Search results for ""Author Gareth Williams""

Jack doesn't like school very much, but he does love creating his own comic books. He wishes he could do more drawing at school, but instead he's stuck in lessons next to Isaac. He is always butting in, even when Jack knows the answer to something. Can Jack find the courage to speak up and start making friends at school? Maybe his comic books hold the answer.... The Caravan Diaries: Jack's Diary is part of the Reading Planet Cosmos range of books from Hodder Education. Cosmos provides a vibrant collection of fiction and non-fiction books that will widen children's reading horizons. Reading Planet books have been carefully levelled to support children in becoming fluent and confident readers. Each book features useful notes and questions to support reading at home and develop comprehension skills. Reading age: 7-8 years

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In the two centuries before the Norman invasion of England, Anglo-Saxon and Viking forces clashed repeatedly in bloody battles across the country. Repeated Viking victories in the 9th century led to their settlement in the north of the country, but the tide of war ebbed and flowed until the final Anglo-Saxon victory before the Norman Conquest. Using stunning artwork, this book examines in detail three battles between the two deadly foes: Ashdown in 871 which involved the future Alfred the Great; Maldon in 991 where an Anglo-Saxon army sought to counter a renewed Viking threat; and Stamford Bridge in 1066, in which King Harold Godwinesson abandoned his preparations to repel the expected Norman invasion in order to fight off Harald Hard-Counsel of Norway. Drawing upon historical accounts from both English and Scandinavian sources and from archaeological evidence, Gareth Williams presents a detailed comparison of the weaponry, tactics, strategies and underlying military organization of the Anglo-Saxons and Vikings, and considers the developments which took place on both sides in the two centuries of Viking incursions into Anglo-Saxon England.

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For nearly three hundred years, the Vikings set out on voyages from Scandinavia reaching every corner of the northern world. As raiders, traders, explorers and colonizers, they had a profound impact on those cultures with which they came into contact. The archaeological evidence of their settlements, burials and hoards, as well as the literature of their later sagas reveal a complex and fascinating culture.The Vikings represent a dramatic time in the history of northern Europe and their legacy forms an important part of the cultural heritage of Britain and Ireland. This book explores Viking raids, conquest and settlement across these islands from the end of the eighth century to the raids of Magnus Barelegs, king of Norway, around 1100, examining their impact, their towns and society, language, trading activities and beliefs.Written by three authors specializing in a range of disciplines, and drawing on the superb collection of the British Museum, together with finds, sites and monuments, The Vikings in Britain and Ireland is a well-illustrated introduction to the culture, daily life and times of the Vikings, and their legacy which is still visible today.

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In the ninth and tenth centuries the Vikings created a cultural network that spanned four continents: from the Caspian Sea to the North Atlantic and from the Arctic Circle to the Mediterranean. The Viking Age was a period of major change as a result of the Vikings’ impact on neighboring areas and the introduction of external influences into Scandinavia. This book explores Viking culture from a global perspective, examining the influences of their varied contacts from around the world and how Viking Scandinavia drew from both Christian Europe and the Islamic world. The book focuses on the core period of the Viking Age, from the late eighth to the early eleventh centuries. New discoveries by archaeologists and metal detectorists highlight the interconnected nature of the cultures of Europe, Byzantium, and the Middle East. Vikings accompanies a major exhibition developed jointly by the British Museum, the National Museum of Denmark, and the Museum for Prehistory and Early History in Berlin. Edited by the exhibition curators Gareth Williams, Peter Pentz, and Matthias Wemhoff and with contributions from a number of key experts, the book, with its strong, flowing narrative and integrated illustrations, draws on a wealth of Viking objects to provide a rich and vivid account of the impact of Viking expansion throughout the world.

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Saying goodbye is never easy, but for every nanny and child it is part of their journey together. "My Nanny and Me" encourages children to feel positive about the next chapter in their story, whilst also acknowledging the range of emotions they may be feeling. By the end of this book, each child will have a better understanding of what's to come and how they feel about it. "My Nanny and Me" is more than just a story, it is a record of the memories made together. This book includes: drawing pages, scrapbook pages, and tips for nannies and parents.

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In this book Roberto Esposito explores the conceptual trajectories of two of the twentieth century’s most vital thinkers of the political: Hannah Arendt and Simone Weil. Taking Homer’s Iliad—that “great prism through which every gesture has the possibility of becoming public, precisely by being observed by others”— as the common origin and point of departure for our understanding of Western philosophical and political traditions, Esposito examines the foundational relation between war and the political. Drawing actively and extensively on Arendt’s and Weil’s voluminous writings, but also sparring with thinkers from Marx to Heidegger, The Origin of the Political traverses the relation between polemos and polis, between Greece, Rome, God, force, technicity, evil, and the extension of the Christian imperial tradition, while at the same time delineating the conceptual and hermeneutic ground for the development of Esposito’s notion and practice of “the impolitical.” In Esposito’s account Arendt and Weil emerge “in the inverse of the other’s thought, in the shadow of the other’s light,” to “think what the thought of the other excludes not as something that is foreign, but rather as something that appears unthinkable and, for that very reason, remains to be thought.” Moving slowly toward their conceptualizations of love and heroism, Esposito unravels the West’s illusory metaphysical dream of peace, obliging us to reevaluate ceaselessly what it means to be responsible in the wake of past and contemporary forms of war.

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In this book Roberto Esposito explores the conceptual trajectories of two of the twentieth century’s most vital thinkers of the political: Hannah Arendt and Simone Weil. Taking Homer’s Iliad—that “great prism through which every gesture has the possibility of becoming public, precisely by being observed by others”— as the common origin and point of departure for our understanding of Western philosophical and political traditions, Esposito examines the foundational relation between war and the political. Drawing actively and extensively on Arendt’s and Weil’s voluminous writings, but also sparring with thinkers from Marx to Heidegger, The Origin of the Political traverses the relation between polemos and polis, between Greece, Rome, God, force, technicity, evil, and the extension of the Christian imperial tradition, while at the same time delineating the conceptual and hermeneutic ground for the development of Esposito’s notion and practice of “the impolitical.” In Esposito’s account Arendt and Weil emerge “in the inverse of the other’s thought, in the shadow of the other’s light,” to “think what the thought of the other excludes not as something that is foreign, but rather as something that appears unthinkable and, for that very reason, remains to be thought.” Moving slowly toward their conceptualizations of love and heroism, Esposito unravels the West’s illusory metaphysical dream of peace, obliging us to reevaluate ceaselessly what it means to be responsible in the wake of past and contemporary forms of war.

Read more less