Search results for ""Louisiana""

World’s fairs and industrial expositions constituted a phenomenally successful popular culture movement during the nineteenth and twentieth centuries. In addition to the newest technological innovations, each exposition showcased commercial and cultural exhibits, entertainment concessions, national and corporate displays of wealth, and indigenous peoples from the colonial empires of the host country. As scientists claiming specialized knowledge about indigenous peoples, especially American Indians, anthropologists used expositions to promote their quest for professional status and authority. Anthropology Goes to the Fair takes readers through the 1904 Louisiana Purchase Exposition to see how anthropology, as conceptualized by W J McGee, the first president of the American Anthropological Association, showcased itself through programs, static displays, and living exhibits for millions of people “to show each half of the world how the other half lives.” More than two thousand Native peoples negotiated and portrayed their own agendas on this world stage. The reader will see how anthropology itself was changed in the process.

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The Louisiana & Arkansas Railway, known as "The Better Way," ran its first trains at the turn of the century and expanded over the years to connect New Orleans to Dallas. Well-maintained and enduringly profitable, this regional railroad succeeded because of the tenacity of three men who consecutively oversaw all aspects of operations. The story of the L&A is largely a collective biography of William Edenborn, William Buchanan, and Harvey Couch—the men who built and extended the line by shrewd acquisitions. These successful businessmen combined wisdom, foresight, and propensity for hard word—traits they had first demonstrated in other careers—with their longtime love for trains. Each applied remarkable talents for industry and commerce toward the development of the L&A to mold it into a model regional railroad. In this first history of the L&A, Fair traces the line's development from the early boom days of railroading to its dissolution in the modern era of takeovers. Although for much of its existence the L&A operated under the control of a parent company, the KCS, it long maintained independence. The eventual takeover by the superline in 1992 finally dissolved the L&A entirely.

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Like many other soldiers who fought in the Civil War, New Orleans newspaper editor William J. Seymour left behind an account of his wartime experiences. It is the only memoir by any field or staff officer of the famous 1st Louisiana Brigade (Hays’ Brigade) in the Army of Northern Virginia. Long out of print, The Civil War Memoirs of Captain William J. Seymour: Reminiscences of a Louisiana Tiger is available once more in this updated and completely revised edition by award-winning author Terry L. Jones.Seymour’s invaluable narrative begins with his service as a volunteer aide to Confederate Gen. Johnson K. Duncan during the 1862 New Orleans campaign. Utilizing his journalistic background and eye for detail, Seymour recalls in great detail the siege of Fort Jackson (the only Southern soldier’s account except for official reports), the bickering and confusion among Confederate officers, and the subsequent mutiny and surrender of the fort’s defenders. Jailed after the fall of New Orleans for violating Maj. Gen. Ben Butler’s censorship order, Seymour was eventually released and joined General Hays’ staff in Virginia.Seymour’s memoirs cover his experiences in the army of Northern Virginia in great detail, including the campaigns of Chancellorsville, Gettysburg, Wilderness, and Shenandoah Valley, ending with the Battle of Cedar Creek in 1864. His pen recounts the activities of the Louisiana Brigade while offering a critical analysis of the tactics and strategies employed by the army.A perceptive and articulate officer, Seymour left behind an invaluable account of the Civil War’s drudgery and horror, pomp and glory. Terry L. Jones’ spare and judicious editing enhances Seymour’s memoirs to create an indispensable resource for Civil War historians and enthusiasts.

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Before the Coushatta Tribe of Louisiana became one of the state’s top private employers—with its vast landholdings and economic enterprises—they lived well below the poverty line and lacked any clear legal status. After settling near Bayou Blue in 1884, they forged friendships with their neighbors, sparked local tourism, and struck strategic alliances with civic and business leaders, aid groups, legislators, and other tribes. The Coushattas also engaged the public with stories about the tribe’s culture, history, and economic interests that intersected with the larger community, all while battling legal marginalization exacerbated by inconsistent government reports regarding their citizenship, treaty status, and eligibility for federal Indian services. Well into the twentieth century, the tribe had to overcome several major hurdles, including lobbying the Louisiana legislature to pass the state’s first tribal recognition resolution (1972), convincing the Department of the Interior to formally acknowledge the Coushatta Tribe through administrative channels (1973), and engaging in an effort to acquire land and build infrastructure.Basket Diplomacy demonstrates how the Coushatta community worked together—each generation laying a foundation for the next—and how they leveraged opportunities so that existing and newly acquired knowledge, timing, and skill worked in tandem.

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Before the Coushatta Tribe of Louisiana became one of the state’s top private employers—with its vast landholdings and economic enterprises—they lived well below the poverty line and lacked any clear legal status. After settling near Bayou Blue in 1884, they forged friendships with their neighbors, sparked local tourism, and struck strategic alliances with civic and business leaders, aid groups, legislators, and other tribes. The Coushattas also engaged the public with stories about the tribe’s culture, history, and economic interests that intersected with the larger community, all while battling legal marginalization exacerbated by inconsistent government reports regarding their citizenship, treaty status, and eligibility for federal Indian services. Well into the twentieth century, the tribe had to overcome several major hurdles, including lobbying the Louisiana legislature to pass the state’s first tribal recognition resolution (1972), convincing the Department of the Interior to formally acknowledge the Coushatta Tribe through administrative channels (1973), and engaging in an effort to acquire land and build infrastructure.Basket Diplomacy demonstrates how the Coushatta community worked together—each generation laying a foundation for the next—and how they leveraged opportunities so that existing and newly acquired knowledge, timing, and skill worked in tandem.

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The weather patterns and topography of America's Gulf Coast create favorable growing conditions for thousands of species of mushrooms, but the complete region has generally gone uncharted when it comes to mycology. Mushrooms of the Gulf Coast States at last delivers an in-depth, high-quality, user-friendly field guide, featuring more than 1,000 common and lesser-known species—some of which are being illustrated in color for the first time.Using easily identifiable characteristics and a color key, the authors enable anyone, whether amateur mushroom hunter or professional mycologist, to discern and learn about the numerous species of mushrooms encountered in Texas, Louisiana, Mississippi, Alabama, and Florida. Wild-food enthusiasts will appreciate the information on edibility or toxicity that accompanies each description, and they will also find the book’s detailed instructions for collecting, cleaning, testing, preserving, and cooking wild mushrooms to be of great interest. Providing encyclopedic knowledge in a handy format that fits in a backpack, Mushrooms of the Gulf Coast States is a must-have for any mushroom lover.

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Normally, forced heirship is primarily associated with a restraint of the decedent's testamentary freedom of disposition. Nevertheless, to effectively protect the forced heirs, forced heirship systems usually also contain various mechanisms to restrain the decedent's lifetime freedom of disposition. Scholars and courts have been debating the proper characterization of these mechanisms in conflicts of laws for decades. Raphael de Barros Fritz addresses the many open questions surrounding this issue by analysing the characterization of forced heirship mechanisms in the laws of Louisiana and Germany.

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From Gumbo to Jambalaya, bring the traditional tastes of Louisiana to your kitchen with 50 authentic Cajun and Creole recipes, shown in 250 photographs. It includes two deliciously distinctive cuisines - elegant and sophisticated Creole cooking ideas are presented alongside hearty and rustic Cajun food, so you will never be stuck for inspiration. It includes famous classics as well as a selection of traditional recipes that have been updated to create healthy, tasty dishes for today's busy cooks. It helps you spice up meal times with Oyster and Bacon Brochettes, Chicken Sauce Piquante or Roast Pork with Cajun Stuffing. It offers fresh ideas for all occasions and tastes: appetizers and snacks, fish and shellfish, meat and poultry dishes, and vegetarian options, not forgetting divine desserts. It features step-by-step photography, clear method text, and plenty of tips and hints to ensure success every time. Louisiana is home to two vibrant, spicy and famous cuisines: Cajun and Creole. This evocative volume presents a collection of easy-to-follow recipes that summarise the very best of the Cajun and Creole heritage. There are traditional dishes such as Green Herb Gumbo, Blackened Redfish and Chicken and Prawn Jambalaya, as well as lesser-known options including Corn and Crab Bisque, Avery Island Salsa and Maque Choux. The recipes include enticing appetizers, snacks and sauces, meat and poultry dishes, vegetables, fish and shellfish dishes, and delectable desserts, such as Bananas Foster, Pralines and Pecan Nut Divinity Cake. With 250 step-by-step photographs and plenty of cook's tips throughout, this book makes authentic Cajun and Creole dishes simple to achieve at home.

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The 10th installment in the bestselling Nathan Hale’s Hazardous Tales series tells the story of the Haitian Revolution and the Louisiana Purchase The Louisiana Purchase (1803) is today seen as one of history’s greatest bargains. But why did Napoleon Bonaparte sell this seemingly prosperous territory? At the time, France controlled Haiti, and there, slaves were used to harvest sugar. But in 1791, Toussaint Louverture led the largest slave uprising in human history, the Haitian Revolution (1791–1804). Napoleon had originally wanted to use Louisiana for trade, but with Haiti out of his control, Napoleon’s dream of making a French empire in North America seemed doomed. So when Thomas Jefferson and James Madison tried to buy New Orleans, Napoleon sold them the whole Louisiana Territory. Filled with wild and true facts and Hale’s signature humor, the latest installment in the bestselling series takes readers on another action-packed adventure through history.

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Big old trees inspire our respect and even affection. The poet Walt Whitman celebrated a Louisiana live oak that was solitary "in a wide flat space, / Uttering joyous leaves all its life without a friend a lover near." Groves and alleys of live oaks remain as distinctive landscape features on Louisiana's antebellum plantations, while massive individuals still cast their shade over churches, graveyards, parks, and roads. Cajuns have adopted the "Evangeline Oak" as one of their symbols. And the attachment that Louisianians feel for live oaks is equaled by that of Guatemalans for ceibas, the national tree of Guatemala. Long before Europeans came to the Americas, the ceiba, tallest of all native species, was the Mayan world tree, the center of the universe. Today, many ceibas remain as centers of Guatemalan towns, spreading their branches over the central plaza and marketplace. In this compelling book, Kit Anderson creates a vibrant portrait of the relationship between people and trees in Louisiana and Guatemala. Traveling in both regions, she examined and photographed many old live oaks and ceibas and collected the stories and symbolism that have grown up around them. She describes who planted the trees and why, how the trees have survived through many human generations, and the rich meanings they hold for people today. Anderson also recounts the natural history of live oaks and ceibas to show what human use of the landscape has meant for the trees. This broad perspective, blending cultural geography and natural history, adds a new dimension to our understanding of how big old trees and the places they help create become deeply meaningful, even sacred, for human beings.

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This is the first guide to dragonflies and damselflies of the south-central United States. The book covers 263 species, representing more than half of the North American fauna. The area of coverage significantly overlaps with other regions of the country making this book a useful aid in identifying the dragonflies and damselflies in any part of the United States, Canada, or northeastern Mexico. More photographs of damselflies in North America appear here than in any other previously published work. All 85 damselfly and 178 dragonfly species found in the region are distinguished by photographs, numerous line drawings, keys, and detailed descriptions to help with identifications. Features include: * Discussions of habitats, zoogeography, and seasonality * Details on dragonfly and damselfly life history and conservation * An introduction on studying and photographing dragonflies and damselflies * An entire section devoted to the external anatomy of dragonflies and damselflies * Species accounts organized by family into sections on size, regional and general distribution, flight season, identification, similar species, habitat and biology and ecology * Range maps for each species, as well as an extensive bibliography and a list of resources for further study

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Over the last three decades, Swiss artist Pipilotti Rist (born 1962) has been an original and impactful voice on the contemporary art scene with her sensuous, colorful and norm-subverting audio and video universes (the artist's first name is itself a nod to Swedish author Astrid Lindgren's rebellious, freethinking heroine Pippi Longstocking). With projections on ceilings, walls and floors, Rist liberates the moving image from the screen through installations and new electronic formats. While body and gender are central themes in her early pieces, the main focus of her recent work has shifted towards nature. Rist's art is sensually playful and compelling, while also diving deeply into existential abysses. Superbly produced with a die-cut cover, this book is published in connection with Rist's midcareer survey exhibition at the Louisiana Museum of Modern Art, and comprises texts by some of the foremost specialists on Rist's work.

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“A great and unlikely success story, Da Corte creates funny and therapeutic works in the hope of easing the ‘exquisite pain’ of modern life.” –New York Times This comprehensive monograph celebrates the acclaimed Philadelphia-based installation artist Alex Da Corte (born 1980), famed for his show-stopping 2021 Roof Garden Commission for the Met, As Long as the Sun Lasts. Da Corte’s Day-Glo works are distinctly rooted in traditional American arts and culture—tellingly, as a teenager he planned to become an animator for Disney—and the artist himself often appears in his films, impersonating iconic figures such as Popeye, the Statue of Liberty, Fred Rogers or Eminem. Throughout, the pop flavor of Da Corte’s aesthetics is mixed with a satirical existentialism: his works often combine sadness and effortless play, connecting our sense of self with consumer culture—from the films we watch to the objects we buy, give and throw away. Published for a major retrospective at the Louisiana Museum of Modern Art in Denmark, and documenting all of his major works to date, Alex Da Corte: Mr. Remember matches the artist’s high-production, ultra-chromatic sensibility in its gorgeous production, with a three-color cloth binding, silver foil on the cover, a paperback volume sewn into the book and an abundance of riotous color throughout, with more than 100 pages of installation views from previous exhibitions.

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Surveying the films, installations and performances of the superstar Icelandic artist Widely recognized as one of the most exciting and significant voices of contemporary art, Icelandic performance and multimedia artist Ragnar Kjartansson takes a loving yet critical look at Western culture. His longform video installations explore the dynamics of repetition, often through music, and develop into feats of endurance, both physical and emotional. The Guardian deemed his 2012 work The Visitors “the best artwork of the 21st century.” Combining quintessential videos such as Me and My Mother and Bliss with lesser-known paintings and sculptures, the retrospective at the Louisiana Museum of Modern Art presents three new pieces made for the exhibition (including the title work with the plywood flames burning on the catalog cover) and captures the litany of senses Kjartansson has embraced without hesitation in his 20-year career. New work created for the anthology includes a painted plywood monument to “an epic waste of love and understanding” and a new performance piece titled Scaredman. The richly illustrated catalog includes personal contributions and dialogues in response to each of the artist's works on display by leading contemporary artists and scholars. Curator Tine Colstrup discusses A Lot of Sorrow with Marina Abramović, and reflects on Terrible, Terrible with Pussy Riot activist Maria Alyokhina. The book proves itself an invaluable guide to Kjartansson’s examination of love, identity, melancholy, masculinity and power. Ragnar Kjartansson (born 1976), a native of Reykjavik, Iceland, studied at the Iceland Academy of the Arts and the Royal Academy of Arts, Stockholm. He represented Iceland at the 53rd Biennale di Venezia in 2009 and participated in the 2013 Encyclopedic Palace of the World at the 55th Biennale di Venezia in 2013.

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Punk, humor, poetry and pure rage: the full story of Pussy Riot as told by the group's membersThe Russian art collective and activist group Pussy Riot, formed in Moscow in 2011, is famous for its spontaneous and courageous actions challenging the Russian regime. Edited by Maria (Masha) Alyokhina, member and cofounder of the feminist-activist performance collective, this volume compiles, in chronological order, the last decade-plus of Pussy Riot's happenings in Russia. Recurrent themes in the group's feminist, anti-Putin practice include freedom of expression, human rights, LGBTQ+ rights and the release of political prisoners, while recent actions and works feature anti-war statements and support for Ukraine. Accompanying the eponymous traveling exhibitionthe group's largest presentation of work to date and its first-ever museum showit is bolstered by a vast selection of photos and video stills, as well as personal accounts from the group's members. In additio

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The first overview in a decade on Arke's poetical explorations of dual ethnicity Central to the multimedia oeuvre of Pia Arke (1958–2007) was the artist’s dual ethnicity in Greenland and Denmark, excavated in video works, collaged maps and landscape photographs that addressed themes of exploration, the complexities of ethnicity. Famed for her film Arctic Hysteria, Arke died of cancer at 48, and her work has only gained recognition over the past decade. With reproductions and essays, this volume introduces her to a wider audience. Kim Leine discusses themes of mortality; Darren Almond charts Arke’s depictions of the landscapes of Greenland; Minik Rosing looks at spirituality in relation to Greenland; Laura Smith examines “Arctic hysteria”; Erik Steffensen recounts the artist’s early years; Stefan Jonsson gives a biographical portrait; Erik Gant delves into the relationship between art and reality; Jessie Kleemann is interviewed about Arke’s legacy; and the exhibition’s curator, Anders Kold, explores Arke’s motifs of body and map.

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The mother as motif in art and literature, from prehistoric fertility goddesses to the Madonna and Child and beyond Ushering us into the world, our mother is our physical and cultural wellspring. Even if she is lost or absent, we are all sons and daughters. Throughout history and across cultures, the role of the mother has shifted, expanding at times and narrowing at others, as traditional family structures are by turns questioned and reinforced. This volume of art and literature on the many representations of the mother figure in art history ranges across religion, music, film and medicine. Excerpts, essays and poems by Marcel Proust, Maggie Nelson, Rachel Cusk, Lydia Davis, Gustave Flaubert, Sylvia Plath and Hans Christian Andersen meditate on motherhood alongside a wealth of visual material. Although the volume’s main focus is on 20th-century and 21st-century art, Mother! Origin of Life reaches back through history to trace artistic motifs from the prehistoric era to Ancient Greece to the Renaissance, noting how contemporary artists continue to tap into such universal themes. Between more than 150 artworks, expert texts and a short anthology of motherhood in literature, this publication reveals how depictions of motherhood in the arts have been linked to broader cultural perceptions. Artists include: Sophie Calle, Mary Cassatt, Rineke Dijkstra, Laure Prouvost, Frida Orubapo, Tracey Emin, Alberto Giacometti, Mary Kelly, René Magritte, Alice Neel and Pablo Picasso.

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A sweeping journey through the roaring art and culture of the Weimar Republic At the center of this volume are the Neue Sachlichkeit (New Objectivity) artists—Otto Dix, George Grosz and Albert Renger-Patzsch—and the groundbreaking photographer August Sander, in particular his famed series People of the 20th Century, which portrayed both prominent and anonymous Germans from all parts of society in a simple and matter-of-fact pictorial style. Sander and the Neue Sachlichkeit artists both pursued an anti-Expressionist aesthetic, embracing social engagement and a rejection of romantic idealism. The Cold Gaze also looks at the extraordinary writers associated with the Weimar Republic, such as Vicki Baum, Bertolt Brecht, Alfred Döblin, Hans Fallada, Erich Kästner and Christopher Isherwood. Further points of focus by a range of contributing writers include Germany’s Americanization during this period; Marcel Breuer’s innovations in furniture design; the invention and ascent of the Futura font; the Weimar cult of technology; and much more. This richly illustrated catalog unfolds a period that was at once euphoric and harsh, an extraordinary moment in modernity birthed in the shadows between two world wars.

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A handsome, affordable introduction to the modernist polymath who charted the rhythms of color across textiles, illustration, painting and more Sonia Delaunay was a true pioneer of modernist abstraction; breaking with the figurative vocabulary that subordinated color to subject matter, she placed dynamic color interaction at the core of her vision, whether expressed through painting, book illustration or costume and textile design. Drawing inspiration from both traditional Russian crafts and the modern frenetic metropolis, Delaunay’s work reflects the drastic changes ushered in by industrialization. Through her polyvalent practice, Delaunay helped construct the new modern woman that she herself embodied: equal parts avant-gardist, creative entrepreneur and businesswoman. This richly illustrated catalog showcases the range of Delaunay’s work as it unfolded over 60 years, from abstract paintings and works on paper to textile design, garments, fashion photography, books and carpets—even a brightly colored sports car. Born in Odessa, Ukraine, Sonia Delaunay (1885–1979) migrated to Paris in 1906 and became a key figure in the city’s avant-garde scene. During these early years, her paintings underwent a formal shift influenced by the vivid colors of Fauvism. She soon met her husband, fellow artist Robert Delaunay, and the couple pioneered a fusion of Cubism and Neo-Impressionism that they termed Simultanism, which denotes abstract painting that uses color in a manner comparable to the use of sound and rhythm in music. In 1964, Delaunay became the first living woman artist to have a retrospective at the Louvre.

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Key works and writings from six decades of pioneering image-text works in celebration of Eros For six decades, Dorothy Iannone (born 1933) has developed an iconography that is at once epic and intensely personal. Often her works bear a close resemblance to graphic novels: hand-lettered texts and images work together to tell the story, bluntly and with humor in both verbal and visual details. Liberated sexuality and romantic relations are central themes. Iannone’s erotic scenes stem from historical representations of ecstatic unions across times, cultures and religions, with references to antiquity, Greek vases, Egyptian art, Roman and Pompeian murals, the Kama Sutra and Tantra, Icelandic sagas, Christianity, Buddhism, world literature and film history. Serving as muses, the artist’s lovers appear in her narratives: several works feature the artist Dieter Roth, who was Iannone’s partner from 1967 to 1974. This richly illustrated catalog presents some of the artist’s most important work, alongside an introduction by Italian art historian Barbara Casavechia, the artist’s own writing and an illustrated biography.

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Adventures in bronze from acclaimed Danish artist Per Kirkeby Danish multimedia artist Per Kirkeby (1938-2018) combines nature and the human body in his bronze sculptures. The Louisiana Museum of Art presents Bronze, the first book to focus entirely on Kirkeby’s bronze sculptures and his inspirations—including works by Rodin, ancient myths and the female body.

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An ingenious and collectible book-as-poster documenting Prince’s half-century of image appropriation For aficionados of Richard Prince (born 1949) and of the possibilities of the book form, this unique exhibition catalog is an exclusive three-in-one kind of publication. Designed in the dimensions of a 12-by-12-inch LP record and housed in a plastic sleeve, when unfolded it transforms into a two-sided (one English, one Danish) poster with a richly illustrated collage of works by Prince from across his career (including his famous "rephotographs"), plus two in-depth texts on Prince’s oeuvre by the curators Nancy Spector and Anders Kold. A defining figure of the Pictures Generation, Prince is famed for his radical acts of appropriation, which have taken many turns across the course of his five-decade career. His visual world, encapsulated in this innovatively designed volume, offers a remarkably consistent portrait of late 20th-century America.

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Chronicling the truncated career of a pioneering 20th-century Danish painter and sculptor Jens Adolf Jerichau (1890–1916), best known for his large figurative compositions inspired by the Bible and art history, left a distinct imprint on Danish art with his brief but influential career. This catalog is the biggest presentation of Jerichau’s work to date.

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The eerily prescient work of a near-forgotten Japanese artist, whose 1960s and ’70s sculptures anticipate contemporary ecological anxieties Contemplating Japanese artist Tetsumi Kudo’s (1935-90) work in the 21st century provokes a sense of the uncanny on multiple levels: grotesquely beautiful on their own, his abject sculptures seem to foretell today’s environmental concerns with their depictions of ecological decay. Born in Osaka, Kudo’s life was greatly impacted by the aftermath of the atomic bomb in 1945; this trauma compounded by the Vietnam War’s ever-present atmosphere of destruction led to a consistent focus on dystopia and decomposition in his work. Kudo’s fluorescent birdcages and blacklight terrariums are furnished with an assortment of sculptures and found objects: melted plastic flowers, colorful phallic chrysalises and dismembered resin body parts come together to convey a distinctly modern anxiety in regard to our ailing world. Kudo’s work does not intend to provide comfort in the midst of crisis; rather, his pieces urge viewers to reflect on how we may or may not continue to survive in a world that we ourselves have ruined through pollution and consumerism. As the artist’s work reaches a peak of topicality, this volume presents a focused selection of Kudo’s pieces from the 1960s and 1970s that demonstrate a postwar awareness of the atomic bomb’s effect on reproduction and the environment.

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Black light: a concise introduction to the beloved modernist and fabled painter Georgia’s most famous artist, Niko Pirosmani (1862–1918) is a fabled figure in the story of early modernism. The painter, self-taught and penniless during his lifetime, was heralded posthumously for his "naive" style. Pirosmani’s paintings are simple—blunt, colorful depictions of rustic scenes gleaming against black canvas backgrounds, extraordinary icons of glowing intensity. This exhibition catalog showcases around 50 rarely seen Pirosmani masterpieces alongside a historical text on the artist written in 1926 by Kirill Zdanevich (who "discovered" Pirosmani); a fictional (but historically accurate) essay discussing Tbilisi as the Paris of Pirosmani’s age by the Danish art historian and writer, Kaspar Thormod; an interview with the Georgian art historian Nana Kipiani and her artist husband Levan Chogoshvili by Swiss curator Daniel Baumann; and reflections on the artist by contemporary artists Thea Djordjadze, Mamma Andersson and Tal R.

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With a vast selection of works from the last two decades and Polaroids of the artist's studio, this mid-career catalog provides unique perspective on Schutz's oeuvre and methods Dana Schutz is one of the great figurative painters of our time—an eminent storyteller who depicts people in complex and often gigantic compositions. For two decades now, Schutz has distinguished herself with her tremendous narrative power, vigorous sense of color and ability to merge the gruesome, grotesque, absurd and comic. This richly illustrated catalog presents paintings, drawings, prints and sculpture, providing an overview of Schutz's entire career to date. Alongside a thorough analysis of Schutz's work by curator Anaël Pigeat, it presents a studio visit described in detail by art critic (and friend of the artist) Jarrett Earnest, whose text is accompanied by Polaroids of the studio that unfold Schutz’s working methods. Also featured is a conversation between curator Anders Kold and the artist, and a poetic essay by award-winning author Lauren Groff. Dana Schutz was born in 1976 in Livonia, Michigan, and received her BFA from the Cleveland Institute of Art, Ohio, and her MFA from Columbia University, New York. She lives and works in Brooklyn, New York. Recent solo museum exhibitions include Dana Schutz: Eating Atom Bombs held at the Transformer Station, Cleveland, Ohio (2018), which debuted a series of paintings by the artist; an exhibition of new work at the Institute of Contemporary Art, Boston (2017); a career survey at the Musée d’art contemporain de Montréal (2015); and a solo exhibition at the Hepworth Wakefield, England (2013), which traveled to the kestnergesellschaft, Hanover, Germany (2014).

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From the stately Gothic Revival and Regency-style houses of Savannah to the majestic, multicolumned plantation homes that punctuate rolling farmlands throughout the state, David King Gleason presents a splendid pictorial record of Georgia's fines pre-Civil War residences. The book begins with the town houses of Savannah, which include such landmark residences as the Andrew Low House, built in 1848 in the style of an early Victorian Renaissance villa, and the imposing Gree-Heldrim House, a Gothic Revival mansion that was the most expensive house built in Savannah prior to the Civil War. Wild Heron, located just south of Savannah on the Little Ogeechee River, is the oldest plantation house still standing in Georgia. A one-and-a-half story farmhouse built in the style of a West India cottage, it is being restored to reflect the period of the early 1800s. Farther to the interior, in the area around Augusta, are such homes as Fruitlands, now the clubhouse of the Augusta national Golf Club; Meadow Garden; Ware's Folly; and Montrose, built in 1849 and one of the Loveliest Greek Revival houses in the area. Houses photographed along the Plantation Trail, from Athens to Macon, include the white-columned President's House, home since 1949 to the presidents of the University of Georgia; the Howell Cobb House, in Athens; Whitehall, in Covington; Glan Mary, in Sparta; and the Woodruff House, in Macon. Gleason devotes considerable attention to the homes of the western side of the state, from Chickamauga to Thomasville. The Gordon-Lee House, constructed in 1847, was headquarters fro the Union army during the battle of chickamauga. Other houses in this part of Georgia are valley View, which overlooks the Etowah River, west of Cartersville; the Archibald Howell House, near downtown Marietta; Lovejoy, in Clayton Country; The oaks, in the vicinity of LaGrange; and Greenwood and Pebble Hill, near Thomasville. In all, Gleason captures more than one hundred of Georgia's most beautiful antebellum homes, including many lesser-known houses. In addition to exterior photographs, Antebellum Homes of Georgia contains a number of interior views as well as aerial photographs that show the relationship between the houses and their environs: outbuildings, formal gardens, and recd clay fields that were once white with cotton. Captions provide brief histories of the houses and their owners as weel as notes on construction and outstanding architectural details.

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Throughout the Jim Crow era, southern police departments played a vital role in the maintenance of white supremacy. Police targeted African Americans through an array of actions, including violent interactions, unjust arrests, and the enforcement of segregation laws and customs. Scholars have devoted much attention to law enforcement's use of aggression and brutality as a means of maintaining African American subordination. While these interpretations are vital to the broader understanding of police and minority relations, Black citizens have often come off as powerless in their encounters with law enforcement. Brandon T. Jett's Race, Crime, and Policing in the Jim Crow South, by contrast, reveals previously unrecognized efforts by African Americans to use, manage, and exploit policing. In the process, Jett exposes a much more complex relationship, suggesting that while violence or the threat of violence shaped police and minority relations, it did not define all interactions. Black residents of southern cities repeatedly complained about violent policing strategies and law enforcement's seeming lack of interest in crimes committed against African Americans. These criticisms notwithstanding, Blacks also voiced a desire for the police to become more involved in their communities to reduce the seemingly intractable problem of crime, much of which resulted from racial discrimination and other structural factors related to Jim Crow. Although the actions of the police were problematic, African Americans nonetheless believed that law enforcement could play a role in reducing crime in their communities. During the first half of the twentieth century, Black citizens repeatedly demanded better policing and engaged in behaviors designed to extract services from law enforcement officers in Black neighborhoods as part of a broader strategy to make their communities safer. By examining the myriad ways in which African Americans influenced the police to serve the interests of the Black community, Jett adds a new layer to our understanding of race relations in the urban South in the Jim Crow era and contributes to current debates around the relationship between the police and minorities in the United States.

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Afrodiasporic Forms explores the epistemological possibilities of the "Black world" paradigm and traces a literary and cultural cartography of the monde noir and its constitutive African diasporas across multiple poetic, visual, and cultural permutations. Examining the transatlantic slave trade and modern racial slavery, Raquel Kennon challenges the US-centric focus of slavery studies and draws on a transnational, eclectic archive of materials from Lusophone, Hispanophone, and Anglophone sources in the Americas to inspect evolving, multitudinous, and disparate forms of Afrodiasporic cultural expression.Spanning the 1830s to the twenty-first century, Afrodiasporic Forms traverses national, linguistic, and disciplinary boundaries as it investigates how cultural products of slavery's afterlife—including poetry, prose, painting, television, sculpture, and song—shape understandings of the African diaspora. Each chapter uncovers multidirectional pathways for exploring representations of slavery, considering works such as a Brazilian telenovela based on Bernardo Guimarães's novel A Escrava Isaura, Robert Hayden's poem "Middle Passage," Kara Walker's sculpture A Subtlety, and Juan Francisco Manzano's Autobiografía de un esclavo. Kennon's expansive method of comparative reading across the diaspora uses eclectic pairings of canonical and popular textual and artistic sources to stretch beyond disciplinary and national borders, promoting expansive diasporic literacies.

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Angela Voras ­-Hills's Louder Birds, her debut collection of poetry, is a beautiful study of the natural world, motherhood, and the inherent desire for meaning. This collection of complex lyric poems holds a haunting absence at its center, an absence that is ""impossible to navigate."" Yet Voras- ­Hills presses on, untangling the distinctions that surround her (human and animal, domestic and wild) with both bravery and respect. She writes, ""The boundaries between home and the road / are insecure: it's impossible to navigate this landscape. / We've all been in the presence of something dark / and have chosen not to seek shelter."" As the poet hones in on naming the void, her surroundings grow more threatening- but not once does she surrender or turn back. Voras- ­Hills's poems are smart enough to know the distinctions themselves are tenuous at best, and wise enough to know that we must always pay our dues to the world beyond our door. Wondrous, ruminative, and revelatory, Louder Birds is a collection that is not to be missed.

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The most significant factor in the career of Aaron ""T-Bone"" Walker was his ability to bridge the worlds of blues and jazz. The guitar artistry of this early exponent of urban blues was not only admired by blues musicians like B.B. King, Gatemouth Brown, Albert King, and Albert Collins, and rock guitarists such as Eric Clapton, Jimi Hendrix, Duane Allman, and Stevie Ray Vaughan, but by such jazz greats as Billie Holiday, Dizzy Gillespie, Lester Young, and many others with whom he recorded.Stormy Monday is the first biography of T-Bone Walker to be published. Using dozens of interviews with Walker, as well as with members of his family, close friends, fellow musicians, and business associates, the book offers a remarkable frank insider's account of the life of a blues musician and compulsive gambler, from the wild living and hard drinking on the road to a solid and contented family life at home.""In a very real sense the modern blues is largely his creation."" blues authority Pete Welding has written about T-Bone Walker. ""The blues was different before he came on the scene, and it hasn't been the same since, and few men can lay claim to that kind of distinction. No one has contributed as much, as long, or as variously to the blues.

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In The Cemeteries of New Orleans, Peter B. Dedek reveals the origins and evolution of the Crescent City's world-famous necropolises, exploring both their distinctive architecture and their cultural impact. Spanning centuries, this fascinating body of research takes readers from muddy fields of crude burial markers to extravagantly designed cities of the dead, illuminating a vital and vulnerable piece of New Orleans's identity.Where many histories of New Orleans cemeteries have revolved around the famous people buried within them, Dedek focuses on the marble cutters, burial society members, journalists, and tourists who shaped these graveyards into internationally recognizable emblems of the city. In addition to these cultural actors, Dedek's exploration of cemetery architecture reveals the impact of ancient and medieval grave traditions and styles, the city's geography, and the arrival of trained European tomb designers, such as the French architect J. N. B. de Pouilly in 1833 and Italian artist and architect Pietro Gualdi in 1851.As Dedek shows, the nineteenth century was a particularly critical era in the city's cemetery design. Notably, the cemeteries embodied traditional French and Spanish precedents, until the first garden cemetery- the Metairie Cemetery- was built on the site of an old racetrack in 1872. Like the older walled cemeteries, this iconic venue served as a lavish expression of fraternal and ethnic unity, a backdrop to exuberant social celebrations, and a destination for sightseeing excursions. During this time, cultural and religious practices, such as the celebration of All Saints' Day and the practice of Voodoo rituals, flourished within the spatial bounds of these resting places. Over the course of the twentieth and twenty-first centuries, however, episodes of neglect and destruction gave rise to groups that aimed to preserve the historic cemeteries of New Orleans- an endeavor, which, according to Dedek, is still wanting for resources and political will.Containing ample primary source material, abundant illustrations, appendices on both tomb styles and the history of each of the city's eighteenth- and nineteenth-century cemeteries, The Cemeteries of New Orleans offers a comprehensive and intriguing resource on these fascinating historic sites.

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