Search results for ""Author Nick Hornby""

FROM THE MILLION-COPY BESTSELLING AUTHOR OF ABOUT A BOY 31 Songs is best-selling author Nicky Hornby's ultimate desert island disksThrough thirty-one songs that he either loves or has loved, Nick Hornby tells us what music means to his life. These personal and passionate pieces - refreshingly free of pretension - are a celebration of the joy that certain songs have given him. Together with additional writings on music from his column in the new Yorker - seen in the UK for the first time - 31 Songs is for Hornby what many of us have always wanted: a soundtrack to accompany life.Winner of The National Book Critics Circle award, this funny and touchingly personal book is a must for music fans everywhere.'Original, well written and wholly lacking in pretension...as good a book about pop music as I have read in many years and the most accomplished of Hornby's books so far' Spectator'Funny, provocative, immensely readable. It is not simply about music...it is about Hornby, and us, and about being alive. His enthusiasm is such that he makes me want to be a better listener - and I can offer no better compliment. A triumph' Tim Lott, Evening Standard'Refreshing, candid, very moving. Reminds you why you loved music before you knew enough to explain your love away' Uncut

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'Perhaps his greatest work. The great novel of London: dark, wise, unsentimental' William BoydWITH AN INTRODUCTION BY NICK HORNBY John Harmon returns to England after years in exile to claim his inheritance: a great fortune and a beautiful young woman to whom he is betrothed, but has never met. When Harmon's body is pulled out of the Thames, all of London is fascinated by the mystery of the murdered man and his unclaimed riches. Scavengers, social-climbers, lawyers and teachers, a money-lender and a dolls-dressmaker, men and women both honest and villainous, will all become embroiled in this tale of love and obsession, death and rebirth. **One of the BBC’s 100 Novels That Shaped Our World**

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Nick Hornby (b. 1980, London) is one of the leading sculptors of his generation in Britain today, creating works on both intimate and monumental scales, and at the intersection of art history and contemporary technology. Hornby’s practice uses software that allows him to extract, alter and hybridise sculptures from art history into new works made from marble, steel, bronze, resin, wood and composite materials. It could be said that Hornby has opened up a new sculptural language for the twenty-first century.This, his first major monograph, features approximately 175 images, many of which are reproduced here for the first time or have been commissioned for the publication. Alongside documentation of works presented in galleries and outdoor spaces are production images taken in the studio and fabrication workshops. Hornby’s practice is here divided into four categories: Intersections, Extrusions, Hydrographics and Collaborations.A foreword by Luke Syson, Director of the Fitzwilliam Museum, Cambridge, offers insight into Hornby’s internal and external relationship with sculpture, considering the links between two and three dimensions, abstraction and representation, the ‘real’ and the digital.Editor Matt Price’s introduction takes readers on a whistlestop tour of the artist’s oeuvre, from his early family life and studies at Chelsea and The Slade in London, to his latest major exhibitions and commissions. Price covers a range of significant aspects such as the importance of music and sound, which were key elements of Hornby’s early work, to sculptures made in collaboration with others, and recent pieces combining art history with technology in their design and fabrication.An essay by Dr Hannah Higham, Senior Curator of Collections and Research at the Henry Moore Foundation, provides the most substantial piece of critical writing on Hornby’s work to date, drawing out specific touchstones in the history of art and discussing the relationship between the work and time. Higham further explores the ways that the motion and position of the viewer alter the experience of the sculptures, with new angles revealing fresh artistic inspirations from Hans Arp or Elizabeth Frink to ideas from communities Hornby has worked with and other contemporary artists with whom he has collaborated.An interview with Dr Helen Pheby, Associate Director, Programme, at Yorkshire Sculpture Park, probes the artist further about his cultural and theoretical inspirations, methods, materials and ideologies, including his views on collaboration, the public nature of art and its accessibility. Their conversation provides an insight into the thinking of the artist at a crucial stage in his career.The monograph brings together works spanning Hornby’s career for the first time. It follows Hornby’s first institutional solo exhibition at MOSTYN, Wales, and his first permanent outdoor sculptural commission for Harlow Science Park in Essex.The publication is edited by Matt Price, designed by Herman Lelie, printed by EBS, Verona, and published by Anomie, London.Nick Hornby, born in 1980, is a British artist living and working in London. Hornby studied at The Slade School of Art and Chelsea College of Art where he was awarded the UAL Sculpture Prize. In the UK he has exhibited at Tate Britain, Southbank Centre, Leighton House (all London), Cass Sculpture Foundation, Sussex, MOSTYN, Wales, and the Fitzwilliam Museum, Cambridge. International exhibitions have been held at the Museum of Arts and Design, New York and Poznan Biennale, Poland, along with residencies with Outset, Israel, and Eyebeam, New York. In 2014 Hornby was made a Fellow of the Royal Society of Sculptors.

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Zygotes and Confessions is a publication devoted to the work of London-based artist Nick Hornby, and has been produced to accompany his first solo exhibition in a public gallery. The exhibition, which shares its title with the publication, is presented at MOSTYN, Wales, UK, from November 2020 to April 2021.Hornby is known for his monumental site-specific works that combine digital software with traditional materials such as bronze, steel, granite and marble. In this publication he presents a substantial new body of smaller, more intimate work comprising three discrete yet interrelated series of works inspired by the history of sculptural busts, modernist abstractions and mantelpiece ceramic dogs. United by glossy photographic surfaces created by means of an industrial process in which his marble and resin composite sculptures are dipped into liquid photographs, these new works explore themes of portraiture, the body, identity, sexuality and intimacy in the digital era. A number of the works have been made in collaboration with fashion photographer Louie Banks.Along with a foreword by Helen Boyd, Head of Marketing and Publisher Relations at the Casemate Group, the publication features a text by MOSTYN director Alfredo Cramerotti and an essay by London-based publisher, editor and writer Matt Price. Price writes: "With one eye on the sculpture of the past and the other on that of tomorrow, technology is at the heart of London-based Nick Hornby’s practice and is central to the production of his often imposing, mind-bending and futuristic-looking sculptures. Using materials such as bronze and marble, his work points back towards the Renaissance or the nineteenth century, yet his use of resin and digital technology positions him very much in the present, exploring languages both figurative and abstract, often simultaneously."The texts are presented in both English and Welsh. Newly commissioned studio photography of the works by Ben Westoby, along with installation views of the exhibition commissioned by MOSTYN from Mark Blower, illustrate the publication, which has been designed by Joe Gilmore / Qubik. The publication is co-published by MOSTYN, Wales, UK, and Anomie Publishing, London, and distributed internationally by Casemate Art, a division of the Casemate Group.Nick Hornby (b.1980) is a British artist living and working in London. Hornby studied at the Slade School of Art and Chelsea College of Art. His work has been exhibited at Tate Britain, Southbank Centre London, Leighton House London, CASS Sculpture Foundation, Glyndebourne, Fitzwilliam Museum Cambridge, Museum of Arts and Design New York, and Poznan Biennale, Poland. Residencies include Outset (Israel) and Eyebeam (USA), and awards include the UAL Sculpture Prize. His work has been reviewed in the New York Times, frieze, Artforum, The Art Newspaper, The FT, and featured in Architectural Digest and Sculpture Magazine.

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'Listen, you son of a bitch, life isn't all a goddam football game! You won't always get the girl! Life is rejection and pain and loss...'A Fan's Notes - the horrible and hilarious account of a long failure. Our narrator is the ultimate unreconstructed male. His primary concerns are alcohol, sex and the New York Giants. But things go very wrong for him - he drinks too much, he's impotent and the Giants start to loose. And so we follow his boozy trail through two failed marriages, many bars and intermittent visits to Avalon Valley - a private home for the mentally ill. Shockingly politically incorrect, terribly self-indulgent but more than redeemed by its unremitting honesty and insight this is the unforgettable story of a man laid bare.

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