Search results for ""Author Robert O."

A tale of murder and literary ambition set on an American university campus from a master of the dark side of human natureIt's been over a decade since Robert Pendleton published his brilliant short story debut, and his hopes for a dazzling literary career now lie in tatters. Hanging on to his tenure in literature at Bannockburn college by the slimmest of threads, Pendleton's simmering despair boils over with the arrival on campus of his one-time friend, now nemesis, the bestselling author and king of the coffee-table book, David Horowitz.For Pendleton, death seems to be the only remaining option, but his attempt to kill himself is wrecked by the intervention of Adi Wiltshire, a graduate student battling her own demons of failure and thwarted ambition. Whilst Pendleton recovers from his suicide attempt, Adi discovers a novel hidden in his basement: a brilliant, bitter story with a gruesome murder at its core.The publication of Scream causes a storm of publicity, a whirlwind into which Adi and Horowitz are thrust - along with the sister of a young girl whose real-life, unsolved murder bears an uncanny resemblance to the crime in Pendleton's novel and a burnt-out cop with secrets of his own, who is determined to prove that in this case fact and fiction are one and the same.

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First modern critical edition of one of the most important and popular texts on the Crusades to survive. Robert the Monk's history of the First Crusade (1095-99), which was probably completed c. 1110, was in the nature of a medieval "bestseller", proving by far the most popular narrative of the crusade's events; the number of surviving manuscript copies far exceeds those of the many other accounts of the crusades written in the early decades of the twelfth century, when literary retellings of the crusaders' exploits were much in vogue. This volume presents the first critical edition to be published since the 1860s, grounded in a close study of the more than 80 manuscripts of the text that survive in libraries and archives across Europe. In their detailed introduction the editorsexplore the vexed problem of the author's identity, as well as the date of the text, its manuscript transmission, and the reasons for its success, for example among monasteries belonging to the Cistercian order in southern Germany. Damien Kempf is Lecturer in Medieval History at the University of Liverpool; Marcus Bull is Andrew W. Mellon Distinguished Professor of Medieval and Early Modern Studies at the University of North Carolina, Chapel Hill.

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Jason Bourne is back. An exhilarating rush of a novel in Robert Ludlum's legendary series.'Hugely enjoyable' Sunday Times. 'Watch your back 007 - Bourne is out to get you' - Sunday TimesWhen the head of Mossad learns that a major Mexican drug lord may be trafficking something far more deadly than drugs, he turns to his friend Jason Bourne for help. Bourne agrees to investigate, but he has his own agenda: revenge.The drug lord is responsible for the murder of Rebeka - one of the only people Bourne has ever truly cared for. But as Bourne attempts to avenge the woman he loved, he becomes embroiled in a monstrous world-wide scheme involving the Chinese, Mexicans, and Russians. Each step closer to vengeance is a step closer to his own death.

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Millions of readers throughout the world continue to enjoy Treasure Island, Dr. Jekyll and Mr. Hyde, A Child’s Garden of Verses, and other books by Robert Louis Stevenson (1850-1894). A celebrated author in many different fields of literature, Stevenson is also recognized as a highly engaging and prolific correspondent: he penned over 2,800 letters, which are contained in eight critically acclaimed volumes published by Yale University Press. In this book, 317 of Stevenson’s most interesting and revealing letters represent each stage of his mature life. With a linking narrative and full annotation, Ernest Mehew sets the letters in the context of Stevenson’s remarkable life.Beginning with the days of his troubled youth in Edinburgh, Stevenson’s letters go on to tell of his love for Frances Sitwell, a beautiful, older married woman; a reckless journey to California in pursuit of Fanny Osbourne, the woman who became his wife; their worldwide but vain search for a healthy place to live; and a period of adventure in the South Seas, where Stevenson wrote some of his best work and became passionately involved in Samoan life. The letters show the author’s zest for living despite daunting illnesses, his struggles with his own writing, his literary tastes, and his affection for his friends. Stevenson writes in many moods, ranging from playful and witty to deeply serious. Better than any biography ever could, these letters in Stevenson’s own words tell the real story of his life.

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The story of the King of Scots, Robert the Bruce, is retold in a format suitable for children.

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The superb new edge-of-your-seat Covert-One novel in the series created by the undisputed master of the thriller genre, Robert Ludlum.The Merge: a device destined to revolutionise the world and make the personal computer and smart phone obsolete. When Covert-One's Jon Smith is assigned to assess its military potential he discovers that its enhanced vision, real-time battlefield displays, unbreakable security, and near-perfect marksmanship could change the face of warfare for ever. Meanwhile, CIA operative Randi Russell encounters an entire village of murdered Afghans - all equipped with enhanced Merge technology. As Smith and Russell investigate, they're blocked by someone who seems to have access to the highest levels of the military.Is the Merge really as secure as its creator claims? And what is the Pentagon so desperate to hide? Smith and Russell are determined to learn the truth - but will they pay with their lives...?

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The Henry Bradshaw Society was established in 1890 in commemoration of Henry Bradshaw, University Librarian in Cambridge and a distinguished authority on early medieval manuscripts and liturgies, who died in 1886. The Society was founded 'for the editing of rare liturgical texts'; its principal focus is on the Western (Latin) Church and its rites, and on the medieval period in particular, from the sixth century to the sixteenth (in effect, from the earliest surviving Christian books until the Reformation). Liturgy was at the heart of Christian worship, and during the medieval period the Christian Church was at the heart of Western society. Study of medieval Christianity in its manifold aspects - historical, ecclesiastical, spiritual, sociological - inevitably involves study of its rites, and for that reason Henry Bradshaw Society publications have become standard source-books for an understanding of all aspects of the middle ages. Moreover, many of the Society's publications have been facsimile editions, and these facsimiles have become cornerstones of the science of palaeography. The society was founded for the editing of rare liturgical texts; its principal focus is on the Western (Latin) Church and its rites, and on the medieval period in particular, from the sixth century to the Reformation. Study of medieval Christianity - at the heart of Western society - inevitably involves study of its rites, and the society's publications are essential to an understanding of all aspects (historical, ecclesiastical, spiritual, sociological) of the middle ages.

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This volume in the Collected Writings of Robert Duncan series gathers a far-reaching selection of Robert Duncan's prose writings including most of his longer and more well-known essays along with other prose that has never been widely available. Ranging in original publication dates between 1940 and 1985, the forty-one titles reveal a great deal about Duncan's life in poetry - including his impressions of poets whose work he admires, both contemporaries and precursors. Evocative and eclectic, this work delineates the intellectual contexts and sources of Duncan's poetics, and opens a window onto the literary communities in which he participated.

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Paul Janson returns in a thrilling new adventure...Paul Janson has set a new mission for himself. In partnership with champion sharpshooter Jessica Kincaid, he rehabilitates disenchanted agents, helping them to create new lives outside the violent intelligence sector.But he still takes on independent assignments - for a fee. So when an oil executive begs Janson to rescue his wife, Allegra, from Somali pirates, Janson and Kincaid take on the case.However, pirates are the least of their worries in the violent chaos of oil-rich East Africa. And when Janson and Kincaid stumble into a bewildering storm of plots and counter plots, they begin to fear the only way to escape would be to abandon the kidnapped Allegra.

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Robert Holman wrote plays of startling beauty, combining close observation of the way people behave with a thrilling and often fiercely uncompromising mastery of dramatic form. He is the playwright most admired by other playwrights. To Simon Stephens, he was, until Holman's death in 2021, 'My favourite living writer'. Here, in this selection from Holman's first decade of playwriting, a monkey is taken for a French spy by an eighteenth-century fishing community; the inhabitants of a Greek island reside under the shadow of the atom bomb; and a group of lonely people converge on the North Yorkshire moors. With an introduction written for this volume by Holman himself, Robert Holman Plays: One contains The Natural Cause (Cockpit Theatre, London, 1974), Mud (Royal Court Theatre, London, 1974), Other Worlds (Royal Court, 1983), Today (Royal Shakespeare Company, 1984) and The Overgrown Path (Royal Court, 1985). 'Holman's instinct for truth, and an unaffected ability to spot what's poignant in it, is what one remembers: that, and a paradoxical impression of spare richness, astringent abundance' The Times

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Robert Heinecken (1931-2006) was a pioneer in the postwar Los Angeles art scene who described himself as a para-photographer because his work stood ‘beside’ or ‘beyond’ traditional ideas of the medium. Published in conjunction with the first museum exhibition of the artist’s work since his death in 2006, this publication covers four decades of his remarkable and unique practice, from the early 1960s through the late 1990s, with special emphasis on his early experimentations with technique and materiality, which destabilized the very definition of photography. Culling images from newspapers, magazine advertisements, and television, Heinecken re-contextualized them through collage and assemblage, double-sided photograms, photolithography and re-photography. Although he was rarely behind the lens of a camera, his photo-based works question the nature of photography and radically redefine the perception of it as an artistic medium. As the most comprehensive survey of Heinecken’s oeuvre, this book sets his work in the context of twentieth century history of photographic experimentation and conceptual art. An illustrated essay by conservator Jennifer Jae Gutierrez about the artist’s experimental techniques, which ranged from photograms to photolithography to collage, contributes to the sparse scholarship on Heinecken’s working methods.

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Collected for the first time, the foundational contributions of a scholar and activist who shaped the study of Garveyism and pan-Africanism. This volume brings together Robert A. Hill's most important writings for the first time, highlighting his intellectual contributions to the history of pan-Africanism. A pioneering scholar and activist, a ground-breaking builder of pan-African archives, and the editor of the multivolume Marcus Garvey and Universal Negro Improvement Association Papers, Hill remains under-acknowledged for his influence on the field. This collection is a long-overdue testament to his legacy. Adam Ewing showcases Hill's ground-breaking writings on Garveyism, the pan-African, anticolonial movement that spread across the globe following World War I. Hill's essays trace Marcus Garvey's evolving thought and illuminate the resonance of the movement in the Caribbean and its diaspora, in the United States, and across sub-Saharan Africa. The volume also includes Hill's writings on diverse aspects of pan-Africanism, including the imposter figure in diaspora history, Cyril Briggs's African Blood Brotherhood, the Rastafarian movement, the fiction of George Schuyler, George Beckford and the Abeng collective in Jamaica, the theories of Walter Rodney, the life and thought of C.L.R. James, and the music of Bob Marley. This volume not only demonstrates Hill's intellectual praxis and its roots in his academic influences and personal experiences but also reveals the breadth, diversity, complexity, and centrality of the pan-African tradition in African diasporic politics and thought. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

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Robert the Bruce is a man of both history and legend. In his lifetime he secured Scottish independence in the face of English imperial aggression under the successive leadership of Edward I and Edward II. He was the victor of Bannockburn, a self-made king against all odds, and is celebrated as a champion of the Scottish nation. Yet Robert’s colourful life is far from straightforward. Stephen Spinks seeks to examine this most enigmatic of kings beyond the myths to reveal him in the context of his time, his people and in his actions. Stephen shows that Robert was a complex man, confronted by hardships and difficult and often dangerous decisions. He was not born to rule. As the murderer of John Comyn, a rival for the Scottish crown, Bruce sent shockwaves across Europe and was condemned by kings and popes. In war he suffered terrible personal loss, including the deaths of all four of his brothers and the imprisonment of his wife, daughter and two sisters, all at the hands of the English. He was at times a desperate yet focussed and highly determined man. Robert was also astute, breaking the rules of chivalry to even the odds, systematically fighting a guerrilla war against the English which he ultimately won. Yet he also cultivated the symbols of kingship, was pious, careful with his patronage and fought to uphold his fiercely held beliefs. King Robert unified his deeply divided kingdom and secured its independence from England. His dramatic life as the victorious underdog forged a significant legacy that has survived for 700 years.

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Robert Johnson was undoubtedly the most outstanding of the Mississippi Delta blues musicians and also one of the first inductees into the Rock and Roll Hall of Fame, but his short life remains steeped in mystery and wrapped in some of the most enduring legends of modern music. Love in Vain is Alan Greenberg’s remarkable, highly acclaimed, and genre-defying screenplay and is widely considered to be one of the foremost books on Robert Johnson’s life and legacy and an extraordinary exercise in American mythmaking. Newly revised and complete with extensive historical notes on Johnson’s life and the culture of the Mississippi Delta and blues music during the 1930s, Love in Vain is at once a classic of music writing and a screenplay whose reputation lies firmly in the realm of great American literature.

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The Locomotives of Robert Riddles guides the reader in the quest to understand how Robert Riddles career on the LMS and in war service shaped his knowledge and character and led to him becoming the obvious choice for leading the locomotive engineering function within the newly-formed Railway Executive. The book outlines the substantial impact Riddles had on the design and supply of locomotives that were to support the Allied military campaigns in the second world war, including useful analysis of the types of locomotives specifically designed for that work. The bulk of the book outlines the decision-making processes that led to the twelve designs of standard steam locomotives that were intended to be the future stop-gap before electrification, and the political and practical reasons for successive policy changes that led to their unexpectedly short lives. Those events include the 1955 Modernisation Plan with its emphasis on dieselisation, and the subsequent railway rationalisations that reduced the need not only for new steam locomotives but also made relatively new diesels redundant. Each BR standard locomotive type is described in its own chapter. The performance of each class is given its rightful emphasis. The book is comprehensively illustrated with largely unpublished pictures that cover a wide range of locations and locomotive duties.

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In 1940, manufacturer Robert Bosch (1861-1942) opened the first hospital to bear his name. He was interested in promoting public welfare as well as his highly successful business activities. Since 1964, 92 per cent of Robert Bosch GmbH has belonged to the Robert Bosch Foundation, whose dividends benefit education, science, understanding among nations and health care. So in 1973 it became possible to open a new hospital complex in Stuttgart. There has been continual extension and improvement of the existing stock by Arcass Frei Architekten, and in recent years the geriatric rehabilitation clinic and the very stimulating chapel have been added, both by Günter Leonhardt, and also the entrance building by Joachim Schürmann & Partner.

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The first major Hawthorne biography to be published in two decades, featuring original scholarship on both unpublished and published sources The Life of the Author: Nathaniel Hawthorne presents a rich and nuanced portrait of one of America’s greatest writers, exploring the thoughts and ideas of a man whose profound insights about the human condition continue to resonate in the modern day. Accessible to those with little knowledge of Hawthorne, this unique volume uses a new biographical approach based on exhaustive primary research that provides readers with a better understanding of the artist and his work. Author Dale Salwak challenges the presumption that Hawthorne was a reclusive, eccentric, and alienated man whose relevance to modern times is diminishing. Drawing from his forty-five years' experience reading, studying, and teaching Hawthorne, the author reveals a more approachable Hawthorne. In-depth and reflective chapters explore topics such as the circumstances that led Hawthorne to become a writer, the influence of Sophia Hawthorne on her husband’s work, the theory of the unfulfilled homoerotic relationship between Hawthorne and Herman Melville, and more. Offers a fresh reading of Hawthorne’s life and work from birth to death Provides new perspectives on Hawthorne and stories surrounding his work Draws from a wide variety of sources, including novels, tales, children’s books, notebooks, and personal letters to and from Hawthorne Suggests new strategies for teaching Hawthorne to today’s students Includes a detailed index and comprehensive introductory and concluding chapters Highlighting Hawthorne's special contributions to American literature, The Life of the Author: Nathaniel Hawthorne is essential reading for scholars, lecturers, and college students taking courses including Literary History, American Literature, and History of the Novel as well as anyone interested in biography, literature, and creativity. "Dale Salwak has assimilated vast amounts of scholarship on Hawthorne and his circle, and he's crafted a highly readable and brilliant biography. The lines in Hawthorne's astonishing life have never been more clearly drawn. A wonderful book, highly recommend."—Jay Parini, author of Robert Frost: A Life and Borges and Me

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The first major book to consider the life and work of Robert Arneson, "A Troublesome Subject" tells the fascinating story of how a high school art teacher transformed himself into an artist of international stature and ambition. Representing the full scope of Arneson's career in a rich survey of color reproductions, this book is at once a study of the trajectory of contemporary culture, the work of Robert Arneson, and the relationship between the two. It shows how Arneson's work articulated the crisis of narcissism that has defined American culture since 1970. Jonathan Fineberg develops his ongoing work toward a psychosocial history of art as he proceeds through Arneson's career - chronicling his early life, the formation of a personal style, and finding a unique subject matter in his famous post - 1970 turn to self-portraiture.

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This book provides a glimpse into the life and work of Robert Langer, an amazing scientist, inventor and entrepreneur. Growing up in Albany, New York, Langer developed a passion for mathematics. While he was pretty good at science, he was very good at math. He went on to receive his BA in chemical engineering from Cornell University and his Doctorate of Science from the Massachusetts Institute of Technology. As a graduate student at MIT, he was involved in teaching underprivileged high school dropouts, his goal: to make math and science interesting.Langer's research laboratory at MIT is the largest biomedical engineering lab in the world. He has authored more than 1300 papers and holds more than 1080 patents. His patents have been licensed or sublicensed to more than 250 companies. A selection of 53 key papers and 50 patents are included in this book.Langer has pioneered many new technologies, including controlled release system and is regarded as the founder of tissue engineering in the field of regenerative medicine. However, his success did not come easily. He struggled in the late 1970s and early 1980s because scientists, especially established scientists, did not believe in his research. To obtain his first patent, Langer scoured existing literature and found a paper published by five famous chemists and chemical engineers that said his results were surprising and went against conventional thinking. He managed to get the patent after the five researchers confirmed that they really wrote the paper.The introductory chapter of the book gives an account of Langer's struggles as well as triumphs as he pursued research in biotechnology and tissue engineering in an effort to 'make the world a better place and transform human healthcare.' The book will appeal to both students and scientists.

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The first biography of Robert Frank, one of the world's greatest and most influential photographers, by the author of the acclaimed James Brown biography The One.

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The early years of film were dominated by competition between inventors in America and France, especially Thomas Edison and the Lumiere brothers . But while these have generally been considered the foremost pioneers of film, they were not the only crucial figures in its inception. Telling the story of the white-hot years of filmmaking in the 1890s, Robert Paul and the Origins of British Cinema seeks to restore Robert Paul, Britain's most important early innovator in film, to his rightful place. From improving upon Edison's Kinetoscope to cocreating the first movie camera in Britain to building England's first film studio and launching the country's motion-picture industry, Paul played a key part in the history of cinema worldwide. It's not only Paul's story, however, that historian Ian Christie tells here. Robert Paul and the Origins of British Cinema also details the race among inventors to develop lucrative technologies and the jumbled culture of patent-snatching, showmanship, and music halls that prevailed in the last decade of the nineteenth century. Both an in-depth biography and a magnificent look at early cinema and fin-de-siecle Britain, Robert Paul and the Origins of British Cinema is a first-rate cultural history of a fascinating era of global invention, and the revelation of one of its undervalued contributors.

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Robert the Bruce had himself crowned King of Scots at Scone on a frozen March morning in 1306. After years of struggle, Scotland had been reduced to a vassal state by Edward I of England and its people lived in poverty. On the day he seized the crown Bruce renewed the fight for Scotland's freedom, and let forth a battle cry that would echo through the centuries. Using contemporary accounts, Ronald McNair Scott tells the story of Scotland's legendary leader, and one of Europe's most remarkable medieval kings. It is a story with episodes as romantic as those of King Arthur, but also one which belongs in the annals of Scottish History, and has shaped a nation.

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An excellent COVERT-ONE thriller from the bestselling writing team - Robert Ludlum and Gayle Lynds.A fiery explosion shatters a laboratory building in Paris. Among the dead is Emile Chambord, one of the leaders in the global race to create a molecular - or DNA - computer. Unfortunately, Professor Chambord kept the details of his work secret, and his notes were apparently destroyed in the fire. Then suddenly US fighter jets disappear from radar screens for a full five minutes and there's no explanation; utilities cease to function; and all telecommunications abruptly stop, with devastating consequences. This is not the work of a clever hacker - only the enormous power and speed of a DNA computer could have caused such havoc.Covert-One agent Jon Smith flies to Paris to investigate. Following a trail that leads him across two continents, he uncovers a web of deception that threatens to reshape the world for ever...

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'Watch your back 007 - Bourne is out to get you' - Sunday Times'Olympic style, all-out espionage' Daily ExpressReaders were first introduced to Jason Bourne's nemesis Leonid Arkadin, a brilliant Russian assassin and fearless international mercenary, in THE BOURNE SANCTION. His girlfriend was killed during a fight for which an enraged Arkadin blames Bourne. In THE BOURNE DECEPTION, Arkadin hunted Bourne to take revenge and kill him. Bourne, in a fight for his life, learned that Arkadin's skills mirror Jason's because he received the same original CIA Treadstone training.Now, in THE BOURNE OBJECTIVE, Jason turns the tables and targets Arkadin. Hunter will become hunted.But revenge can cause great psychological devastation. Has this become too personal for Bourne? Will this hunt be Bourne's downfall?

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Flannery O'Connor is considered one of America's greatest fiction writers. The immensely talented Robert Giroux, editor-in-chief of Harcourt, Brace & Company and later of Farrar, Straus; Giroux, was her devoted friend and admirer. He edited her three books published during her lifetime, plus Everything that Rises Must Converge, which she completed just before she died in 1964 at the age of thirty-nine, the posthumous The Complete Stories of Flannery O'Connor, and the subsequent award-winning collection of her letters titled The Habit of Being. When poet Robert Lowell first introduced O'Connor to Giroux in March 1949, she could not have imagined the impact that meeting would have on her life or on the landscape of postwar American literature. Flannery O'Connor and Robert Giroux: A Publishing Partnership sheds new light on an area of Flannery O’Connor’s life—her relationship with her editors—that has not been well documented or narrated by critics and biographers. Impressively researched and rich in biographical details, this book chronicles Giroux’s and O’Connor’s personal and professional relationship, not omitting their circle of friends and fellow writers, including Robert Lowell, Caroline Gordon, Sally and Robert Fitzgerald, Allen Tate, Thomas Merton, and Robert Penn Warren. As Patrick Samway explains, Giroux guided O'Connor to become an internationally acclaimed writer of fiction and nonfiction, especially during the years when she suffered from lupus at her home in Milledgeville, Georgia, a disease that eventually proved fatal. Excerpts from their correspondence, some of which are published here for the first time, reveal how much of Giroux's work as editor was accomplished through his letters to Milledgeville. They are gracious, discerning, and appreciative, just when they needed to be. In Father Samway's portrait of O'Connor as an extraordinarily dedicated writer and businesswoman, she emerges as savvy, pragmatic, focused, and determined. This engrossing account of O'Connor's publishing history will interest, in addition to O'Connor's fans, all readers and students of American literature.

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During his lifetime, Robert Frost notoriously resisted collecting his prose--going so far as to halt the publication of one prepared compilation and to "lose" the transcripts of the Charles Eliot Norton Lectures he delivered at Harvard in 1936. But for all his qualms, Frost conceded to his son that "you can say a lot in prose that verse won't let you say," and that the prose he had written had in fact "made good competition for [his] verse." This volume, the first critical edition of Robert Frost's prose, allows readers and scholars to appreciate the great American author's forays beyond poetry, and to discover in the prose that he did make public--in newspapers, magazines, journals, speeches, and books--the wit, force, and grace that made his poetry famous.The Collected Prose of Robert Frost offers an extensive and illuminating body of work, ranging from juvenilia--Frost's contributions to his high school Bulletin--to the charming "chicken stories" he wrote as a young family man for The Eastern Poultryman and Farm Poultry, to such famous essays as "The Figure a Poem Makes" and the speeches and contributions to magazines solicited when he had become the Grand Old Man of American letters. Gathered, annotated, and cross-referenced by Mark Richardson, the collection is based on extensive work in archives of Frost's manuscripts. It provides detailed notes on the author's habits of composition and on important textual issues and includes much previously unpublished material. It is a book of boundless appeal and importance, one that should find a home on the bookshelf of anyone interested in Frost.

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This is the story of Southern Rhodesia, from a time of its earliest known inhabitants, the Bushmen, to their displacement by the Bantu; the invasion by the Matabele under King Mzilikaze; the advent of the white missionaries; and the arrival of Cecil Rhodes and his Pioneer Column of early settlers, up to the time of independence in 1980. This is the romantic land of the high veld; of teeming game; of the great river Zambezi and the mighty Victoria Falls, and of enormous mineral wealth. This was the country that Robert Mugabe—its future leader—referred to as `the jewel of Africa’. And yet in this land of plenty, tensions in the mid-twentieth century were mounting between its black inhabitants and the whites, including those of British and Afrikaner stock: tensions which would one day boil over into a civil war in which Southern Rhodesia’s neighbours would also become involved. The author has first-hand knowledge of the country, having arrived there with his parents in 1956. He describes what it was like to arrive in a British colony, in the last decades of the colonial era; the wonders of Wankie Game Reserve (now Hwange National Park); a schoolboy expedition to the Eastern Districts in search of the elusive `stone door ruin’; and a personal friendship which developed between himself and his family’s black servant Timot, at a time of racial segregation.

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This enthralling biography tells the complete story of one of Tudor England’s most enigmatic figures. A Welshman born in Tenby, south Wales, c.1512, Robert Recorde was educated at both Oxford and Cambridge. This book, a detailed biography of this Tudor scholar, reviews the many facets of his astonishingly wide-ranging career and ultimately tragic life. It presents a richly detailed and fully rounded picture of Recorde the man, the university academic and theologian, the physician, the mathematician and astronomer, the antiquarian, and the writer of hugely successful textbooks. Crown appointments brought Recorde into conflict with the scheming Earl of Pembroke, and eventually set him at odds with Queen Mary I. As an intellectual out of his depth in political intrigue, beset by religious turmoil, Recorde eventually succumbed to the dangers that closed inexorably around him.

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The third installment of Harvard’s five-volume edition of Robert Frost’s correspondence.The Letters of Robert Frost, Volume 3: 1929–1936 is the latest installment in Harvard’s five-volume edition of the poet’s correspondence. It presents 601 letters, of which 425 are previously uncollected. The critically acclaimed first volume, a Times Literary Supplement Book of the Year, included nearly 300 previously uncollected letters, and the second volume 350 more.During the period covered here, Robert Frost was close to the height of his powers. If Volume 2 covered the making of Frost as America’s poet, in Volume 3 he is definitively made. These were also, however, years of personal tribulation. The once-tight Frost family broke up as marriage, illness, and work scattered the children across the country. In the case of Frost’s son Carol, both distance and proximity put strains on an already fractious relationship. But the tragedy and emotional crux of this volume is the death of Frost’s youngest daughter, Marjorie. Frost’s correspondence from those dark days is a powerful testament to the difficulty of honoring the responsibilities of a poet’s eminence while coping with the intensity of a parent’s grief.Volume 3 also sees Frost responding to the crisis of the Great Depression, the onset of the New Deal, and the emergence of totalitarian regimes in Europe, with wit, canny political intelligence, and no little acerbity. All the while, his star continues to rise: he wins a Pulitzer for Collected Poems in 1931 and will win a second for A Further Range, published in 1936, and he is in constant demand as a public speaker at colleges, writers’ workshops, symposia, and dinners. Frost was not just a poet but a poet-teacher; as such, he was instrumental in defining the public functions of poetry in the twentieth century. In the 1930s, Frost lived a life of paradox, as personal tragedy and the tumults of politics interwove with his unprecedented achievements.Thoroughly annotated and accompanied by a biographical glossary and detailed chronology, these letters illuminate a triumphant and difficult period in the life of a towering literary figure.

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In the “Curiosity” issue of Aperture magazine, Sarah Bay Gachot writes that Robert Cumming’s interest in photography spawned from his interest in perception: “Cumming wanted the viewer to get to know, personally, the process of perception—perhaps to ward off the onset of visual inertia. The pictures unfold slowly over time; the more you look, the more you see.” The Difficulties of Nonsense features Cumming’s conceptual black-and-white and color photographs from the 1970s, revealing his fascination with illusion and trickery. From his base in Los Angeles, Cumming made functional-looking constructions, rendered useless and created primarily to be photographed with his 8-by-10 camera. Playing with props, proportions, unusual angles, light, and mirrors, the images invite viewers to look in—and then to second-guess what they see. As the first publication to survey this significant series, The Difficulties of Nonsense serves as a touchstone for contemporary artists and for those interested in artwork that came out of Los Angeles in the 1970s. With an essay by Sarah Bay Gachot and an interview by David Campany, this monograph pays homage to a time when Cumming, and many in the photographic community, worked to playfully push the boundaries of photography and narrative.

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In his lifetime Robert Southey was very much the equal of his fellow “Lake poets,” Coleridge and Wordsworth, but since his death his reputation has been overshadowed by their success. In this new biography W. A. Speck argues that if Southey's poetry is no longer considered as significant, his other writings were more salient and his political views far more influential than those of his fellow poets. He was, as Byron conceded, England's “only existing entire man of letters.”The book engages with Southey's voluminous publications, weaving discussion of them into the narrative of his life. Speck also explores Southey's entire correspondence, not only that which appeared in the editions edited by his descendants, and finds a man of considerably greater emotional complexity than previously assumed. The first fully rounded chronicle of Southey's life in sixty years, Speck's account sets Southey in historical context and restores him to the map of English literature.

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An exploration of the creative process of one of the most innovative theatre directors working today.

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Robert A. Heinlein began publishing in the 1940s at the dawn of the Golden Age of science fiction, and today he is considered one of the genre's 'big three' alongside Arthur C. Clarke and Isaac Asimov. His short stories were instrumental in developing its structure and rhetoric, while novels such as Stranger in a Strange Land and Starship Troopers demonstrated that such writing could be a vehicle for political argument.Heinlein’s influence remains strong, but his legacy is fiercely contested. His vision of the future was sometimes radical, sometimes deeply conservative, and arguments have flared up recently about which faction has the most significant claim on his ideas.In this major critical study, Hugo Award-winner Farah Mendlesohn carries out a close reading of Heinlein’s work, including unpublished stories, essays, and speeches. It sets out not to interpret a single book, but to think through the arguments Heinlein made over a lifetime about the nature of science fiction, about American politics, and about himself.

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The first comprehensive study of the artist Robert Heinecken and his critical views on the culture of mass media This is the first book-length study dedicated to the artist Robert Heinecken, whose innovative photographic practices sought to interrogate how mass media imagery facilitated the construction of individual and collective identities. Appropriating, rephotographing, and layering pictures culled from newspapers, advertisements, pornography, and television, Heinecken recombined and transformed the ubiquitous images of mass culture to encourage viewers to critically reflect on their sense of self. From the 1960s through the late 1990s, Heinecken’s controversial art continually challenged inherited ideas around consumerism, the facticity of reportage, and visual culture’s relationship to gender and identity politics. Embodying the evolution of contemporary art toward increasingly hybrid and conceptual approaches, his oeuvre includes examples of painting, sculpture, photomontage, performance, installation, time-based media, and artist’s books, all of which collectively exploit photography’s reproducibility to subvert society’s dominant ideologies and stereotypical modes of representation.Author Matthew Biro presents an exhaustive look at Heinecken’s life and art, locating him within a lineage that encompasses the activities of the early twentieth-century avant-gardes and the postmodern strategies of the Pictures Generation artists. Assessing his career within the specific political and historical contexts from which he gleaned his material, and illustrated throughout with vibrant full-color reproductions of his art, this in-depth examination demonstrates Robert Heinecken’s significance as a key figure of twentieth-century art and an incisive commentator on modern life in America.

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From the creator of the JASON BOURNE series, a brand new thriller by the undisputed master of the genre.Reformed from his days of assassination and conspiracy, Paul Janson has a new mission and a new partner. Working with kick-ass sharpshooter Jessica Kincaid, he helps other disenchanted covert operatives to create new lives. He also accepts independent jobs, but only missions he believes will contribute to the greater good. Janson takes the job to rescue a doctor who has been kidnapped by West African rebels. At first, it appears that the doctor's life was spared in order to treat the rebels' wounded leader, but when the mission goes haywire, Janson realises he's in the middle of something much bigger - and that he may be fighting for the wrong side...

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