Search results for ""Author Horace""

One of Walpole's longest and liveliest correspondences was the Lady Ossory (formerly Duchess of Grafton), providing her, in her country retirement, a dazzling narrative of London's social life from 1761 until Walpole's death in 1797. The letters are in his happiest vein; in them he "most consciously practised the art of letter-writing." Of the 450 letters, including some written by Walpole to her husband and daughter, 48 are here printed for the first time, one them being the only survivint letter written to him by Lady Ossory. Commenting on the series, the Times Literary Supplement has said, "The editing of the volumes is as fine as ever: the notes are as illuminating and erudite, the result of an almost incredible thoroughness of research.

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These two volumes of Horace Walpole's correspondence illustrate the breadth and variety of Walpole's friendships. The rakes, wits, and politicians of Volume 30 are the intimates of his younger days as an active member of the Young Club at White's and of Parliament, although correspondences with George Selwyn and Henry Fox continue until their deaths. Walpole's subjects in these letters are politics and gossip, occasionally dispensed with asperity and witty allusions to entertain Sir Charles Williams and Lord Lincoln. Volume 31 shows Walpole the attendant of wise and spirited dowagers and later, of pretty young women with good minds and literary tastes. Here he is soliciting the reminiscences of Lady Suffolk, comforting and entertaining Lady Hervey, squiring Lady Browne, teasing Lady Mary Coke and Hannah More, dispensing gaiety and gifts to all.Eighty-one of the letters from Walpole in these two volumes are printed for the first time and seven others first printed in full; the correspondences with Lord Lincoln, Selwyn, Hannah More, and Lady Browne are particularly rich in this new material. Seventy-seven other Walpole letters, although printed in supplements to the previous edition of Walpole letters, are integrated here for the first time with the main body of his correspondence, as are all of sixty-three letters to him. The appendices contain several of his biographical sketched and other writings as well as his will.

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The Yale Edition of Horace Walpole's Correspondence, encompasses as it does politics, society, literature, the arts, and antiquarianism, constitutes a conspectus of the life and thought of the eighteenth century. Indeed, the serious student of the time, whatever his field of interest, will find that Walpole and his correspondents have said something, perhaps a great deal, about it. The emphasis in this edition of Walpole correspondences is upon their value to scholars as the most informative record in letters of his time.

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The Satires of Horace (65-8 BC), written in the troubled decade ending with the establishment of Augustus' regime, provide an amusing treatment of men's perennial enslavement to money, power, glory and sex. Epistles I, addressed to the poet's friends, deals with the problem of achieving contentment amid the complexities of urban life, while Epistles II and the Ars Poetica discuss Latin poetry - its history and social functions, and the craft required for its success. Both works have had a powerful influence on later Western literature, inspiring poets from Ben Jonson and Alexander Pope to W. H. Auden and Robert Frost. The Satires of Persius (AD 34-62) are highly idiosyncratic, containing a courageous attack on the poetry and morals of his wealthy contemporaries - even the ruling emperor, Nero.

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“One day, I went to the slave market and watched em barter off po’ niggers lak tey was hogs,” said George Lycurgas, as recalled by his son, Edward. “Whole families sold together, and some was split—mother gone to one marster and father and children gone to others. They’d bring a slave out on the platform and open his mouth, pound his chest, make him harden his muscles so the buyer could see what he was gittin’.” The ex-slaves in No Man’s Yoke on My Shoulders speak of a Florida that no longer exists and can barely be imagined today. Now the fourth most populous state in the country, Florida has more than 100 times the people it did in 1860, just before the Civil War. And it was only 40 years removed from Spanish rule. In the 1930s, the Federal Writers’ Project dispatched interviewers to record the recollections of former slaves, many in their 80s or 90s. Only one percent of the 2,000-plus transcripts collected in the Library of Congress told the stories of people who had experienced bondage in Florida. That makes the narratives of former Florida slaves in this volume doubly precious. Readers will get a glimpse into the lives of these rare survivors as they told their stories at the height of the Great Depression, a time many found little better than the slave days. Horace Randall Williams describes himself as “among the last of Alabamians—black or white—who have memories of picking cotton by hand not for a few minutes to see how it felt but because I needed the few dollars I would get for a day’s hard labor under a hot sun.” He was the founder and for many years the director of the Southern Poverty Law Center’s Klanwatch Project. He also edited Weren’t No Good Times: Personal Accounts of Slavery in Alabama.

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In Demographic Vistas, David Marc shows how we can take television seriously within the humanist tradition while enjoying it on its own terms. To deal with the barrage of messages from television's chaotic history, Marc adapts tools of theatrical and literary criticism to focus on key personalities and genres in ways that reward serious students and casual viewers alike. This updated edition includes a new foreword by Horace Newcomb and a new introduction by the author that discusses the ways in which the nature of television criticism has changed since the book's original publication in 1984. A new final chapter explores the paradox of the diminishing importance of over-the-air broadcasting during the period of television's greatest expansion, which has been brought about by complex technologies such as cable, videocassette recorders, and online services.

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The ecumene in prose.Strabo (ca. 64 BC to ca. AD 25), an Asiatic Greek of Amasia in Pontus, studied at Nysa and after 44 BC at Rome. He became a keen traveler who saw a large part of Italy, various near eastern regions including the Black Sea, various parts of Asia Minor, Egypt as far as Ethiopia, and parts of Greece. He was a long time in Alexandria where he no doubt studied mathematics, astronomy, and history. Strabo’s historical work is lost, but his most important Geography in seventeen books has survived. After two introductory books, numbers 3 and 4 deal with Spain and Gaul, 5 and 6 with Italy and Sicily, 7 with north and east Europe, 8–10 with Greek lands, 11–14 with the main regions of Asia and with Asia Minor, 15 with India and Iran, 16 with Assyria, Babylonia, Syria, and Arabia, 17 with Egypt and Africa. In outline he follows the great mathematical geographer Eratosthenes, but adds general descriptions of separate countries including physical, political, and historical details. A sequel to his historical memoirs, Geography is planned apparently for public servants rather than students—hence the accounts of physical features and of natural products. On the mathematical side it is an invaluable source of information about Eratosthenes, Hipparchus, and Posidonius. The Loeb Classical Library edition of Strabo is in eight volumes.

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The works of Horace have exerted strong and continuing influence on writers from his day to our own. Sophisticated and intellectual, witty and frank, he speaks to the cultivated and civilized world of today with the same astringent candor and sprightliness that appeared so fresh at the height of Rome's wealth and glory. These two volumes offer splendid translations of the entirety of Horace's poetic work. In 23 B.C.E., when he published the first three books of his lyrics, Horace was 42 years old, secure in the favor of the emperor Augustus, and living in ease and comfort as a country gentleman on his Sabine farm. Serenity is reflected in these lyrics, certainly, but so are other experiences, for Horace had lived through three major political crises in a society that was the center of the world: sophisticated, refined - and beginning to decay. A worldly, high-spirited, cultivated man, Horace responds in his poetry to the myriad elements of Roman life he knew so well. The Odes and Epodes collects the entirety of Horace's lyric poetry, comprising all 103 odes, the Carmen Saeculare ("Festival Hymn"), and the earlier epodes. Joseph P. Clancy has achieved a mirroring of the originals that is worthy in its own right as English verse, and his introductions to each book of lyrics are both lively and informed.

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Horace's Odes enjoys a long tradition of translation into English, most famously in versions that seek to replicate the quantitative rhythms of the Latin verse in rhymed quatrains. Stanley Lombardo, one of our preeminent translators of classical literature, now gives us a Horace for our own day that focuses on the dynamics, sense, and tone of the Odes, while still respecting its architectonic qualities. In addition to notes on each of the odes, Anthony Corbeill offers an Introduction that sketches the poet's tumultuous political and literary careers, highlights the Odes' intricate construction and thematic breadth, and identifies some qualities of this work that shed light on a disputed question in its reception: Are these poems or lyrics? This dual-language edition will prove a boon to students of classical civilization, Roman literature, and lovers of one of the great masters of Latin verse.

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Horace's Odes enjoys a long tradition of translation into English, most famously in versions that seek to replicate the quantitative rhythms of the Latin verse in rhymed quatrains. Stanley Lombardo, one of our preeminent translators of classical literature, now gives us a Horace for our own day that focuses on the dynamics, sense, and tone of the Odes, while still respecting its architectonic qualities. In addition to notes on each of the odes, Anthony Corbeill offers an Introduction that sketches the poet's tumultuous political and literary careers, highlights the Odes' intricate construction and thematic breadth, and identifies some qualities of this work that shed light on a disputed question in its reception: Are these poems or lyrics? This dual-language edition will prove a boon to students of classical civilization, Roman literature, and lovers of one of the great masters of Latin verse.

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'What's the harm in using humour to put across what is true?' Gluttony, lust, and hypocrisy are just a few of the targets of Horace's Satires. Writing in the 30s BC, Horace exposes the vices and follies of his Roman contemporaries, while still finding time to reflect on how to write good satire and along the way revealing his own persona to be as flawed and bigoted as the people he attacks. Alongside famous episodes such as the fable of the town mouse and the country mouse, the explosive fart of Priapus, and the grotesque dinner party given by the nouveau-riche Nasidienus, these poems are stuffed full of comic vignettes, moral insights, and Horace's pervasive humanity. They influenced not only Persius and Juvenal but the long tradition of English satire, from Ben Jonson to W. H. Auden. These new prose translations by John Davie perfectly capture the ribald style of the original. In the Epistles, Horace uses the form of letters to his friends, acquaintances, foremen, and even the emperor to explore questions of philosophy and how to live a good life; and in 'The Art of Poetry' (the Ars poetica), he gives advice on poetic style that informed the work of writers and dramatists for centuries. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Micronutrients, which include vitamins and minerals, are an essential component of any healthy diet. Though the body only requires small amounts of micronutrients, they nonetheless play a critical role in health and disease. The first chapter of this book includes a review of the relationships between micronutrient levels and clinical outcomes in patients with chronic kidney disease and the effects of different types of renal replacement therapy on micronutrient levels. The second chapter focuses on the use of micronutrient phytochemicals for optimizing health in normal subjects to assure they have the best possible immune response to an adverse disease event. Finally, the third chapter summarizes the data on the possible benefits and harms of vitamin supplements and essential minerals in pediatric ICU patients.

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This Broadview edition pairs the first Gothic novel with the first Gothic drama, both by Horace Walpole.Published on Christmas Eve, 1764, on Walpole's private press at Strawberry Hill, his Gothicized country house, The Castle of Otranto became an instant and immediate classic of the Gothic genre as well as the prototype for Gothic fiction for the next two hundred years. Walpole's brooding and intense drama, The Mysterious Mother, focuses on the protagonist's angst over an act of incest with his mother, and includes the appearance of Father Benedict, Gothic literature's first evil monk.Appendices in this edition include selections from Walpole’s letters, contemporary responses, and writings illustrating the aesthetic and intellectual climate of the period. Also included is Sir Walter Scott’s introduction to the 1811 edition of The Castle of Otranto.

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Horace Silver is one of the last giants remaining from the incredible flowering and creative extension of bebop music that became known as 'hard bop' in the 1950s. This freewheeling autobiography of the great composer, pianist, and band leader takes us from his childhood in Norwalk, Connecticut, through his rise to fame as a musician in New York, to his comfortable life 'after the road' in California. During that time, Silver composed an impressive repertoire of tunes that have become standards and recorded a number of classic albums. Well-seasoned with anecdotes about the music, the musicians, and the milieu in which he worked and prospered, Silver's narrative - like his music - is earthy, vernacular, and intimate. His stories resonate with lessons learned from hearing and playing alongside such legends as Art Blakey, Charlie Parker, and Lester Young. His irrepressible sense of humor combined with his distinctive spirituality make his account both entertaining and inspiring. Most importantly, Silver's unique take on the music and the people who play it opens a window onto the creative process of jazz and the social and cultural worlds in which it flourishes. "Let's Get to the Nitty Gritty" also describes Silver's spiritual awakening in the late 1970s. This transformation found its expression in the electronic and vocal music of the three-part work called "The United States of Mind" and eventually led the musician to start his own record label, Silveto. Silver details the economic forces that eventually persuaded him to put Silveto to rest and to return to the studios of major jazz recording labels like Columbia, Impulse, and Verve, where he continued expanding his catalog of new compositions and recordings that are at least as impressive as his earlier work.

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First in the Classics in Education Series, this volume offers excerpts from Horace Mann’s famous annual reports with an eye to their relevance to today’s educational problems.

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Perhaps best known for editing the popular post–World War II magazines Galaxy Science Fiction and Beyond Fantasy Fiction, Horace L. Gold also wrote comic-book scripts for DC Comics and penned numerous pulp adventures and science-fiction stories. Perfect Murders, a collection of seven of these stories, captures the timeless emotions evoked by pulp and science fiction for the twenty-first century. Though the main character is always called Gilroy, his identity shifts from story to story: the horserace handicapper fighting for his dame, the private eye sussing out the murderer, or the hard-boiled journalist exposing the mad scientist. And though Gold uses the traditional genres—time travel, Armageddon, science gone awry, murder, extraterrestrials—Perfect Murders is nothing less than a horrific, page-turning, fictional thrill ride engineered by one of the leading science-fiction writers and editors of the mid-twentieth century. The Bison Books edition is introduced by Gold’s son, E. J. Gold, offering a new perspective on these classic stories.

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What the Roman poet Horace can teach us about how to live a life of contentment What are the secrets to a contented life? One of Rome’s greatest and most influential poets, Horace (65–8 BCE) has been cherished by readers for more than two thousand years not only for his wit, style, and reflections on Roman society, but also for his wisdom about how to live a good life—above all else, a life of contentment in a world of materialistic excess and personal pressures. In How to Be Content, Stephen Harrison, a leading authority on the poet, provides fresh, contemporary translations of poems from across Horace’s works that continue to offer important lessons about the good life, friendship, love, and death.Living during the reign of Rome’s first emperor, Horace drew on Greek and Roman philosophy, especially Stoicism and Epicureanism, to write poems that reflect on how to live a thoughtful and moderate life amid mindless overconsumption, how to achieve and maintain true love and friendship, and how to face disaster and death with patience and courage. From memorable counsel on the pointlessness of worrying about the future to valuable advice about living in the moment, these poems, by the man who famously advised us to carpe diem, or “harvest the day,” continue to provide brilliant meditations on perennial human problems.Featuring translations of, and commentary on, complete poems from Horace’s Odes, Satires, Epistles, and Epodes, accompanied by the original Latin, How to Be Content is both an ideal introduction to Horace and a compelling book of timeless wisdom.

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They have inspired poets and challenged translators through the centuries. The odes of Horace are the cornerstone of lyric poetry in the Western world. Their subtlety of tone and brilliance of technique have often proved elusive, especially when--as has usually been the case--a single translator ventures to maneuver through Horace's infinite variety. Now for the first time, leading poets from America, England, and Ireland have collaborated to bring all 103 odes into English in a series of new translations that dazzle as poems while also illuminating the imagination of one of literary history's towering figures. The thirty-five contemporary poets assembled in this outstanding volume include nine winners of the Pulitzer prize for poetry as well as four former Poet Laureates. Their translations, while faithful to the Latin, elegantly dramatize how the poets, each in his or her own way, have engaged Horace in a spirited encounter across time. Each of the odes now has a distinct voice, and Horace's poetic achievement has at last been revealed in all its mercurial majesty. In his introduction, J. D. McClatchy, the volume's editor and one of the translators, reflects on the meaning of Horace through the ages and relates how a poet who began as a cynical satirist went on to write the odes. For the connoisseur, the original texts appear on facing pages allowing Horace's ingenuity to be fully appreciated. For the general reader, these new translations--all of them commissioned for this book--will be an exhilarating tour of the best poets writing today and of the work of Horace, long obscured and now freshly minted. The contributors are Robert Bly, Eavan Boland, Robert Creeley, Dick Davis, Mark Doty, Alice Fulton, Debora Greger, Linda Gregerson, Rachel Hadas, Donald Hall, Robert Hass, Anthony Hecht, Daryl Hine, John Hollander, Richard Howard, John Kinsella, Carolyn Kizer, James Lasdun, J. D. McClatchy, Heather McHugh, W. S. Mervin, Paul Muldoon, Carl Phillips, Robert Pinsky, Marie Ponsot, Charles Simic, Mark Strand, Charles Tomlinson, Ellen Bryantr Voigt, David Wagoner, Rosanna Warren, Richard Wilbur, C. K. Williams, Charles Wright, and Stephen Yenser.

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The ecumene in prose.Strabo (ca. 64 BC to ca. AD 25), an Asiatic Greek of Amasia in Pontus, studied at Nysa and after 44 BC at Rome. He became a keen traveler who saw a large part of Italy, various near eastern regions including the Black Sea, various parts of Asia Minor, Egypt as far as Ethiopia, and parts of Greece. He was a long time in Alexandria where he no doubt studied mathematics, astronomy, and history. Strabo’s historical work is lost, but his most important Geography in seventeen books has survived. After two introductory books, numbers 3 and 4 deal with Spain and Gaul, 5 and 6 with Italy and Sicily, 7 with north and east Europe, 8–10 with Greek lands, 11–14 with the main regions of Asia and with Asia Minor, 15 with India and Iran, 16 with Assyria, Babylonia, Syria, and Arabia, 17 with Egypt and Africa. In outline he follows the great mathematical geographer Eratosthenes, but adds general descriptions of separate countries including physical, political, and historical details. A sequel to his historical memoirs, Geography is planned apparently for public servants rather than students—hence the accounts of physical features and of natural products. On the mathematical side it is an invaluable source of information about Eratosthenes, Hipparchus, and Posidonius. The Loeb Classical Library edition of Strabo is in eight volumes.

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The ecumene in prose.Strabo (ca. 64 BC to ca. AD 25), an Asiatic Greek of Amasia in Pontus, studied at Nysa and after 44 BC at Rome. He became a keen traveler who saw a large part of Italy, various near eastern regions including the Black Sea, various parts of Asia Minor, Egypt as far as Ethiopia, and parts of Greece. He was a long time in Alexandria where he no doubt studied mathematics, astronomy, and history. Strabo’s historical work is lost, but his most important Geography in seventeen books has survived. After two introductory books, numbers 3 and 4 deal with Spain and Gaul, 5 and 6 with Italy and Sicily, 7 with north and east Europe, 8–10 with Greek lands, 11–14 with the main regions of Asia and with Asia Minor, 15 with India and Iran, 16 with Assyria, Babylonia, Syria, and Arabia, 17 with Egypt and Africa. In outline he follows the great mathematical geographer Eratosthenes, but adds general descriptions of separate countries including physical, political, and historical details. A sequel to his historical memoirs, Geography is planned apparently for public servants rather than students—hence the accounts of physical features and of natural products. On the mathematical side it is an invaluable source of information about Eratosthenes, Hipparchus, and Posidonius. The Loeb Classical Library edition of Strabo is in eight volumes.

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The publication of this four-volume edition of Horace Walpole’s Memoirs of the Reign of King George III completes the monumental Yale Walpole Edition that also includes 48 volumes of correspondence and three volumes of Memoirs of King George II.Walpole’s aim in Memoirs of the Reign of King George III was not to chronicle events year by year (October 1760 – February 1772), as he had done in Memoirs of King George II, but to defend what he called his "return to action" and to attack those who had thwarted it. Yet previous editors, first Sir Denis le Marchant in 1845 and then G. F. Russell Barker in 1894, abridged or altered much of what Walpole said about his friends and his enemies, and left out most of his lies and fantasies about the British Royal Family. These editors produced a narrative that seemed impersonal as well as impartial, the work of a detached spectator rather than a committed participant. The present edition is the first to go back to the manuscripts and give Walpole’s text in its entirety, unabridged and unexpurgated, together with an introduction and annotation designed to help reassess the value of the memoirs as historical evidence.

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