Search results for ""Author Frank Wynne""

'A beautiful book about the best minds of a generation and the devastation of war - an outrageous voyage from the past that speaks eloquently to our present' Deborah Levy March 1941. A converted cargo ship, the Paul-Lemerle, left Marseille on a voyage to the Caribbean, fleeing Vichy France and the devastation of the war. The ship was filled with immigrants from the East, exiled Spanish Republicans, Jews, stateless persons and decadent artists. Among them were Claude Lévi-Strauss, the painter Wifredo Lam, the writers Anna Seghers and André Breton, and the Russian revolutionary Victor Serge. Can we know the taste of pineapple from listening to travellers' tales? asks Bosc in the follow-up to his bestselling debut. Can we ever feel the sensation of history? Mixing the documentary techniques of history, the imaginative leaps of fiction and the cool analysis of the essay, Bosc takes us from Marseille to Casablanca to Martinique and on to New York, to tell an evocative story of migration, cultural crisis and the intellectual cost of the rise of fascism.

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Winner of the Prix Renaudot 2019 A New York Times Best Book of 2021 ‘Extraordinarily beautiful… a long last loving glance at the planet.’ Carl Safina, author of Becoming Wild The Art of Patience sees the renowned French adventurer and writer set off for the high plateaux of remotest Tibet in search of the elusive snow leopard. There, in the company of leading wildlife photographer Vincent Munier and two companions, at 5,000 metres and in temperatures of -25ºC, the team set up their hides on exposed mountainsides, and occasionally in the luxury of an icy cave, to await a visitation from the almost mythical beast. This tightly focused and tautly written narrative is simultaneously a dazzling account of an exacting journey, an apprenticeship in the art of patience, an acceptance of the ruthlessness of the natural world and, finally, a plea for ecological sanity. A small masterpiece, it is one of those books that demands to be read again and again.

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1991. A young man is mesmerised by the rolling coverage of Desert Storm. Forging sick notes to avoid work and feigning reasons to avoid his girlfriend, he gradually destroys his whole life. Then he meets Victorien Salagnon, an elderly artist and a veteran of countless wars. Together, they strike a bargain: Salagnon will teach the young man to paint and, in return, he wants his memoirs written down, a ranging, bloody life story of being a teenage résistant in Nazi-occupied France; of hunting rebels in Indochina and engaging in torture in Algeria; of the deaths that were as numberless as they were senseless; of the killing fields on which the modern world is built.

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To research his thesis on contemporary agrarian life, anthropology student David Mazon moves from Paris to La Pierre-Saint-Christophe, a village in the marshlands of western France. Determined to understand the essence of the local culture, the intrepid young scholar scurries around restlessly on his moped to interview residents. But what David doesn’t yet know is that here, in this seemingly ordinary place, once the stage for wars and revolutions, Death leads a dance: when one thing perishes, the Wheel of Life recycles its soul and hurls it back into the world as microbe, human, or wild animal, sometimes in the past, sometimes in the future. And once a year, Death and the living observe a temporary truce during a gargantuan three-day feast where gravediggers gorge themselves on food, drink, and language. Brimming with Mathias Énard’s characteristic wit and encyclopedic brilliance, The Annual Banquet of the Gravediggers’ Guild is a riotous novel where the edges between past and present are constantly dissolving against a Rabelaisian backdrop of excess.

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To research his thesis on contemporary agrarian life, anthropology student David Mazon moves from Paris to La Pierre-Saint-Christophe, a village in the marshlands of western France. Determined to capture the essence of rurality, the intrepid scholar shuttles around on his moped to interview local residents. Unbeknownst to David, in these nondescript lands, once theatres of wars and revolutions, Death leads the dance. When an existence ends, the Wheel of Life recycles its soul and hurls it back into the world as microbe, human or wild animal, sometimes in the past, sometimes in the future. Only once a year do Death and the living observe a temporary truce, during a gargantuan three-day feast where gravediggers gorge themselves on food, libations and language. Brimming with Mathias Enard’s characteristic wit and encyclopaedic brilliance, The Annual Banquet of the Gravediggers’ Guild is a riotous novel where the edges between past and present are constantly dissolving against a Rabelaisian backdrop of excess – and a paradoxically macabre paean to life’s richness.

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Now a major French film Au revoir là-haut - Prix Goncourt-winning masterpiece by the writer who brought you Alex, Irène and Camille."One of the most pleasurable reading experiences of recent years" - David Mills, The Sunday TimesOctober 1918: the war on the Western Front is all but over. Desperate for one last chance of promotion, the ambitious Lieutenant Henri d'Aulnay Pradelle sends two scouts over the top, and secretly shoots them in the back to incite his men to heroic action once more.And so is set in motion a series of devastating events that will inextricably bind together the fates and fortunes of Pradelle and the two soldiers who witness his crime: Albert Maillard and Édouard Péricourt.Back in civilian life, Albert and Édouard struggle to adjust to a society whose reverence for its dead cannot quite match its resentment for those who survived. But the two soldiers conspire to enact an audacious form of revenge against the country that abandoned them to penury and despair, with a scheme to swindle the whole of France on an epic scale.Meanwhile, believing her brother killed in action, Édouard's sister Madeleine has married Pradelle, who is running a little scam of his own...Translated from the French by Frank Wynne

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'A darkly sumptuous tale of wicked spectacle, wild injustice and the insuppressible strength of women' EMMA STONEX, author of THE LAMPLIGHTERS'An essential story of women resisting the unjust exertion of male power' SUNDAY TIMES____________________ The Salpêtrière asylum, 1885. All of Paris is in thrall to Doctor Charcot and his displays of hypnotism on women who have been deemed mad or hysterical, outcasts from society. But the truth is much more complicated - for these women are often simply inconvenient, unwanted wives or strong-willed daughters. Once a year a grand ball is held at the hospital. For the Parisian elite, the Mad Women's Ball is the highlight of the social season; for the women themselves, it is a rare moment of hope. Geneviève is a senior nurse. After the childhood death of her sister, she has shunned religion and placed her faith in Doctor Charcot and his new science. But everything begins to change when she meets Eugénie, the 19-year-old daughter of a bourgeois family. Because Eugénie has a secret, and she needs Geneviève's help. Their fates will collide on the night of the Mad Women's Ball...____________________'In this darkly delightful Gothic treasure, Mas explores grief, trauma and sisterhood behind the walls of Paris' infamous Salpetriere hospital' PAULA HAWKINS, author of A SLOW FIRE BURNING 'A beautifully written debut...I have absolutely no doubt it will be one of my favourite novels of 2021.' AJ PEARCE, author of DEAR MRS BIRD'Essential reading' COSMOPOLITAN 'A deftly woven tale of hope and pain, judgement and redemption, cruelty and kindness. Utterly captivating and profoundly affecting.' Sunday Times bestseller, MIRANDA DICKENSON 'Enter the dance of this little masterpiece and let yourself be dazzled. Assured of hitting the bestseller lists' THE PARISIAN____________________AN AMAZON PRIME ORIGINAL FILM STARRING MÉLANIE LAURENT

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Teeming with life and compulsively readable, the pieces gathered together in The Tribe aggregate into an extraordinary mosaic of Cuba today. Carlos Manuel Álvarez, one of the most exciting young writers in Latin America, employs the crónica form – a genre unique to Latin American writing that blends reportage, narrative non-fiction, and novelistic forms – to illuminate a particularly turbulent period in Cuban history, from the re-establishment of diplomatic relations with the US, to the death of Fidel Castro, to the convulsions of the San Isidro Movement. Unique, edgy and stylishly written, The Tribe shows a society in flux, featuring sportsmen in exile, artists, nurses, underground musicians and household names, dissident poets, the hidden underclass at a landfill, migrants attempting to make their way across Central America, fugitives escaping the FBI, dealers from the black market, as well as revelers and policemen in the noisy Havana night. It is a major work of reportage by one of Granta’s Best of Young Spanish-Language novelists.

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