Search results for ""Author Richard"

‘Richard Marsh’ (Richard Bernard Heldmann, 1857–1915) was a bestselling, versatile and prolific author of gothic, crime, adventure, romantic and comic fiction. This book, the first on Marsh, establishes his credentials as a significant agent within the fin de siècle gothic revival. Marsh’s work spans a range of gothic modes, including the canonical fin de siècle subgenres of urban and imperial gothic and gothic-inflected sensation and supernatural fiction, but also rarer hybrid genres such as the comic gothic and the occult romance. His greatest success came in 1897 when he published his bestselling invasion narrative The Beetle: A Mystery, a novel that articulated many of the key themes of fin de siècle urban gothic and outsold its close rival, Bram Stoker’s Dracula, well into the twentieth century. The present work extends studies of Marsh’s literary production beyond The Beetle, contending that, in addition to his undoubted interest in non-normative gender and ethnic identities, Marsh was a writer with an acute sense of spatiality, whose fiction can be read productively through the lens of spatial theory.

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A thrilling tale of murder and mystery in a city where history has run a little differently -- from the bestselling author of Golden Hill.In a city that never was, in an America that never was, on a snowy night at the end of winter, two detectives find a body on the roof of a skyscraper.It's 1922, and Americans are drinking in speakeasies, dancing to jazz, stepping quickly to the tempo of modern times. Beside the Mississippi, the ancient city of Cahokia lives on - a teeming industrial metropolis, containing every race and creed. Among them, peace holds. Just about. But that body on the roof is about to spark off a week that will spill the city's secrets, and bring it, against a soundtrack of wailing clarinets and gunfire, either to destruction or rebirth.The multiple-award-winning Francis Spufford returns, with a lovingly created, richly pleasure-giving, epically scaled tale set in the golden age of wicked entertainments.

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The heroic true story of Major Richard Bong, America’s greatest fighter pilot of the Pacific War and the nation’s top flying ace of World War IIArriving as a fresh US Army Air Forces pilot in New Guinea in late 1942, Richard Bong wasted no time taking on the Japanese, shooting down two planes in an early skirmish—an action that earned him a Silver Star. Over the next two years, Bong would amass the US armed forces’ most impressive record of aerial victories of the entire war, surpassing even the great Eddie Rickenbacker’s World War I tally and notching forty kills. In December 1944, he was personally awarded the Medal of Honor by General Douglas MacArthur. Now acclaimed author Don Keith recounts the remarkable saga of Bong’s war years as well as his tragic death while serving as a test pilot.

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‘Rescuing Richard’ is a breathless quest that sweeps the reader from the blood-soaked battlefields of Zululand to the corridors of power in Regency London. Richard is astonished when Shaka appoints him to his inner council, where he vies for influence with his friend, Napoleon Bonaparte. Drawn to a feisty, intelligent young Zulu woman, Richard wrestles with his conscience while confronting betrayal and colonial adventurers exploiting the land he is sworn to protect. Having helped equip the Zulu army with artillery, he is sent as ambassador to the court of King George, where he defends Zulu interests while trying to help an old acquaintance escape an abusive relationship.

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Playwright Migdalia Cruz breathes new life into Richard III. Nuyorican playwright Migdalia Cruz unpacks and repositions Shakespeare’s Richard III for a twenty-first-century audience. She presents a contemporary English verse translation, faithfully keeping the poetry, the puns, and the politics of the play intact, with a rigorous and in-depth examination of Richard III—the man, the king, the outsider—who is still the only English king to have died in battle. In the Wars of the Roses, his Catholic belief in his country led to his slaughter at Bosworth’s Field by his Protestant rivals. In reimagining this text, Cruz emphasizes Richard III’s outsider status—exacerbated by his severe scoliosis, which twisted his spine—by punctuating the text with punk music from 1970s London. Cruz’s Richard is no one’s fool or lackey. He is a new kind of monarch, whose dark sense of humor and deep sense of purpose leads his charge against the society which never fully accepted him because he looked different. This translation was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. These volumes make these works available for the first time in print—a new First Folio for a new era.

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Richard III has been written off in history as one of England's evil kings. His usurpation of the throne from his nephew Edward V and then subsequent generations of pro-Tudor historians ensured his fame as the disfigured murderer portrayed by Shakespeare. In the twentieth century, Richard found his apologists, those who saw him as more sinned against than sinning. This biography - by the leading expert on Richard - strips away the propaganda of the centuries to rescue Richard from his critics and supporters alike, providing a balanced and compelling portrait of this most infamous of kings.

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'Gripping . . . Just brilliant' Clare Mackintosh'Emotionally compelling' Chris Brookmyre THERE'S A FINE LINE BETWEEN GOOD AND BAD . . .'Big George' McLaughlin is a bad person. He's snatched a little girl from her family, and he's not planning on giving her back. But George is also inherently good. He loves this little girl and has kidnapped her with pure intentions. She's his daughter and he wouldn't do a thing to hurt her. So when being together feels so right, why is it so terribly wrong? Is there such a thing as good bad love? From the Richard & Judy Book Club and international bestselling author of The Guilty One comes a suspenseful, gritty and emotionally charged journey of an estranged father and daughter, exploring the strength of family ties and our huge capacity for forgiveness.Praise for Lisa Ballantyne:'Thought-provoking, brave, challenging, compulsive' Rosamund Lupton'A page-turner with real emotional depth' Daily Express'Sophisticated, suspenseful, unsettling' Lee Child'Moving, insightful' Guardian'Will touch your heart, even as it leaves you unsettled' Hallie Ephron'Grips like a vice' Daily Mail'Thought-provoking and clever' Gilly Macmillan'Tense' Sunday Times'A tense and moving story that I will remember for a long time' Rachel Abbott'I couldn't get this book out of my head. It kept me up all night and guessing the whole way through. I loved it' Jenny Colgan

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Richard III ruled England for a mere twenty-six months, yet few English monarchs remain as compulsively fascinating, and none has been more persistently vilified. In his absorbing and universally praised account, Charles Ross assesses the king within the context of his violent age and explores the critical questions of the reign: why and how Richard Plantagenet usurped the throne; the belief that he ordered the murder of "the Princes in the Tower"; the events leading to the battle of Bosworth in 1485; and the death of the Yorkist dynasty with Richard himself. In a new foreword, Professor Richard A. Griffiths identifies the attributes that have made Ross's account the leading biography in the field, and assesses the impact of the research published since the book first appeared in 1981. "A fascinating study on a perennially fascinating topic… the base against which will be measured any future research."--Times Higher Education Supplement

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The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For this second edition of King Richard III, Janis Lull has added a new section to her introduction, in which she focuses on contemporary productions of the play as well as recent scholarly criticism. Lull emphasises the importance of women's roles in this popular drama but shows how the text has frequently been cut, rewritten and reshaped by directors and actors to enhance the role of Richard, often at the expense of female characters. The special relationship between King Richard III and Macbeth is also explored while the notes detail the play's language in terms that are easily accessible to contemporary readers.

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Richard III, the most notorious and most discussed of English kings, was also unusual among his contemporaries in regularly signing his books. This characteristic, among others, has enabled Anne Sutton and Livia Visser-Fuchs to reconstruct his library, and link it to the culture and reading habits of his generation.The books of Richard III are typical of what was available to and popular with the medieval reader religion, chivalry, history, genealogy, advice on how to govern, romance and prophecy and allow us to draw an interesting overview of fifteenth-century opinions.Each type of book is examined on its own terms and then related to the known preoccupations of Richard himself, his associates and to the political practices of his time. Containing valuable biographical material, insights into the history and politics of the later fifteenth century, and much detail on late medieval piety and other important aspects of contemporary culture, this fully

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'Effortlessly blends the brutal and the tender, the dark and the light. Aector McAvoy is a true original. So is David Mark.' Mick Herron, author of Dead LionsDS Aector McAvoy's brother-in-law Valentine is missing. In New York City, half the world away.And the two men he travelled with have just been found in an open grave upstate: one dead, one as good as. McAvoy doesn't believe Valentine killed them. He does believe he's in trouble. And so he follows him to New York, determined to find out what happened. But Valentine is in more danger than McAvoy could have imagined. And McAvoy's walking into it right after him: into the darkness of murder, revenge, and a forty-year-old crime...

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What companies comprise the vast Virgin Group? This book looks at the life of Richard Branson, with a focus on how he became successful.

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Richard Mille, 54, has devoted his career to haute horology. His love for high-precision mechanism and his passion for technological perfection have inspired his creations. Thousands of hours devoted to engineering research in a state-of-the-art workshop in the Swiss Jura resulted in the realisation and marketing in 2001 of a wristwatch which was the most ergonomic and the most technically sophisticated watch of its time. Since then, about ten new models have been created and launched successfully. In a Richard Mille watch, the concept dictates the components, and not the other way round. Therefore there is no "standard" part. Carbon fibre, silicon, metallic and non-metallic alloys and ceramics are no longer exclusive to the car, aeronautics or aerospace industries. These materials offer haute horology fabulous possibilities and new technical solutions, provided it accepts the challenge of their adaptation to watchmaking. These costly materials must be tried and tested many times before their full potential to watchmaking is appreciated and understood by the tool-makers and watch-mechanics. It can be considered therefore that Richard Mille watches are futuristic high-tech works of art.

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From male bisexuality to religion in pop, Little Richard spent the 1950s pioneering ideas that are still too challenging for the mainstream. As a Black multimillionaire rock star, he was the most exciting person on the planet between 1955 and 1957, the years in which his seismic debut album was created. Featuring new interviews with famous fans including Sir Elton John, Dave Grohl, Joan Jett and Nile Rodgers, this is the first in-depth look at Here’s Little Richard since Richard Penniman’s death in May 2020. The book explores his roots in the queer underground of the American South, a scene so progressive you’d scarcely believe it thrived seven decades ago, and early rebel music such as jump blues, which soon collided with the emerging juggernaut that was rock’n’roll. When that weird alchemy occurred, the self-proclaimed Living Flame was ready to spark the likes of The Beatles, David Bowie and Prince into existence. Those close to the tale pinpoint the ways in which ‘Long Tall Sally’ and ‘Tutti Frutti’ remain omnipresent – and why the latter was the ‘WAP’ of its day. This is the story of how Little Richard changed the world in 28 minutes and 30 seconds. A-wop-bop-a-loo-bop-a-lop-bam-boom!

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A sumptuous, large-format photographic homage to the end of the analog era Since 2006, coinciding with his shift away from analog film to working exclusively with a digital camera, Richard Misrach has been exploring the aesthetic possibilities of the negative image. His latest body of work, debuted in this deluxe, oversize (16.75 by 13 inches), landscape-format volume, comprises dazzling, sublime photographs of landscapes and natural scenes—in negative, but using color with great dexterity and nuance. Inspired by Ansel Adams’ comparison of the photographic negative to a musical score, and John Cage’s 1969 book, Notations, which compiles music scores as art, Misrach here envisages the photographic image as a score-like negative, teetering on abstraction, that invites a diversity of interpretations. The result is a series of immense beauty unlike any previous Misrach publication. Richard Misrach (born 1949) is one of the most influential photographers working today. For the past five decades, he has used visually stunning, large-scale color vistas to address human intervention in the natural world. He lives and works in Berkeley, California.

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Dynamic composition and strong color form a common thread in the diverse, career-spanning works of midcentury American artist Richard Diebenkorn. One of the most influential artists during the decades after World War II, his work encompassed three major artistic evolutions: the Sausalito, Albuquerque, Urbana, and early Berkeley periods of Abstract Expressionism (1947-1955); the Berkeley figurative/representational period (1955-1966); and the Ocean Park (1967-1988) and Healdsburg (1988-1992) series of abstractions. The 12 paintings in this calendar were created during the Ocean Park years.

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In this updated edition of King Richard II, Claire McEachern provides a fresh introductory section in which she discusses the most important productions and scholarly criticism of recent years. Paying particular attention to the focus on religion in contemporary interpretations of the play, McEachern also analyses the increasing number of performances on stage and screen. Andrew Gurr's acclaimed introduction guides the reader through the play's action and politics, providing a thorough and engaging grounding in its structure, language and staging. An updated reading list completes the edition.

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'Beautifully written, incredibly evocative with a real sense of place and of the sea. Heart-stoppingly tense' Catherine Cooper, Sunday Times bestselling author of THE CHALET'Fiendishly clever' Sunday TimesThe new pulse-pounding thriller from the bestselling author of THE MEMORY WOOD.******HOW DID IT COME TO THIS?The news doesn't strike cleanly, like a guillotine's blade. Nothing so merciful. This news is a slovenly traveller, dragging its feet, gradually revealing its horrors. And it announces itself first with violence - the urgent hammering of fists on the front door.Life can change in a heartbeat.Lucy has everything she could wish for: a beautiful home high on the clifftops, a devoted husband and two beloved children.Then one morning, time stops. Their family yacht is recovered, abandoned far out at sea. Lucy's husband is nowhere to be found and as the seconds tick by, she begins to wonder - what if he was the one who took the boat? And if so, where is he now?As a once-in-a-generation storm frustrates the rescue operation, Lucy pieces together what happened onboard. And then she makes a fresh discovery. One that plunges her into a living nightmare . . .Wherever her husband is, he isn't alone. Because their children are missing, too.******Praise for Sam Lloyd:'Lloyd is a rare new thriller talent.' Daily Mail'Stunning prose and compulsive reading.' Lesley Kara'An intense, atmospheric, and truly original thriller.' Shari Lapena'A beautifully written, fast-paced thriller.' Heat'A darkly chilling and original novel . . . a series of twists keeps readers captivated until a shocking climax.' Daily Express'Brilliant writing, a terrifying story, and characters so real it feels like you know them.' Samantha Downing'A truly chilling story.' Woman & Home

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Die vorliegende Lebenschronik Richard Wagners, die erste seit Jahrzehnten, zeichnet Leben und Schaffen umfangreich Tag für Tag, Monat für Monat, Jahr für Jahr in seinem wechselvollen Gang mit allen Höhen und Tiefen auf. Die Datenfolgen werden angereichert durch zahlreiche Eigenzitate Wagners, durch Zeugnisse von Freunden und Zeitgenossen sowie durch Einbindung in wichtige Zeitereignisse. Wagners Entwicklung, spannungsvoll zwischen Kunst und Politik, Theater und Revolution gelagert, wird an seinen einzelnen Lebensstationen, seinen musiktheatralischen Werken und seinen kunstästhetischen wie kunstpolitischen Schriften umfangreich dokumentiert. Die Chronik kann so auch als neue Biographie Wagners gelten.

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Richard Lester is of the most significant yet misunderstood directors of the post-war era. Indelibly associated with the Beatles and the ‘swinging Sixties’ because of his direction of A Hard Day’s Night and Help and his joyous sex comedy The Knack, Lester has tended to be categorised as a modish director whose heyday passed when that decade’s optimism slid into disillusionment and violence.This book offers a critical appreciation and reappraisal of his work, arguing that it had much greater depth and variety than he has been given credit for. His versatility encompasses the Brechtian anti-heroics of How I Won the War; the surreal nuclear comedy of The Bed-Sitting Room and the swashbuckling adventure of The Musketeers films. He has even, in his instinctively iconoclastic manner, cut Superman down to size.The book should win new admirers for a director with a gift of making movies whose visual wit and imaginative imagery reveal an intelligent and enquiring scepticism about heroes and society. Including comments from Lester himself and illustrations from his own private collection, the book is a must for film scholars and enthusiasts alike.

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The title of Richard Rezac's Renaissance Society exhibition, Address, plays on the multivalent quality of the word. As a noun, it refers to a unique identifier of a precise location. As a verb, it refers to a form of communication crafted for a specific people, time, and place. This exhibition drew upon both elements of the word's two meanings: the artist deliberately created and selected works in response to the architecture of the Renaissance Society's gallery space, and the title also nods to the sculptures' relationship to their presumptive audience. This book showcases twenty pieces featured in the exhibition that are made of a wide range of materials including cherry wood, cast bronze, and aluminum and that span Rezac's career--including newly commissioned pieces.s Through the concept of address, the exhibit and book explore the artist's ongoing engagement with both tangible, mathematical ordering systems and the elusive mechanisms of memory and interpretation. This publication continues Rezac's address, extending it to a greater audience of readers through a generous selection of images, a conversation between the artist and curator Solveig vsteb , and new texts by Matthew Goulish, Jennifer R. Gross, and James Rondeau.

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Paul Murray Kendall's masterful account of the life of England's King Richard III has remained the standard biography of this controversial figure.

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Neil Gascoigne provides the first comprehensive introduction Richard Rorty’s work. He demonstrates to the general reader and to the student of philosophy alike how the radical views on truth, objectivity and rationality expressed in Rorty’s widely-read essays on contemporary culture and politics derive from his earliest work in the philosophy of mind and language. He avoids the partisanship that characterizes much discussion of Rorty’s work whilst providing a critical account of some of the dominant concerns of contemporary thought. Beginning with Rorty’s early work on concept-change in the philosophy of mind, the book traces his increasing hostility to the idea that philosophy is cognitively privileged with respect to other disciplines. After the publication of Philosophy and the Mirror of Nature, this led to a new emphasis on preserving the moral and political inheritance of the enlightenment by detaching it from the traditional search for rational foundations. This emerging project led Rorty to champion ‘ironic’ thinkers like Foucault and Derrida, and to his attempt to update the liberalism of J. S. Mill by offering a non-universalistic account of the individual’s need to balance their own private interests against their commitments to others. By returning him to his philosophical roots, Gascoigne shows why Rorty’s pragmatism is of continuing relevance to anyone interested in ongoing debates about the nature and limits of philosophy, and the implications these debates have for our understanding of what role the intellectual might play in contemporary life. This book serves as both an excellent introduction to Rorty’s work and an innovative critique which contributes to ongoing debates in the field.

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Richard Rorty is one of the most oft-cited yet least understood philosophers of the twentieth century. This book offers an overview and introduction to Rorty's ideas, key writings and contributions to the various fields of philosophy. Chronologically organized, the book traces the development of Rorty's thought and examines all the key topics, and controversies, central to his work. Ronald A. Kuipers introduces Rorty's complex thought through the exploration of three Rortyan personas: The Philosophical Therapist, The Liberal Ironist, and the Anticlerical Prophet. This exploration of Rorty's multivalent yet deeply coherent intellectual identity is set against the background of Rorty's personal motivations for studying philosophy, and for pursuing the controversial questions he did. The book portrays how, in conversation with the traditions of American Pragmatism, Analytic Philosophy, and Continental Thought, Rorty weaves his own unique and original philosophy. Rorty's originality resides in his fresh approach to interrelated social and political problems, revealing a thinker who has important reasons for wading into controversial intellectual waters. This is the ideal companion to study of this hugely influential thinker.

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LOSE YOURSELF IN THE SPELLBINDING NOVEL FROM THE SUNDAY TIMES BESTSELLING AUTHOR OF RICHARD & JUDY PICK THE GLASS HOUSE'Beautifully written. I loved every word' LISA JEWELL'Gorgeously written, atmospheric and twisty . . . I devoured it!' CLAIRE DOUGLAS'Daphne du Maurier for the modern day' SUNDAY TELEGRAPH'Immersive, tense and ultimately redemptive' SARAH VAUGHAN'Engrossing, gripping and layered' GILLIAN MCALLISTER__________When half-sisters Lauren, Flora, and Kat are unexpectedly summoned to the Cornish house where they spent their childhood summers, it's the first time they've dared return.Because the wild cliffs and windswept beaches hide a twenty-year-old secret.The truth about what they did.Someone who remembers them lurks in the shadows, watching their every move.And there are other secrets, even darker than their own, waiting to be unearthed . . .__________Praise for The Birdcage:'Atmospheric' Jane Fallon'Utterly intoxicating' Veronica Henry'Evocative' Karen Swan'Page-turning' Katie Fforde'Kept me absolutely gripped' Rosie Walsh'Stunning' Catherine Cooper'Eve Chase's best novel yet' Gill Paul'Haunting' Tracy Rees'Spellbinding' Katy Regan'Skillfully plotted' Lindsay Cameron'I loved it' Tammy Cohen'Intriguing' Janet Skeslien Charles

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Perfect for fans of One Day in December and Notting Hill, this is an unforgettable love story about sliding doors and chance encounters by the Richard & Judy Book Club bestselling author.'I raced through this sweet, emotionally satisfying rom-com' Good Housekeeping'I was enamoured with this story' Prima__________________________________________What if you've already crossed paths with the love of your life?Cora and Jacob live in London's vast metropolis; he at one end of the Central Line, she at the other.Their paths have crossed a thousand times without them knowing.When a chance encounter on the underground brings them together, it seems they're destined to fall in love.But although they live in the same city, their worlds are miles apart.Jacob's life is uncluttered, while Cora's is full of complications. And as events begin to divide them, they start to wonder:Are they meant to be together, or were they never meant to meet?__________________________________________Readers are falling in love with Saskia Sarginson's novels . . .'With echoes of David Nicholls's One Day, this romance has just the right mix of heart-melting moments and heart-rending near misses' Good Housekeeping'Intensely romantic' Sunday Mirror'A wonderful, heart-tugging romance' Prima'A raw, emotional book about love in all its guises' Sun'A gorgeous story of what-ifs and maybes' Miranda Dickinson'Heartbreaking' Bella'Timeless and moving' Holly Miller'So much more than a love story' Lisa Ballantyne'Have tissues to hand' Best'Touching, deftly written' Ella Allbright

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*** Pre-order THREE PERFECT LIARS now, the gripping new novel from Heidi Perks *** ____________________________WILL YOU UNCOVER THE TRUTH?The breathtaking thriller from the author of the Richard and Judy bestseller NOW YOU SEE HERA DEADLY DISCOVERY.AN ISLAND WRAPPED IN SECRETS.A tiny community is stunned when long-buried body is found.For Stella Harvey the news is doubly shocking. The body has been uncovered in the garden of her childhood home - the home her family fled without explanation twenty-five years ago.Desperate to unearth the truth, Stella returns to the isolated island. But the community she left isn’t as welcoming as she remembers – and people will go to any length to protect their secrets.One thing rings true…You can’t bury the truth forever. ____________________________'A highly addictive and thrilling read.' HEAT'Subtly, elegantly told, and with enough twists to satisfy any detective fan, it is razor sharp and impossible to put down.' DAILY MAIL____________________________Fans love Heidi's latest five-star thriller:'This is a read not to be missed!!!''Family secrets, mystery and intrigue. This is the perfect book that won't disappoint''A surprising plot and lots of twists with interesting characters. I loved the writing style and the setting of the story''Come Back For Me is easily the best thriller I've read in a long time''Lots of twists and turns, guaranteed page-turner that keeps you guessing until the end''Come Back For Me was a really engaging and addictive read, about family secrets, a tight-knit community and family ties''Fascinating family drama with more than a hint of psychological thriller''A fantastic thriller that grabbed me from the start''Full of twists and turns, this book will have you riveted to every surprise event''I literally finished this book in a few hours - I couldn't tell myself to put it down.''Perks has a real knack for throwing red herrings at the readers - I had a long list of suspects and theories, but she still managed to pull it out of the bag and surprise me''If you're looking for a thriller with plenty of mystery and intrigue, you've got the perfect book here'‘The twists and turns held me rapt throughout, and when it was all revealed it left me a bit gobsmacked. And very shocked!’‘This book had me gripped from the start, will be looking at more from this author.’‘What really sets Heidi Perks’ stories apart is that the stories are thought provoking. The characters and situations will stay with you long after you have finished the last page.’‘The combination of a strong story, realistic characters and brilliant writing gives you one of the best books I've read in the last year’‘An absolute cracker of a read.’‘This is a must have for your holiday reading pile.’‘Another gem from Heidi Perks!’‘Keeps you reading late into the night!’

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One of the most engaging Middle English crusading poems, Richard Coer de Lyon recounts in verse the exploits, both historical and fanciful, of Richard I, king of England. While Richard's participation in the Third Crusade serves as its main subject, the poem disrupts its historical narrative with a number of fabulous interpolations, two of which are particularly notorious: the depiction of Richard's mother as a demon, and the portrayal of the king himself as a voracious cannibal. Once the source of critical disparagement, the poem's blending of history and fantasy—its historical distortions—have recently become the focus of renewed interest in the poem. With a substantial introduction and comprehensive explanatory and textual notes, this new edition of Richard Coer de Lyon signally contributes to the reappraisal and understanding of what became—during the centuries-long process of its composition—one of the most popular of medieval romances.

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Recognized as a major figure in postwar American painting, Richard Diebenkorn (1922-1993) was an artist strongly identified with California but whose work is beloved throughout the United States and the rest of the world. This catalogue is the most comprehensive volume on the artist now available. Jane Livingston's extensively researched biographical essay covers Diebenkorn's entire career and concentrates on the artist's inner life and purposes as revealed in his paintings. Ruth Fine deals primarily with the figurative aspect of Diebenkorn's work (1955-67), and John Elderfield concentrates on the Ocean Park period (1967-93). All three authors provide valuable insights based on their personal relationships with the artist and his widow, Phyllis. On both page and canvas, the reader can sense Diebenkorn's complexity and highly self-conscious working methods, as well as his formidable integrity. "The Art of Richard Diebenkorn" will give readers with an interest in all phases of modernism new thoughts about the relationship between abstraction and representation. Stunningly illustrated, with 192 full-color reproductions, this book is an exhilarating testament to a distinctive American artist.

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Richard and Judy are the nation's best-loved couple. On television together for 18 years, they fronted the most popular daytime programme ever - This Morning - for 13 of those years and their departure from it gave rise to huge newspaper coverage when they left it in 2001. Now back with their top-rated Channel 4 show, they write the full story of their lives - their chilhoods, unsuccessful first marriages, and of course their own professional and personal lives together. In these brilliantly juxtaposed accounts, we hear about Judy's many health problems and how Richard coped with the lowest points. We hear how both of them survived his court ordeal on a shoplifting charge, how Judy felt on baring more than her soul at a TV awards ceremony, why they left This Morning, and how they handle home and work and parenthood - as well as the ever-curious press. Opening up their hearts, minds and daily lives as never before, this book is set to be the top-selling title of 2003.

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The perfect introduction to the life and work of Richard Estes

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The Wars of the Roses were quarrels within the Plantagenet family, of which Richard’s dynasty, the House of York, was one branch. They were about family trees – the capacity of family relationships both to unite and to divide – and notoriously about the slaughter of cousins, in-laws, brothers, and nephews. The House of York won the first war, with Richard’s elder brother becoming king as Edward IV. The 1460s are about the explosion of King Edward IV’s family – his brothers (including Richard), his wife and in-laws, and his own offspring – and end in a trial of strength between them. The 1470s are about a second explosion of the House of York, its division into separate nuclear families competing against each other, about the kings’ preferences, and in 1483 a sudden violent resolution following Edward IV’s death. Richard III claimed to be his brother’s heir. The Yorkist establishment refused and shared in Richard’s destruction. With the recent discovery of Richard III’s skeleton, Professor Michael Hicks, described by BBC HISTORY MAGAZINE as ‘the greatest living expert on Richard III’, reassesses the family ties and entrails of his wayward and violent family. Many thousands of descendants of Richard’s siblings survive, some more interested in their lineage than others, and the book will conclude with an analysis of Richard’s DNA and his ‘family’ as it exists today.

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The Middle English romance of Richard Coeur de Lion transforms the historical Richard I of England—a Frenchman by upbringing, who spent only four months of his reign in England and who once joked that he would sell London to finance his Crusade if he could only find a buyer—into an aggressively English king. This act of historical revision involves the invention of several fantastic elements that give Richard the superhuman force necessary to unite the English nation and elevate it above all others. Springing from a supernatural birth and endowed with exceptional strength and an insatiable and transgressive appetite, Richard embodies a vision of triumphant Englishness that humiliates and decimates England’s foes, whether they be French, German, or Muslim. Katherine Terrell’s faithful but poetic new modern English translation is fully annotated. Appendices include materials on cannibalism, the Crusades, and English national myths.

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FROM THE BESTSELLING AUTHOR OF RICHARD & JUDY THRILLER PICK NO ONE HOME He got on the train. He didn't get off. So where did he go?On a normal London moening, Sam Wren gets onto a tue triain - and then never gets off again.No eyewitnesses. No trace of him on security cameras. Six months later, he's still missing.Out of options and desperate for answers, Sam's wife Julia hires David Raker to track him down. Raker has made a career out of finding the lost. He knows how they think. And, in missing person cases, the only certainty is that everyone has something to hide.But in this case the secrets go deeper than anyone imagined . . .From the bestselling author behind the chart-topping podcast Missing, this mystery is perfect for fans of Clare Mackintosh's I See You and Jo Nesbo's The Thirst.'Weaver's books get better each time - tense, complex, written with flair as well as care' Guardian'A fluent and assured piece of crime fiction . . . Tim Weaver ties in the apparently divergent events with convincing ease' Crime Fiction Lover

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Richard Dyer is a foundational figure for the critical study of cinema and popular culture. Across a career spanning five decades, he has made path breaking contributions to our understanding of stardom and celebrity, gay and queer politics and cultural history, film music, race and whiteness and the pleasures of popular entertainment. The Richard Dyer Reader brings together for the first time key writings by this vital and influential figure, many of which are not otherwise available. The anthology guides readers through Dyer’s prolific and rich output through six thematic selections of essays and extracts, each centred on a key theme in Dyer's work: stardom and the image; entertainment and ideology; gay politics and representation; whiteness; the pleasures of popular entertainment, and textual analysis. A seventh section comprises a selection of interviews conducted across the span of his career, as well as a new interview with editors Glyn Davis and Jaap Kooijman. The book will provide an introduction for those new to Dyer’s writings, as well as offering a fresh perspective for readers with a more comprehensive knowledge of his work. The collection includes archival and recent pieces of writing never previously anthologised, newly commissioned essays, a substantial introduction to Dyer’s life and work and framing introduction to each section.

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Richard Dyer is a foundational figure for the critical study of cinema and popular culture. Across a career spanning five decades, he has made path breaking contributions to our understanding of stardom and celebrity, gay and queer politics and cultural history, film music, race and whiteness and the pleasures of popular entertainment. The Richard Dyer Reader brings together for the first time key writings by this vital and influential figure, many of which are not otherwise available. The anthology guides readers through Dyer’s prolific and rich output through six thematic selections of essays and extracts, each centred on a key theme in Dyer's work: stardom and the image; entertainment and ideology; gay politics and representation; whiteness; the pleasures of popular entertainment, and textual analysis. A seventh section comprises a selection of interviews conducted across the span of his career, as well as a new interview with editors Glyn Davis and Jaap Kooijman. The book will provide an introduction for those new to Dyer’s writings, as well as offering a fresh perspective for readers with a more comprehensive knowledge of his work. The collection includes archival and recent pieces of writing never previously anthologised, newly commissioned essays, a substantial introduction to Dyer’s life and work and framing introduction to each section.

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'The most addictive book I've read in ages - so slick and disquieting and clever. Just brilliant.'LISA JEWELL'I was obsessed with Everyone Here is Lying . . . Fast paced, tightly-plotted and with twists so well executed they floored me. Loved every word!'CLAIRE DOUGLAS'A smart, unguessable mystery set among a cast of satisfyingly flawed characters. Shari Lapena is an auto-buy for me - I always know I'll be in for a treat!'LOUISE CANDLISHThe gripping new thriller from the #1 Sunday Times bestselling author of THE COUPLE NEXT DOORWelcome to Stanhope - a safe neighbourhood. A place for families.William Wooler is a family man, on the surface. But he's been having an affair, an affair that ended horribly this afternoon at a motel up the road. So when he returns to his house, devastated and angry, to find his difficult nine-year-old daughter Avery unexpectedly home from school, William loses his temper.Hours later, Avery's family declares her missing.Suddenly Stanhope doesn't feel so safe. And William isn't the only one on his street who's hiding a lie. As witnesses come forward with information that may or may not be true, Avery's neighbours become increasingly unhinged.Who took Avery Wooler?Nothing will prepare you for the truth.OUT NOW!_______Praise for Everyone Here is Lying:'Shari Lapena is a modern master of the psychological thriller, and all of her considerable talents are at work in Everyone Here Is Lying.' Steve Cavanagh 'A taut, clever, chilling ride of manipulation and family secrets . . . Prepare to be consumed!' Ashley Audrain'Shari Lapena is the queen of the "just one more chapter" read. A chilling exploration of the worst-case repercussions and extensive fallout of a brief affair.' Sarah Vaughan'I inhaled Everyone Here Is Lying. The pace never flags, the twists are fiendishly clever, and the writing is as perfect as can be.' Liz Nugent'Genius. I loved it.' Andrea Mara'You simply can't put it down' Robert Gold'I defy you to put it down until you know what happened to Avery Wooler' Gilly Macmillan'Shari Lapena is an expert in both pace and the placing of clues and misdirections' Literary Review'A fast-paced read with jaw-dropping twists' The i

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