Search results for ""Author Jean"

Jean-Paul Goude is a modern legend in the world of commercial art. From his New York days with Esquire magazine to his latest work for Galeries Lafayette, he has consistently provoked and delighted those who have encountered his work. He was Grace Jones’s Pygmalion, creating unforgettable images of her, from androgyne to cyber-superwoman to supreme diva. This volume, published to accompany a major retrospective at the Musée des Arts Décoratifs in Paris, is a celebration of his creative zest and perfectionism, and his unique affinity for making fresh and engaging work. Around 600 images are on show, including many working documents published here for the first time, from inspired doodles to final images that sparkle with creative vigour. Selected and arranged by Goude himself, they present a gallery of artworks that have redefined advertising and brand photography as we know them. Sexy, irreverent and full of humour, this book will inform and instruct all those concerned with the art of image-making, whether professionals or simply those prepared to be entertained by chic, witty images that work.

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The Autobiography of Jean-Luc Picard tells the story of one of the most celebrated names in Starfleet history. His extraordinary life and career makes for dramatic reading: court martials, unrequited love, his capture and torture at the hand of the Cardassians, his assimilation with the Borg and countless other encounters as captain of the celebrated Starship Enterprise.

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One of the BBC's '100 Novels that Shaped the World'A Hay Festival and The Poole VOTE 100 BOOKS for Women SelectionMuriel Spark's classic The Prime of Miss Jean Brodie features a schoolmistress you'll never forget, in this beautifully repackaged Penguin Essentials edition.'Give me a girl at an impressionable age, and she is mine for life . . .'Passionate, free-thinking and unconventional, Miss Brodie is a teacher who exerts a powerful influence over her group of 'special girls' at Marcia Blaine School. They are the Brodie set, the crème de la crème, each famous for something - Monica for mathematics, Eunice for swimming, Rose for sex - who are initiated into a world of adult games and extracurricular activities they will never forget. But the price they pay is their undivided loyalty . . .The Prime of Miss Jean Brodie is a brilliantly comic novel featuring one of the most unforgettable characters in all literature.'Muriel Spark's novels linger in the mind as brilliant shards' John Updike'Spark's most celebrated novel' Independent'There is no question about the quality and distinctiveness of her writing, with its quirky concern with human nature, and its comedy' William Boyd'A brilliant psychological figure' ObserverMuriel Spark was born and educated in Edinburgh. She was active in the field of creative writing since 1950, when she won a short-story writing competition in the Observer, and her many subsequent novels include Memento Mori (1959), The Ballad of Peckham Rye (1960), The Prime of Miss Jean Brodie (1961), The Girls of Slender Means (1963) and Aiding and Abetting (2000). She also wrote plays, poems, children's books and biographies. She became Dame Commander of the British Empire in 1993, and died in 2006.

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Jean-Francois Lyotard is one of the most important, and complex, French thinkers of the twentieth century. Best known in the English-speaking world for his book The Postmodern Condition, the multi-faceted nature of Lyotard's work has often been obscured by its sometimes problematic association with the postmodern. His life refuses to follow the clear trajectory common to academics in France: it stalls and hesitates, with Lyotard's first 'career' consisting of fifteen years of militant Marxist political engagement. Kiff Bamford traces this circuitous journey, unravelling the thrust of Lyotard's main philosophical arguments, his struggle with thinking and his confrontation with the task of writing and thinking philosophy in a different way. These all take place within a series of very particular contexts: the Algerian war, the experimental university at Vincennes and a sustained engagement with the visual arts. Lyotard's own tentative reflections on his intellectual life help to frame his suspicions of easy narratives and highlight his rejection of 'the delusion that we are able to programme our life'. It is by following these cautions that Kiff Bamford is able to present a compelling portrait of a challenging subject.

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For well over a decade, Jean-Pierre and Luc Dardenne have produced highly original and ethically charged films that immerse their audiences in an intense and embodied viewing experience. Their work has consistently attracted international recognition, including the rare feat of two Palmes d'Or at Cannes.In this first book-length study of the Belgian brothers, Joseph Mai delivers sophisticated close analyses of their directorial style and explores the many philosophical issues dealt with in their films (especially the ethics of Emmanuel Levinas). Mai discusses the Dardennes' varied and searching career from its inception in the late 1970s, starting with the working-class political consciousness and lost utopias of their documentary period; passing through their transition toward fictional narrative, experimental techniques, and familial themes; and finishing with a series of in-depth and philosophically informed interpretations of the brothers' more recent work. In such highly influential films such as La promesse, Rosetta, The Son, and The Child, the brothers have recast filmmaking through what Mai calls a "sensuous realism"--realism capable of touching the audience with the most compelling problems and moral dilemmas of contemporary society. This volume also features an interview in which the Dardennes discuss their approach to film production and the direction of actors.

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The Jean-Michel Basquiat Inspirational Sketchbook is perfect for creativity and visual learning. Complete with 120 pages, including 12 full color pages of Basquiat's work, you can write, draw, and design on the empty pages, and find the interspersed inspiration from Basquiat as you move forward through the sketch book! • Sketchbook: 8 x 10.5 • 120 pages in total • 108 blank pages for ideating and creating • 12 full color Warhol art/quotes • Wire-O binding

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Jean-Luc Nancy is one of the leading contemporary thinkers in France today. Through an inventive reappropriation of the major figures in the continental tradition, Nancy has developed an original ontology that impacts the way we think about religion, politics, community, embodiment, and art. Drawing from a wide range of his writing, Marie-Eve Morin provides the first comprehensive and systematic account of Nancy’s thinking, all the way up to his most recent work on the deconstruction of Christianity. Without losing sight of the heterogeneity of Nancy’s work, Morin presents a concise articulation of the organizing concepts, which structure Nancy’s body of work. The guiding thread is that of an essential rift at the heart of any “self” by which this self is exposed and relates to itself and other selves. Nancy’s ontology undercuts dichotomies between individual and community, interior and exterior, matter and spirit, thing and thought, not in the name of mere deconstruction, but in seeking to open a thinking of the “limit” or the “edge” as the locus of sense. While Nancy’s work has often been presented in relation to Heidegger or Derrida, Morin demonstrates the originality of Nancy’s work and argues that, despite the variety of its preoccupations and topics, it possesses its own rigorous internal logic. This book will be of interest to students and scholars of philosophy and related fields who seek a systematic and critical understanding of one of the most original contemporary thinkers.

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Jean Baudrillard (1929-2007) was a controversial social and cultural theorist known for his trenchant analyses of media and technological communication. Belonging to the generation of French thinkers that included Gilles Deleuze, Jean-Francois Lyotard, Michel Foucault, and Jacques Lacan, Baudrillard has at times been vilified by his detractors, but the influence of his work on critical thought and pop culture is impossible to deny (many might recognize his name from The Matrix movies, which claimed to be based on the French theorist's ideas). Steve Redhead takes a fresh look at Baudrillard in relation to the intellectual and political climates in which he wrote. Baudrillard sought to produce a theory of modernity, but the modern world of the 1950s was radically different from the reality of the early twenty-first century. Beginning with Baudrillard's initial publications in the 1960s and concluding with his writings on 9/11 and Abu Ghraib, Redhead guides the reader through Baudrillard's difficult texts and unorthodox views on current issues. He also proposes an original theory of Baudrillard's relation to postmodernism, presenting the theorist's work as "non-postmodernist," after Bruno Latour's concept of "non-modernity." Each section of the Reader includes an extract from one of Baudrillard's writings, prefaced by a short bibliographical introduction that places the piece in context and puts the debate surrounding the theorist into sharp perspective. The conflict over Baudrillard's legacy stems largely from the fact that a comprehensive selection of his writings has yet to be translated and collected into one volume. The Jean Baudrillard Reader provides an expansive and much-needed portrait of the critic's resonant work.

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Jean Baudrillard was perhaps the most controversial of all social and cultural theorists. He has been variously vilified as a 'postmodernist', an 'overrated French theorist' and one of the 'intellectual imposters'. In his seventies he survived global fame and a name check in The Matrix; he also contracted cancer. His comments on 9/11, Abu Ghraib and Europe's suburban riots have been eagerly sought and digested. However, his translated publications since his first book in 1968 have left a trail of confusion and misinterpretation. Jean Baudrillard is a notorious figure but few have read many examples of his entire oeuvre. There is now though a chance to read Baudrillard's texts in an overall historical, social and political context and for a cool re-assessment to be made of his life and work, after his death. This book is a central part of that project. It concentrates on what Baudrillard has written over five decades and the order in which he wrote it. The Reader comprises extracts of Baudrillard's writings from the sixties to the noughties, with an editorial introduction and a concluding reading guide. Key Features *Arranged chronologically in order of first publication in French, the Reader illustrates the development and interconnectedness of Baudrillard's work since the 1960s. *Each section has an extract of one of Jean Baudrillard's writings translated into English, prefaced by a short bibliographical introduction setting the scene. *The Reader will be of interest to students and staff in a range of university courses across the globe and to those general readers interested in public intellectuals, media events and contemporary theory.

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Jean-Baptiste Say is almost unread today yet he is famous as the originator of Say's law which later economists, most especially Keynes in the General Theory, have paid so much attention to. Yet, this reputation, based as it is upon the discovery of the concept of the entrepreneur as autonomous from the capitalist as well as the law, is misplaced. Say's main importance lies as a disseminator of English classical political economy on the continent and in his attempts to keep alive an emphasis on utility and demand in contrast to the English over emphasis on cost and supply. Nevertheless, he is also of interest for the theoretical discussions which he sparked amongst historians of economic thought. This book is a collection of essays on the work of Say.

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In this book from the critically acclaimed, multimillion-copy bestselling Little People, BIG DREAMS series, discover the inspiring life of Billie Jean King, the tennis star who has dedicated her life to breaking barriers both on and off the tennis court. Billie Jean began playing tennis at the age of 11. After one of her first tennis lessons, she told her mother, "I'm going to be No. 1 in the world," a title she would come to hold five times between 1966 and 1972. Twenty years later, she is still today considered one of the most successful women in sport history. This moving book features stylish and quirky illustrations and extra facts at the back, including a biographical timeline with historical photos and a detailed profile of the amazing sportswoman's life.Little People, BIG DREAMS is a bestselling biography series for kids that explores the lives of outstanding people, from designers and artists to scientists and activists. All of them achieved incredible things, yet each began life as a child with a dream. This empowering series of books offers inspiring messages to children of all ages, in a range of formats. The board books are told in simple sentences, perfect for reading aloud to babies and toddlers. The hardback and paperback versions present expanded stories for beginning readers. With rewritten text for older children, the treasuries each bring together a multitude of dreamers in a single volume. You can also collect a selection of the books by theme in boxed gift sets. Activity books and a journal provide even more ways to make the lives of these role models accessible to children.Inspire the next generation of outstanding people who will change the world with Little People, BIG DREAMS!

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bull-jean & dem/dey back collects two performance/novels centering Sharon Bridgforth’s southern-Black-butch-sheroe, bull-jean.First published by RedBone Press in 1998, the Lambda Literary Award-winning the bull-jean stories chronicles the course of lovve returning in the Life-times of bull-dog-jean. Set in the rural 1920s south, the bull-jean stories is an act of griot-anthropology, remembering the ancestor we never knew but always knew we needed—the raucous, sweet-talking, heart-aching wo’mn-lovvn-wo’mn bull-dog-jean and the fierce and beautiful community that surrounds her.Twenty-two years later, bull-dog-jean returns in bull-jean/we wake. Grieving the loss of their elders, seeking healing, the Narrator calls forward bull-jean. Through a series of dreams, porch prayers, and visitations from cussing conjurers, Black Mermaids, children that fly, and shape-shifting ole folk, bull-jean and dem guide the Narrator towards a realization of the sustaining power of love, memory, community, ritual, and spiritual binding.

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La bibliographie est divisee en trois parties. La premiere (Oeuvres) regroupe les informations concernant les travaux lies a une initiative personnelle: Livres (les monographies et recueils d'articles relevant d'une meme visee), Traductions (personnelles ou en collaboration), Travaux originaux lies aux charges professorales (Notes de cours). La deuxieme partie (Articles) detaille l'ensemble des articles qui repondent a des demandes specifiques (congres et colloques, conferences, participation a des seminaires), et d'autre part, elle met en evidence la dimension chronologique de toute l'oeuvre. La troisieme partie (Personalia) se situe entierement dans la perspective des relations personnelles, individuelles et collectives, sous la forme de la reconnaissance (In memoriam), de mon role de promoteur (Prefaces, rapports et recensions) et des remerciements (Allocutions). A l'interieur de chacune des divisions l'ordre est chronologique, sauf en ce qui concerne les traductions et les reeditions qui sont rattachees a l'original.

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First published in 2002. Jean Froissart is probably the best known medieval historians. His Chronicle (of the Hundred Years War) is among the top ten historical works in western civilization. In his own time, though, he was better known as a poet. This is the first dual language anthology including excepts from Chroniques , as well as several of his verse and prose.

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Jean Vanier’s Essential Writings gathers examples of the best of his insights, beliefs, and passionate calls for unity and peace in our world.

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Published on the occasion of the exhibition, Jean-Michel Basquiat: Art and Objecthood, at Nahmad Contemporary, this book will illuminate the role of found objects and unconventional materials in the Jean- Michel Basquiat’s oeuvre. Basquiat, whose artistic practice has profoundly impacted audiences on an international scale, used objects and media from his environs to proliferate messages of social justice and change. Featuring a breadth of works that the artist made using unconventional painted supports and found-object sculptures, this publication will provide an innovative, in-depth look into the artist’s sculptural practice. In addition to painting and drawing on items within his domestic spaces—refrigerators, chairs, and cabinets—Basquiat also left his mark on items he encountered on the street—discarded windows and doors, mirrors, wood boards, and subway tiles. The publication will present new scholarship by leading Basquiat academics and art historians that will explore Basquiat’s use of found objects and materials and their role in addressing issues of social inequality and the politics of race in the United States.

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In 1940s occupied Paris, Jean Dubuffet began to champion a progressive vision for art; one that rejected classical notions of beauty in favor of a more visceral aesthetic. Taking a pioneering approach to materiality and technique, the artist variously blended paint with sand, glass, tar, coal dust and string. At the same time, he began to assemble a collection of art brut—work that was made outside the academic tradition of fine art— even visiting psychiatric wards from 1945 to collect work by patients. This book features texts from leading scholars and is accompanied by images that illuminate Dubuffet’s attempts to move beyond the artistic expectations of his time. The works are grouped into six thematic sections that focus on specific series, from his graffiti-inspired “Walls” and his notorious portrait series, “People are Much More Beautiful Than They Think” to the “Corps de dames”, a controversial series of “female” landscapes, and his anthropomorphic sculptures, “Little Statues of Precarious Life.” Exquisitely produced, this celebration of Dubuffet’s work embraces his world view that art is for everyone, not just the elite.

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Jean-Michel Wilmotte and his collaborators are leading more than 100 projects in 27 different countries, from the biggest to the smallest, from the most spectacular to the most ordinary, with the same fervour from the initial sketch to completion. This practice has recently completed the Russian Orthodox Spiritual and Cultural Center in Paris (France), the headquarters of L'Oréal Group in Clichy (France), the headquarters of Unilever group in Rueil-Malmaison (France), the Center for Arts of the International School of Geneva (Switzerland), the Allées Richaud & Allées Foch high-end residential buildings in Versailles (France), the Cultural Center of Daejeon (South Korea), the 36,200-seat Allianz Riviera Stadium in Nice (France), the London headquarters of Google and JCDecaux (United Kingdom), the Ferrari Sporting Management Center (Formula 1) in Maranello (Italy), a Convention and Exhibition Center in São Paulo (Brazil), and an ecological park in Baku (Azerbaijan) for the 2015 European Games. In these projects, which are both innovative and sustainable, the design always takes into account landscaping, lighting, materials, and finishes, while being respectful of the local and historic context of the site. This new title, as part of IMAGES' renowned Leading Architects series, delves into the extraordinary work of this firm and the process of its innovative and creative team. Showcasing projects throughout the book with rich, full-colour images, detailed plans, and informative texts, this monograph is a must-have for any professional design collection.

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Critical edition, edited by Malcolm Cook, of 5-act tragedy by Marie-Joseph Chénier (1764-1811), first performed in 1791.

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The first book on the work of a designer whose refined classical interiors are widely desired and emulated as the epitome of French style. Honoured as one of the top designers by all the international design magazines and universally admired by design editors, Jean-Louis Deniot is in demand. His updated classical approach now graces interiors in Paris, the French countryside, Moscow, India, New York, Chicago, L.A., and beyond-and his legacy is already being compared to that of design greats such as Jacques Grange and Alberto Pinto. Deniot is an architect first, ensuring that the interior architecture of his rooms is harmonious before giving a neoclassical approach to the decor. He brings education, logic, and design history to his work, with one eye looking at the most refined style of French eighteenth century and one eye on the twentieth and twenty-first centuries. His mix is highly individual and includes contemporary art and custom-made furniture, yet his rooms always look comfortable and are never overly formal or trendy. This book demonstrates a new, sophisticated classical style that is changing the scene for international design and offering inspiration and ideas to decorators, homeowners, and antiques enthusiasts.

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The legend of Jean-Michel Basquiat is as strong as ever. Synonymous with 1980s New York, the artist first appeared in the late 1970s under the tag SAMO, spraying caustic comments and fragmented poems on the walls of the city. He appeared as part of a thriving underground scene of visual arts and graffiti, hip hop, post-punk, and DIY filmmaking, which met in a booming art world. As a painter with a strong personal voice, Basquiat soon broke into the established milieu, exhibiting in galleries around the world. Basquiat’s expressive style was based on raw figures and integrated words and phrases. His work is inspired by a pantheon of luminaries from jazz, boxing, and basketball, with references to arcane history and the politics of street life—so when asked about his subject matter, Basquiat answered “royalty, heroism and the streets.” In 1983 he started collaborating with the most famous of art stars, Andy Warhol, and in 1985 was on the cover of The New York Times Magazine. When Basquiat died at the age of 27, he had become one of the most successful artists of his time. First published in an XXL edition, this unprecedented insight into Basquiat’s art is now available in a compact, accessible volume in celebration of TASCHEN’s 40th anniversary. With pristine reproductions of his most seminal paintings, drawings, and notebook sketches, it offers vivid proximity to Basquiat’s intricate marks and scribbled words, further illuminated by an introduction to the artist from editor Hans Werner Holzwarth, as well as an essay on his themes and artistic development from curator and art historian Eleanor Nairne. Richly illustrated year-by-year chapter breaks follow the artist’s life and quote from his own statements and contemporary reviews to provide both personal background and historical context.

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Lara Jean está disfrutando del su mejor año. Va a graduarse. Está completamente enamorada de su novio, Peter. Su padre está a punto de volver a casarse. Y Margot regresará a casa en verano justo a tiempo para asistir a la boda.Pero en el horizonte se acercan cambios? Y mientras Lara Jean se divierte ayudando en los preparativos de la boda, no puede dejar de pensar que tendrá que tomar decisiones muy pronto. Ha de escoger una universidad, y eso puede dar un vuelco en su relación con Peter?

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Jean Baudrillard, alternately provocative and astonishing, is one of the leading theorists of media and culture. Regarded by many as the chief prophet of postmodernism, his writings raise important issues about the changing nature of social and political life in our contemporary, media-saturated age. This book makes his most important writings available in a single volume. It includes selections from the entire range of his work, from his early writings on consumer culture and the political economy of the sign to his more recent work on desire, simulation and the 'hyperreal'. This new edition includes five new extracts from Baudrillard's writings in the 1990s, including his writings on the Gulf War, on the internet and his autobiographical reflections. It also includes an updated introduction by Mark Poster which provides an extremely lucid overview of Baudrillard's work. Jean Baudrillard: Selected Writings is an excellent introduction to the thought of one of the most important and influential thinkers of our day.

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jean Prouvé ranks amongst the most innovative engineers and designers of the 20th century. His influence on those who have followed him has been extensive, with the renowned architects Sir Norman Foster and Renzo Piano, and engineers such as Peter Rice acknowledging their debt to him. This selection of highlights provides an ideal introduction to the work of Jean Prouvé and testimony to his importance for modern architecture and design. Professor Peter Sulzer, author of the Jean Prouvé Complete Works edition published by Birkhäuser, has gathered together Prouvé s most notable buildings, including the Maison du Peuple in Clichy near Paris, one of the outstanding buildings in Functionalism, as well as examples of his exceptional furniture designs from the 1930s and 1940s . Subsequent volumes in the Complete Works edition will cover the years 1945-1984.

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• THREE NOTEBOOKS IN ONE SET: Each set comes with three different notebooks featuring unique and stunning artwork from James Jean. Keep all three or share the pack with friends! • GRIDDED PAGES: Each notebook includes dotted grid interiors, perfect for sketching, brainstorming, and jotting down notes. • GOLD FOIL: All three notebooks include beautiful gold foil details on the cover. • TRANSPORTABLE SIZE: Each notebook has 64 pages and center-sewn binding, perfect for on-the-go journaling. • AWARD-WINNING ARTIST: James Jean has won many awards for his artwork, including Best Cover Artist (Eisner Award), a Gold Medal from the Society of Illustrators, and many more.

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Now in paperback, The Crime of Jean Genet is a powerful personal account of the influence of one writer on another and one of the most penetrating explorations yet of Genet’s work and achievement. Dominique Eddé met novelist and playwright Jean Genet in the 1970s. And she never forgot him. “His presence,” she writes, “gave me the sensation of icy fire. Like his words, his gestures were full, calculated, and precise. . . . Genet’s movements mimicked the movement of time, accumulating rather than passing.” This book is Eddé’s account of that meeting and its ripples through her years of engaging with Genet’s life and work. Rooted in personal reminiscences, it is nonetheless much broader, offering a subtle analysis of Genet’s work and teasing out largely unconsidered themes, like the absence of the father, which becomes a metaphor for Genet’s perpetual attack on the law. Tying Genet to Dostoevsky through their shared fascination with crime, Eddé helps us more clearly understand Genet’s relationship to France and Palestine, Judaism, Christianity, Islam, the theater, and even death. A powerful personal account of the influence of one writer on another, The Crime of Jean Genet is also one of the most penetrating explorations yet of Genet’s work and achievement.

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If cinema can be approached as poetry and philosophy, it is because of Jean Epstein. Cocteau, Buñuel (who was his assistant), Hitchcock, Pasolini and Godard, and theoreticians Kracauer, Deleuze and Rancière are directly influenced by Epstein's pioneering film work, writings, and concepts. This book is the first in English to examine his oeuvre comprehensively.An avant-garde artist and an anti-elitist intellectual, Epstein wanted to craft moments of pure transformative cinema. Using familiar genres - melodramas and documentaries - he hoped to heal viewers of all classes and hasten social utopia. A lover of cinema as cognitive and sensorial technology, and a poet of the screen, he pushed cinematography - as photogénie - towards the experimental sublime, through daring close-ups, rhythmic montage, slow motion, even reverse motion. Polish-born, half-Jewish, and the author of a treatise on homosexuality, Epstein has been unfairly relegated to the shadows of film history. This book restores him to the limelight of interwar world cinema, on a par with Renoir, Lang, Capra and Eisenstein.

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Conceived as a manual, this book introduces the reader directly to the concepts and fundamental contributions of the work of the Swiss psychologist, Jean Piaget. The terms of 'adaptation', 'accommodation' and 'intelligence', structured together with the 'periods' and 'stages' of cognitive development, are explained with an explicit pedagogical objective for students. The author works on the stages of the first period or 'sensory motor period', and on the transformations that children's play undergoes, the imitation and the notion of object throughout the next stage or 'pre-operational period'. It analyses the period of 'concrete operations' and their sub-periods, and then concludes with the next level, that of the 'formal operations' of the representative intelligence, when abstraction and logical resolution of operations, are possible. Lopez-Corvo tries with this book, as he puts it: "to summarise Piaget's contributions within evolutionary psychology, in such a way as to facilitate the reader -above all students- the understanding of the theory and at the same time appreciate its logic and style".

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Mike Gane provides an introduction to recent developments in French theorist Jean Baudrillard's thinking. This volume reflects Baudrillard's new concern with radical uncertainty and the way in which he has reconfigured his earlier thinking in the light of more recent ideas and theories. The author disputes the notion that Baudrillard has now become an increasingly extreme theorist, remote from the realities of the world - and argues instead that new developments in Baudrillard's work are a more appropriate reflection on a world of extremes. This book explicitly challenges the conservative response to Baudrillard's work, and underlines the significance of what Baudrillard himself terms the 'fourth order of simulation', in a major contribution to new debates on the significance of recent developments in Western culture and society.

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Jean-Michel Basquiat's raw and colourful graffiti style artwork is reproduced here for our museum quality notecard collection. Our FlipTop Notecard box notecards are full colour and large enough to convey personal greetings, thank-yous and invitations. 20 notecards, 4 each of 5 images 20 envelopes Magnetic closure Sturdy, reusable box, ideal for keepsakes

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Weaving together critical analysis and a filmic conversation, this book journeys through the multiple layers of Cameroonian filmmaker Jean-Marie Teno's thematically and aesthetically challenging body of work, framed here as a form of decolonial cinematic resistance. Co-winner African Literature Association Book of the Year - Scholarship Both a monograph and a critical dialogue between academic Melissa Thackway, author of Africa Shoots Back, and the Cameroonian filmmaker Jean-Marie Teno, this collaborative work takes the reader on a journey through Teno's multifaceted on-going filmic reflection on Cameroon and the wider African continent, its socio-political systems, history, memory and cultures. Presenting and contextualizing Teno's cinema, it addresses the notion of political commitment in art and of cinema as a form of resistance. It also considers Teno's filmmaking both in relation to the theoretical and aesthetic debates to have animated West and Central African filmmakers since the 1960s and 1970s, and n relation to documentary filmmaking practices on the continent and beyond. In so doing, the book offers an analysis of the predominant stylistic and thematic traits of Teno's work, examines the individual films and the collective oeuvre, and highlights the evolutions of his film language and concerns. It identifies and explores the committed socio-political and historical themes at play, such as violence, power, history, memory, gender, trauma and exile. It also considers Teno's unwavering focus, both thematically and in his filmmaking choices, on forms and instances of resistance, framing his cinema as a form of decolonial aesthetics.

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A progenitor of modern egalitarianism, communitarianism, and participatory democracy, Jean-Jacques Rousseau is a philosopher whose deep concern with the relationship between the domains of private domestic and public political life has made him especially interesting to feminist theorists, but also has made him very controversial. The essays in this volume, representing a wide range of feminist interpretations of Rousseau, explore the many tensions in his thought that arise from his unique combination of radical and traditional perspectives on gender relations and the state. Among the topics addressed by the contributors are the connections between Rousseau’s political vision of the egalitarian state and his view of the "natural" role of women in the family; Rousseau’s apparent fear of the actual danger and power of women; important questions Rousseau raised about child care and gender relations in individualist societies that feminists should address; the founding of republics; the nature of consent; the meaning of citizenship; and the conflation of modern universal ideals of democratic citizenship with modern masculinity, leading to the suggestion that the latter is as fragile a construction as the former. Overall this volume makes an important contribution to a core question at the hinge of modernism and postmodernism: how modern, egalitarian notions of social contract, premised on universality and objective reason, can yet result in systematic exclusion of social groups, including women.Contributors are Leah Bradshaw, Melissa A. Butler, Anne Harper, Sarah Kofman, Rebecca Kukla, Lynda Lange, Ingrid Makus, Lori J. Marso, Mira Morgenstern, Susan Moller Okin, Alice Ormiston, Penny Weiss, Elie Wiestad, Elizabeth Wingrove, Monique Wittig, and Linda Zerilli.

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Cantique de Jean Racine was written in 1865 during Fauré's final year at the École Niedermeyer, winning him the first prize for composition, and this elegant work now holds a cherished place in the choral repertory for both sacred and secular occasions. Presented with an English singing translation in addition to the original French, John Rutter's edition includes an accompaniment for organ or piano, and the work may also be performed with the transcription for harp and strings (available separately), compatible with the instrumentation for the OUP edition of the Fauré Requiem in its 1893 version. Complete orchestral and vocal material is available on hire/rental and on sale. In addition, an arrangement for upper voices (SSAA) with Fauré's original keyboard accompaniment is available on sale.

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The French battleship, Jean Bart, together with its twin Richelieu, was among the largest and most modern ships of this class that served in the Marine Nationale. Their construction was based on the experience gained during the construction of Dunkerque battleships face=Calibri>– smaller and less armed units – but quite modern for their times.A characteristic feature of the aforementioned ships, including the Jean Bart, was the unusual layout of the main artillery concentrated in two four-barrel turrets located in the fore part, while medium calibre artillery was located in the stern. This, in combination with the massive body of the command tower and the chimney 'hidden' in the rest of the superstructures, created an astonishing silhouette of a beautiful and very dangerous ship.Jean Bart was built at the Ateliers et Chantiers de Saint-Nazarie (Penhoët) shipyard in Saint-Nazarie. The keel was laid on December 12, 1936. The ship was launched on March 6, 1940.

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This friendly, fun biography series focuses on the traits that made our heroes great—the traits that kids can aspire to in order to live heroically themselves. Each book tells the story of one of America’s icons in a lively, conversational way that works well for the youngest nonfiction readers and that always includes the hero’s childhood influences. At the back are an excellent timeline and photos. This volume features Billie Jean King, the world champion tennis player who fought successfully for women’s rights.

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Translated by Peter ConstantineEdited and with a new introduction by Leo Damrosch'Man is born free, and everywhere he is in chains' is the dramatic opening line of The Social Contract, published in 1762. Quoted by politicians and philosophers alike, the power of this sentence continues to resonate. It laid the groundwork for both the American and French Revolutions, and is considered a foundational text in the development of the modern principles of human rights. Rousseau was an extraordinary visionary and a revolutionary thinker. The Essential Writings of Jean-Jacques Rousseau collects his best and most indispensable work. The book includes: Discourse on the Origin and Foundations of Inequality Among Men and The Social Contract in full, plus selections from Émile, a treatise on education, the autobiographical Reveries of the Solitary Walker and Julie, or the New Héloïse,an epistolary novel.

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