Search results for ""Author Henry David Thoreau""

From 1837 to 1861, Thoreau kept a Journal that began as a conventional record of ideas, grew into a writer's notebook, and eventually became the principal imaginative work of his career. The source of much of his published writing, the Journal is also a record of both his interior life and his monumental studies of the natural history of his native Concord, Massachusetts. In contrast to earlier editions, the Princeton Edition reproduces the Journal in its original and complete form, in a reading text that is free of editorial interpolations but keyed to a comprehensive scholarly apparatus. Journal 6 comprises a single manuscript notebook of nearly five hundred pages that Thoreau filled between March 9 and August 18, 1853. During this period, Thoreau divided his energies among his increasingly professional studies as a naturalist in Concord, the revision of his Walden manuscript, and surveying, which provided him a living and established him more securely as a contributing member of the Concord community. Thoreau's writing and his understanding of natural history were enriched by surveying, which gave him the opportunity to regularly observe seasonal occurrences and other natural events in and around Concord. Thoreau recorded these observations in his Journal, making both literary and scientific use of them. Substantial passages from Journal 6 were incorporated into the sixth draft of Walden, and its observations formed the basis for later compilations of field ecology. They are made available here, along with Journal entries, completely unrevised. This volume will delight all custodians of literary and natural history and be an essential addition to the libraries of all Thoreau devotees.

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As a unique feature, the Third Edition includes generous excerpts from Thoreau's journal, reprinted by special arrangements with Princeton University Press from the definitive edition of his writings. Spanning the years 1845-54, these selections vividly display Thoreau's intensive exploration of his local landscape; the fusion of literary and natural history field work that informs Walden, "Walking," and "Wild Apples"; and the growth of his environmental imagination. “Reviews and Posthumous Assessments” for this edition collects eight new reviews of Thoreau's antislavery and late environmental essays as well as of Walden. To the influential portraits of Thoreau by Ralph Waldo Emerson and James Russell Lowell, the Third Edition adds John Burroughs's "Another Word on Thoreau," his response to them and to his great predecessor. ”Recent Criticism” includes eighteen selections of the best historical, political, philosophical, poststructuralist, and environmental criticism of Thoreau's writing since the mid-twentieth century. To classic pieces by E. B. White, Leo Marx, Barbara Johnson, and Stanley Cavell, the Third Edition adds essays by nine new contributors, among them Laurence Buell, Laura Dassow Walls, Evan Carton, Robert A. Gross, Albert J. von Frank, Steven Fink, and William Rossi. A Chronology of Thoreau's life and work, new to the Third Edition, and an expanded and updated Selected Bibliography are also included.

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This illustrated edition of Walden features 66 photographs by Herbert W. Gleason, one of the great American landscape photographers of the nineteenth and early twentieth century. Gleason, who had a special love for what he called "the simple beauty of New England," became interested in Thoreau's work when commissioned in 1906 by the Houghton Mifflin Company to illustrate their edition of The Writings of Henry David Thoreau. With the help of the few surviving people who had known Thoreau, Gleason searched out the exact places Thoreau had described--all of them still looking much as they had when Thoreau knew them--and photographed them. Gleason became so interested in the project that he continued to photograph Thoreau country for more than forty years. Most of the photographs reproduced here were chosen by Gleason himself for an edition of Walden he planned but never published. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The Maine Woods is a characteristically Thoreauvian book: a personal account of exploration, of exterior and interior discovery in a natural setting, conveyed in taut, workmanlike prose. Thoreau's evocative renderings of the life of the primitive forest--its mountains, waterways, fauna, flora, and inhabitants--are valuable in themselves. But his impassioned protest against despoilment in the name of commerce and sport, which even by the 1850s threatened to deprive Americans of the "tonic of wildness," makes The Maine Woods an especially vital book for our time. This edition presents Thoreau's fullest account of the wilderness as he intended it.

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One of the most influential and compelling books in American literature, Walden is a vivid account of the years that Henry D. Thoreau spent alone in a secluded cabin at Walden Pond. This edition--introduced by noted American writer John Updike--celebrates the perennial importance of a classic work, originally published in 1854. Much of Walden's material is derived from Thoreau's journals and contains such engaging pieces from the lively "Where I Lived, and What I Lived For" and "Brute Neighbors" to the serene "Reading" and "The Pond in the Winter." Other famous sections involve Thoreau's visits with a Canadian woodcutter and with an Irish family, a trip to Concord, and a description of his bean field. This is the complete and authoritative text of Walden--as close to Thoreau's original intention as all available evidence allows. This is the authoritative text of Walden and the ideal presentation of Thoreau's great document of social criticism and dissent.

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From 1837 to 1861, Henry D. Thoreau kept a Journal that would become the principal imaginative work of his career. The source of much of his published writing, the Journal is also a record of his interior life and of his monumental studies of the natural history of his native Concord, Massachusetts. Unlike earlier editions, the Princeton edition reproduces Thoreau's Journal in its original and complete form, in a text free of editorial interpolations and keyed to a comprehensive scholarly apparatus. This seventh volume of the Journal is edited from the 454-page manuscript that Thoreau kept from August 19, 1853, through February 12, 1854. During the six months covered here, Thoreau continued to add to his store of observations about local animals, plants, and weather. Most of the Journal is dedicated to describing natural phenomena, such as changes in leaf color and the ripening of berries, in the context of seasonal cycles. His observations create a detailed portrait of Concord and the surrounding areas that will be of interest to ecologists and others who study phenological patterns and variations. In addition, Thoreau integrates these observations with ethical reflections about living in harmony with nature, following the model of the Roman agricultural writers. The volume also includes Thoreau's account of a September 1853 trip to the Maine woods that appeared in 1858 as "Chesuncook"; the draft is published here for the first time.

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This collection of fifty-three early pieces by Thoreau represents the full range of his youthful imagination. Collected, arranged, and carefully edited for the first time here, the writings date from 1828 to 1852 and cover a broad range of subjects: learning, morals, literature, history, politics, and love. Included is a major essay on Sir Walter Raleigh that was not published during the author's lifetime and a fragmentary college piece here published for the first time. Titles of essays published in the volume are given below. Early Essays * The Seasons * Anxieties and Delights of a Discoverer * Men Whose Pursuit Is Money * Of Keeping a Private Journal *"We Are Apt to Become What Others ...Think Us to Be" * Forms, Ceremonies, and Restraints of Polite Society * A Man of Business, a Man of Pleasure, a Man of the World * Musings * Kinds of Energetic Character * Privileges and Pleasures of a Literary Man * Severe and Mild Punishments * Popular Feeling * Style May ...Offend against Simplicity * The Book of the Seasons * Sir Henry Vane * Literary Digressions * Foreign Influence on American Literature * Life and Works of Sir W. Scott * The Love of Stories * Cultivation of the Imagination * The Greek Classic Poets * The Meaning of "Fate" * Whether the Government Ought to Educate * Travellers & Inhabitants * History ...of the Roman Republic * A Writer's Nationality and Individual Genius * L'Allegro & Il Penseroso * All Men Are Mad * The Speeches of Moloch & the Rest * People of Different Sections * Gaining or Exercising Public Influence * Titles of Books * Sublimity * The General Obligation to Tell the Truth *"Being Content with Common Reasons" * The Duty, Inconvenience and Dangers of Conformity * Moral Excellence * Barbarities of Civilized States * T. Pomponius Atticus * Class Book Autobiography *"The Commercial Spirit of Modern Times" Miscellanies * * DIED ...Miss Anna Jones * Aulus Persius Flaccus * The Laws of Menu * Sayings of Confucius * Dark Ages * Chinese Four Books * Homer. Ossian. Chaucer. * Hermes Trismegistus ...From the Gulistan of Saadi * Sir Walter Raleigh * Thomas Carlyle and His Works * Love * Chastity & Sensuality

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Excursions presents texts of nine essays, including some of Henry D. Thoreau's most engaging and popular works, newly edited and based on the most authoritative versions of each. These essays represent Thoreau in many stages of his writing career, ranging from 1842--when he accepted Emerson's commission to review four volumes of botanical and zoological catalogues in an essay that was published in The Dial as "Natural History of Massachusetts"--to 1862, when he prepared "Wild Apples," a lecture he had delivered during the Concord Lyceum's 1859-1860 season, for publication in the Atlantic Monthly after his death. Three other early meditations on natural history and human nature, "A Winter Walk," "A Walk to Wachusett," and "The Landlord," were originally published in 1842 and 1843. Lively, light pieces, they reveal Thoreau's early use of themes and approaches that recur throughout his work. "A Yankee in Canada," a book-length account of an 1850 trip to Quebec that was published in part in 1853, is a fitting companion to Cape Cod and The Maine Woods, Thoreau's other long accounts of explorations of internal as well as external geography. In the last four essays, "The Succession of Forest Trees" (1860), "Autumnal Tints" (1862), "Walking" (1862), and "Wild Apples" (1862), Thoreau describes natural and philosophical phenomena with a breadth of view and generosity of tone that are characteristic of his mature writing. In their skillful use of precisely observed details to arrive at universal conclusions, these late essays exemplify Transcendental natural history at its best.

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The Maine Woods, Thoreau’s best-known book after Walden, is now available for the first time in a lavishly produced, fully annotated gift-book edition “On the 31st of August, 1846, I left Concord in Massachusetts for Bangor and the backwoods of Maine”—thus begins The Maine Woods, the evocative story of Thoreau’s journeys through a familiar yet untouched land.As he explores Mt. Katahdin (an Indian word meaning “highest land”), Lake Chesuncook, the Allagash River, and the East Branch of the Penobscot, Thoreau muses on his own vulnerability and the humility engendered by his solitude in the wilderness. Throughout Thoreau invokes the forest of Maine—the mountains, waterways, fauna, flora, and the people—in his singular style. Echoing Walden, Thoreau’s passionate outcry against the degradation of the environment in The Maine Woods will resonate strongly today.This fully annotated gift edition of The Maine Woods makes a wonderful companion volume to Walden: A Fully Annotated Edition and I to Myself: An Annotated Selection from the Journal of Henry D. Thoreau.

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Part of the Norton Library series The Norton Library edition of Walden and Other Writings features the complete text of the 1906 edition of Walden and a selection of Thoreau’s most famous antislavery writings: “Civil Disobedience,” “Slavery in Massachusetts,” and “A Plea for Captain John Brown.” An introduction by Jedediah Britton-Purdy offers historical and biographical context for Thoreau’s writings and prepares readers to engage with his spiritual and activist reflections on a modern life freely lived. The Norton Library is a growing collection of high-quality texts and translations—influential works of literature and philosophy—introduced and edited by leading scholars. Norton Library editions prepare readers for their first encounter with the works that they’ll re-read over a lifetime. Inviting introductions highlight the work’s significance and influence, providing the historical and literary context students need to dive in with confidence. Endnotes and an easy-to-read design deliver an uninterrupted reading experience, encouraging students to read the text first and refer to endnotes for more information as needed. An affordable price (most $10 or less) encourages students to buy the book and to come to class with the assigned edition. About the Editor: Jedediah Britton-Purdy is the Beinecke Professor at Columbia Law School and a scholar of environmental and constitutional law. His books on environmental themes include After Nature and This Land Is Our Land. He has also written about Henry David Thoreau in venues including The Atlantic, The Nation, and n+1.

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This is the second volume in the first full-scale scholarly edition of Thoreau’s correspondence in more than half a century. When completed, the edition’s three volumes will include every extant letter written or received by Thoreau—in all, almost 650 letters, roughly 150 more than in any previous edition, including dozens that have never before been published.Correspondence 2 contains 246 letters, 124 written by Thoreau and 122 written to him. Sixty-three are collected here for the first time; of these, forty-three have never before been published. During the period covered by this volume, Thoreau wrote the works that form the foundation of his modern reputation. A number of letters reveal the circumstances surrounding the publication of A Week on the Concord and Merrimack Rivers in May 1849 and Walden in August 1854, as well as the essays “Resistance to Civil Government” (1849; now known as “Civil Disobedience”) and “Slavery in Massachusetts” (1854), and two series, “An Excursion to Canada” (1853) and “Cape Cod” (1855). Writing and lecturing brought Thoreau a small group of devoted fans, most notably Daniel Ricketson, an independently wealthy Quaker and abolitionist who became a faithful correspondent. The most significant body of letters in the volume are those Thoreau wrote to Harrison Gray Otis Blake, a friend and disciple who elicited intense and complex discussions of the philosophical, ethical, and moral issues Thoreau explored throughout his life.Following every letter, annotations identify correspondents, individuals mentioned, and books quoted, and describe events to which the letters refer. A historical introduction characterizes the letters and connects them with the events of Thoreau’s life, a textual introduction lays out the editorial principles and procedures followed, and a general introduction discusses the history of the publication of Thoreau’s correspondence. Proper names, publications, events, and ideas found in both the letters and the annotations are included in the index, which provides full access to the contents of the volume.

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Henry David Thoreau reflects on life, politics, and society in these two inspiring masterworks: Walden and Civil Disobedience. In 1845, Thoreau moved to a cabin that he built with his own hands along the shores of Walden Pond in Massachusetts. Shedding the trivial ties that he felt bound much of humanity, Thoreau reaped from the land both physically and mentally, and pursued truth in the quiet of nature. In Walden, he explains how separating oneself from the world of men can truly awaken the sleeping self. Thoreau holds fast to the notion that you have not truly existed until you adopt such a lifestyle—and only then can you reenter society, as an enlightened being. These simple but profound musings—as well as “Civil Disobedience,” his protest against the government’s interference with civil liberty—have inspired many to embrace his philosophy of individualism and love of nature. More than a century and a half later, his message is more timely than ever. With an Introduction by W.S. Merwin and an Afterword by Will Howarth

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From 1837 to 1861 Thoreau kept a Journal that began as a conventional record of ideas, grew into a writer's notebook, and eventually became the principal imaginative work of his career. The source of much of his published writing, the Journal is also a record of both his interior life and his monumental studies of the natural history of his native Concord, Massachusetts. In contrast to earlier editions, the Princeton Edition reproduces the Journal in its original and complete form, in a reading text that is free of editorial interpolations but keyed to a comprehensive scholarly apparatus. Despite activities as time-consuming and varied as urveying for the town of Concord and helping a fugitive slave escape to Canada, Thoreau wrote nearly eight hundred manuscript pages in his Journal during the eight months covered by this volume. Confirmed in his vocation as a natural historian, he began to compile the richly detailed records of Concord's woods, fields, and streams that would occupy him for the rest of his life, and he consciously shaped the Journal to reflect his new aims as a writer. He also began major revisions of his Walden that would lead to its publication in 1854.

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In the late summer of 1839 Thoreau and his elder brother John made a two-week boat-and-hiking trip from Concord, Massachusetts, to the White Mountains of New Hampshire. After John's sudden death in 1842, Henry began to prepare a memorial account of their excursion. At Walden Pond he wrote two drafts of this story, which he continued to revise and expand until 1849, when he arranged for its publication at his own expense. The contemporary audience for A Week was troubled by its heterodoxy and apparent formlessness; but modern readers have come to see it as an appropriate predecessor to Walden, with Thoreau's story of a river journey actually depicting the early years of his spiritual and artistic growth.

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