Search results for ""Author Humphrey""

An award-winning account of Nobel laureate Naguib Mahfouz’s most controversial novel and the fierce debates that it provoked Naguib Mahfouz’s novel Children of the Alley has been in the spotlight since it was first published in Egypt in 1959. It has been at times banned and at others allowed, sold sometimes under the counter and sometimes openly on the street, often pirated and only recently legally reprinted. It has inspired anxiety among the secular authorities, rage within the religious right, and a drawing of battle lines among Arab intellectuals and writers. It dogged Mahfouz like a curse throughout the remainder of his career, led to his attempted assassination, and sparked a public debate that continues to this day, even after the author’s death in 2006. It is Egypt’s iconic novel, in whose mirror millions have seen themselves, their society, and even the universe, some finding truth, others blasphemy.In this award-winning account, Mohamed Shoair traces the story of Mahfouz’s novel as a cultural and political object, from its first publication to the present via Mahfouz’s award of the Nobel prize for literature in 1988 and the attempt on his life in 1994. He presents the arguments that swirled about the novel and the wide cast of Egyptian figures, from state actors to secular intellectuals and Islamists, who took part in them. He also contextualizes the interactions among the principal characters, interactions that have done much to shape the country’s present.Extensively researched and written in a lucid, accessible style, The Story of the Banned Book is both a gripping work of investigative journalism and a window onto some of the fiercest debates around culture and religion to have taken place in Egyptian society over the past half-century.

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"Khoury is one of the greatest writers of our times and perhaps the greatest Arabic-language writer of this generation, definite Nobel Prize material" Avraham Burg, HaaretzWho is Adam Dannoun?Until a few months before his death in a fire in his New York apartment - a consequence of smoking in bed - he thought he knew.But an encounter with Blind Mahmoud, a father figure from his childhood, changed all that. From Mahmoud he learned the terrible truth behind his birth, a truth withheld from him for fifty-seven years by the woman he thought was his mother.This discovery leads Adam to investigate what exactly happened in 1948 in Palestine in the city of Lydda where he was born: the massacre, the forced march into the wilderness and the corralling of those citizens who did not flee into what the Israeli soldiers and their Palestinian captives came to refer to as the Ghetto.The stories he collects speak of bravery, ingenuity and resolve in the face of unimaginable hardship. Saved from the flames that claimed him, they are his lasting and crucial testament.Translated from the Arabic by Humphrey Davies

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Has the Church lost sight of her original vocation of living out her mission by serving the world? There is a prevailing ecclesiology of fatalism which suggests that it has, and that there is nothing to do be done about. This book argues however, that the church still has a role in bearing witness fruitfully and creatively even within a context of crisis. Leading thinkers offer theoretical, contextual and practical responses to encourage a renewed love for the church and renewed energy to bear witness appropriately and creatively. Chapters include: Richard Bauckham – on New Testament perspectives on a church in crisis Alister McGrath – challenging the narrative of decline Rev Dr Carlton Turner – on BAME Presence and the Witness of Diversity and Inclusion Dr Susie Snyder – on attending to those on the margins

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As the 19th century draws to a close, the politically disgraced Mahmoud Abd El Zahir takes up his post as District Commissioner of the remote and dangerous Egyptian oasis of Siwa, knowing he has no choice. The hostile, warring natives are no surprise - but little did he expect to fall in love, his Irish wife to alienate the entire community, or a local beauty to prove a fatal ally. As the gulf between occupier and occupied, husband and wife, dreams and reality widens, tensions reach boiling point.

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SHORTLISTED FOR THE INTERNATIONAL PRIZE FOR ARABIC FICTIONA sensitive and at times darkly humorous story of a young man’s experience of illness, his contemplation of death, and his determination to maintain his independence through it allAfter reading Kafka, K decides to write his own diary, but he is constantly frustrated by his lack of experiences: he is worn down by the drudgery of his corporate job for a faceless corporation and by his incessant family obligations. When he receives the news that he has leukemia, he finds himself torn between a sense of devastation and a revelation that he has finally found a way out of his writing predicament. Through Mohammed’s measured but forceful writing, this compelling debut has a universality that reaches across time, place, and culture.

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This exceptional Egyptian novel – as mesmerising as it is controversial – caused an unprecedented stir when it was first published in Arabic. Welcome to the Yacoubian Building, Cairo: once grand, now dilapidated, and full of stories and passion. Some live in squalor on its rooftop while others inhabit the faded glory of its apartments and offices. Within these walls religious fervour jostles with promiscuity; bribery with bliss; modern life with ancient culture. At ground level, Taha, the doorman’s son, harbours career aspirations and romantic dreams – but when these are dashed by unyielding corruption, hope turns to bitterness, with devastating consequences. Alaa Al Aswany’s superb novel about Egypt’s many contradictions is at once an impassioned celebration and a ruthless dissection of a society dominated by dishonesty.

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Though Egypt was ruled by Turkish-speakers through most of the period from the ninth century until 1952, the impact of Turkish culture there remains under-studied. This book deals with the period from 1805 to 1952, during which Turkish cultural patterns, spread through reforms based on those of Istanbul, may have touched more Egyptians than ever before. An examination of the books, newspapers, and other written materials produced in Turkish, including translations, and of the presses involved, reveals the rise and decline of Turkish culture in government, the military, education, literature, music, and everyday life. The author also describes the upsurge in Turkish writing generated by Young Turk exiles from 1895 to 1909. Included is a CD containing appendices of extensive bibliographic information concerning books and periodicals printed in Egypt during this period.

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Lit by the sublime beauty and tragedy of classical Arabic poetry, a Palestinian falafel seller in New York sets out to shape fragments of his family historyWeaving history, memory, and poetry, this unforgettable novel—and the 1st book in a trilogy—provides a sprawling memorial to the Nakba and the strangled lives left in its wake. Long exiled in New York, Palestinian ex-pat Adam Dannoun thought he knew himself. But an encounter with Blind Mahmoud, a father figure from his childhood, changes everything. It is when Adam encounters his former teacher that Adam discovers the story he must tell.Ma’moun’s testimony brings Adam back to the first years of his life in the ghetto of Lydia, in Palestine, where his family endured thirst, hunger, and terror in the aftermath of unspeakable horror.With unmatched literary craft and empathy, Khoury peels away layers of lost stories and repressed memories to unveil Adam’s story.Oscillating between two narrators—the self-reflexive "Elias Khoury" and Adam himself—Children of the Ghetto: My Name is Adam engages real (and invented) scholarly texts, Khoury’s own work, and Adam’s lost notebooks in an intertextual account of a life shadowed by atrocity.

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Yalo was a soldier on one of the many sides in Lebanon's sectarian civil war, before becoming a deserter and a thief, a nightwatchman in Paris, an arms smuggler, and then a rapist. And then he falls in love with his victim - who turns him in to the police. This novel is a modern Thousand and One Nights, a series of confessions extracted under torture, a recitation of all of his memories, all his sorrows, all his guilt - and of the other crimes his interrogators have him confess to. Beirut and the legacy of the wars of the Middle East are the texture of Elias Khoury's extraordinary literary achievement.

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The Royal College of Physicians celebrates its 500th anniversary in 2018, and to observe this landmark is publishing this series of ten books. Each of the books focuses on fifty themed elements that have contributed to making the RCP what it is today, together adding up to 500 reflections on 500 years. Some of the people, ideas, objects and manuscripts featured are directly connected to the College, while others have had an influence that can still be felt in its work. This, the fourth book in the series looks at the Royal College and its impact and influence in war over the centuries.

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The new book from Alaa Al Aswany, author of the international bestseller ‘The Yacoubian Building’ and ‘Chicago’. ‘Friendly Fire’ is a novella and collection of short stories from Alaa Al Aswany, author of the bestselling ‘The Yacoubian Building’. As in that novel, Al Aswany dissects modern Egyptian society and, with skill and detachment, reveals the hypocrisy, violence and abuse of power characteristic of a world in moral crisis. Here, though, the focus has shifted from the broad historical canvas to the minute stitches of pain that hold together an individual, a family, a school classroom and the relationship between a man and a woman. Can a man so alienated from his society that he regards all its members as no better than microbes wriggling under a microscope survive within it? Can cynical religiosity triumph over human decency? Can a man put the thought of a delicious dish of beans behind him long enough to mourn his father’s death? Alongside these wry questions, other, less mordant perspectives also have their place: an ageing cabaret dancer bestows the blessing of a vanished world on her lover’s son; a crippled boy wins subjective victory from objective disaster. In ‘Friendly Fire’, readers will find again the vivid, passionate characters of today's Cairo, clamouring to be heard. ‘Friendly Fire’ also features an introduction by Alaa Al Aswany giving the history of the novella, ‘The Isam Abd el-Ati Papers’, which was banned in Egypt for a decade.

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The life, birth, and early years of 'the Fariyaq'—the alter ego of the Arab intellectual Ahmad Faris al-Shidyaq Leg over Leg recounts the life, from birth to middle age, of ‘the Fariyaq,’ alter ego of Ahmad Faris al-Shidyaq, a pivotal figure in the intellectual and literary history of the modern Arab world. The always edifying and often hilarious adventures of the Fariyaq, as he moves from his native Lebanon to Egypt, Malta, Tunis, England and France, provide the author with grist for wide-ranging discussions of the intellectual and social issues of his time, including the ignorance and corruption of the Lebanese religious and secular establishments, freedom of conscience, women’s rights, sexual relationships between men and women, the manners and customs of Europeans and Middle Easterners, and the differences between contemporary European and Arabic literatures. Al-Shidyaq also celebrates the genius and beauty of the classical Arabic language. Akin to Sterne and Rabelais in his satirical outlook and technical inventiveness, al-Shidyaq produced in Leg over Leg a work that is unique and unclassifiable. It was initially widely condemned for its attacks on authority, its religious skepticism, and its “obscenity,” and later editions were often abridged. This is the first English translation of the work and reproduces the original Arabic text, published under the author’s supervision in 1855.

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The life, birth, and early years of 'the Fariyaq'—the alter ego of the Arab intellectual Ahmad Faris al-Shidyaq Leg over Leg recounts the life, from birth to middle age, of “the Fariyaq,” alter ego of Ahmad Faris al-Shidyaq, a pivotal figure in the intellectual and literary history of the modern Arab world. The always edifying and often hilarious adventures of the Fariyaq, as he moves from his native Lebanon to Egypt, Malta, Tunis, England, and France, provide the author with grist for wide-ranging discussions of the intellectual and social issues of his time, including the ignorance and corruption of the Lebanese religious and secular establishments, freedom of conscience, women’s rights, sexual relationships between men and women, the manners and customs of Europeans and Middle Easterners, and the differences between contemporary European and Arabic literatures, all the while celebrating the genius and beauty of the classical Arabic language. Volumes One and Two follow the hapless Fariyaq through his youth and early education, his misadventures among the monks of Mount Lebanon, his flight to the Egypt of Muhammad 'Ali, and his subsequent employment with the first Arabic daily newspaper—during which time he suffers a number of diseases that parallel his progress in the sciences of Arabic grammar, and engages in amusing digressions on the table manners of the Druze, young love, snow, and the scandals of the early papacy. This first book also sees the list—of locations in Hell, types of medieval glue, instruments of torture, stars and pre-Islamic idols—come into its own as a signature device of the work. Akin to Sterne and Rabelais in his satirical outlook and technical inventiveness, al-Shidyaq produced in Leg over Leg a work that is unique and unclassifiable. It was initially widely condemned for its attacks on authority, its religious skepticism, and its “obscenity,” and later editions were often abridged. This is the first complete English translation of this groundbreaking work.

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The life, birth, and early years of 'the Fariyaq'—the alter ego of the Arab intellectual Ahmad Faris al-Shidyaq Leg over Leg recounts the life, from birth to middle age, of ‘the Fariyaq,’ alter ego of Ahmad Faris al-Shidyaq, a pivotal figure in the intellectual and literary history of the modern Arab world. The always edifying and often hilarious adventures of the Fariyaq, as he moves from his native Lebanon to Egypt, Malta, Tunis, England and France, provide the author with grist for wide-ranging discussions of the intellectual and social issues of his time, including the ignorance and corruption of the Lebanese religious and secular establishments, freedom of conscience, women’s rights, sexual relationships between men and women, the manners and customs of Europeans and Middle Easterners, and the differences between contemporary European and Arabic literatures. Al-Shidyaq also celebrates the genius and beauty of the classical Arabic language. Akin to Sterne and Rabelais in his satirical outlook and technical inventiveness, al-Shidyaq produced in Leg over Leg a work that is unique and unclassifiable. It was initially widely condemned for its attacks on authority, its religious skepticism, and its “obscenity,” and later editions were often abridged. This is the first English translation of the work and reproduces the original Arabic text, published under the author’s supervision in 1855.

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A merchant’s account of his travels through an independent African state Muhammad ibn 'Umar al-Tunisi (d. 1274/1857) belonged to a family of Tunisian merchants trading with Egypt and what is now Sudan. Al-Tunisi was raised in Cairo and a graduate of al-Azhar. In 1803, at the age of fourteen, al-Tunisi set off for the Sultanate of Darfur, where his father had decamped ten years earlier. He followed the Forty Days Road, was reunited with his father, and eventually took over the management of the considerable estates granted to his father by the sultan of Darfur. In Darfur is al-Tunisi’s remarkable account of his ten-year sojourn in this independent state. In Volume Two al-Tunisi describes the geography of the region, the customs of Darfur’s petty kings, court life and the clothing of its rulers, marriage customs, eunuchs, illnesses, food, hunting, animals, currencies, plants, magic, divination, and dances. In Darfur combines literature, history, ethnography, linguistics, and travel adventure, and most unusually for its time, includes fifty-two illustrations, all drawn by the author. In Darfur is a rare example of an Arab description of Africa on the eve of Western colonization and vividly evokes a world in which travel was untrammeled by bureaucracy, borders were fluid, and startling coincidences appear almost mundane. A bilingual Arabic-English edition.

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What are the physical and chemical properties that determine how a drug interacts with the body? What determines which dosage form is best, if it will reach its intended target, and how it will be metabolised once it has entered the body? The Physicochemical Basis of Pharmaceuticals explores the phenomena which affect the formulation and bio-availability of drug substances to give a straightforward, accessible treatment of the essential concepts affecting the absorption and distribution of drugs. It provides the reader with the conceptual 'tool-kit' necessary to understand the physicochemical aspects of drug design and action, and shows how these concepts apply in practice. The book introduces key underlying physical chemistry principles before exploring pharmaceutical solutions, the pharmaceutical solid phase, solid - liquid dispersal systems, biological interfaces, absorption, distribution, metabolism and excretion, to give a complete view of the field. Focusing at all times on the essential principles and concepts, The Physicochemical Basis of Pharmaceuticals avoids excessive detail, presenting the key facts, backed up with pertinent examples and easy-to-digest illustrations, making it the ideal primer for those who need to understand physicochemical issues in the context of their broader field of study. Online Resource Centre For registered adopters of the text: · Figures from the book in electronic format, ready to download For students: · A hyperlinked bibliography of references given in the text.

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In a makeshift hospital in a refugee camp on the outskirts of Beirut, Yunis, an aging Palestinian freedom fighter, lies in a coma. His spiritual son Dr Khaleel ­­- who has no real medical qualifications - nurses the older man, refusing to admit that his hero may never regain consciousness. In an attempt to revive his patient, Khaleel, begins telling Yunis the stories of their people's exile in Lebanon. He evokes deserted peasant villages, the suffering caused by the Lebanese civil war and the refugees' hopes to return home with a subtle mixture of anger and compassion. Khaleel also narrates Yunis' own extraordinary life.Interweaving many true-life tales collected throughout Lebanon and its refugee camps over the course of seven years, Elias Khoury has created a monumental and spellbinding saga.

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Written in mid-seventeenth-century Egypt, Risible Rhymes is in part a short, comic disquisition on “rural” verse, mocking the pretensions and absurdities of uneducated poets from Egypt’s countryside. The interest in the countryside as a cultural, social, economic, and religious locus in its own right that is hinted at in this work may be unique in pre-twentieth-century Arabic literature. As such, the work provides a companion piece to its slightly younger contemporary, Yūsuf al-Shirbīnī’s Brains Confounded by the Ode of Abū Shādūf Expounded, which also takes examples of mock-rural poems and subjects them to grammatical analysis. The overlap between the two texts may indicate that they both emanate from a common corpus of pseudo-rural verse that circulated in Ottoman Egypt. Risible Rhymes also examines various kinds of puzzle poems—another popular genre of the day—and presents a debate between scholars over a line of verse by the fourth/tenth-century poet al-Mutanabbī. Taken as a whole, Risible Rhymes offers intriguing insight into the critical concerns of mid-Ottoman Egypt, showcasing the intense preoccupation with wordplay, grammar, and stylistics that dominated discussions of poetry in al-Sanhūrī's day and shedding light on the literature of this understudied era. A bilingual Arabic-English edition.

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The life, birth, and early years of 'the Fariyaq'—the alter ego of the Arab intellectual Ahmad Faris al-Shidyaq Leg over Leg recounts the life, from birth to middle age, of “the Fariyaq,” alter ego of Ahmad Faris al-Shidyaq, a pivotal figure in the intellectual and literary history of the modern Arab world. The always edifying and often hilarious adventures of the Fariyaq, as he moves from his native Lebanon to Egypt, Malta, Tunis, England, and France, provide the author with grist for wide-ranging discussions of the intellectual and social issues of his time, including the ignorance and corruption of the Lebanese religious and secular establishments, freedom of conscience, women’s rights, sexual relationships between men and women, the manners and customs of Europeans and Middle Easterners, and the differences between contemporary European and Arabic literatures, all the while celebrating the genius and beauty of the classical Arabic language. Volumes Three and Four see the peripatetic Fariyaq fall in love and convert to Catholicism for twenty-four hours in order to marry. Although the narrative revolves around a series of debates over the nature of male-female relationships, opportunities also arise for disquisitions on the physical and moral significance of such diverse topics as the buttocks, the unreliability of virginity tests, and the human capacity for self-delusion. Lengthy stays in England and France allow for animadversions on the table manners and sexual aberrations of their citizens, but the discussion, whether it involve dance-halls, pleasure gardens, or poetry, almost always ends up returning to gender relations. Akin to Sterne and Rabelais in his satirical outlook and technical inventiveness, al-Shidyaq produced in Leg over Leg a work that is unique and unclassifiable. It was initially widely condemned for its attacks on authority, its religious skepticism, and its “obscenity,” and later editions were often abridged. This is the first complete English translation of this groundbreaking work.

Read more less

The life, birth, and early years of 'the Fariyaq'—the alter ego of the Arab intellectual Ahmad Faris al-Shidyaq Leg over Leg recounts the life, from birth to middle age, of ‘the Fariyaq,’ alter ego of Ahmad Faris al-Shidyaq, a pivotal figure in the intellectual and literary history of the modern Arab world. The always edifying and often hilarious adventures of the Fariyaq, as he moves from his native Lebanon to Egypt, Malta, Tunis, England and France, provide the author with grist for wide-ranging discussions of the intellectual and social issues of his time, including the ignorance and corruption of the Lebanese religious and secular establishments, freedom of conscience, women’s rights, sexual relationships between men and women, the manners and customs of Europeans and Middle Easterners, and the differences between contemporary European and Arabic literatures. Al-Shidyaq also celebrates the genius and beauty of the classical Arabic language. Akin to Sterne and Rabelais in his satirical outlook and technical inventiveness, al-Shidyaq produced in Leg over Leg a work that is unique and unclassifiable. It was initially widely condemned for its attacks on authority, its religious skepticism, and its “obscenity,” and later editions were often abridged. This is the first English translation of the work and reproduces the original Arabic text, published under the author’s supervision in 1855.

Read more less

The life, birth, and early years of 'the Fariyaq'—the alter ego of the Arab intellectual Ahmad Faris al-Shidyaq Leg over Leg recounts the life, from birth to middle age, of ‘the Fariyaq,’ alter ego of Ahmad Faris al-Shidyaq, a pivotal figure in the intellectual and literary history of the modern Arab world. The always edifying and often hilarious adventures of the Fariyaq, as he moves from his native Lebanon to Egypt, Malta, Tunis, England and France, provide the author with grist for wide-ranging discussions of the intellectual and social issues of his time, including the ignorance and corruption of the Lebanese religious and secular establishments, freedom of conscience, women’s rights, sexual relationships between men and women, the manners and customs of Europeans and Middle Easterners, and the differences between contemporary European and Arabic literatures. Al-Shidyaq also celebrates the genius and beauty of the classical Arabic language. Akin to Sterne and Rabelais in his satirical outlook and technical inventiveness, al-Shidyaq produced in Leg Over Leg a work that is unique and unclassifiable. It was initially widely condemned for its attacks on authority, its religious skepticism, and its “obscenity,” and later editions were often abridged. This is the first English translation of the work and reproduces the original Arabic text, published under the author’s supervision in 1855.

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CO-WINNER OF THE 2022 SAIF GHOBASH BANIPAL PRIZEThis gritty tale of two men’s ill-conceived quest for a better life via the deserts of the Middle East and the cities of Europe is pure storytellingTwo Bedouin men from Egypt’s Western Desert seek to escape poverty through different routes. One—the intellectual, terminally self-doubting, and avowedly autobiographical Hamdi—gets no further than southern Libya’s fly-blown oasis of Sabha, while his cousin—the dashing, irrepressible Phantom Raider—makes it to the fleshpots of Milan.The backdrop of this darkly comic and unsentimental story of illegal immigration is a brutal Europe and Muammar Gaddafi’s rickety, rhetoric-propped Great State of the Masses, where “the Leader” fantasizes of welding Libyan and Egyptian Bedouin into a new self-serving political force, the Saad-Shin.Compelling and visceral, with a seductive, muscular irony, The Men Who Swallowed the Sun is an unforgettable novel of two men and their fellow migrants and the extreme marginalization that drives them.

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Witty, bawdy, and vicious, Yūsuf al-Shirbīnī’s Brains Confounded pits the “coarse” rural masses against the “refined” urban population. In Volume One, al-Shirbīnī describes the three rural “types”—peasant cultivator, village man-of-religion, and rural dervish—offering anecdotes testifying to the ignorance, dirtiness, and criminality of each. In Volume Two, he presents a hilarious parody of the verse-and-commentary genre so beloved by scholars of his day, with a 47-line poem supposedly written by a peasant named Abū Shādūf, who charts the rise and fall of his fortunes. Wielding the scholarly tools of elite literature, al-Shirbīnī responds to the poem with derision and ridicule, dotting his satire with digressions into love, food, and flatulence. Volume Two of Brains Confounded is followed by Risible Rhymes, a concise text that includes a comic disquisition on “rural” verse, mocking the pretensions of uneducated poets from Egypt’s countryside. Risible Rhymes also examines various kinds of puzzle poems, which were another popular genre of the day, and presents a debate between scholars over a line of verse by the fourth/tenth-century poet al-Mutanabbī. Together, Brains Confounded and Risible Rhymes offer intriguing insight into the intellectual concerns of Ottoman Egypt, showcasing the intense preoccupation with wordplay, grammar, and stylistics and shedding light on the literature of the era. An English-only edition.

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A merchant’s account of his travels through an independent African state Muhammad ibn 'Umar al-Tunisi (d. 1274/1857) belonged to a family of Tunisian merchants trading with Egypt and what is now Sudan. Al-Tunisi was raised in Cairo and a graduate of al-Azhar. In 1803, at the age of fourteen, al-Tunisi set off for the Sultanate of Darfur, where his father had decamped ten years earlier. He followed the Forty Days Road, was reunited with his father, and eventually took over the management of the considerable estates granted to his father by the sultan of Darfur. In Darfur is al-Tunisi’s remarkable account of his ten-year sojourn in this independent state. In Volume One, al-Tunisi relates the history of his much-traveled family, his journey from Egypt to Darfur, and the reign of the noted sultan 'Abd al-Rahman al-Rashid. In Darfur combines literature, history, ethnography, linguistics, and travel adventure, and most unusually for its time, includes fifty-two illustrations, all drawn by the author. In Darfur is a rare example of an Arab description of Africa on the eve of Western colonization and vividly evokes a world in which travel was untrammeled by bureaucracy, borders were fluid, and startling coincidences appear almost mundane. A bilingual Arabic-English edition.

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The comprehensive collection of letters spanning the adult life of one of the world’s greatest storytellers, now revised and expanded to include more than 150 previously unseen letters, with revealing new insights into The Hobbit, The Lord of the Rings and The Silmarillion. J.R.R. Tolkien, creator of the languages and history of Middle-earth as recorded in The Hobbit, The Lord of the Rings and The Silmarillion, was one of the most prolific letter-writers of this century. Over the years he wrote a mass of letters – to his publishers, to members of his family, to friends, and to 'fans' of his books – which often reveal the inner workings of his mind, and which record the history of composition of his works and his reaction to subsequent events. A selection from Tolkien's correspondence, collected and edited by Tolkien's official biographer, Humphrey Carpenter, and assisted by Christopher Tolkien, was published in 1981. It presented, in Tolkien's own words, a highly detailed portrait of the man in his many aspects: storyteller, scholar, Catholic, parent, friend, and observer of the world around him. In this revised and expanded edition of The Letters of J.R.R. Tolkien, it has been possible to go back to the editors’ original typescripts and notes, restoring more than 150 letters that were excised purely to achieve what was then deemed a ‘publishable length’, and present the book as originally intended. Enthusiasts for his writings will find much that is new, for the letters not only include fresh information about Middle-earth, such as Tolkien’s own plot summary of the entirety of The Lord of the Rings and a vision for publishing his ‘Tales of the Three Ages’, but also many insights into the man and his world. In addition, this new selection will entertain anyone who appreciates the art of letter-writing, of which J.R.R. Tolkien was a master.

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Witty, bawdy, and vicious, Yūsuf al-Shirbīnī’s Brains Confounded pits the “coarse” rural masses against the “refined” urban population. In Volume One, al-Shirbīnī describes the three rural “types”—peasant cultivator, village man-of-religion, and rural dervish—offering anecdotes testifying to the ignorance, dirtiness, and criminality of each. In Volume Two, he presents a hilarious parody of the verse-and-commentary genre so beloved by scholars of his day, with a 47-line poem supposedly written by a peasant named Abū Shādūf, who charts the rise and fall of his fortunes. Wielding the scholarly tools of elite literature, al-Shirbīnī responds to the poem with derision and ridicule, dotting his satire with digressions into love, food, and flatulence. Volume Two of Brains Confounded is followed by Risible Rhymes, a concise text that includes a comic disquisition on “rural” verse, mocking the pretensions of uneducated poets from Egypt’s countryside. Risible Rhymes also examines various kinds of puzzle poems, which were another popular genre of the day, and presents a debate between scholars over a line of verse by the fourth/tenth-century poet al-Mutanabbī. Together, Brains Confounded and Risible Rhymes offer intriguing insight into the intellectual concerns of Ottoman Egypt, showcasing the intense preoccupation with wordplay, grammar, and stylistics and shedding light on the literature of the era. An English-only edition.

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Witty, bawdy, and vicious, Yūsuf al-Shirbīnī’s Brains Confounded pits the “coarse” rural masses against the “refined” urban population. In Volume One, al-Shirbīnī describes the three rural “types”—peasant cultivator, village man-of-religion, and rural dervish—offering anecdotes testifying to the ignorance, dirtiness, and criminality of each. In Volume Two, he presents a hilarious parody of the verse-and-commentary genre so beloved by scholars of his day, with a 47-line poem supposedly written by a peasant named Abū Shādūf, who charts the rise and fall of his fortunes. Wielding the scholarly tools of elite literature, al-Shirbīnī responds to the poem with derision and ridicule, dotting his satire with digressions into love, food, and flatulence. Volume Two of Brains Confounded is followed by Risible Rhymes, a concise text that includes a comic disquisition on “rural” verse, mocking the pretensions of uneducated poets from Egypt’s countryside. Risible Rhymes also examines various kinds of puzzle poems, which were another popular genre of the day, and presents a debate between scholars over a line of verse by the fourth/tenth-century poet al-Mutanabbī. Together, Brains Confounded and Risible Rhymes offer intriguing insight into the intellectual concerns of Ottoman Egypt, showcasing the intense preoccupation with wordplay, grammar, and stylistics and shedding light on the literature of the era. An English-only edition.

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Well before the innovation of maps, gazetteers served as the main geographic referencing system for hundreds of years. Consisting of a specialized index of place names, gazetteers traditionally linked descriptive elements with topographic features and coordinates. Placing Names is inspired by that tradition of discursive place-making and by contemporary approaches to digital data management that have revived the gazetteer and guided its development in recent decades. Adopted by researchers in the Digital Humanities and Spatial Sciences, gazetteers provide a way to model the kind of complex cultural, vernacular, and perspectival ideas of place that can be located in texts and expanded into an interconnected framework of naming history. This volume brings together leading and emergent scholars to examine the history of the gazetteer, its important role in geographic information science, and its use to further the reach and impact of spatial reasoning into the digital age.

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Witty, bawdy, and vicious, Yūsuf al-Shirbīnī’s Brains Confounded pits the “coarse” rural masses against the “refined” urban population. In Volume One, al-Shirbīnī describes the three rural “types”—peasant cultivator, village man-of-religion, and rural dervish—offering anecdotes testifying to the ignorance, dirtiness, and criminality of each. In Volume Two, he presents a hilarious parody of the verse-and-commentary genre so beloved by scholars of his day, with a 47-line poem supposedly written by a peasant named Abū Shādūf, who charts the rise and fall of his fortunes. Wielding the scholarly tools of elite literature, al-Shirbīnī responds to the poem with derision and ridicule, dotting his satire with digressions into love, food, and flatulence. Volume Two of Brains Confounded is followed by Risible Rhymes, a concise text that includes a comic disquisition on “rural” verse, mocking the pretensions of uneducated poets from Egypt’s countryside. Risible Rhymes also examines various kinds of puzzle poems, which were another popular genre of the day, and presents a debate between scholars over a line of verse by the fourth/tenth-century poet al-Mutanabbī. Together, Brains Confounded and Risible Rhymes offer intriguing insight into the intellectual concerns of Ottoman Egypt, showcasing the intense preoccupation with wordplay, grammar, and stylistics and shedding light on the literature of the era. An English-only edition.

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A merchant’s remarkable travel account of an African kingdom Muḥammad al-Tūnisī (d. 1274/1857) belonged to a family of Tunisian merchants trading with Egypt and what is now Sudan. Al-Tūnisī was raised in Cairo and a graduate of al-Azhar. In 1803, at the age of fourteen, al-Tūnisī set off for the Sultanate of Darfur, where his father had decamped ten years earlier. He followed the Forty Days Road, was reunited with his father, and eventually took over the management of the considerable estates granted to his father by the sultan of Darfur. In Darfur is al-Tūnisī’s remarkable account of his ten-year sojourn in this independent state, featuring descriptions of the geography of the region, the customs of Darfur’s petty kings, court life and the clothing of its rulers, marriage customs, eunuchs, illnesses, food, hunting, animals, currencies, plants, magic, divination, and dances. In Darfur combines literature, history, ethnography, linguistics, and travel adventure, and most unusually for its time, includes fifty-two illustrations, all drawn by the author. In Darfur is a rare example of an Arab description of an African society on the eve of Western colonization and vividly evokes a world in which travel was untrammeled by bureaucracy, borders were fluid, and startling coincidences appear almost mundane. An English-only edition.

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Uncovering the professional secrets of con artists and swindlers in the medieval Middle East The Book of Charlatans is a comprehensive guide to trickery and scams as practiced in the thirteenth century in the cities of the Middle East, especially in Syria and Egypt. The author, al-Jawbarī, was well versed in the practices he describes and may well have been a reformed charlatan himself. Divided into thirty chapters, his book reveals the secrets of everyone from “Those Who Claim to be Prophets” to “Those Who Claim to Have Leprosy” and “Those Who Dye Horses.” The material is informed in part by the author’s own experience with alchemy, astrology, and geomancy, and in part by his extensive research. The work is unique in its systematic, detailed, and inclusive approach to a subject that is by nature arcane and that has relevance not only for social history but also for the history of science. Covering everything from invisible writing to doctoring gemstones and quack medicine, The Book of Charlatans opens a fascinating window into a subculture of beggars’ guilds and professional con artists in the medieval Arab world. A bilingual Arabic-English edition.

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Uncovering the professional secrets of con artists and swindlers in the medieval Middle East The Book of Charlatans is a comprehensive guide to trickery and scams as practiced in the thirteenth century in the cities of the Middle East, especially in Syria and Egypt. Al-Jawbarī was well versed in the practices he describes and may have been a reformed charlatan himself. Divided into thirty chapters, the book reveals the secrets of everyone from “Those Who Claim to be Prophets” to “Those Who Claim to Have Leprosy” and “Those Who Dye Horses.” The material is informed in part by the author’s own experience with alchemy, astrology, and geomancy, and in part by his extensive research. The work is unique in its systematic, detailed, and inclusive approach to a subject that is by nature arcane and that has relevance not only for social history but also for the history of science. Covering everything from invisible writing to doctoring gemstones and quack medicine, The Book of Charlatans opens a fascinating window into a subculture of beggars’ guilds and professional con artists in the medieval Arab world. An English-only edition.

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A new edition of Humphrey Burton's celebrated biography of Leonard Bernstein, published to coincide with the centenary of his birth. With a new introduction by the author.'Humphrey Burton's biography remains the essential account of American music's dominant figure.' Alex RossComposer, pianist, author, television teacher, Harvard lecturer, cultural icon, humanist and conductor without peer, Leonard Bernstein's versatility was legendary. He captivated Broadway with such hits as On the Townand West Side Story and introduced middle America to classical music with his Young People's Concerts on television. He composed three symphonies and a full-length opera, and he inspired the world's leading orchestras to give some of the most memorable performances of the twentieth century.Humphrey Burton was given exclusive access to Bernstein's rich legacy of letters and papers, and the book draws on hundreds of interviews with family, friends and colleagues to reveal Bernstein's fascinating and complex personality. His compelling narrative captures Bernstein's high-spirited vitality on the page, providing a frank account of his homosexuality and his marriage and chronicling the lifelong conflict between the rival claims of Bernstein's conducting and composing careers.'Burton's style is spare and unobtrusive: the picture he paints is a vivid one. So much energy. So much intelligence . Burton also demonstrates that behind Leonard Bernstein's flamboyance (and the increasingly embarrassing public behaviour) there remained honesty of purpose and generosity of spirit. This biography is imbued with the same virtues. It is a book of exceptional quality.' The Times'Humphrey Burton has written a book worthy of a great man.' Daily Telegraph'This book brings Bernstein's exuberant vitality to the page, showing why he became one of the most celebrated musical figures of the [twentieth] century.' Gramophone'The richness of the tapestry makes all the names, dates and places a compelling read, since at every turn we are in the company of an exceedingly alive man.' O

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