Search results for ""Author MANUS"

The encyclopaedia once shaped our understanding of the world. Created by thousands of scholars and the most obsessive of editors, adults cleared their shelves in the belief that wisdom was now effortlessly accessible in their living rooms. Contributions from Albert Einstein, Sigmund Freud, Orville Wright, Alfred Hitchcock, Marie Curie and Indira Gandhi helped millions of children with their homework. But now these huge books gather dust and sell for almost nothing on eBay, and we derive our information from the internet, apparently for free. What have we lost in this transition? And how did we tell the progress of our lives in the past? All the Knowledge in the World is a history and celebration of those who created the most ground-breaking and remarkable publishing phenomenon of any age. It tracks the story from Ancient Greece to Wikipedia, from modest single-volumes to the 11,000-volume Chinese manuscript that was too big to print. It looks at how Encyclopaedia Britannica came to dominate the industry and how an army of ingenious door-to-door salesmen sold their wares to guilt-ridden parents. It explains how encyclopaedias have reflected our changing attitudes towards sexuality, race and technology, and exposes how these ultimate bastions of trust were often riddled with errors and prejudice. With his characteristic ability to tackle the broadest of subjects in an illuminating and highly entertaining way, Simon Garfield uncovers a fascinating and important part of our past, and wonders whether the promise of complete knowledge - that most human of ambitions - will forever be beyond our grasp.

Read more less

Possible Lives uses the saints'lives written by humanists of the Italian Renaissance to explore the intertwining of classical and religious cultures on the eve of the European Reformation. The lives of saints were among the most reproduced and widely distributed literatures of medieval and early modern Europe. During the century before the Reformation, these narratives of impossible goodness fell into the hands of classicizing intellectuals known as humanists. This study examines how the humanist authors received, criticized, and rewrote the traditional stories of exemplary virtue for patrons and audiences who were surprisingly open to their textual experiments. Drawn from a newly constructed catalog of primary sources in manuscript and print, the cases in this book range from the lure of martyrdom as the West confronted Islam to the use of saints'lives in local politics and the rhetorician's classroom. Frazier discusses the writers'perceptions of historical sanctity, the commanding place of the mendicant friars, and one unique account of a contemporary holy woman. Possible Lives shows that the classical Renaissance was also a saintly Renaissance, as humanists deployed their rhetorical and philological skills to "renew the persuasive force of Christian virtue" and "save the cult of the saints." Combining quantitative and anecdotal approaches in a highly readable series of case studies, Frazier reveals the contextual richness of this little-known and unexpectedly large body of Latin hagiography.

Read more less

Groundbreaking ideas in archival description and control Archival authority control is an often ambiguous label that embraces a potentially wide scope. In this active and quickly-evolving field, new methods of clarification are essential for successful archive management. The articles in Respect for Authority: Authority Control, Context Control, and Archival Description offer an innovative approach by marking and exploring a clear distinction between conventional archival authority files and the broader concept of context control. Intended to not only answer important questions but raise worthy new ones as well, Respect for Authority: Authority Control, Context Control, and Archival Description reveals striking new perspectives in managing archival description more effectively. The engaging essays in this collection tackle key issues of archive authority control and offer sound proposals for advancing a new course. Comprehensive in its approach, this text takes an in-depth look at both the International Standard for Archival Authority Records (ISAAR) and the American standard, Describing Archives: a Content Standard (DACS) and considers the place of authority control in these two standards for archival description. In addition, contributors offer practical answers to the thorny issue of identifying the boundaries of a records-creating entity and present criteria for determining when a new entity is established. International in scope, this book presents groundbreaking case studies by archive professionals from Canada, the United States, Italy, and Australia that document the successes of different institutional applications that describe the records-creator first and then link this description to that of the records themselves. Respect for Authority: Authority Control, Context Control, and Archival Description also includes expert discussions of: the role of standards the nature of archives and their relationships with their creators resources necessary to fully document contextualized content the power of provenance possibilities available through a trinity of descriptive entitiesrecords, agents, and functions the potential of provenance rediscovery in American repositories postmodern archive theory, multiple provenance, and the reconceptualization of archive context using ISAAR to document records-creating environments challenges inherent in implementing series-based systems of arrangement and description the National Archives and Records Administration (NARA) and the Archival Resource Catalog (ARC) digitizing and publishing registers and the development of the Online Heritage Resource Manager (OHRM) and many more! Ideal for archive professionals, manuscript librarians, students, and researchers of archival administration, Respect for Authority: Authority Control, Context Control, and Archival Description not only resolves important questions revealed by these new trends but opens new discussions of a major shift in descriptive practice.

Read more less

These days, regardless of whether a book is self-published or traditionally published, there will be an expectation on the author to take an active role in marketing their book. Based on a series of interviews with successful authors from both sides of the publishing divide and both sides of the pond, Lynn lays out in detail the marketing strategies that have worked for them, alongside an explanation of how book marketing works based on her own long-standing career as a senior marketing exec. From developing social media tactics and arranging promotional events to handling press and trying to start viral campaigns, Lynn offers practical advice designed to help an author find a book marketing strategy that best works for them, based on their personal strengths and budget.

Read more less

The only guide dedicated solely to developmental editing, now revised and updated with new exercises and a chapter on fiction. Developmental editing—transforming a manuscript into a book that edifies, inspires, and sells—is a special skill, and Scott Norton is one of the best at it. With more than three decades of experience in the field, Norton offers his expert advice on how to approach the task of diagnosing and fixing structural problems with book manuscripts in consultation with authors and publishers. He illustrates these principles through a series of detailed case studies featuring before-and-after tables of contents, samples of edited text, and other materials to make an otherwise invisible process tangible. This revised edition for the first time includes exercises that allow readers to edit sample materials and compare their work with that of an experienced professional as well as a new chapter on the unique challenges of editing fiction. In addition, it features expanded coverage of freelance business arrangements, self-published authors, e-books, content marketing, and more. Whether you are an aspiring or experienced developmental editor or an author who works alongside one, you will benefit from Norton’s accessible, collaborative, and realistic approach and guidance. This handbook offers the concrete and essential tools it takes to help books to find their voice and their audience.

Read more less

For more than fifty years, authors, editors, and publishers in the scientific community have turned to Scientific Style and Format for authoritative recommendations on all matters of writing style and citation. Developed by the Council of Science Editors (CSE), the leading professional association in science publishing, this indispensable guide encompasses all areas of the sciences. Now in its eighth edition, it has been fully revised to reflect today's best practices in scientific publishing. Scientific Style and Format citation style has been comprehensively reorganized, and its style recommendations have been updated to align with the advice of authoritative international bodies. Also new to the eighth edition are guidelines and examples for citing online images and information graphics, podcasts and webcasts, online videos, blogs, social networking sites, and e-books. Style instructions for physics, chemistry, genetics, biological sciences, and astronomy have been adjusted to reflect developments in each field. The coverage of numbers, units, mathematical expressions, and statistics has been revised and now includes more information on managing tables, figures, and indexes. Additionally, a full discussion of plagiarism and other aspects of academic integrity is incorporated, along with a complete treatment of developments in copyright law, including Creative Commons. For the first time in its history, Scientific Style and Format will be available simultaneously in print and online. Online subscribers will receive access to full-text searches of the new edition and other online tools, as well as the popular Chicago Manual of Style Online forum, a community discussion board for editors and authors. Whether online or in print, the eighth edition of Scientific Style and Format remains the essential resource for those writing, editing, and publishing in the scientific community.

Read more less

Samaritanism is an outgrowth of Early Judaism that has survived until today. Its origin as a separate religious entity can be traced back to the 2nd/1st centuries B.C.E. Samaritans were found not only in their core-area in and around Shechem-Neapolis (modern Nablus) and on neighboring Mount Gerizim, but also in other parts of Palestine as well as in various other Mediterranean countries. Oppression at the hand of Jews, Christians and Muslims decimated the Samaritan population and obliterated all Samaritan manuscripts written prior to the 10th/11th centuries C.E. For the early period of Samaritanism we must therefore rely on Christian authors. Reinhard Pummer edits Christian Greek and Latin texts about Samaritans and their beliefs and practices, dating from the second century C.E. to the Arab conquests. The passages are quoted in their original language and translated into English. In addition, they are commented on and analyzed in view of their significance for our knowledge of Samaritanism within the wider framework of early Judaism and Christianity.

Read more less

The W&A Guide to Getting Published provides the would-be published author with expert knowledge on securing a book deal – from preparing a manuscript for submission, to finding an agent, from working with an Editor, to effective self-promotion. It considers all stages in the ‘selling’ of your idea and manuscript and gives up-to-date information on how the publishing industry functions and how authors can best navigate its mysteries and complexities. Each chapter provides practical, how-to advice on what to do, where to seek additional help, what costs might be involved, cautionary dos and don’ts, and useful case studies. This guide considers all publishing formats (print, digital and audio) and markets (fiction, non-fiction, children's and books for adults) to offer all-round support for the budding writer.

Read more less

James VI of Scotland and I of England participated in the burgeoning literary culture of the Renaissance, not only as a monarch and patron, but as an author in his own right, publishing extensively in a number of different genres over four decades. As the first monograph devoted to James as an author, this book offers a fresh perspective on his reigns in Scotland and England, and also on the inter-relationship of authorship and authority, literature and politics in the Renaissance.Beginning with the poetry he wrote in Scotland in the 1580s, it moves through a wide range of his writings, including scriptural exegeses, political, social and theological treatises and printed speeches, concluding with his manuscript poetry of the early 1620s. The book combines extensive primary research into the preparation, material form and circulation of these varied writings, with theoretically informed consideration of the relationship between authors, texts and readers. The discussion thus explores James’s responses to, and interventions in, a range of literary, political and religious debates, and reveals the development of his aims and concerns as an author.

Read more less

The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media and performance; music; medicine; the history of affect and the emotions; the literature and practices of devotion; the theory and history of gender and sexuality, ecocriticism and the environment; theories of aesthetics; medievalism. Geoffrey Chaucer has long been lauded as the "Father of English Poetry." For later authors and scholars, the late medieval poet has served as a symbol of male authority and literary paternity upon whom successive centuries of the English canon may comfortably rest. Yet for Chaucer himself, the idea of paternity—whether poetic or biological—was far from stable or reassuring. Reading Chaucer's masterpiece, The Canterbury Tales, alongside its theological, poetic, and scientific contemporaries, this book argues that Chaucer was fascinated by the promise offered by metaphors of reproduction, paternity, and lineage. However, in the wake of the Black Death, Hundred Years' War, and other demographic crises, Chaucer could not help but perceive paternal authority as a transitory, uncertain ambition, one capable of devastating male authority as surely as it could enshrine it. Likewise, medieval Christian doctrine taught that the earth was but a temporary, sorrowful abode for corrupt, mortal men, who committed a form of blasphemy by longing for earthly memorializations of their lives. Chaucer knew that God had set sharp limits upon man's ability to create with certainty and to determine his own posterity. Still, what could be more human than the longing to wrest some small authority from one's own flesh? This book argues that within The Canterbury Tales, Chaucer consistently confronted the impossibility of men's desire to see their offspring—both biological and poetic—last beyond their own deaths, to claim the authority simultaneously promised and denied by the very act of creation.

Read more less

'This book had me day dreaming, crying, sobbing... all the emotions'Reader ReviewTwo sworn enemies. One unfinished manuscript. The love story of a lifetime...When Georgia Stanton discovers that her late grandmother, Scarlett, the infamous romance author, didn't get the chance to finish her last book, she is determined to share her story. But first, it needs to be written.Enter Noah Harrison, the bestselling and most charismatic romance author of his generation. When Georgia meets him, she is distraught - athough he's charming and handsome, there's nothing beneath the surface. But as they start working together, Georgia begins to see that there might be more to Noah than meets the eye.Together, they realize that Scarlett was saving the greatest love story of all until last - her own. While serving in World War Two, she fell in love with the handsome and enigmatic pilot, Jameson. But are Georgia and Noah about to discover that not all love stories have a happy ending...?Perfect for fans of Colleen Hoover and Nicholas Sparks, The Things We Leave Unfinished is an epic and sweeping romance about the sacrifices we make for love and the endings we don't want to see coming...Readers have fallen in love with The Things We Leave Unfinished, the perfect romance that will make you cry'I'm all cried out. Rebecca Yarros shook me with that twist I didn't see coming''I've never read anything like this and I don't think I ever will again. This is a love story for the ages''Scarlett and Jameson have my entire heart, I love them'

Read more less

The W&A Guide to How to Hook an Agent is the definitive guide to putting together a manuscript submission and attracting the attention of a literary agent. Structured around a series of real-life questions raised at Writers’ & Artists’ successful ‘How to Hook an Agent’ events, this lively and accessible Q&A guide provides everything an unpublished writer needs to know about seeking the representation of a literary agent. Full of practical detail and examples of good and bad practice, it covers: · Responses to over 180 questions asked by writers about getting an agent · How to research and approach an agent · The key ingredients of a submission · How to draft a successful covering letter · What to expect when working with an agent · The agent-publisher relationship · Contracts, rights and royalties This unique guide is suitable for writers of fiction and non-fiction and writing across different genres and age ranges.

Read more less

Courts and societies across the early modern Eurasian world were fundamentally transformed by the physical, technological, and conceptual developments of their era. Evolving forms of communication, greatly expanded mobility, the spread of scientific knowledge, and the emergence of an increasingly integrated global economy all affected how states articulated and projected visions of authority into societies that, in turn, perceived and responded to these visions in often contrasting terms. Landscape both reflected and served as a vehicle for these transformations, as the relationship between the land and its imagination and consumption became a fruitful site for the negotiation of imperial identities within and beyond the precincts of the court. In Landscape and Authority in the Early Modern World, contributors explore the role of landscape in the articulation and expression of imperial identity and the mediation of relationships between the court and its many audiences in the early modern world. Nine studies focused on the geographical areas of East and South Asia, the Islamic world, and Europe illuminate how early modern courts and societies shaped, and were shaped by, the landscape, including both physical sites, such as gardens, palaces, cities, and hunting parks, and conceptual ones, such as those of frontiers, idealized polities, and the cosmos. The collected essays expand the meaning and potential of landscape as a communicative medium in this period by putting an array of forms and subjects in dialogue with one another, including not only unique expressions, such as gardens, paintings, and manuscripts, but also the products of rapidly developing commercial technologies of reproduction, especially print. The volume invites a deeper and more nuanced understanding of the complexity with which early modern states constructed and deployed different modes of landscape for different audiences and environments. Contributors: Robert Batchelor, Seyed Mohammad Ali Emrani, John Finlay, Caroline Fowler, Katrina Grant, Finola O’Kane, Anton Schweizer, Larry Silver, Stephen H. Whiteman.

Read more less

Through a radical new reading of the Theological Political Treatise, Dimitris Vardoulakis argues that the Epicurean influence on Spinoza has profound implications for his conception of politics and ontology. This reconsideration of Spinoza's political project, set within a historical context, lays the ground for an alternative genealogy of materialism.Vardoulakis shows that the major source of Spinoza's materialism is the Epicurean tradition that re-emerges in modernity when manuscripts by Epicurus and Lucretius are rediscovered. Central to this new reading of Spinoza are the theory of practical judgment, understood as the calculation of utility, and its implications for a theory of democracy that is resolutely positioned against authority.

Read more less

This book examines the widespread practice of self-publishing by writers in late imperial China, focusing on the relationships between manuscript tradition and print convention, peer patronage and popular fame, and gift exchange and commercial transactions in textual production and circulation.Combining approaches from various disciplines, such as history of the book, literary criticism, and bibliographical and textual studies, Suyoung Son reconstructs the publishing practices of two seventeenth-century literati-cum-publishers, Zhang Chao in Yangzhou and Wang Zhuo in Hangzhou, and explores the ramifications of these practices on eighteenth-century censorship campaigns in Qing China and Chosŏn Korea. By giving due weight to the writers as active agents in increasing the influence of print, this book underscores the contingent nature of print’s effect and its role in establishing the textual authority that the literati community, commercial book market, and imperial authorities competed to claim in late imperial China.

Read more less

This volume explores the political, cultural, and ecclesiastical forces that linked the metropolis of Byzantium to the margins of its far-flung empire. Focusing on the provincial region of Hellas and Peloponnesos in central and southern Greece, Judith Herrin shows how the prestige of Constantinople was reflected in the military, civilian, and ecclesiastical officials sent out to govern the provinces. She evokes the ideology and culture of the center by examining different aspects of the imperial court, including diplomacy, ceremony, intellectual life, and relations with the church. Particular topics treat the transmission of mathematical manuscripts, the burning of offensive material, and the church's role in distributing philanthropy. Herrin contrasts life in the capital with provincial life, tracing the adaptation of a largely rural population to rule by Constantinople from the early medieval period onward. The letters of Michael Choniates, archbishop of Athens from 1182 to 1205, offer a detailed account of how this highly educated cleric coped with life in an imperial backwater, and demonstrate a synthesis of ancient Greek culture and medieval Christianity that was characteristic of the Byzantine elite. This collection of essays spans the entirety of Herrin's influential career and draws together a significant body of scholarship on problems of empire. It features a general introduction, two previously unpublished essays, and a concise introduction to each essay that describes how it came to be written and how it fits into her broader analysis of the unusual brilliance and longevity of Byzantium.

Read more less

In Early Modern Europe the first readers of a book were not those who bought it. They were the scribes who copied the author’s or translator’s manuscript, the censors who licensed it, the publisher who decided to put this title in his catalogue, the copy editor who prepared the text for the press, divided it and added punctuation, the typesetters who composed the pages of the book, and the proof reader who corrected them. The author’s hand cannot be separated from the printers’ mind. This book is devoted to the process of publication of the works that framed their readers’ representations of the past or of the world. Linking cultural history, textual criticism and bibliographical studies, dealing with canonical works - like Cervantes’ Don Quixote or Shakespeare’s plays - as well as lesser known texts, Roger Chartier identifies the fundamental discontinuities that transformed the circulation of the written word between the invention of printing and the definition, three centuries later, of what we call 'literature'.

Read more less

In her eighteenth-century medical recipe manuscript, the Philadelphia healer Elizabeth Coates Paschall asserted her ingenuity and authority with the bold strokes of her pen. Paschall developed an extensive healing practice, consulted medical texts, and conducted experiments based on personal observations. As British North America’s premier city of medicine and science, Philadelphia offered Paschall a nurturing environment enriched by diverse healing cultures and the Quaker values of gender equality and women’s education. She participated in transatlantic medical and scientific networks with her friend, Benjamin Franklin. Paschall was not unique, however. Women Healers recovers numerous women of European, African, and Native American descent who provided the bulk of health care in the greater Philadelphia area for centuries. Although the history of women practitioners often begins with the 1850 founding of Philadelphia’s Female Medical College, the first women’s medical school in the United States, these students merely continued the legacies of women like Paschall. Remarkably, though, the lives and work of early American female practitioners have gone largely unexplored. While some sources depict these women as amateurs whose influence declined, Susan Brandt documents women’s authoritative medical work that continued well into the nineteenth century. Spanning a century and a half, Women Healers traces the transmission of European women’s medical remedies to the Delaware Valley where they blended with African and Indigenous women’s practices, forming hybrid healing cultures. Drawing on extensive archival research, Brandt demonstrates that women healers were not inflexible traditional practitioners destined to fall victim to the onward march of Enlightenment science, capitalism, and medical professionalization. Instead, women of various classes and ethnicities found new sources of healing authority, engaged in the consumer medical marketplace, and resisted physicians’ attempts to marginalize them. Brandt reveals that women healers participated actively in medical and scientific knowledge production and the transition to market capitalism.

Read more less

New essays on the unjustly neglected Pèlerinage works by de Guileville, showing in particular its huge contemporary influence. The fourteenth-century French pilgrimage allegories of Guillaume de Deguileville (or "Digulleville") shaped late medieval and early modern European culture. Portions of the Pèlerinage de Vie Humaine, Pèlerinage de l'Ame and Pèlerinage de Jhesucrist survive in more than eighty medieval manuscripts and translations into English, German, Dutch, Castilian and Latin appeared by the early sixteenth century, along with adaptations into Frenchprose and dramatic forms and numerous early printed editions. This volume furnishes a better understanding of the allegories' circulation, creation and importance from the 1330s into the 1560s, via trans-national, multilingual and interdisciplinary perspectives. The collection's first section, on "Tradition", identifies the patterns that developed as Deguileville's corpus captured the attentions of adaptors, annotators and illustrators. The second section, on "Authority", addresses the cultural context of Deguileville himself, his approach to poetic craft and the status of his French and Latin poetry. The third section, on "Influence", closely examines selected connections between the Pèlerinages and the literary productions of later authors, translators and reading communities, including the French verse of Philippe de Mézières, Castilian print adaptation, and the early modern Croatian novel.Overall, the collection provides a variety of approaches to examining literary reception, attending not only to texts but also to evidence of surviving manuscripts and early printed editions; it offers new insights into a rich and complex allegorical corpus and its impact on European literary history. Marco Nievergelt is a Maître-Assistant in Early English Literature in the English department of the University of Lausanne.Stephanie A. Viereck Gibbs Kamath studies English and French medieval literature, with a particular interest in allegory, translation studies, and the history of the material text. Contributors: Flor Maria Bango de la Campa, Robert L.A. Clark, Graham Robert Edwards, Dolores Grmaca, Andreas Kablitz, John Moreau, Ursula Peters, Fabienne Pomel, Pamela Sheingorn, Sara V. Torres, Géraldine Veysseyre

Read more less

"The book is a readable, terse, theoretically developed treatment of an important episode in African history." —Journal of African History"It is original and authoritative, certainly the best book we have on the heritage of Umar's conquests." —African History". . . lucid analysis of a changing jihad society. This study enlarges understanding not only of the Umarian empire but also of the jihad movements generally." —ChoiceJohn Hanson's thoroughly researched study revises late-19th-century colonialist assumptions about a West African Muslim social movement. Using indigenous Arabic manuscripts, travel narratives, and oral materials, Hanson assesses the meaning of a series of revolts against Islamic authority.

Read more less

In Early Modern Europe the first readers of a book were not those who bought it. They were the scribes who copied the author’s or translator’s manuscript, the censors who licensed it, the publisher who decided to put this title in his catalogue, the copy editor who prepared the text for the press, divided it and added punctuation, the typesetters who composed the pages of the book, and the proof reader who corrected them. The author’s hand cannot be separated from the printers’ mind. This book is devoted to the process of publication of the works that framed their readers’ representations of the past or of the world. Linking cultural history, textual criticism and bibliographical studies, dealing with canonical works - like Cervantes’ Don Quixote or Shakespeare’s plays - as well as lesser known texts, Roger Chartier identifies the fundamental discontinuities that transformed the circulation of the written word between the invention of printing and the definition, three centuries later, of what we call 'literature'.

Read more less

In the Qing dynasty (1644–1911), China experienced far greater access to political information than suggested by the blunt measures of control and censorship employed by modern Chinese regimes. A tenuous partnership between the court and the dynamic commercial publishing enterprises of late imperial China enabled the publication of gazettes in a wide range of print and manuscript formats. For both domestic and foreign readers these official gazettes offered vital information about the Qing state and its activities, transmitting state news across a vast empire and beyond. And the most essential window onto Qing politics was the Peking Gazette, a genre that circulated globally over the course of the dynasty. This illuminating study presents a comprehensive history of the Peking Gazette and frames it as the cornerstone of a Qing information policy that, paradoxically, prized both transparency and secrecy. Gazettes gave readers a glimpse into the state’s inner workings but also served as a carefully curated form of public relations. Historian Emily Mokros draws from international archives to reconstruct who read the gazette and how they used it to guide their interactions with the Chinese state. Her research into the Peking Gazette’s evolution over more than two centuries is essential reading for anyone interested in understanding the relationship between media, information, and state power.

Read more less

The author is Helen Gould Sheppard Professor of Art History at New York University , Institute of Fine Arts, and a leading authority on English medieval manuscript illumination. This volume bring together twenty-six of Professor Sandler's studies, focusing on illustrated manuscripts produced in England in the thirteenth and fourteenth centuries, particularly on the illuminated psalters. The marginal illustrations in these psalters are a topic of particular interest, and there are a number of iconographic studies derived from this material. A separate section deals with the illustrated encyclopedias of the period, particularly the Omne bonum.

Read more less

The author is Helen Gould Sheppard Professor of Art History at New York University , Institute of Fine Arts, and a leading authority on English medieval manuscript illumination. This volume bring together twenty-six of Professor Sandler's studies, focusing on illustrated manuscripts produced in England in the thirteenth and fourteenth centuries, particularly on the illuminated psalters. The marginal illustrations in these psalters are a topic of particular interest, and there are a number of iconographic studies derived from this material. A separate section deals with the illustrated encyclopedias of the period, particularly the Omne bonum.

Read more less

The first authorized copy of this mysterious, much-speculated-upon, one-of-a-kind, centuries-old puzzle“For the first time, a complete reproduction [of] The Voynich Manuscript, has been published, featuring essays exploring what is known about the book and extra-wide margins so readers can record their responses to its beguiling, beautiful strangeness.”—Nina Maclaughlin, Boston Globe“For people who like a good historical mystery, this . . . fifteenth- or sixteenth-century Voynich Manuscript will fascinate.”—Rebecca Onion, Slate Many call the fifteenth-century codex, commonly known as the “Voynich Manuscript,” the world’s most mysterious book. Written in an unknown script by an unknown author, the manuscript has no clearer purpose now than when it was rediscovered in 1912 by rare books dealer Wilfrid Voynich. The manuscript appears and disappears throughout history, from the library of the Holy Roman Emperor Rudolf II to a secret sale of books in 1903 by the Society of Jesus in Rome. The book’s language has eluded deciphering, and its elaborate illustrations remain as baffling as they are beautiful. For the first time, this facsimile, complete with elaborate folding sections, allows readers to explore this enigma in all its stunning detail, from its one-of-a-kind “Voynichese” text to its illustrations of otherworldly plants, unfamiliar constellations, and naked women swimming though fantastical tubes and green baths. The essays that accompany the manuscript explain what we have learned about this work—from alchemical, cryptographic, forensic, and historical perspectives—but they provide few definitive answers. Instead, as New York Times best-selling author Deborah Harkness says in her introduction, the book “invites the reader to join us at the heart of the mystery.”

Read more less

"Poignant and powerful" (Publishers Weekly, starred review), Cathy Bonidan's The Lost Manuscript is a charming epistolary novel about the love of books and magical ability they have to bring people together. Sometimes a book has the power to change your life. When Anne-Lise Briard books a room at the Beau Rivage Hotel for her vacation on the Brittany coast, she has no idea this trip will start her on the path to unearthing a mystery. In search of something to read, she opens up her bedside table drawer in her hotel room, and inside she finds an abandoned manuscript. Halfway through the pages, an address is written. She sends pages to the address, in hopes of potentially hearing a response from the unknown author. But not before she reads the story and falls in love with it. The response, which she receives a few days later, astonishes her. Not only does the author write back, but he confesses that he lost the manuscript 30 years prior on a flight to Montreal. And then he reveals something even more shocking-that he was not the author of the second half of the book. Anne-Lise can't rest until she discovers who this second mystery author is, and in doing so tracks down every person who has held this manuscript in their hands. Through the letters exchanged by the people whose lives the manuscript has touched, she discovers long-lost love stories and intimate secrets. Romances blossom and new friends are made. Everyone's lives are made better by this book-and isn't that the point of reading? And finally, with a plot twist you don't see coming, she uncovers the astonishing identity of the author who finished the story.

Read more less

Forty-three Syriac and Garshuni manuscripts owned by the Iraqi Department of Antiquities and Heritage are here catalogued and described in great detail. The manuscripts cover major literary genres known to Syriac literature, each of which is discussed in a lengthy introduction with an up-to-date bibliography. To illustrate the contents and styles of the manuscripts, short texts extracted from most of them are given in Syriac and Garshuni with translations in English. Some manuscripts are liturgical and were once the property of Melkite, Syriac Orthodox, Syriac Catholic, and Assyrian churches. Other manuscripts are spiritual and theological compendiums, biblical lectionaries and psalms, Melkite pastoral letters dealing with Roman Catholic devotional practices, charms and popular medicine, and sogyata and durikyata poems. A unique manuscript consists of a Kurdish (Kurmanji) grammar in Syriac authored by a 19th century Chaldean monk living in the Monastery of Rabban Hormizd in northern Iraq. The codices are dated between the 16th and the 19th centuries, though there is one dated to the 14th century, and they were produced in Iraq, Syria, Lebanon, and central and eastern Anatolia.

Read more less

Around 1800, an anonymous engraver in Sharanakula, a small temple place on the southern coast of Orissa, illustrated a palm-leaf anthology of love poems. The one hundred Sanskrit quatrains, which are said to be the work of the 7th-century poet Amaru, describe the behaviour of enamoured couples, their longing for each other, the lovers' anxieties, their ecstatic joy as well as their doubts and sorrows.In India, these quatrains have at all times been cherished for their elegant language. Then, two hundred years ago, a great master-engraver visualised these verses in many small but meticulously executed and richly detailed illustrations. The erotic scenes in particular are of remarkable quality. While the verses are, without doubt, some of the greatest in the annals of Sanskrit literature, it is the illustrations of the work that have absorbed the authors here. The first part of the book is given to the poet and the poems, but then attention is turned to the intentions and acheivements of the painter. The authors attempt to follow his perception of the verses to comprehend how this Master visualised and rendered the refined Sanskrit verses into line drawings with such creative bearing and wit. 300 illustrations

Read more less

Richard Rolle - the Yorkshire hermit, visionary and transmitter of religious counsel - was widely recognised in the later English Middle Ages as a major spiritual author. However, this influential figure poses difficulties for scholars and remains a largely untapped literary resource. Encompassing over one hundred and twenty books, Rolle's work is central to the largely uninvestigated sacred culture of that period and provides scholars with a rich source of insight. Ralph Hanna has collected and catalogued this important body of work following detailed research of the manuscript evidence over two decades. Rolle's status makes it appropriate that he will be the only Middle English author other than Chaucer to have an author-based bibliography. The catalogue describes each of Rolle's books and includes full details of contents and codicology. The book also includes an introduction to Rolle’s work explaining its significance, examining the transmission of his writings, and providing a guide to the conventions of presentation used in the catalogue. A series of indexes provides useful additional resources.

Read more less

Another incredible novel from the #1 internationally bestselling author of The Alchemist. Centuries before, on the eve of the invasion of Accra, the citizens gathered. A man stood before them and invited the people share their fears that he might offer hope and comfort. His extraordinary insights on courage, solitude, loyalty and loss were transcribed and passed on. A timeless and powerful exploration of personal growth, everyday wisdom and joy.

Read more less

Did J. Edgar Hoover die a natural death - or was he murdered? A top-notch thriller from the No. 1 bestselling author Robert Ludlum.Inver Brass: a group of high-minded and high-placed intellectuals. They see a monstrous threat to the country in Hoover's unethical use of his scandal-ridden private files. And so they decide to do away with him - quietly, efficiently, with no hint of impropriety. Until bestselling thriller writer Peter Chancellor stumbles upon information that makes his previous books look like harmless fairy tales.Now Chancellor and Inver Brass are on a deadly collision course, spiralling across the globe in an ever-widening arc of violence and terror. They are hurtling towards a showdown that will rip Washington's intelligence community apart, leaving only one damning document to survive: The Chancellor Manuscript...

Read more less

For the last forty years Florentine Mutherich has worked as editor of the corpus of Carolingian illuminated manuscripts she has recently published the School of Reims and is currently preparing the Franco-Saxon schools. In addition to her work on these volumes, she has explored various aspects of Carolingian book illumination. This volume presents a selection of her studies where the different types of school - court schools, and monastic and episcopal schools - are represented, as well as the different types of manuscripts. These are mostly Bibles, Gospel books, Psalters and Sacramentaries, but also secular works such as copies of late antique authors, Vergil, Aratus and the treatises of Roman land surveyors. Other articles deal with special problems such as the relationship to Roman or to Byzantine art.

Read more less

For many millions of Muslims there is one and only one true Koran that offers the word of Allah to the faithful. Few Muslims realize, however, that there are several Korans in circulation in the Islamic world, with textual variations whose significance, extent, and meaning have never been properly examined. The author of Virgins? What Virgins? and Why I Am Not a Muslim has here assembled important scholarly articles that address the history, linguistics, and religious implications of these significant variants in Islam's sacred book, which call into question the claim of its status as the divinely revealed and inerrant word of the Muslim god. This work includes valuable charts that list the many textual variants found in Korans available in the Islamic world, along with remarks on their significance.

Read more less

After more than a century of study, we know more about John Keats than we do about most writers of the past, but we still cannot fully grasp the magical processes by which he created some of the most celebrated poems in all of English literature. This volume, containing 140 photographs of Keats’s own manuscripts, offers the most concrete evidence we have of the way in which his thoughts and feelings were transmuted into art.The rough first drafts in particular are full of information about what occurred, if not in Keats’s mind, at least on paper when he had pen in hand: the headlong rush of ideas coming so fast that he had no time to punctuate or even form the letters of his words; the stumbling places where he had to begin again several times before the words resumed their flow; the efforts to integrate story, character, and theme with the formal requirements of rhyme and meter. Each revision teaches the inquiring reader something about Keats’s poetic practice.Several of the manuscripts are unique authoritative sources, while others constitute our best texts among multiple existing versions. They reveal much about the maturation of the poet’s creativity during four years of his brief life, between “On Receiving a Curious Shell” (1815) and “To Autumn” (1819). Above all, they show us what is lost when penmanship yields to the printed page: what Helen Vendler, in her insightful essay on the manuscripts, calls “the living hand of Keats.” These sharply reproduced facsimiles provide compelling visual evidence of a mortal author in the act of composing immortal works.

Read more less

Anglo-Saxon Manuscripts is the first publication to list every surviving manuscript or manuscript fragment written in Anglo-Saxon England between the seventh and the eleventh centuries or imported into the country during that time. Each of the 1,291 entries in Helmut Gneuss and Michael Lapidge's Bibliographical Handlist not only details the origins, contents, current location, script, and decoration of the manuscript, but also provides bibliographic entries that list facsimiles, editions, linguistic analyses, and general studies relevant to that manuscript. A general bibliography, designed to provide full details of author-date references cited in the individual entries, includes more than 4,000 items. Compiled by two of the field's greatest living scholars, the Gneuss-Lapidge Bibliographical Handlist stands to become the most important single-volume research tool to appear in the field since Greenfield and Robinson's Bibliography of Publications on Old English Literature. Their achievement in the present book will endure for many decades and serve as a catalyst for new research across several disciplines.

Read more less

In the Qing dynasty (1644–1911), China experienced far greater access to political information than suggested by the blunt measures of control and censorship employed by modern Chinese regimes. A tenuous partnership between the court and the dynamic commercial publishing enterprises of late imperial China enabled the publication of gazettes in a wide range of print and manuscript formats. For both domestic and foreign readers these official gazettes offered vital information about the Qing state and its activities, transmitting state news across a vast empire and beyond. And the most essential window onto Qing politics was the Peking Gazette, a genre that circulated globally over the course of the dynasty. This illuminating study presents a comprehensive history of the Peking Gazette and frames it as the cornerstone of a Qing information policy that, paradoxically, prized both transparency and secrecy. Gazettes gave readers a glimpse into the state’s inner workings but also served as a carefully curated form of public relations. Historian Emily Mokros draws from international archives to reconstruct who read the gazette and how they used it to guide their interactions with the Chinese state. Her research into the Peking Gazette’s evolution over more than two centuries is essential reading for anyone interested in understanding the relationship between media, information, and state power.

Read more less

“Michael Field” was the literary pseudonym of two women, Katharine Bradley (1846-1914) and her niece Edith Cooper (1862-1913). The women were poets, playwrights, diarist, and lovers who lived and wrote together during the final decades of the nineteenth century up to World War I. Their arresting poetry has recently gained them a place in the canon, and their extensive engagement with other writers puts them at the centre of fin de siècle literary culture.This Broadview Edition offers selections from all published books of poetry by Michael Field, and a substantial section of transcriptions from largely unpublished manuscript letters and diaries that gives insight into the extraordinary life and work of the authors. A critical introduction, bibliography, and selection of contemporary reviews are also included.

Read more less

This volume, originally published by Cambridge University Press and now reprinted by Archaeopress, is an essential research tool for scholars studying the Jewish Aramaic translations of the Bible. It provides a description for every Targum manuscript in the Cambridge Genizah Collections, 1600 fragments in all, from every targumic genre and type, ranging in date from the earliest known manuscripts of the Palestinian Targum to late Yemenite versions of Onqelos, including a great many previously unidentified manuscripts. The late Michael Klein, who died in 2000, was the leading authority on the targumic manuscripts in the Genizah. Reviews of the first edition:‘[a] magnificent volume, absolutely indispensable for all who are interested in targumic literature’ (F. García Martínez, Journal for the Study of Judaism 24 (1993)) Originally published by C.U.P.

Read more less

WINNER OF THE WOLFSON HISTORY PRIZE AND THE DUFF COOPER PRIZE FOR NON-FICTION'Endlessly fascinating and enjoyable' Neil MacGregor'A marvellous book' David Attenborough'Full of delights' Tom StoppardAn extraordinary exploration of the medieval world - the most beguiling history book of the yearThis is a book about why medieval manuscripts matter. Coming face to face with an important illuminated manuscript in the original is like meeting a very famous person. We may all pretend that a well-known celebrity is no different from anyone else, and yet there is an undeniable thrill in actually meeting and talking to a person of world stature.The idea for the book, which is entirely new, is to invite the reader into intimate conversations with twelve of the most famous manuscripts in existence and to explore with the author what they tell us about nearly a thousand years of medieval history - and sometimes about the modern world too. Christopher de Hamel introduces us to kings, queens, saints, scribes, artists, librarians, thieves, dealers, collectors and the international community of manuscript scholars, showing us how he and his fellows piece together evidence to reach unexpected conclusions. He traces the elaborate journeys which these exceptionally precious artefacts have made through time and space, shows us how they have been copied, who has owned them or lusted after them (and how we can tell), how they have been embroiled in politics and scholarly disputes, how they have been regarded as objects of supreme beauty and luxury and as symbols of national identity. The book touches on religion, art, literature, music, science and the history of taste.Part travel book, part detective story, part conversation with the reader, Meetings with Remarkable Manuscripts conveys the fascination and excitement of encountering some of the greatest works of art in our culture which, in the originals, are to most people completely inaccessible. At the end, we have a slightly different perspective on history and how we come by knowledge. It is a most unusual book.

Read more less

Distant blue hills, soaring trees, vast cloudless skies-the majesty of nature has always had the power to lift the human spirit. For some it evokes a sense of timelessness and wonder. For others it reinforces religious convictions. And for many people today, it raises concerns for the welfare of the planet.During the Renaissance, artists from Italy to Flanders andEngland to Germany depicted nature in their religious art tointensify the spiritual experience of the viewer. Devotionalmanuscripts for personal or communal use-from small-scale prayer books to massive choir books-were filled withsome of the most illusionistic nature studies of this period.Sacred Landscapes, which accompanies an exhibition at theJ. Paul Getty Museum, presents some of the mostimpressive examples of this art, gathering a wide range ofilluminated manuscripts made between 1400 and 1600, aswell as panel paintings, drawings, and decorative arts.Readers will see the influ-ence of such masters as AlbrechtDu rer, Jan van Eyck, Leonardo da Vinci, and Piero dellaFrancesca and will gain new appreciation for manuscriptilluminators like Simon Bening, Joris Hoefnagel, Vincent Raymond, and the Spitz Master. These artists were innovative in the early development of landscape painting and were revered through-out the early modern period. The authors provide thoughtful examination of works from the fifteenth through seventeenth centuries.

Read more less

The definitive English version of the stories of King Arthur, Le Morte Darthur was completed in 1469-70 by Sir Thomas Malory, `knight-prisoner'. In a resonant prose style, Malory charts the tragic disintegration of the fellowship of the Round Table, destroyed from within by warring factions. Recounting the life of King Arthur, the knightly exploits of Sir Lancelot du Lake, Sir Tristram, Sir Gawain, and the quest for the Holy Grail, Le Morte Darthur depicts the contradictions that underscore the Fellowship's chivalric ideals. A pervading tension cumulates in the revelation of Lancelot and Guenivere's illicit passion, and in Arthur's powerlessness to prevent a related outbreak of violence and revenge. This generously annotated edition is based on the authoritative Winchester manuscript and represents what Malory wrote more closely than the first version printed by William Caxton. Intelligently abridged from the original to make a single substantial volume, the translation is supplemented by a fine Introduction, a Glossary, and extensive Notes ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Read more less

The author is Professor at the Institute of Fine Arts at New York University, and a noted authority on Italian medieval and Renaissance manuscript illumination. His numerous publications include Medieval Illuminators and Their Methods of Work, and he recently organized the exhibition The Painted Page: Italian Renaissance Book Illumination 1450-1550 at the Royal Academy of London. The present volume presents a comprehensive selection of Professor Alexander's papers on Italian manuscript illumination, from the medieval period through the Renaissance. These feature some of the most celebrated works of one of the great ages of book production. A paper on marginal illustrations in Italian manuscripts is published here for the first time, and the older studies have been extensively revised and updated. There is a comprehensive index, and a new introduction by the author.

Read more less