Search results for ""Author Paul Auster""

And then it started, little by little it started, until they were married five years later and his real life began.''Exquisite ... A super-abundantly gifted, big-hearted novelist.'' Ian McEwan''A writer whose work shines with intelligence and originality.'' Don DeLilloThe life of Sy Baumgartner noted author, and soon-to-be retired philosophy professor has been defined by his deep, abiding love for his wife. Now Anna is gone, and Baumgartner is trying to live with her absence. But Anna's voice is everywhere still, in every spiral of memory and reminiscence, in each recalled episode of the passionate forty years they shared.Rich with feeling, wit and an eye for beauty in the smallest, most transient episodes of ordinary life, Baumgartner is a luminous work a tender final masterpiece from one of the world''s greatest writers.''A master.'' The TimesWhat readers are saying:**

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** WINNER OF THE L.A. TIMES BOOK PRIZE FOR BIOGRAPHY **'Exhilarating.' Joyce Carol Oates, Times Literary Supplement Books of the Year'Sharp-eyed and revealing.' The New Yorker'Brilliant . . . Remarkable.' New York Journal of BooksStephen Crane produced an avalanche of sublime literature before he succumbed to tuberculosis at the age of twenty-eight. Yet his short life was an eventful one: from crushing poverty as a newcomer to Manhattan and his near-drowning in a shipwreck, to his stint as a war correspondent in Cuba and international fame at twenty-five, to his final years in England and friendships with Joseph Conrad and Henry James. In Burning Boy, celebrated novelist Paul Auster delves deeply into the story of Crane's tumultuous and dramatic life.

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On March 3rd, 1947, Archibald Isaac Ferguson, the only child of Rose and Stanley Ferguson, is born. From that single beginning, Ferguson's life will take four simultaneous paths. Four Fergusons will go on to lead four parallel and entirely different lives. Family fortunes diverge. Loves and friendships and passions contrast. Each version of Ferguson's story rushes across the fractured terrain of mid-twentieth century America, in this sweeping story of birthright and possibility, of love and the fullness of life itself.

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Oracle Night is a compulsively readable novel by 'one of the great writers of our time.' (San Francisco Chronicle). Several months into his recovery from a near-fatal illness, novelist Sidney Orr enters a stationery shop in Brooklyn and buys a blue notebook. It is September 18, 1982, and for the next nine days Orr will live under the spell of this blank book, trapped inside a world of eerie premonitions and bewildering events that threaten to destroy his marriage and undermine his faith in reality.If The New York Trilogy was Paul Auster's detective story, his mesmerizing eleventh novel reads like an old-fashioned ghost story. But there are no ghosts in this book - only flesh-and-blood human beings, wandering through the haunted realms of everyday life. Oracle Night is a narrative tour de force that confirms Auster's reputation as one of the boldest, most original writers at work in America today. 'His old-fashioned art of creating suspense . . . which rivals M. R. James or Conan Doyle. In fact, Oracle Night is best read as a post-modern ghost story.' The Guardian

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Una novela magistral sobre el poder del destino llamada a coronar la obra de Paul Auster. El único hecho inmutable en la vida de Ferguson es que nació el 3 de marzo de 1947 en Newark. A partir de ese momento, varios caminos se abrirán ante él y le llevarán a vivir cuatro vidas completamente distintas.

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Una novela sobre la búsqueda de uno mismo, la incertidumbre y la implacable influencia del pasado sobre el presente, con la crisis de 2008 como telón de fondo. Miles tiene veintiocho años, vive en Florida y trabaja para una empresa de desahucios. Todo seguiría así de no ser porque se enamora de una chica menor de edad.

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'One of the most original and audacious autobiographies ever written by a writer.' Le Monde Hand to Mouth tells the story of the young Paul Auster's struggle to stay afloat. By turns poignant and comic, Auster's memoir is essentially a book about money - and what it means not to have it. From one odd job to the next, from one failed scheme to another, Auster investigates his own stubborn compulsion to make art and, in the process, treats us to a series of remarkable adventures and unforgettable encounters. Hand to Mouth is essential reading for anyone interested in Paul Auster, in the figure of the struggling artist, in the nature of poverty, or in baseball.

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Paul Auster has earned international praise for the imaginative power of his many novels, including The New York Trilogy, Moon Palace, The Music of Chance, Mr. Vertigo, and Timbuktu. He has also published a number of highly original non-fiction works: The Invention of Solitude, Hand to Mouth, and The Art of Hunger. In The Red Notebook, Auster again explores events from the real world large and small, tragic and comic—that reveal the unpredictable, shifting nature of human experience. A burnt onion pie, a wrong number, a young boy struck by lightning, a man falling off a roof, a scrap of paper discovered in a Paris hotel room—all these form the context for a singular kind of ars poetica, a literary manifesto without theory, cast in the irreducible forms of pure story telling.

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The New York Trilogy is perhaps the most astonishing work by one of America's most consistently astonishing writers. The Trilogy is three cleverly interconnected novels that exploit the elements of standard detective fiction and achieve a new genre that is all the more gripping for its starkness. It is a riveting work of detective fiction worthy of Raymond Chandler, and at the same time a profound and unsettling existentialist enquiry in the tradition of Kafka or Borges. In each story the search for clues leads to remarkable coincidences in the universe as the simple act of trailing a man ultimately becomes a startling investigation of what it means to be human. The New York Trilogy is the modern novel at its finest: a truly bold and arresting work of fiction with something to transfix and astound every reader.'Marks a new departure for the American novel.' Observer'A shatteringly clever piece of work . . . Utterly gripping, written with an acid sharpness that leaves an indelible dent in the back of the mind.' Sunday Telegraph'The New York Trilogy established him as the only author one could compare to Samuel Beckett.' Guardian

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'One day there is life . . . And then, suddenly, it happens there is death.'So begins Paul Auster's moving and personal meditation on fatherhood, The Invention of Solitude. The first section, 'Portrait of an Invisible Man', reveals Auster's memories and feelings after the death of his father. In 'The Book of Memory' the perspective shifts to Auster's role as a father. The narrator, 'A.', contemplates his separation from his son, his dying grandfather and the solitary nature of writing and story-telling. With all the keen literary intelligence familiar from The New York Trilogy or Sunset Park, Paul Auster crafts an intensely intimate work from a ground-breaking combination of introspection, meditation and biography.

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'You think it will never happen to you, that it cannot happen to you, that you are the only person world to whom none of these things will ever happen, and then, one by one, they all begin to happen to you, in the same way they happen to everyone else.'In Winter Journal, Paul Auster moves through the events of his life in a series of memories grasped from the point of view of his life now: playing baseball as a teenager; participating in the anti-Vietnam demonstrations at Columbia University; seeking out prostitutes in Paris, almost killing his second wife and child in a car accident; falling in and out of live with his first wife; the 'scalding, epiphanic moment of clarity' in 1978 that set him on a new course as a writer.Winter Journal is a poignant memoir of ageing and memory, written with all the characteristic subtlety, imagination and insight that readers of Paul Auster have come to cherish.'An examination of the emotions of a man growing old . . . this book has much to recommend it, and Auster is unsparingly honest about himself.' Financial Times

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Paul Auster's Sunset Park is set in the sprawling flatlands of Florida, where twenty-eight-year-old Miles is photographing the last lingering traces of families who have abandoned their houses due to debt or foreclosure. Miles is haunted by guilt for having inadvertently caused the death of his step-brother, a situation that caused him to flee his father and step-mother in New York seven years ago.What keeps him in Florida is his relationship with a teenage high-school girl, Pilar, but when her family threatens to expose their relationship, Miles decides to protect Pilar by going back to Brooklyn, where he settles in a squat to prepare himself to face the inevitable confrontation with his father - a confrontation he has been avoiding for years.Set against the backdrop of the devastating global recession, and pulsing with the energy of Auster's previous novel Invisible, Sunset Park is as mythic as it is contemporary, as in love with baseball as it is with literature. It is above all, a story about love and forgiveness - not only among men and women, but also between fathers and sons.

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'It was a wrong number that started it . . .'Chosen as one of the '100 Most Important Comics of the Century', Faber is proud to publish the graphic novel City of Glass for the first time in the UK. As Art Spiegelman explains in his new introduction, David Mazzucchelli and Paul Karasik 'created a strange doppelganger of the original book' and 'a breakthrough work.' Paul Auster's Edgar Award-nominated masterwork has been astonishingly transformed into a new visual language.

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August Brill tiene setenta y dos años y se está recuperando en la casa de su hija, en Vermont, tras sufrir un accidente de coche. No puede dormir y, acostado sobre la cama en la negrura de la noche, inventa historias para rehuir acontecimientos del pasado que preferiría olvidar, como la reciente muerte de su esposa y el horroroso asesinato del novio de su nieta, Titus. En una de esas historias, el jubilado crítico de libros imagina un mundo paralelo en el que Estados Unidos no está en guerra con Irak sino contra ellos mismos. En esta otra América, las torres gemelas no cayeron, los resultados de las elecciones del 2000 llevaron a la secesión y se produjo una sangrienta guerra civil. A medida que avanza la noche, la historia de Brill se vuelve cada vez más intensa, y aquello que no estaba intentando evitar recordar insiste en ser narrado.Apasionada e impactante, Un hombre en la oscuridad es una novela que nos obliga a confrontarnos con la oscuridad de la noche al mismo tiempo

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Una vida en palabras es un diálogo entre Paul Auster y la profesora danesa I. B. Siegumfeldt acerca del oficio, el arte y la vida del escritor. Profundamente documentado, estas páginas están plagadas de sorpresas y revelaciones que nunca han sido compartidas por Auster, así como enseñanzas que a menudo saltan del campo de la literatura para hablarnos de la vida misma. Las conversaciones empezaron en 2011 y se han desarrollado durante 5 años.

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A tender masterpiece of love, memory and loss from one of the world's great writers.The life of Sy Baumgartner - noted author, and soon-to-be retired philosophy professor - has been defined by his deep, abiding love for his wife, Anna. Now Anna is gone, and Baumgartner is embarking on his seventies whilst trying to live with her absence. But Anna's voice is everywhere still, in every spiral of memory and reminiscence, in each recalled episode of the passionate forty years they shared.Rich with compassion, wit and an eye for beauty in the smallest, most transient episodes of ordinary life, Baumgartner is one of Auster's most luminous works - a tender late masterpiece of the ache of memory.What readers are saying:***** Perfect, subtle, charming, funny and sad.**** Well-written and compelling but also comforting, like catching up with an old friend.**** This is a concise, beautifully-written and intelligent piece of understated introspective fiction from Auster.

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Paul Auster's novels have earned him the reputation as 'one of America's most spectacularly inventive writers.' He has also brought this sense of invention to the art of screenwriting, producing Smoke, Blue in the Face, Lulu on the Bridge and The Inner Life of Martin Frost.Smoke tells the story of a novelist, a cigar store manager and a black teenager who unexpectedly cross paths. Blue in the Face is a largely improvised comedy directly inspired by Smoke. In Lulu on the Bridge, jazz musician Izzy Maurer is accidently hit with a bullet during a performance in a New York club, propelling him on a strange and frightening journey. The Inner Life of Martin Frost follows the unsettling experiences that befall a writer who borrows a friend's country house.The volume also contains production notes, as well as interviews with Paul Auster about his work in film.

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The figure of the young American poet living in Paris is familiar from Paul Auster's celebrated novels; here that character is realised in Auster's own stunningly accomplished verse. His penetrating and charged poetry resembles little else in recent American literature. This collection of his poems, translations, and composition notes from early in his career furnish yet further evidence of his literary mastery.Taut, densely lyrical and everywhere informed by a powerful and subtle music, this selection begins with the compact verse fragments of Spokes (written when Auster was in his early twenties) and Unearth, continues on through the more ample meditations of Wall Writing, Disappearances, Effigies, Fragments From the Cold, Facing the Music, and White Spaces, then moves further back in time to include Auster's revealing translations of many of the French poets who influenced his own writing - including Paul Eluard, André Breton, Tristan Tzara, Philippe Soupault, Robert Desnos and René Char - as well as the provocative and previously unpublished 'Notes From A Composition Book' (1967). An introduction by Norman Finkelstein connects biographical elements to a consideration of the work, and takes in Auster's early literary and philosophical influences. For those interested in Paul Auster's novels - the now-classic New York Trilogy or The Brooklyn Follies - this book is an invaluable opportunity to witness his early development. Powerful, sometimes haunting, cool, precise and limpid, this view from the past to the present will appeal to those unfamiliar with this aspect of Auster's work, as well as those already acquainted with his poetry. Readers will agree that Auster's grasp on language and the world around him is not only questioning, but mysterious and very human, perceptive, and deeply compelling

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'A masterpiece.' Daily Mail'Absorbing and immersive . . . the author's greatest novel.' FTSHORTLISTED FOR THE MAN BOOKER PRIZE 2017On March 3rd, 1947, Archibald Isaac Ferguson, the only child of Rose and Stanley Ferguson, is born. From that single beginning, Ferguson's life will take four simultaneous but entirely different paths. Family fortunes diverge. Loves and friendships and passions contrast. Each version of Ferguson's story rushes across the fractured terrain of mid-twentieth century America, in this sweeping story of birthright and possibility, of love and the fullness of life itself.'Remarkable . . . A novel that contains multitudes.' New York Times'A vast portrait of the turbulent mid-20th century . . . wonderfully, vividly conveyed.' New Statesman

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'In the beginning, everything was alive. The smallest objects were endowed with beating hearts . . .'Having recalled his life through the story of his physical self in Winter Journal, internationally best-selling novelist Paul Auster now remembers the experience of his development from within, through the encounters of his interior self with the outer world, as well as through a selection of the revealing letters he sent to his first wife, acclaimed author Lydia Davis.An impressionistic portrait of a writer coming of age, Report from the Interior moves from Auster's baby's-eye view of the man in the moon to his childhood worship of the movie cowboy Buster Crabbe to the composition of his first poem at the age of nine to his dawning awareness of the injustices of American life. Report from the Interior charts Auster's moral, political and intellectual journey as he inches his way toward adulthood through the post-war fifties and into the turbulent 1960s.Paul Auster evokes the sounds, smells, and tactile sensations that marked his early life - and the many images that came at him, including moving images (he adored cartoons, he was in love with films), until, at its unique climax, the book breaks away from prose into pure imagery: the final section of Report from the Interior recapitulates the first three parts, told in an album of pictures.At once a story of the times and the story of the emerging consciousness of a renowned literary artist, this four-part work answers the challenge of autobiography in ways rarely, if ever, seen before.

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'I was twelve years old the first time I walked on water . . .'So begins Mr Vertigo, the story of Walt, an irrepressible orphan from the Mid-West. Under the tutelage of the mesmerising Master Yehudi, Walt is taken back to the mysterious house on the plains to prepare not only for the ability to fly, but also for the stardom that will accompany it. At the same time a delighted race through 1920s Americana and a richly allusive parable, Mr Vertigo is a compelling, magical novel - a work of true originality by a writer at the height of his powers. 'A virtuoso piece of storytelling by a master of the modern American fable.' The Independent

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'By the time Nashe understood what was happening to him, he was past the point of wanting it to end . . .'Paul Auster fuses Samuel Beckett, Franz Kafka and The Brothers Grimm in this brilliant and unsettling parable. Following the death of his father, Jim Nashe takes to the open road in pursuit of a 'life of freedom'. But as the money runs out he finds that his sense of disillusionment has only been compounded by his year on the road. However, after picking up Pozzi, a hitchhiking gambler, Nashe finds himself drawn into a dangerous game of high-stakes poker with two eccentric and reclusive millionaires. 'A rare experience of contemporary fiction at its most thrilling.' New Statesman

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'It was the summer that men first walked on the moon. I was very young back then, but did not believe there would ever be a future. I wanted to live dangerously, to push myself as far as I could go, and then see what happened when I got there.'So begins the mesmerising narrative of Marco Stanley Fogg - orphan, child of the 1960s, a quester by nature. Moon Palace is his story - a novel that spans three generations, from the early years of this century to the first lunar landings, and moves from the canyons of Manhattan to the cruelly beautiful landscape of the American West. Filled with suspense, unlikely coincidences, wrenching tragedies and marvellous flights of lyricism and erudition, the novel carries the reader effortlessly along with Marco's search - for love, for his unknown father, and for the key to the elusive riddle of his origins and his fate. 'Clever: very. Surprising: always - Auster is a master.' The Times

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In this poetic handbook, written when he was just twenty-three, the world-famous high-wire artist Philippe Petit offers a window into the world of his craft. Petit masterfully explains how preparation and self-control contributed to such feats as walking between the towers of Notre Dame and the World Trade Center. Addressing such topics as the rigging of the wire, the walker’s first steps, his salute and exercises, and the work of other renowned high-wire artists, Petit offers us a book about the ecstasy of conquering our fears and reaching for the stars.

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