Search results for ""Author Euripides""

Three plays by ancient Greece’s third great tragedian.One of antiquity's greatest poets, Euripides has been prized in every age for the pathos, terror, and intellectual probing of his dramatic creations. The new Loeb Classical Library edition of his plays is in six volumes.In Bacchae, one of the great masterpieces of the tragic genre, Euripides tells the story of king Pentheus' resistance to the worship of Dionysus and his horrific punishment by the god: dismemberment at the hands of Theban women. Iphigenia at Aulis, also in Volume VI, recounts the sacrifice of Agamemnon's daughter to Artemis, the price exacted by the goddess for favorable sailing winds. Rhesus dramatizes a pivotal incident in the Trojan War. This play is probably not by Euripides; but it does give a sample of what tragedy was like after the great fifth-century playwrights.

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Three plays by ancient Greece’s third great tragedian.One of antiquity's greatest poets, Euripides has been prized in every age for the pathos, terror, and intellectual probing of his dramatic creations. The new Loeb Classical Library edition of his plays is in six volumes.Volume III contains three plays. Suppliant Women reflects on the rule of law; Electra gives Euripides' version of the legend of Clytaemestra's murder by her children; Heracles testifies to the fragility of human happiness.

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Iphigenia in Tauris tells the story of the princess Iphigenia who was sacrificed by her father Agamemnon to expedite his campaign against Troy but was rescued by the goddess Artemis and transported to the land of the Taurians. There she herself must perform human sacrifices as a priestess of Artemis in the local cult. Troy has now been sacked, and Agamemnon murdered by his wife and avenged by his son Orestes. With his mother's blood on his hands, Orestes is guided by Apollo to seek purification through bringing the image of the Tauric Artemis to Greece, and so is reunited with his sister. The drama centers on Orestes' near-sacrifice at Iphigenia’s hands, their recognition in the nick of time, and their ingenious and thrilling escape to bring the cult of Artemis to Halae and Brauron near Athens. Martin Cropp’s first edition was originally published in 2000 and provided the first commentary on the play since those of Maurice Platnauer (Oxford, 1938) and Hans Strohm (Munich, 1949). It contributed significantly to a revival of interest in what had been a rather neglected and underrated play. This new edition incorporates substantial revisions to the introduction and commentary and some corrections to the Greek text and translation in light of reviews of the first edition and other recent work.

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Iphigenia in Tauris tells the story of the princess Iphigenia who was sacrificed by her father Agamemnon to expedite his campaign against Troy but was rescued by the goddess Artemis and transported to the land of the Taurians. There she herself must perform human sacrifices as a priestess of Artemis in the local cult. Troy has now been sacked, and Agamemnon murdered by his wife and avenged by his son Orestes. With his mother's blood on his hands, Orestes is guided by Apollo to seek purification through bringing the image of the Tauric Artemis to Greece, and so is reunited with his sister. The drama centers on Orestes' near-sacrifice at Iphigenia’s hands, their recognition in the nick of time, and their ingenious and thrilling escape to bring the cult of Artemis to Halae and Brauron near Athens. Martin Cropp’s first edition was originally published in 2000 and provided the first commentary on the play since those of Maurice Platnauer (Oxford, 1938) and Hans Strohm (Munich, 1949). It contributed significantly to a revival of interest in what had been a rather neglected and underrated play. This new second edition will incorporate substantial revisions to the introduction and commentary and some corrections to the Greek text and translation in light of reviews of the first edition and other recent work.

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Featuring Cecelia Eaton Luschnig's annotated verse translations of Euripides' Electra, Iphigenia among the Tauri, and Orestes, this volume offers an ideal avenue for exploring the playwright's innovative treatment of both traditional and non-traditional stories concerning a central, fascinating member of the famous House of Atreus.

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Alcestis/Medea/The Children of Heracles/Hippolytus'One of the best prose translations of Euripides I have seen' Robert FaglesThis selection of plays shows Euripides transforming the titanic figures of Greek myths into recognizable, fallible human beings. Medea, in which a spurned woman takes revenge upon her lover by killing her children, is one of the most shocking of all the Greek tragedies. Medea is a towering figure who demonstrates Euripides' unusual willingness to give voice to a woman's case. Alcestis is based on a magical myth in which Death is overcome, and The Children of Heracles examines conflict between might and right, while Hippolytus deals with self-destructive integrity. Translated by JOHN DAVIE

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Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' satyr-drama "The Trackers". New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

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Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' satyr-drama "The Trackers". New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

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Diane Arnson Svarlien's translation of Euripides' Andromache, Hecuba, and Trojan Women exhibits the same scholarly and poetic standards that have won praise for her Alcestis, Medea, Hippolytus. Ruth Scodel's Introduction examines the cultural and political context in which Euripides wrote, and provides analysis of the themes, structure, and characters of the plays included. Her notes offer expert guidance to readers encountering these works for the first time.

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Drama Classics: The World's Great Plays at a Great Little Price The story of Andromache, widow of the Trojan hero Hector. Some years after the fall of Troy, Andromache is living as a slave to Neoptolemus, by whom she has a child. When Neoptolemus' fiercely jealous young wife, Hermione, finds she is unable to conceive, she threatens to murder Andromache, and the struggle between the two women turns quickly into a bitter feud. This edition of Euripides' Andromache, in the Drama Classics series, is translated and introduced by Marianne McDonald and J. Michael Walton.

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Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' satyr-drama "The Trackers". New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

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'Euripides: Iphigenia at Aulis' comprises two volumes (Volume 1: Introduction, Text and Translation; Volume 2: Commentary and Indexes), which are sold together as a set. This is the first English edition with complete commentary of the play since 1891, and there has been only one other substantial such work in any language (W. Stockert, in German, Vienna 1992). The reasons for this remarkable lack lie chiefly in the unusual circumstances of the play's composition and early history. Euripides died before completing it and it was prepared for its first performance in or about 405 BC by his son or nephew. In the century and more after that other hands intervened, the last in very late antiquity. Since the 18th Century scholars have disagreed greatly in identifying how much of the surviving text may stem from Euripides' own hand or his original conception, and how much may be 'inauthentic'; whatever the facts, the Iphigenia has received frequent and very successful production in recent years. The play's quality was rewarded at its first performance, with first prize in a dramatic competition. Scholars have written a stream of mostly brief general appreciations; but this edition with translation and commentary wishes to recognise that the play for the most part shows Euripides at his finest. It is therefore deliberately wide in its aim, at readers who have no Greek at all, at students in schools and universities who have some Greek, and at their teachers and professional scholars; its Introduction and the most important parts of the commentary are accessible to all, while notes particularly on the Greek of the poetic text and its problems are kept separate.

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`the most tragic of the poets' Aristotle Euripides was one of the most popular and controversial of all Greek tragedians, and his plays are marked by an independence of thought, ingenious dramatic devices, and a subtle variety of register and mood. He is also remarkable for the prominence he gave to female characters, whether heroines of virtue or vice. In the ethically shocking Medea, the first known child-killing mother in Greek myth to perform the deed in cold blood manipulates her world in order to wreak vengeance on her treacherous husband. Hippolytus sees Phaedra's confession of her passion for her stepson herald disaster, while Electra's heroine helps her brother murder their mother in an act that mingles justice and sin. Lastly, lighter in tone, the satyr drama, Helen, is an exploration of the impossibility of certitude as brilliantly paradoxical as the three famous tragedies. This new translation does full justice to Euripides's range of tone and gift for narrative. A lucid introduction provides substantial analysis of each play, complete with vital explanations of the traditions and background to Euripides's world. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Alcestis * Heracles * Children of Heracles * Cyclops Euripides wrote about timeless themes, of friendship and enmity, hope and despair, duty and betrayal. The first three plays in this volume are filled with violence or its threat, while the fourth, Cyclops, is our only surviving example of a genuine satyr play, with all the crude and slapstick humour that characterized the genre. There is death in Alcestis, which explores the marital relationship of Alcestis and Admetus with pathos and grim humour, but whose status as tragedy is subverted by a happy ending. The blood-soaked Heracles portrays deep emotional pain and undeserved suffering; its demand for a more humanistic ethics in the face of divine indifference and callousness makes it one of Euripides' more popular and profound plays. Children of Heracles is a rich and complex work, famous for its dialogues and monologues, in which the effects of war on refugees and the consequences of sheltering them are movingly explored. In Cyclops Euripides takes the familiar story of Odysseus' escape from the Cyclops Polyphemus and turns it to hilarious comic effect. Euripides' other plays are all available in Oxford World's Classics. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Betrayed by a husband she sacrificed everything for, Medea unleashes a horrific vengeance on her enemies, by murdering her own children. Featuring one of the most powerful female roles in the history of drama, Euripides' tragedy Medea is reworked by poet Tom Paulin into lithe and sinewy modern English that conveys the shocking story - and our conflicted loyalties as spectators to the tragedy - more strongly than ever. This version of Medea was first staged by Northern Broadsides on a UK tour in 2010.

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One of the greatest of all Greek tragedies - savage, comic and intensely lyrical - The Bacchae powerfully dramatises the conflict between the emotional and rational sides of the human psyche. The magnetic young Dionysus - icon, hedonist, god - returns home with his cult of female followers to exact his revenge, unleashing the full force of female sexuality on the city.David Greig's version of The Bacchae premiered at the King's Theatre, Edinburgh, in August 2007 in a co-production between the Edinburgh International Festival and the National Theatre of Scotland.

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Of all the ancient Greek tragedians, Euripides was the most sensitive to the lives of women and other outcasts in Athenian society, and Electra and Other Plays collects five plays demonstrating his talent for bringing to life their plight. This Penguin Classics edition is translated by John Davie with an introduction and notes by Richard Rutherford.Written during a period overshadowed by the fierce struggle for supremacy between Sparta and Euripides' native Athens, these five plays are haunted by the shadow of war - and in particular its impact on women. In Electra the children of Agamemnon take bloody revenge on their mother for murdering their father after his return from Troy, and Suppliant Women depicts the grieving mothers of those killed in battle. The other plays deal with the aftermath of the Trojan War for the defeated survivors, as Andromache shows Hector's widow as a trophy of war in the house of her Greek captor, and Hecabe portrays a defeated queen avenging the murder of her last-remaining son, while Trojan Women tells of the plight of the city's women in the hands of their victors.John Davie's compelling translations are accompanied by an introduction by Richard Rutherford describing the tragic genre and Euripides innovations, along with a chronology, prefaces to each play, notes, a bibliography and a glossary of names.Euripides (c.485-07 BC) was an Athenian born into a family of considerable rank. Disdaining the public duties expected of him, Euripides spent a life of quiet introspection, spending much of his life in a cave on Salamis. Late in life he voluntarily exiled himself to the court of Archelaus, King of Macedon, where he wrote The Bacchae, regarded by many as his greatest work. Euripides is thought to have written 92 plays, only 18 of which survive.If you enjoyed Electra and Other Plays, you might like Euripides' Medea and Other Plays, also available in Penguin Classics.'The most intensely tragic of all the poets'Aristotle

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THE ACCLAIMED TRANSLATION BY ROBIN ROBERTSON (FORWARD PRIZE, MAN BOOKER PRIZE SHORTLIST 2018)Euripides' Medea, the brutally powerful ancient Greek tragedy that reverberates down the centuries, has been brought to fresh and urgent life by one of our best modern poets.Medea has been betrayed. Her husband Jason has left her for a younger woman. He has forgotten all the promises he made and is even prepared to abandon their two sons. But Medea is not a woman to accept such disrespect passively. Strong-willed and fiercely intelligent, she turns her formidable energies to working out the greatest, and most horrifying, revenge possible...Suitable for the general reader as well as for students and performers.'In Robertson's lucid, free-running verse, Medea's power is released into the world, fresh and appalling, in words that seem spoken for the first time' Anne Enright'This version of Medea is vivid, strong, readable and brings triumphantly into modern focus the tragic sensibility of the ancient Greeks' John Banville'Robertson's achievement is to make the dialogue flow without losing the unsettling poetry of the original' Financial Times

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Eighteen of the ninety or so plays composed by Euripides between 455 and 406 bce survive in a complete form and are included in the preceding six volumes of the Loeb Euripides. A further fifty-two tragedies and eleven satyr plays, including a few of disputed authorship, are known from ancient quotations and references and from numerous papyri discovered since 1880. No more than one-fifth of any play is represented, but many can be reconstructed with some accuracy in outline, and many of the fragments are striking in themselves. The extant plays and the fragments together make Euripides by far the best known of the classic Greek tragedians.This edition, in a projected two volumes, offers the first complete English translation of the fragments together with a selection of testimonia bearing on the content of the plays. The texts are based on the recent comprehensive edition of R. Kannicht. A general Introduction discusses the evidence for the lost plays. Each play is prefaced by a select bibliography and an introductory discussion of its mythical background, plot, and location of the fragments, general character, chronology, and impact on subsequent literary and artistic traditions.

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Iphigenia among the Taurians Bacchae Iphigenia at Aulis Rhesus The four plays newly translated in this volume are among Euripides' most exciting works. Iphigenia among the Taurians is a story of escape and contrasting Greek and barbarian civilization, set on the Black Sea at the edge of the known world. Bacchae, a profound exploration of the human psyche, deals with the appalling consequences of resistance to Dionysus, god of wine and unfettered emotion. This tragedy, which above all others speaks to our post-Freudian era, is one of Euripides' two last surviving plays. The second, Iphigenia at Aulis, centres on the ultimate dysfunctional family as natural emotion is tested in the tragic crucible of the Greek expedition against Troy. Lastly, Rhesus, probably the work of another playwright, is a thrilling, action-packed Iliad in miniature, dealing with a grisly event in the Trojan War. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' satyr-drama "The Trackers". New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

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Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' satyr-drama "The Trackers". New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

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An acclaimed translator of Euripidean tragedy in its earlier and more familiar modes, Diane Arnson Svarlien now turns to three plays that showcase the special qualities of Euripides’ late dramatic art. Like her earlier volumes, Ion, Helen, Orestes offers modern, accurate, accessible, and stageworthy versions that preserve the metrical and musical form of the originals. Matthew Wright’s Introduction and notes offer illuminating guidance to first-time readers of Euripides, while pointing up the appeal of this distinctive grouping of plays.

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An acclaimed translator of Euripidean tragedy in its earlier and more familiar modes, Diane Arnson Svarlien now turns to three plays that showcase the special qualities of Euripides’ late dramatic art. Like her earlier volumes, Ion, Helen, Orestes offers modern, accurate, accessible, and stageworthy versions that preserve the metrical and musical form of the originals. Matthew Wright’s Introduction and notes offer illuminating guidance to first-time readers of Euripides, while pointing up the appeal of this distinctive grouping of plays.

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Diane Arnson Svarlien's translation of Euripides' Andromache, Hecuba, and Trojan Women exhibits the same scholarly and poetic standards that have won praise for her Alcestis, Medea, Hippolytus. Ruth Scodel's Introduction examines the cultural and political context in which Euripides wrote, and provides analysis of the themes, structure, and characters of the plays included. Her notes offer expert guidance to readers encountering these works for the first time.

Read more less

Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' satyr-drama "The Trackers". New introduction for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

Read more less

Iphigenia in Tauris tells the story of the princess Iphigenia who was sacrificed by her father Agamemnon to expedite his campaign against Troy but was rescued by the goddess Artemis and transported to the land of the Taurians. There she herself must perform human sacrifices as a priestess of Artemis in the local cult. Troy has now been sacked, and Agamemnon murdered by his wife and avenged by his son Orestes. With his mother's blood on his hands, Orestes is guided by Apollo to seek purification through bringing the image of the Tauric Artemis to Greece, and so is reunited with his sister. The drama centers on Orestes' near-sacrifice at Iphigenia’s hands, their recognition in the nick of time, and their ingenious and thrilling escape to bring the cult of Artemis to Halae and Brauron near Athens. Martin Cropp’s first edition was originally published in 2000 and provided the first commentary on the play since those of Maurice Platnauer (Oxford, 1938) and Hans Strohm (Munich, 1949). It contributed significantly to a revival of interest in what had been a rather neglected and underrated play. This new edition incorporates substantial revisions to the introduction and commentary and some corrections to the Greek text and translation in light of reviews of the first edition and other recent work.

Read more less

Trojan Women tells the story of the survivors of the Trojan War, the women and children taken into slavery by the victorious Greek army. Through the tragedy's central character, the matriarch Hecuba, this late play (415 BCE) demonstrates Euripides' commitment to speaking on behalf of the less powerful and offers a scathing critique of Athenian behavior as the city fought its own disastrous war with its southern neighbor, Sparta. Trojan Women features well-known characters from Greek mythology, including the prophetess Cassandra, the gods Athena and Poseidon, and most notably, the infamous Helen, the cause of the war, who must defend herself to the husband she abandoned. This new translation features a text committed to accuracy and clarity, one developed in collaboration with actors for clear reading and performance. Appendices provide other important literary treatment of the women in the play, from Homer to Shakespeare.

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Drama Classics: The World's Great Plays at a Great Little Price Euripides' version of the Ancient Greek myth of revenge on a murdering parent. Electra's brother Orestes returns to avenge the murder of his father, Agamemnon, by his mother Clytemnestra. This edition of Electra, in the Nick Hern Books Drama Classics series, is translated and introduced by Marianne McDonald and J. Michael Walton.

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Eighteen of the ninety or so plays composed by Euripides between 455 and 406 BCE survive in a complete form and are included in the first six volumes of the Loeb Euripides. A further fifty-two tragedies and eleven satyr plays, including a few of disputed authorship, are known from ancient quotations and references and from numerous papyri discovered since 1880. No more than one-fifth of any play is represented, but many can be reconstructed with some accuracy in outline, and many of the fragments are striking in themselves. The extant plays and the fragments together make Euripides by far the best known of the classic Greek tragedians.This edition of the fragments, concluded in this second volume, offers the first complete English translation together with a selection of testimonia bearing on the content of the plays. The texts are based on the recent comprehensive edition of R. Kannicht. A general Introduction discusses the evidence for the lost plays. Each play is prefaced by a select bibliography and an introductory discussion of its mythical background, plot, and location of the fragments, general character, chronology, and impact on subsequent literary and artistic traditions.

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This new volume of three of Euripides' most celebrated plays offers graceful, economical, metrical translations that convey the wide range of effects of the playwright's verse, from the idiomatic speech of its dialogue to the high formality of its choral odes.

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This is the Medea we have been waiting for. It offers clarity without banality, eloquence without pretension, meter without doggerel, accuracy without clumsiness. No English Medea can ever be Euripides', but this is as close as anyone has come so far, and a good deal closer than I thought anyone would ever come. Arnson Svarlien has shown herself exceedingly skillful in making Euripides sound Euripidean.--David M. Schaps, Bryn Mawr Classical Review

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This new volume of three of Euripides' most celebrated plays offers graceful, economical, metrical translations that convey the wide range of effects of the playwright's verse, from the idiomatic speech of its dialogue to the high formality of its choral odes.

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This is the Medea we have been waiting for. It offers clarity without banality, eloquence without pretension, meter without doggerel, accuracy without clumsiness. No English Medea can ever be Euripides', but this is as close as anyone has come so far, and a good deal closer than I thought anyone would ever come. Arnson Svarlien has shown herself exceedingly skillful in making Euripides sound Euripidean.--David M. Schaps, Bryn Mawr Classical Review

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The fragmentary plays of Euripides are a body of texts still regularly increasing in number and extent. They are of very great interest in themselves, apart from the significant aid they give to the fuller appreciation of the surviving complete plays. This two-volume edition brings together for the first time for English readers the more substantial and important of the plays, about fifteen in all. Each play is introduced by a summary bibliography and an appreciative essay which analyses the mythic background and plot: reconstructs the play as far as the fragmentary text and secondary evidence allow; and discusses themes, characterisation, staging, date, reflections of the story in art and other dramatisations. For each play the fragmentary texts are presented as conveniently and succinctly as possible, together with a brief critical apparatus of sources and readings. An English translation stands on the facing page. The text and translation of each play are followed by a short, primarily interpretative commentary. Text with facing translation, commentary and notes.

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Renowned poet and acclaimed translator Charles Martin faithfully captures Euripides’s dramatic tone and style in this searing tale of revenge and sacrifice.The Medea of Euripides is one of the greatest of all Greek tragedies and arguably the one with the most significance today. A barbarian woman brought to Corinth and there abandoned by her Greek husband, Medea seeks vengeance on Jason and is willing to strike out against his new wife and family—even slaughtering the sons she has born him. At its center is Medea herself, a character who refuses definition: Is she a hero, a witch, a psychopath, a goddess? All that can be said for certain is that she is a woman who has loved, has suffered, and will stop at nothing for vengeance. In this stunning translation, poet Charles Martin captures the rhythms of Euripides’ original text through contemporary rhyme and meter that speak directly to modern readers. An introduction by classicist and poet A.E. Stallings examines the complex and multifaceted Medea in patriarchal ancient Greece. Perfect in and out of the classroom as well as for theatrical performance, this faithful translation succeeds like no other.

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A student edition of this challenging and popular tragedy with notes and commentary. The most controversial of the Greek tragedians, Euripedes is also the most modern in his sympathies, a dramatist who handles the complex emotions of his characters with extraordinary depth and insight. Wronged and discarded by her husband, Medea gradually reveals her revenge in its increasing horror, while the audience is led to understand the incomprehensible; a woman who murders her own children. Since its first production (431 BC), the play has exerted an irresistible attraction for actors and directors alike. Translated by J.Michael Walton.

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The four late plays of Euripides collected here, in beautifully crafted translations by Cecelia Eaton Luschnig and Paul Woodruff, offer a faithful and dynamic representation of the playwright’s mature vision.

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Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' satyr-drama "The Trackers". New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

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