. Providing numerous text comparisons, the work focuses on a number of authors including John Wycliffe, William Tynsdale, William Langland and John Milton, whose works exhibit the dualist philosophy.

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Richard Halliburton was the quintessential world traveler of the early 20th century. In 1930, his celebrity equaled that of Charles Lindbergh and Amelia Earhart. Halliburton called himself a ""horizon chaser,"" forwarding the idea that one should see the world before committing to a routine. Not only did he live up to his ideal, but he was eager to write about his adventures. A prolific partnership with gifted editor and ghost writer Paul Mooney produced excellent work and became a close personal relationship. Sadly, Halliburton and Mooney disappeared at sea on March 24, 1939, along with the entire crew of Halliburton's Chinese junk Sea Dragon, as they attempted to cross the Pacific. This biography records the life and adventures of Halliburton and Mooney, focusing - as no other Halliburton biography has - on the productive literary collaboration between the two. Drawing on the recollections of people who knew them both, the work discusses their backgrounds, the early years of their acquaintance, and their possible romantic relationship. Finally, their fateful journey to Hong Kong and the ill-advised voyage of the Sea Dragon is described in detail. A good deal of first-hand evidence is provided by William Alexander, Paul Mooney's best friend and designer of Halliburton's Laguna Beach house. Appendices contain seven poems by Mooney and a series of letters, including one of praise written by Richard Halliburton to William Alexander. Never-before-published photographs are also included.

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Celebrated as liberators and martyrs by those who support their cause, denounced as terrorists by their opponents, suicide bombers have become all too common in violent conflicts worldwide. The female suicide bomber is a relative newcomer to the landscapes of war, but more and more women are being recruited for self-sacrifice. This work discusses the history of suicide bombing and profiles the female suicide bomber. It raises the question of why women are increasingly used as bombers and explores the Western societal biases that tend to cast women in nonviolent roles. Battlegrounds discussed include Lebanon, Turkey, Sri Lanka, Chechnya, and Israel and Palestine. Because bombers do not operate as individuals but at the direction of organizations, this book also examines the organizations, their scope and training methods. It concludes with a discussion of strategies for the future and advocates continued human rights watch and continued global intervention.

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Hippocrates, one of history's earliest known physicians, once asserted, ""Walking is man's best medicine."" Over the last three centuries, people have endorsed walking for a variety of reasons--health among them. Before the 1700s, people walked as an essential part of their lifestyle. With the coming of the transportation revolution--and the advent of such conveyances as horse-drawn coaches, railways and automobiles--walking became something that was done increasingly out of choice rather than necessity. England's fashionable society engaged in afternoon promenades as a stylish fad. While America's vast distances and sparse settlements made this activity impractical, Americans nevertheless took to walking in other ways, including engaging in long distance walking competitions complete with spectators and prize money. Thus, for most of the twentieth century, the activity of walking was much more than a means of transportation.Beginning with the history of walking as a social activity, the book discusses the various issues which have affected walkers, including increased automobile traffic, the attention of the marketing industry and pedestrian regulations. The work examines the contemplative, psychological and observational qualities of walking as well as famous personalities--including Leonardo da Vinci, William Shakespeare, John Keats and John James Audubon--who endorsed these intellectual qualifications. During the 1970s fitness boom, walking was reinvented yet again, becoming an activity of numbers and equations as participants fought to maximize health benefits. The book concludes with a legal analysis of pedestrianism as it relates to sharing space with the automobile.

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This study examines five modernists in different disciplines - biology, painting, drama, fiction, and anthropology - whose work on islands made them famous. Charles Darwin challenged every presumption of popular science with his theory of evolution by natural selection, derived from his study of the Galapagos Islands. Paul Gauguin found on Tahiti inspiration enough to break through the inhibiting traditions of the Parisian art world. John Millington Synge's experience on the Aran Islands off the coast of Ireland gave birth to a new style of drama that defied classic divisions between tragedy and comedy. D.H. Lawrence's life-long search for a Utopian community culminated in his famous short story ""The Man Who Loved Islands,"" a story that poignantly portrays the tension between idealism and realism, solitude and human intimacy. Finally, Margaret Mead began her career in anthropology by studying the remote South Sea Islands and through her work acquired the sobriquet ""Mother of the World."" The text explores the extent to which islands inspired these radical thinkers to perform innovative work. Each used islands differently, but similar phenomena affected their choice of place and the outcome of their projects. Their examples illuminate the relationship of modernism to alienation and insularity.

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Old Dorm, which served as the first classroom and dormitory of the Gettysburg Lutheran Theological Seminary, is a familiar tourist site - Union Cavalry General John Buford directed the opening stages of the battle of Gettysburg from the building's distinctive cupola and some of the bloodiest fighting of the three-day conflict took place on Seminary Ridge. However, few visitors realize the building's important role as the second largest hospital at Gettysburg, both during and after the battle. During the peak occupancy, 600-700 wounded soldiers from both armies were cared for at this site. This work presents the history of the Gettysburg Seminary during the Civil War and the important cast of characters that have passed through its halls by utilizing the firsthand accounts of soldiers, civilians, surgeons, and relief agency personnel. Also included is the prewar and postwar history of the Seminary, as well as information about President Samuel S. Schmucker and the Abolition Movement.

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Tracing events from the discovery of the New World through the fall of the Aztec empire in 1521, this book discusses the battles between the Spanish explorers and the Aztecs - battles that culminated in the ruin of a civilization. The first half of the work alternates between Aztec and Spanish history, discussing events and motivations on each side as the two cultures expanded toward one another on their way to inevitable conflict. Placing special emphasis on Aztec mythology and religious beliefs, the author explains how the Spanish exploited the Aztecs' own cultural practices to insure the success of their invasion. The gold-and-glory engines driving the Spanish Crown and the actions of contemporary Spanish explorers such as Juan Ponce de Leon and Francisco Cordoba are examined. The concluding chapters give a thorough account of the struggle between Hernan Cortes and the Aztec ruler Montezuma, including the role of other indigenous tribes in the eventual downfall of the empire. The final chapter details the siege of the Aztec capital, Tenochtitlan, and summarizes the ultimate destruction of the Aztec civilization.

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In a career spanning six decades, director of photography Alan Hume has worked on over 100 films and television shows and progressed through the ranks from a young clapper boy to one of the best lighting cameramen in the business. From early films with David Lean, through the popular Carry On series, Amicus horror, four James Bonds, Star Wars: Return of the Jedi, A Fish Called Wanda, Shirley Valentine, Stepping Out, and others, Alan Hume has worked alongside some of the most acclaimed directors and producers and biggest film stars. The memoir, from his evacuation as a child in World War II to his retirement, includes a collection of rare photographs, both in front of and behind the camera. He explains technical details and insights of the industry while divulging anecdotes about celebrities and filmmaking. It concludes with a summary of the technological changes throughout his career and to the present, and a full filmography. With great good humor, Hume offers an incomparable tour behind the camera.

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This is a critical study of Generation X film directors and how they have been influenced by generational identity. While Generation X as a whole sometimes seems to lack direction, its filmmakers have devoted their careers to making powerful statements about contemporary society and their generation's role in it. Each of the book's sections deals with an aspect of Gen-X filmmaking: the influence of popular culture, postmodern narrative devices, ""slackerdom"" and lack of direction, disenfranchisement and nihilism, the ever-evolving role of technology, gender issues and sexuality, the question of race, international peers, the influence of older filmmakers, and visions for the future.

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This balanced study of a man whose character and achievements have been much debated is based on a review of virtually every published and unpublished English source in British and US libraries and archives, including the important archive of Lawrence's letters and papers in the Bodleian Library. Part I discusses Lawrence's life in a conventional chronological sequence. Part II is devoted to enduring themes: his living and spending habits; his relations with family members and friends; and the elements of genius and madness, honesty and evasiveness, vanity and humility, and masochism, in his nature.

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This work is a technical and comprehensive study of anabolic therapy, covering a wide range of diseases and conditions. Beginning with a description of anabolic agents and their historical medicinal use, the author provides a rationale for anabolics in treating sarcopenia, CST-induced and postrnenopausal osteoporosis, hormone replacement therapy in women, osteoporosis and andropause in men, the autoimmune diseases ALS, Chronic Fatigue Syndrome, MS, rheumatoid arthritis, Sjogren's Syndrome, systematic lupus erythematosus, and systematic sclerosis; stroke treatment and rehabilitation. Type II diabetes in men, and AIDS.

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Poverty row horror films were usually inexpensively (some would say cheaply) produced with writing that ranged from bad to atrocious. Yet these movies with their all-star horror casts (Carradine, Lugosi, Karloff, et al.) and their ape men, mad monsters, devil bats and white zombies still have a loyal audience 50 years after their release.Essays contain full filmographic data on the 31 horror chillers made by the three studios from 1940 through 1946 and are arranged by year of release. Each entry includes the date of release, length, production credits, cast credits, interview quotes, and a plot synopsis with critical commentary. Filmographies for prominent horror actors and actresses, from John Abbott to George Zucco, are provided in the appendices.

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Though the horror film was not officially born until Universal Pictures released Frankenstein in 1931, there were many silent films that contained terrifying scenes and horrific elements. Many of the early horror soundies drew much of their inspiration for visual design and thematic development from the silents. This filmography includes all silent films that were horrific in nature, containing one or more of the stock horror movie elements, e.g., haunted houses, ghosts, witches, monsters, the occult or hypnotism. Each entry includes release date, running time, cast and credit information, contemporary review quotes when available, and in the case of foreign films, the original title and country of origin.

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After centuries of repression of the female voice in literature, the Meiji (1868-1912) and Taisho (1912-1926) periods in Japanese history saw important changes in both the way women wrote and the way they were read. However, even the most accepted female writers of these two eras were judged by criteria different from those applied to men, and only the most conservative were praised by the (male) critics. This study of the women who wrote in the modern era examines both famous and now-obscure writers within the context of their moments in time and their influence on later generations of Japanese women writers. Arranged chronologically, the book covers the pioneering women of the early Meiji period, the ethos of reactionary conservatism, the romantic movement in poetry, women writers of the naturalist school, Taisho liberalism, and the new era of literary women. An introduction outlines the various schools of Japanese female writers during the late nineteenth and early twentieth centuries, as well as the social and cultural trends that helped produce them. The text is appropriate for both well-read scholars of Japanese literature and newcomers to the works of the "fair ladies of the back chamber," as these creative and driven writers were once called.

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