Search results for ""Author Robert"

Monograph on the work of US-based architect Robert M. Gurney, whose office has won regional and national design awards.

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Robert Motherwell (1915-1991), one of the leading American Abstract Expressionist painters, was also a theorist and exponent of the movement. His writing articulated the intent of the New York school - Jackson Pollock, Willem de Kooning, Adolph Gottlieb, Franz Kline, Arshile Gorky, and others - during a period when their work was often reviled for its departure from traditional representation. As founder of the "Documents of Modern Art" series (later renamed the "Documents of Twentieth-Century Art"), Motherwell gave modern artists a voice at a time when very few people understood their theories or work. This authoritative new edition of the artist's writings about art includes public lectures, essays, and interviews. Impeccably edited, with an informative introductory essay and rigorous annotation, it is illustrated with black-and-white images that elucidate Motherwell's writings.

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The paintings of Robert C. Jackson are introduced by Philip Eliasoph in the artist’s first monograph. Using paintings from artists as diverse as Andrew Wyeth and Jasper Johns, Eliasoph’s extensive knowledge of American art places Jackson’s artwork into a historical context. This beautifully illustrated book includes more than 130 images of the artist’s paintings with details, photographs of the artist at work, sketchbook reproductions, and an interview with the artist himself. Eliasoph colorfully proclaims, “The paintings we are about to examine are inescapably a bundle of contradictions, satirical complexities, and witty subterfuge. Essentially, Jackson is a uniquely self-realized painter. His feisty independence is fortified with healthy dosages of non-conforming eccentricity, with a small touch of screwball nuttiness.” The foreword by Professor Henry Adams reveals a similar sentiment, “Notably, this is also the sort of strange mix of sensibilities one finds in the best American novelists, such as Mark Twain.”

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Browning has been identified as the greatest nineteenth century poet of human psychology, but the category most popular in his own time defined him as a poet of 'the grotesque'. In this book, John Woolford undertakes to specify the precise meaning and scope of this term, in the process placing him in a major aesthetic tradition running from the Romantic Sublime through to modern concepts and theorisations of the grotesque, such as the Bakhtinian. This study subsumes the other major critical discourse fertilised by his work, the 'dramatic monologue', but adds to that other notable features of it, such as its lucid language, and what has impeded his full appreciation hitherto, its difficulty. The study seeks, not to excuse but to explain and celebrate the intellectual white heat at which he worked, and to position all aspects of his output within a unified theory of its significance. Browning was arguably the cleverest of the English poets, but he was more than that: contemporary comparisons of him with Chaucer and Shakespeare are not misplaced.

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Life of one of the greatest British Prime Ministers - by an author who knows the scene from his years as a senior Minister in Margaret Thatcher's Cabinet.Robert Peel, as much as any man in the nineteenth century, transformed Great Britain into a modern nation. He invented our police force, which became a model for the world. He steered through the Bill which allowed Catholics to sit in Parliament. He reorganised the criminal justice system. Above all he tackled poverty by repealing the Corn Laws. Thanks to Peel the most powerful trading nation chose free trade and opened the door for our globalised world of today.Peel was not all politics. He built two great houses, filled them with famous pictures and was devoted to a beautiful wife. Many followers never forgave him for splitting his Party. But when in 1850 he was carried home after a fall from his horse crowds gathered outside, mainly of working people, to read the medical bulletins. When he died a few days later, factories closed, flags flew at half mast and thousands contributed small sums to memorials in his honour. He was the man who provided cheap bread and sacrificed his career for the welfare of ordinary people.

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In August 1992 Robert Frank’s good friend and antique dealer Reginald Rankin invited Frank on a trip to Pangnirtung, a village of around 1,300 Inuit inhabitants in the Arctic Circle. This book is Frank’s documentation of the five-day sojourn. Curiously Frank depicts Pangnirtung void of its people: the still harbour, public housing, a convenience store, a telephone post. Sincere without being sentimental, the photos are shaped by a short text from Frank himself, “Prefabricated homes along the main road in Pangnirtung. At times a decorated window – reflections inside or outside. Stones – maybe the balance of a big sky above…” Robert Frank was born in Zurich, Switzerland in 1924 and immigrated to the United States in 1947. He is best known for his seminal book The Americans, first published in 1958, which gave rise to a distinct new form in the photo-book, and his experimental film Pull My Daisy, made in 1959. Frank’s other important projects include the books Black White and Things, 1952, and The Lines of My Hand, 1972, and the film Cocksucker Blues for the Rolling Stones, 1972. He divides his time between New York City and Nova Scotia, Canada.

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For most of his life, Robert Kennedy stood in the shadow cast by his older brother, John; only after President Kennedy's assassination did the public gain a complete sense of Robert (\u0022Bobby,\u0022 we called him) as a committed advocate for social justice and a savvy politician in his own right. In this comprehensive biography, James W. Hilty offers a detailed and nuanced account of how Robert was transformed from a seemingly unpromising youngster, unlikely to match the accomplishments of his older brothers, to the forceful man who ran \u0022the family business,\u0022 orchestrating the Kennedy quest for political power.

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The perfect introduction to the life and work of Robert Rauschenberg

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Robert Morgan (b. 1944) is one of the most distinguished writers in southern and Appalachian literature, celebrated for his novels, poetry, short fiction, and historical and biographical writing, totaling more than thirty volumes. Morgan’s work gives voice to the traditionally underrepresented people of southern Appalachia, and his appearances in such popular venues as The Oprah Winfrey Show, National Public Radio’s Morning Edition, and the New York Times Bestseller List have contributed to his wide readership and successful dismantling of Hollywood stereotypes that still dog the region in the nation’s larger consciousness. His writing makes a case for the dignity of work, the beauty and terror of the landscape, and the essential value of creating a community and learning to live in the world. The interviews in Conversations with Robert Morgan provide readers and scholars the first stand-alone book on Morgan’s long and fascinating career as a master of multiple genres, and make a significant contribution to the understanding of American, southern, and Appalachian literature and culture. Collected here are five decades of interviews that cover such topics as literary influence, the impact of war on family and community, poetic and narrative craft, the role of environmentalism in American literature, and the journey from impoverished North Carolina mountain boy to award-winning Ivy League professor. Morgan is Kappa Alpha Professor of English at Cornell University, where he has taught since 1971. Readers will learn about writing across multiple genres, craft that can be learned and practiced by a writer, and studying the past for those present truths that create what Morgan values most in literature, "a community across time.

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After his graduation from Black Mountain College, Michael Rumaker made his way to the post-Howl, pre-Stonewall gay literary milieu of San Francisco, where he entered the circle of Robert Duncan. Contrasting Duncan's daringly frank homosexuality with Rumaker's own then-closeted life, Robert Duncan in San Francisco conjures up with harrowing detail an era of police prosecution of a clandestine gay community struggling to survive in the otherwise "open city" of San Francisco. This expanded edition includes a selection of previously unpublished letters between Rumaker and Duncan, and an interview conducted for this edition, in which Rumaker provides further reflections on the poet and the period. "This is a wonderfully revealing account of a series of lifechanging collisions between a young writer (Rumaker), an older writer (Duncan), a still older mentor for both (Charles Olson), a city (San Francisco), and an important era in American literature (the 1950s), when it was being turned upside down by these individuals and their friends. It's also a tender and intelligent account of a young man's coming to grips with being gay in the midst of this upheaval. Much more than memoir; it's history." --Russell Banks, author of Cloudsplitter Robert Duncan in San Francisco offers a surprising portrait of a mentor in all his witty, wicked, luminous, and vulnerable complexity. Straddling the lines of memoir and cultural history, Michael Rumaker gives a rare and delightful view of Duncan at home in the gay community while also documenting the struggles of that community in 1950s America." --Lisa Jarnot, author of Robert Duncan, The Ambassador from Venus "In this fine memoir of this 16 months in San Francisco, Rumaker learns many lessons about being at home with who he is, in what he calls 'Robert's city.'" --Joanne Kyger, About Now: Collected Poems Michael Rumaker has written several novels and short story collections, as well as the memoir Black Mountain Days. He was born in Philadelphia and is a graduate of Black Mountain College -- where Duncan served as his outside thesis advisor--and Columbia University. He taught at City University of New York and the New School for Social Research. Robert Duncan (1919-1988) was an American poet and well-known as a key figure in the San Francisco Renaissance. City Lights published a book of his poetry titled Selected Poems.

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Robert Hodgins is a celebrated and highly respected South African artist. Hodgin's paintings and works on paper are highly sought after on both the local and international market. At 88, Hodgins is still producing witty and satirical works. He has been producing ceramic works for almost 2 decades, however these works have received very little exposure and the last exhibition of his ceramic works was about 18 years ago. Retief van Wyk is a ceramicist who has worked closely with Hodgins in the production of these ceramic works. Their association spans nearly 2 decades. In this title van Wyk documents the ceramic works produced by Hodgins with his assistance and the well researched essays explore the influences which form Hodgins' art and the nature of the ceramic works.

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A major new work, Tenancy is comprised of 42 photographs by Robert Adams (born 1937) made in Nehalem Bay State Park, Oregon, between 2013 and 2015, with short texts by the artist. The book’s theme of tenancy expresses the idea of “temporary possession of what belongs to another”—specifically, the natural environment. Adams’ recent photographs of the landscape reference the current and imminent threats of clearcutting, environmental degradation and natural disasters along the Northwestern coast of the US. The black-and-white photographs include poignant images of massive tree stumps on the beach—a product of the cutting of first and early second growth—as well as shimmering stretches of coastline protected for endangered birds previously thought to have abandoned northern Oregon.

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A fascinating look at one of photography's most controversial and beloved iconsThe legacy of Robert Mapplethorpe (1946-1989) is rich and complicated, triggering controversy, polarizing critics, and providing inspiration for many artists who followed him. One of the most influential figures of his time, today Mapplethorpe stands as an example to emerging photographers who continue to experiment with the boundaries of acceptability and concepts of the beautiful.Robert Mapplethorpe: The Photographs offers a timely and rewarding examination of his oeuvre and influence. Drawing from the extraordinary collection jointly acquired in 2011 by the J. Paul Getty Museum and the Los Angeles County Museum of Art from the Robert Mapplethorpe Foundation, as well as the Mapplethorpe Archive housed at the Getty Research Institute, the authors were given the unique opportunity to explore new resources and present fresh perspectives. The result is a fascinating introduction to Mapplethorpe's career and legacy, accompanied by a rich selection of illustrations covering the remarkable range of his photographic work.All of these beautifully integrated elements contribute to what promises to become an essential point of access to Mapplethorpe's work and practice. This publication is issued on the occasion of the exhibition Robert Mapplethorpe: The Perfect Medium on view at both the J. Paul Getty Museum and at the Los Angeles County Museum of Art from March 15 through July 31, 2016; at the Musee des Beaux-Arts de Montreal from September 9, 2016, through January 7, 2017; and at the Art Gallery of New South Wales, Sydney, from October 2017 through February 2018.

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Michel Lefebvre has written numerous articles and books on Robert Capa, and is an expert on the Spanish Civil War.

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"Robert Burns in Time and Place" is a brand new title in the "Scotties Books" series which contain a wealth of interesting facts, stimulating activities, web sites and suggestions for places to visit. The year 2009 is the 250th anniversary of the birth of Robert Burns but studying the life and work of the poet is no longer just a celebration around his birthday, but can be embedded across the school curriculum. The book looks at Ayrshire, Scotland and the wider world as they were in his time and which shaped his experiences and his work.

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Household Inventory Record is a new readymade in the series of Robert Frank’s late visual diaries. Composed of polaroids, the thin and upright volume continues the journey into Frank’s realm and imagery, showing us snapshots from his travels, of his friends and everyday curiosities.

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16 Pictures is the latest in a series of photobooks by American artist Robert Grosvenor (born 1937). Included here are color photographs of vehicles, scale models and ordinary objects. Sometimes blurry, sometimes overexposed, and very often brightly colorful, the photographs depict scenes that may be staged or chanced upon.

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Robert Rauschenberg (1925–2008) was a breaker of boundaries and a consummate collaborator. He used silk-screen prints to reflect on American promise and failure, melded sculpture and painting in works called combines, and collaborated with engineers and scientists to challenge our thinking about art. Through collaborations with John Cage, Merce Cunningham, and others, Rauschenberg bridged the music, dance, and visual-art worlds, inventing a new art for the last half of the twentieth century.Robert Rauschenberg is a work of collaborative oral biography that tells the story of one of the twentieth century’s great artists through a series of interviews with key figures in his life—family, friends, former lovers, professional associates, studio assistants, and collaborators. The oral historian Sara Sinclair artfully puts the narrators’ reminiscences in conversation, with a focus on the relationship between Rauschenberg’s intense social life and his art. The book opens with a prologue by Rauschenberg’s sister and then shifts to New York City’s 1950s and ’60s art scene, populated by the luminaries of abstract expressionism. It follows Rauschenberg’s eventual move to Florida’s Captiva Island and his trips across the globe, illuminating his inner life and its effect on his and others’ art.The narrators share their views on Rauschenberg’s work, explore the curatorial thinking behind exhibitions of his art, and reflect on the impact of the influx of money into the contemporary art market. Included are artists famous in their own right, such as Laurie Anderson and Brice Marden, as well as art-world insiders and lesser-known figures who were part of Rauschenberg’s inner circle. Beyond considering Rauschenberg as an artist, this book reveals him as a man embedded in a series of art worlds over the course of a long and rich life, demonstrating the complex interaction of business and personal, public and private in the creation of great art.

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Schon zu Lebzeiten wurde der Schriftsteller und Abenteurer Robert Louis Stevenson (1850 –1894) zum Mythos. Bis auf 'Die Schatzinsel' und 'Der seltsame Fall des Dr. Jekyll und Mr. Hyde' gerieten seine Werke jedoch in Vergessenheit. Stevenson wird vor allem als Verfasser von Jugendbüchern und Schauergeschichten wahrgenommen, woran er einen gewissen Anteil trägt. Er liebte es zu posieren und bediente die Vorstellungen seiner Leser vom todgeweihten, aber waghalsigen Autor, der die Südsee bereiste. Michael Rölcke folgt dem herausragenden Stilisten englischer Literatur nicht nur auf seinen Lebenspfaden, sondern taucht in seine Phantasiewelt ein. Was er dabei entdeckt, sind seelische Abgründe, ein Hohelied auf eine Moral ohne Gott und taghelle Romantik.

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Ideal for children aged 6 - 12, this colour illustrated book explains the early life of Robert Burns and how he grew up to be Scotland's best known poet and lyricist. Suitable for schools and homework projects, this book explains his early life in Alloway. Today, Burns is widely regarded as the national poet of Scotland and is celebrated worldwide. Known best for poems such as Auld Lang Syne and My Love is Like a Red Red Rose, Burns is the best known of the poets who have written in the Scots language, and he is seen as a leader of the Romantic movement. After his death he was a source of inspiration to the founders of liberalism and socialism and today he is a cultural icon not just in Scotland. His work is taught in many countries such as Russia and Canada. He is regarded as one of the greatest Scots and known for world-famous songs such as Auld Lang Syne and the world-famous poem 'A Red, Red Rose' and 'Tam o' Shanter'.

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The enormous, photorealistic charcoal drawings by American artist Robert Longo (*1953 in Brooklyn, New York) show the beauty and horror of the present day and age. His large-format works contrast the innocence of sleeping toddlers, the tranquil grandiosity of Earth and the planets, roses in bloom, and Gothic cathedrals with threatening images of atom bomb explosions, fighter pilots, monster waves, sharks, and the muzzles of revolvers. Inexorably and seismographically precise, the winner of the 2005 Goslar Kaiserring and 2010 inductee into the French Order of Arts and Letters records the state of our world. Longo’s powerful motifs give form and expression to the feelings of fear and longing felt by people in the twenty-first century, and affect the viewer with the full force of the medium.This large-format, elaborately designed book, printed on natural paper using a tritone process, bound in half cloth and distributed in four different cover designs, has been created in close collaboration with the artist and affords a comprehensive overview of his charcoal drawings from the past decade. Exhibition schedule: Kunsthalle Weishaupt, Ulm, November 28, 2010–September 25, 2011

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Is there anything new to say about Robert Burns? John Cairney says it''s time to trash Burns the Brand and come on the trail of the real Robert Burns. He is the best of travelling companions on this entertaining journey to the heart of the Burns story. Internationally known as ''the face of Robert Burns'', John Cairney believes that the traditional Burns tourist trail urgently needs to find a new direction. In an acting career spanning forty years he has often lived and breathed Robert burns on stage. On the Trail of Robert Burns shows just how well he has got under the skin of Burn''s complex character. This fascinating journey around Scotland is a rediscovery of Scotlands national bard as a flesh and blood genius. On the Trail of Robert Burns outlines five tours, mainly in Scotland. Key sites include: Alloway - Burn''s birthplace. Tam O'' Shanter draws on the Alloway Kirk witch-stories first heard by Burns in his childhood; Mossgiel - Between 1784 and 1786 in a p

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For three months Biel, Switzerland, hosted a special kind of sculpture. It was special not simply because it was by one of Switzerland’s most famous contemporary artists—Thomas Hirschhorn—and dedicated to one of the most prominent authors in the history of Swiss literature, Robert Walser. Beyond that, this sculpture was a redefinition of sculpture itself, because what takes on a plastic form here is not made of stone, steel, or bronze. It is society itself that helped to develop this work of art. In 2016 Thomas Hirschhorn and the curator Kathleen Bühler began doing field research in Biel, the city of Robert Walser’s birth, connecting with residents, clubs, artists, literati, and experts. This resulted in a multifaceted agenda. Every day the two offered events such as readings, walking tours, lectures, and children’s activities. All of this ultimately comprised the Robert Walser-Sculpture. Never before has an entire city been integrated into a temporary work of art in this way.

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Count Robert of Paris, condemned by Scott's printer as 'altogether a failure', was later prepared for publication by his son-in-law, J. G. Lockhart , and his publisher Robert Cadell. What appeared was a bowdlerised, tamed and tidied version of what Scott had written and dictated. This edition, the first to have returned to the manuscript and to the many surviving proofs, realises Scott's original intentions. Scott's last full novel has many roughnesses, but it also challenges the susceptibilities of his readers more directly than any other and in that lay its fault in the eyes of the lesser men who condemned it.

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An exclusive look into the preparations behind the Naples in Paris exhibition at the Louvre, beautifully captured by the renowned photographer Robert Polidori.From June 2023 to January 2024, the Musée du Louvre in Paris welcomed sixty major masterpieces from the Museo di Capodimonte, on loan for the exhibition Naples in Paris: The Louvre Hosts the Museo di Capodimonte. The former Italian royal palace, which once served as a hunting lodge for Bourbon monarchs, is now one of the largest museums in Italy holding one of the continent’s most important collections of Italian paintings, drawings, and sculptures. Among the artworks featured are the famously enigmatic Antea by Parmigianino, a poignant painting of the Crucifixion by Masaccio, The Transfiguration of Christ by Giovanni Bellini, and preparatory cartoons by Raphael and Michelangelo.On the occasion of this historic artistic exchange, acclaimed photographer Robert Polidori was granted exclusive access to the preparations of the exhibition in the Louvre’s prestigious Grand Galerie. Known for his unique images of architecture and interiors, Polidori exquisitely captures the process and inner workings of the arrival, set-up, and display of the artworks. Part photography monograph, part art history book, this unique publication reveals the hidden workings behind one of the most significant collaborative efforts among major museums in recent years.

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A Companion to Robert Altman presents myriad aspects of Altman’s life, career, influence and historical context. This book features 23 essays from a range of experts in the field, providing extensive coverage of these aspects and dimensions of Altman’s work. The most expansive and wide-ranging book yet published on Altman, providing a comprehensive account of Altman’s complete career Provides discussion and analysis of generally neglected aspects of Altman’s career, including the significance of his work in television and industrial film, the importance of collaboration, and the full range and import of his aesthetic innovations Includes essays by key scholars in “Altman studies”, bringing together experts in the field, emerging scholars and writers from a broad range of fields Multi-disciplinary in design and draws on a range of approaches to Altman’s work, being the first substantial publication to make use of the recently launched Robert Altman Archive at the University of Michigan Offers specific insights into particular aspects of film style and their application, industrial and aesthetic film and TV history, and particular areas such as the theorisation of space, place, authorship and gender

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Since the 1979 publication of The Writings of Robert Smithson, Robert Smithson's significance as a spokesman for a generation of artists has been widely acknowledged and the importance of his thinking to contemporary artists and art critics continues to grow. In addition to a new introduction by Jack Flam, The Collected Writings includes previously unpublished essays by Smithson and gathers hard-to-find articles, interviews, and photographs. Together these provide a full picture of his wide-ranging views on art and culture.

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The poet and author Robert Graves (1895-1985), now best known for his historical novels "I, Claudius" and "Claudius the God", thanks to the legendary BBC TV adaptation, was recognised as one of the better Edwardian and First World War poets, although for a time his work was somewhat sidelined by the Modernists. Graves' writings and life belong to a period where the values and beliefs of the past were rejected or no longer felt sustainable: his unconventional life, bizarre domination by a series of strong-willed women and search for poetic rejuvenation through a series of muses can be seen as a rejection of Victorian values', caused by his childhood experiences and his service in the First World War, where he was seriously wounded on the Somme. His autobiography "Good-Bye to All That", published in 1929, is one of the landmark memoirs of the war in the trenches on the Western Front. By the time of his death, Graves was internationally famous, seen as one of the 20th century's best poets, and whose prose works were sold all over the world. This first single-volume biography over a decade will shed new light on this intriguing and unparalleled life.

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Along with Mary Shelley, Bram Stoker and Oscar Wilde, Robert Louis Stevenson brought to life the monstrous nature that hides within humanity. For his masterpiece The Strange Case of Dr. Jekyll and Mr Hyde, the clever manipulator of the dark and gothic mood revealed the duality of human nature with a tale that resonates still today. This new selection gathers together 'The Body Snatcher', 'A Lodging for the Night', 'The Isle of Voices', 'The Bottle Imp', 'Story of the Physician and the Saratoga Trunk', and many other chilling and thrilling stories for readers who delight in the shadows and the mysterious. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

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Robert Rodriguez stands alone as the most successful U.S. Latino filmmaker today, whose work has single-handedly brought U.S. Latino filmmaking into the mainstream of twenty-first-century global cinema. Rodriguez is a prolific (eighteen films in twenty-one years) and all-encompassing filmmaker who has scripted, directed, shot, edited, and scored nearly all his films since his first breakout success, El Mariachi, in 1992. With new films constantly coming out and the launch of his El Rey Network television channel, he receives unceasing coverage in the entertainment media, but systematic scholarly study of Rodriguez’s films is only just beginning.The Cinema of Robert Rodriguez offers the first extended investigation of this important filmmaker’s art. Accessibly written for fans as well as scholars, it addresses all of Rodriguez’s feature films through Spy Kids 4 and Machete Kills, and his filmmaking process from initial inspiration, to script, to film (with its myriad visual and auditory elements and choices), to final product, to (usually) critical and commercial success. In addition to his close analysis of Rodriguez’s work, Frederick Luis Aldama presents an original interview with the filmmaker, in which they discuss his career and his relationship to the film industry. This entertaining and much-needed scholarly overview of Rodriguez’s work shines new light on several key topics, including the filmmaker’s creative, low-cost, efficient approach to filmmaking; the acceptance of Latino films and filmmakers in mainstream cinema; and the consumption and reception of film in the twenty-first century.

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Best known for his 1947 memoir L'Espece humaine, Robert Antelme (1917-1990) is a central figure in the history of the European response to the Nazi concentration camps. In this first study in any language to be devoted to Antelme's work, Martin Crowley reveals the author's vital yet insufficiently recognized influence on recent thought in France and elsewhere about such questions as the nature of community and the indivisibility of humanity. He explores the conclusions Antelme drew from his deportation and his involvement with the post-war French left, and provides the first detailed textual criticism of L'Espece humaine. Examining the responses to the author's writing by such figures as Blanchot, Perec, Agamben, Nancy and Derrida, Crowley demonstrates Antelme's key contribution to the development of modern European thought.

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