Search results for ""Author Christopher A. Jones"

In Counterlife Christopher Freeburg poses a question to contemporary studies of slavery and its aftereffects: what if freedom, agency, and domination weren't the overarching terms used for thinking about Black life? In pursuit of this question, Freeburg submits that current scholarship is too preoccupied with demonstrating enslaved Africans' acts of political resistance, and instead he considers Black social life beyond such concepts. He examines a rich array of cultural texts that depict slavery—from works by Frederick Douglass, Radcliffe Bailey, and Edward Jones to spirituals, the television cartoon The Boondocks, and Quentin Tarantino's Django Unchained—to show how enslaved Africans created meaning through artistic creativity, religious practice, and historical awareness both separate from and alongside concerns about freedom. By arguing for the impossibility of tracing slave subjects solely through their pursuits of freedom, Freeburg reminds readers of the arresting power and beauty that the enigmas of Black social life contain.

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In The Making and Unmaking of the English Catholic Intellectual Community, 1910–1950, James R. Lothian examines the engagement of interwar Catholic writers and artists both with modernity in general and with the political and economic upheavals of the times in England and continental Europe. The book describes a close-knit community of Catholic intellectuals that coalesced in the aftermath of the Great War and was inspired by Hilaire Belloc's ideology. Among the more than two dozen figures considered in this volume are G. K. Chesterton, novelist Evelyn Waugh, poet and painter David Jones, sculptor Eric Gill, historian Christopher Dawson, and publishers Frank Sheed and Maisie Ward. For Catholic intellectuals who embraced Bellocianism, the response to contemporary politics was a potent combination of hostility toward parliamentary democracy, capitalism, and so-called "Protestant" Whig history. Belloc and his friends asserted a set of political, economic, and historiographical alternatives—favoring monarchy and Distributism, a social and economic system modeled on what Belloc took to be the ideals of medieval feudalism. Lothian explores the community's development in the 1920s and 1930s, and its dissolution in the 1940s, in the aftermath of World War II. Frank Sheed and Maisie Ward, joined by Tom Burns and Christopher Dawson, promoted an aesthetic and philosophical vision very much at odds with Belloc's political one. Weakened by internal disagreement, the community became fragmented and finally dissolved.

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Glorious new rejacket of a Diana Wynne Jones Chrestomanci novel – now a book with extra bits! Conrad is young, good at heart, and yet is apparently suffering from the effects of such bad karma that there is nothing in his future but terrible things. Unless he can alter his circumstances – well, quite frankly, he is DOOMED. Conrad is sent in disguise to Stallery Mansion, to infiltrate the magical fortress that has power over the whole town of Stallchester, and to discover the identity of the person who is affecting his Fate so badly. Then he has to kill that person. But can any plan really be that simple and straightforward? Of course it can't! And things start to go very strangely for Conrad from the moment he meets the boy called Christopher… This is trademark DWJ – packed with laugh-aloud humour, insane logic, spot-on observations, organised chaos, and all wrapped up in a rattling good adventure which oozes magic from every seam. Literally.

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The notion of service was ingrained in medieval culture, prominent throughout the language and life of the time. The notion of service was ingrained in medieval culture, and not just as a part of the wider concept of patronage: it is prominent throughout the language and life of the time. These studies examine the nature and importance of service in the fourteenth and fifteenth centuries in a variety of contexts both within and beyond the dominions of the English crown, including contracts between domestic servants and employers, labour legislation, career opportunities for graduates, the public service ethos embodied by the king's household retinue and a scheme for its reform, public service in France, ducal service in Brittany, and bastard feudalism in Scotland. ANNE CURRY is Professor of History, University of Southampton; ELIZABETH MATTHEW is honorary research fellow at the Department of History, University of Reading. Contributors: JEREMY GOLDBERG, CHRISTOPHER GIVEN-WILSON, MICHAEL JONES, ALEXANDER GRANT, VIRGINIA DAVIS, JEREMY I. CATTO, D.A.L. MORGAN, KATHELEEN DALY, RALPH A. GRIFFITHS.

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These Opera Guides are ideal com-panions to the opera. They provide stimulating introductory articles together with the complete text of each opera in English and the original. This famous opera ends, after the hero is dragged down to hell, with a warning that evil shall not go unpunished. ‘Hardly’, as Michael F. Robinson notes, ‘one’s usual idea of a “comic” subject!’ So this guide opens with a brief look at what is actually comic about it. David Wyn Jones gives an overall view of the score: he shows how the musical keys are arranged so that the dramatic momentum over two long acts is maintained and discusses orchestration and dramatic pacing in the most important scenes. Christopher Raeburn contributes a lively portrait of the ‘libertine librettist’ who, after his Vienna triumphs, was hounded out of London for his debts and eventually died in New York – ‘revered as the father of Italian studies in America’. The full original text is given, with a pointed modern translation.

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How is art conceived, created, and experienced? How is it taught? How does the act of viewing a work make the viewer part of that work? "Learning Mind: Experience Into Art" addresses these questions as it documents the changing practices in the making, teaching, and exhibition of art. Timely, multifaceted, and instructive, this groundbreaking volume explores the contemporary art experience and its expanding presence in society through lively essays, revealing interviews, and provocative conversations with some of the most influential artists and educators of our time. Featured artists include Magdalena Abakanowicz, Ann Hamilton, Alfredo Jaar, Kerry James Marshall, and Ernesto Pujol, along with designers Walter Hood and Bruce Mau. Contributing authors include curators Marcia Tucker and Christopher Bedford, art critics Michael Brenson and Jerry Saltz, art historian David Getsy, educators Ronald Jones and Lawrence Rinder, philosopher Arthur Danto, psychiatrist Mark Epstein, theorist W.J.T. Mitchell, and chef-educator Alice Waters. In demonstrating the role that art schools and universities play in the creative process, "Learning Mind" offers students, teachers, and readers new and vital theoretical texts as well as practical strategies for integrating art into our daily lives. It is co-published by School of the Art Institute of Chicago.

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A "mosaic novel" set in the near-future, when a desperate and ever-more controlling UK government decides to restore a sense of national pride with a New Festival of Britain. However, controversial plans to build on the site of an old church in South London releases a centuries-old plague that turns its victims into flesh-hungry ghouls whose bite or scratch passes the contagion on to others. Even worse, the virus may also have a supernatural origin with the power to revive the dead.Despite the attempts of the police, the military and those in power to understand and contain the infection commonly referred to as "The Death", it soon sweeps across London, transforming everyone who comes into contact with it. With the city - and the country - falling into chaos, even a drastic attempt at a "Final Solution" to eradicate the outbreak at its source fails to prevent it from spreading to Europe and then quickly throughout the rest of the world.Soon there is no more news coming out of Britain . . . and it is up to those survivors in other countries to confront the flesh-eating invaders within their midst. Will humanity triumph over a world-wide zombie plague, or will the walking dead ultimately inherit the Earth?Told through various disparate and overlapping eye-witness accounts, through texts, e-mails, blogs, letters, diaries, transcripts, official reports and other forms of communication, a picture builds up of a world plunged into chaos - where the dead attack the living, and only one of them can be the ultimate victor.Written by some of the biggest and best-known names in horror and science fiction, these interconnected narratives create a unique vision of the End of the World brought about by a plague that may have its origins in both science and the occult.Praise for Stephen Jones:'Horror's last maverick.' - Christopher Fowler'Stephen Jones . . . has a better sense of the genre than almost anyone in this country.'- Lisa Tuttle, The Times Books'The best horror anthologist in the business is, of course, Stephen Jones.' - Roz Kavaney, Time Out'Edited by Stephen Jones, a member of that tiny band of anthologists whose work is so reliably good that you automatically reach out and grab hold of any new volume spotted if you are wise.'- Gahan Wilson, Realms of Fantasy'One of the genre's most enthusiastic cheerleaders.' - Publishers Weekly

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This volume includes Miguel Herrero de Jáuregui, “‘Trust the God’: Tharsein in Ancient Greek Religion”; Jordi Pàmias, “Acusilaus of Argos and the Bronze Tablets”; Karen Rosenbecker, “‘Just Desserts’: Reversals of Fortune, Feces, Flatus, and Food in Aristophanes’ Wealth”; Yosef Z. Liebersohn, “Crito’s Character in Plato’s Crito”; Alexandros Kampakoglou, “Staging the Divine: Epiphany and Apotheosis in Callimachus HE 1121–1124”; Christopher Eckerman, “Muses, Metaphor, and Metapoetics in Catullus 61”; Christopher P. Jones, “The Greek Letters Ascribed to Brutus”; Jefferds Huyck, “Another Sort of Misogyny: Aeneid 9.140–141”; Mark Heerink, “Hylas, Hercules, and Valerius Flaccus’ Metamorphosis of the Aeneid”; Lowell Edmunds, “Pliny the Younger on His Verse and Martial’s Non-Recognition of Pliny as a Poet”; Eleanor Cowan, “Caesar’s One Fatal Wound: Suetonius Divus Iulius 82.3”; Graeme Bourke, “Classical Sophism and Philosophy in Pseudo-Plutarch On the Training of Children”; Jarrett T. Welsh, “Verse Quotations from Festus”; Benjamin Garstad, “Rome in the Alexander Romance”; James N. Adams, “The Latin of the Magerius (Smirat) Mosaic”; Lucia Floridi, “The Construction of a Homoerotic Discourse in the Epigrams of Ausonius”; Massimilliano Vitiello, “Emperor Theodosius’ Liberty and the Roman Past”; and Thomas Keeline and Stuart M. McManus, “Benjamin Larnell, the Last Latin Poet at Harvard Indian College.”

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A new, updated edition of Christopher Sandford's classic biography of the band, The Rolling Stones is a gripping account of the band's remarkable 60 years at the top of the rock industry. In 1962 Mick Jagger was a bright, well-scrubbed boy (planning a career in the civil service), while Keith Richards was learning how to smoke and to swivel a six-shooter. Add the mercurial Brian Jones (who'd been effectively run out of Cheltenham for theft, multiple impregnations and playing blues guitar), the wryly opinionated Bill Wyman and drummer Charlie Watts, and the potential was obvious.During the 1960s and 70s the Rolling Stones were the polarising figures in Britain, admired in some quarters for their flamboyance, creativity and salacious lifestyles, and reviled elsewhere for the same reasons. Confidently expected never to reach 30, the band is now celebrating 60 years together with a European tour, Sixty, to mark the occasion. Of the original line-up, only Jagger and Richards remain, along with 'new boy' Ronnie Wood, who joined the band in 1975. In The Rolling Stones, Christopher Sandford tells the human drama at the centre of the Rolling Stones story. Sandford has carried out interviews with those close to the Stones, family members (including Mick's parents), the group's fans and contemporaries - even examined their previously unreleased FBI files. Like no other book before The Rolling Stones makes sense of the rich brew of clever invention and opportunism, of talent, good fortune, insecurity, self-destructiveness, and of drugs, sex and other excess, that made the Stones who they are.

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How is the future changing? Is there a single determinant future or a plethora of alternative futures? How do we actually study futures and can we trust anything anyone says about 'the future'? Are Muslim societies prepared for the coming tsunami of change? This issue of Critical Muslim takes a searching look at all things 'futures', from trends to scenarios, from Sofia the Robot to weaponised code, and from Afrofuturism to climate change. It explores what images and metaphors of the future say about the present. With contributions from a string of noted futurists including Sohail Inayatullah, Wendy Schultz, Christopher Jones, Jordi Serra and others. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.

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Why has homosexuality always fascinated and vexed psychoanalysis? This groundbreaking collection of original essays reconsiders the troubled relationship between same-sex desire and psychoanalysis, assessing homosexuality's status in psychoanalytic theory and practice, as well as the value of psychoanalytic ideas for queer theory. The contributors, each distinguished clinicians and specialists, reexamine works by Freud, Klein, Reich, Lacan, Laplanche, and their feminist and queer revisionists. Sharing a commitment to conscious and unconscious forms of homosexual desire, they offer new perspectives on pleasure, perversion, fetishism, disgust, psychosis, homophobia, AIDS, otherness, and love. Including two previously untranslated essays by Michel Foucault, Homosexuality and Psychoanalysis will interest cultural theorists, psychoanalysts, and anyone concerned with the fate of sexuality in our time.Contributors:Lauren BerlantLeo BersaniDaniel L. BuccinoArnold I. DavidsonTim DeanJonathan DollimoreBrad EppsMichel FoucaultLynda HartJason B. JonesChristopher LaneH. N. LukesCatherine MillotElizabeth A. PovinelliEllie RaglandPaul RobinsonJudith RoofJoanna RyanRamón E. Soto-CrespoSuzanne Yang

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The communication aspect of leadership – to actively engage your followers and achieve understanding and motivation whilst making the message memorable – has never been more important. Using vivid lessons and examples from spheres outside business organization, The Persuasive Leader explores the leader's role as a communicator and teaches the fundamental principles of successful leadership. This book provides insights and principles about persuasive leadership from a broad range of human experiences. It draws on examples of persuasive leaders and persuasive leadership principles from the performing arts, the fine arts, literature, philosophical writings, and biography. The authors use their unconventional material to explore themes such as moral leadership, toxic leadership, learning from failures, 'distributed' leadership, leading for results and the leader as a mentor and counsellor. Leaders described in The Persuasive Leader: Abraham Lincoln, Jack Welch, Cleopatra, Teddy Roosevelt, Alexander the Great, Rachel Carson, Joshua Chamberlain, Governor John Winthrop, Barack Obamma, Steve Jobs, Henry V, Julius Caesar, John Quincy Adams, Dwight Eisenhower, Susan B. Anthony, Elizabeth Cady Stanton, Huey Long, Napoleon, Ghandi, Sam Walton, Archbishop Sean O'Malley, Benjamin Franklin, Franklin Roosevelt, Jim Sinegal, Dolly Madison, James Jones, Clarence Darrow, William Harvey, Ronald Reagan, Fletcher Christian, Thomas Jefferson, Nelson Mandela, Charles McCormick, George Washington, Oprah Winfrey, Joan of Arc, John Kennedy, Herbert Hoover, Christopher Columbus, Anita Roddick, John DeLorean, Ronald Reagan, Margaret Thatcher, and others less well known persuasive leaders such as Anne Sullivan, TS Lin, Maria Galantry, Dorothy Collins, Scott Nash, Jane Hughes, William Barnes.

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In July 2010, Terry Jones, the pastor of a small fundamentalist church in Florida, announced plans to burn two hundred Qur'ans on the anniversary of the September 11 attacks. Though he ended up canceling the stunt in the face of widespread public backlash, his threat sparked violent protests across the Muslim world that left at least twenty people dead. In Terrified, Christopher Bail demonstrates how the beliefs of fanatics like Jones are inspired by a rapidly expanding network of anti-Muslim organizations that exert profound influence on American understanding of Islam. Bail traces how the anti-Muslim narrative of the political fringe has captivated large segments of the American media, government, and general public, validating the views of extremists who argue that the United States is at war with Islam and marginalizing mainstream Muslim-Americans who are uniquely positioned to discredit such claims. Drawing on cultural sociology, social network theory, and social psychology, he shows how anti-Muslim organizations gained visibility in the public sphere, commandeered a sense of legitimacy, and redefined the contours of contemporary debate, shifting it ever outward toward the fringe. Bail illustrates his pioneering theoretical argument through a big-data analysis of more than one hundred organizations struggling to shape public discourse about Islam, tracing their impact on hundreds of thousands of newspaper articles, television transcripts, legislative debates, and social media messages produced since the September 11 attacks. The book also features in-depth interviews with the leaders of these organizations, providing a rare look at how anti-Muslim organizations entered the American mainstream.

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This volume celebrates 100 years of Harvard Studies in Classical Philology. It contains essays by Harvard faculty, emeriti, currently enrolled graduate students, and most recent Ph.D.s. It displays the range and diversity of the study of the Classics at Harvard at the beginning of the twenty-first century.Volume 100 includes: E. Badian, “Darius III”; D. R. Shackleton Bailey, “On Statius’ Thebaid”; Brian W. Breed, “Silenus and the Imago Vocis in Eclogue 6”; Wendell Clausen, “Propertius 2.32.35–36”; Kathleen Coleman, “Missio at Halicarnassus”; Stamatia Dova, “Who Is μακάρτατος in the Odyssey?”; Casey Dué, “Tragic History and Barbarian Speech in Sallust’s Jugurtha”; John Duffy and Dimiter Angelov, “Observations on a Byzantine Manuscript in Harvard College Library”; Mary Ebbott, “The List of the War Dead in Aeschylus’ Persians”; Gloria Ferrari, “The Ilioupersis in Athens”; José González, “Musai Hypophetores: Apollonius of Rhodes on Inspiration and Interpretation”; Albert Henrichs, “Drama and Dromena: Bloodshed, Violence, and Sacrificial Metaphor in Euripides”; Alexander Hollmann, “Epos as Authoritative Speech in Herodotos’ Histories”; Thomas E. Jenkins, “The Writing in (and of) Ovid’s Byblis Episode”; Christopher Jones, “Nero Speaking”; Prudence Jones, “Juvenal, the Niphates, and Trajan’s Column (Satire 6.407–412)”; Leah J. Kronenberg, “The Poet’s Fiction: Virgil’s Praise of the Farmer, Philosopher, and Poet at the End of Georgics 2”; Olga Levaniouk, “Aithôn, Aithon, and Odysseus”; Nino Luraghi, “Author and Audience in Thucydides’ Archaeology. Some Reflections”; Gregory Nagy, “‘Dream of a Shade’: Refractions of Epic Vision in Pindar’s Pythian 8 and Aeschylus’ Seven against Thebes”; Corinne Ondine Pache, “War Games: Odysseus at Troy”; David Petrain, “Hylas and Silva: Etymological Wordplay in Propertius 1.20”; Timothy Power, “The Parthenoi of Bacchylides 13”; Eric Robinson, “Democracy in Syracuse, 466–412 B.C.”; Charles Segal, “The Oracles of Sophocles’ Trachiniae: Convergence or Confusion?”; Zeph Stewart, “Plautus’ Amphitruo: Three Problems”; Sarolta A. Takàcs, “Politics and Religion in the Bacchanalian Affair of 186 B.C.E.”; R. J. Tarrant, “The Soldier in the Garden and Other Intruders in Ovid’s Metamorphoses”; Richard F. Thomas, “A Trope by Any Other Name: ‘Polysemy,’ Ambiguity, and Significatio in Virgil”; Michael A. Tueller, “Well-Read Heroes Quoting the Aetia in Aeneid 8”; and Calvert Watkins, “A Distant Anatolian Echo in Pindar: The Origin of the Aegis Again.”

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Neil Gaiman, Joanne Harris and other bestsellers re-imagine famous fairy tales in this wonderfully rich, scary anthology, illustrated by Oscar-winning Lord of the Rings artist Alan Lee. Following in the grand tradition of the Brothers Jacob and Wilhelm Grimm, some of today's finest writers have created their own brand-new fairy tales - but with a decidedly dark twist. Fearie Tales is a fantastical mix of spellbinding retellings of 'Cinderella', 'Rapunzel', 'Hansel and Gretel' and 'Rumpelstiltskin', amongst others, with unsettling tales inspired by other childhood classics, all interspersed with the sources of their inspiration: the timeless stories first collected by the Brothers Grimm.Edited by Stephen Jones, Britain's best-known anthologist of dark tales, and illustrated by Oscar-winning artist Alan Lee, who also provided the magnificent cover, with stories by Neil Gaiman; Joanne Harris; Garth Nix; John Ajvide Lindqvist; Markus Heitz; Michael Marshall Smith; Angela Slatter; Robert Shearman; Christopher Fowler; Ramsey Campbell; Peter Crowther; Brian Hodge; Brian Lumley; Reggie Oliver and Tanith Lee.But be warned: this stunning volume of frightening fables is definitely not suitable for children!

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Why has homosexuality always fascinated and vexed psychoanalysis? This groundbreaking collection of original essays reconsiders the troubled relationship between same-sex desire and psychoanalysis, assessing homosexuality's status in psychoanalytic theory and practice, as well as the value of psychoanalytic ideas for queer theory. The contributors, each distinguished clinicians and specialists, reexamine works by Freud, Klein, Reich, Lacan, Laplanche, and their feminist and queer revisionists. Sharing a commitment to conscious and unconscious forms of homosexual desire, they offer new perspectives on pleasure, perversion, fetishism, disgust, psychosis, homophobia, AIDS, otherness, and love. Including two previously untranslated essays by Michel Foucault, Homosexuality and Psychoanalysis will interest cultural theorists, psychoanalysts, and anyone concerned with the fate of sexuality in our time.Contributors:Lauren BerlantLeo BersaniDaniel L. BuccinoArnold I. DavidsonTim DeanJonathan DollimoreBrad EppsMichel FoucaultLynda HartJason B. JonesChristopher LaneH. N. LukesCatherine MillotElizabeth A. PovinelliEllie RaglandPaul RobinsonJudith RoofJoanna RyanRamón E. Soto-CrespoSuzanne Yang

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'Move over King, Chuck Wendig is the new voice of modern American horror' Adam Christopher'A rich, rewarding tale' The Guardian____________________________________________________________________________A family returns to their hometown - and to the dark past that haunts them still - in this masterpiece of literary horror by the New York Times bestselling author of WanderersWhen Nate's father dies, he leaves behind a final gift for his son: his childhood home. Married now, Nate decides to move in with his wife, Maddie, and their son, Oliver, seeking peace from the chaos of the city.But it doesn't take long before things get strange in the night and even stranger by day.Because Nate was a child being abused by his father, and has never told his family. Because Maddie was a little girl who saw something she shouldn't have. Because something sinister, something hungry, walks in the tunnels and the mountains and the coal mines of this town in rural Pennsylvania...And now, what happened all those years ago is happening again, and this time, it is happening to Oliver. When he meets a strange boy with secrets of his own and a taste for dark magic, he has no idea that what comes next will put his family at the heart of a battle of good versus evil.____________________________________________________________________________'The dread, the scope, the pacing, the turns-I haven't felt all this so intensely since The Shining' - Stephen Graham Jones 'Universally horrifying and viscerally intimate, Wendig brilliantly uses The Book of Accidents to explore a painful truth: in the end, we all haunt ourselves' - Kiersten White

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This collection of fifteen insightful essays examines the complexity and diversity of Quaker antislavery attitudes across three centuries, from 1658 to 1890. Contributors from a range of disciplines, nations, and faith backgrounds show Quaker's beliefs to be far from monolithic. They often disagreed with one another and the larger antislavery movement about the morality of slaveholding and the best approach to abolition. Not surprisingly, contributors explain, this complicated and evolving antislavery sensibility left behind an equally complicated legacy. While Quaker antislavery was a powerful contemporary influence in both the United States and Europe, present-day scholars pay little substantive attention to the subject. This volume faithfully seeks to correct that oversight, offering accessible yet provocative new insights on a key chapter of religious, political, and cultural history. Contributors include Dee E. Andrews, Kristen Block, Brycchan Carey, Christopher Densmore, Andrew Diemer, J. William Frost, Thomas D. Hamm, Nancy A. Hewitt, Maurice Jackson, Anna Vaughan Kett, Emma Jones Lapsansky-Werner, Gary B. Nash, Geoffrey Plank, Ellen M. Ross, Marie-Jeanne Rossignol, James Emmett Ryan, and James Walvin.

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The EU’s gas market is at the very centre of the energy union, and is changing faster than ever before. Indeed, the European Council has stressed repeatedly the EU’s priority of ensuring its gas security, promoting liquid and competitive gas markets across the whole of the EU. The commission has already proposed a revision to the gas security of supply regulation and negotiations are close to finalisation. Earlier this year, the Commission published an ‘LNG Strategy’. In terms of market integration, the progressive adoption of grid codes is further integrating markets, and the emergence of active trading hubs in North West Europe, is seeing the emergence of similar liquid markets throughout the EU. The EU has also been actively pursuing its aim of diversifying its sources of gas supplies, making progress in bringing the southern corridor to fruition, and is actively looking at other potential suppliers, for example in the Eastern Mediterranean. And in the competition policy field the commission has equally been active, scrutinising the behaviour in particular of companies holding dominant positions in parts of the EU. This volume, introduced by EU Energy Commissioner Miguel Arias Cañete, brings together commentary and analysis by some of the leading commission officials, lawyers, and industry figures on all of these issues, offering a comprehensive overview of the challenges faced by the EU, its response, and the future direction of EU gas policy. 'The Role of Gas in the EU's Energy Union', edited by Christopher Jones, Deputy Director-General of the Directorate General for Energy at the European Commission, is the result of collaboration between its authors to contribute to the debate in this area and to raise money for charitable causes. 100 Euros per copy will be donated to the Donna Louise Trust, a children's charitable hospice that provides comfort and assistance to children with life-limiting conditions as well as their families.

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'The terror's exquisite. Fracassi's got his hand on the chisel going into your chest' Stephen Graham Jones, author of The Only Good Indians'THE MOST FRIGHTENING NOVEL OF THE YEAR' EsquireThe Exorcist meets Lord of the Flies, by way of Midnight Mass, Boys in the Valley is a chilling folk horror set in a remote orphanage in turn of the century Pennsylvania.St. Vincent's Orphanage for Boys. Turn of the century, in a remote valley in Pennsylvania. Here, under the watchful eyes of several priests, thirty boys work, learn, and worship. Peter Barlow, orphaned as a child by a gruesome murder, has made a new life here. As he approaches adulthood, he has friends, a future. . . a family. Then, late one stormy night, a group of men arrive at their door, one of whom is badly wounded, occult symbols carved into his flesh. His death releases an ancient evil that spreads like sickness, infecting St. Vincent's and the children within. Soon, boys begin acting differently, forming groups. Taking sides. Others turn up dead. Now Peter and those dear to him must choose sides of their own, each of them knowing their lives - and perhaps their eternal souls - are at risk.Praise for Boys in the Valley:'Fracassi makes terror read so damn beautifully' Victor LaValle, author of The Changeling'An unrelenting and highly entertaining show of horrors' Thomas Olde Heuvelt, author of Hex'A smart and deftly-written tale instilled with the kind of creeping, claustrophobic horror I enjoy' Nick Cutter, author of The Troop'As poignant as it is chilling, with a fast-paced, unflinching ending' Alma Katsu, author of The Hunger'The most unsettling novel I have read all year. Cold dread clings to every page' Ronald Malfi, author of Black Mouth'Harrowing and claustrophobic' Christopher Golden, author of Road of Bones'Fracassi. . . builds his horrific tales slowly and carefully...he's especially skilful at creating, and sustaining, suspense' The New York Times'Gut-wrenching, heart breaking, and terrifying' Andy Davidson, author of The Boatman's Daughter'Horror readers will be hooked' Publishers Weekly'A riveting, and horrifying, tale of survival set against a punishing and vivid backdrop.' Victor LaValle'Fracassi. . . brings a depth of understanding to his monsters, human and otherwise' Guardian'Fracassi's storytelling is. . . horror with a big, broken heart' Esquire'His range, prolific output, and fast-paced prose are all set to put him on the shelf next to names such as King, Straub, and Thomas Harris' Signal Horizon

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As RFID technology is becoming increasingly popular, the need has arisen to address the challenges and approaches to successful implementation. RFID and Auto-ID in Planning and Logistics: A Practical Guide for Military UID Applications presents the concepts for students, military personnel and contractors, and corporate managers to learn about RFID and other automatic information capture technologies, and their integration into planning and logistics functions. The text includes comparisons of RFID with technologies such as bar codes, satellite tags, and global positioning systems and provides a decision model for choosing the appropriate technology for a given application.By providing the histories, current use, and future applications of RFID and automatic identification technologies (AIT), the book discusses supply chain planning and logistics uses for these technologies. It addresses the fundamental relationships in RFID, including how antennae, integrated circuitry, and substrate work together. The text provides detailed information for troubleshooting design issues and an understanding of passive, semi-passive, and active tags, so an informed choice of technology type can be made. It describes the unique identification (UID) standards necessary for military contractors and how to use RFID and AIT to meet those requirements.This book is unique in the depth of material presented, making it appropriate for engineers, students, and operational personnel as a resource for foundational concepts for integrating logistics and RFID. A comprehensive reference, this volume can is an academic text, a practitioner’s handbook, and a military contractor’s UID guide for using RFID and AIT technologies.

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Architectural and historical surveys of many of the most important buildings in Lincoln. This volume illuminates the development of different building styles in timber, stone and brick over a period of 750 years, in one of the oldest areas of Lincoln. High quality and detailed architectural drawings are accompanied by documentary accounts which explain the historical context, and tell some of the fascinating and tragic stories of the people who lived and worked there from the mid-twelfth century until the First World War, including the medieval Jewish community. Steep Hill is already internationally regarded for the quality of its cultural environment as well as its picturesque architecture, and the Strait and the upper part of the long High Street have a wide range of different architectural styles in their buildings, of considerable interest. Steep, Strait and High forms the final volume in a series of architectural and historical surveys of the historic buildings of Lincoln, based on forty-five years of research, originally undertaken by the Survey of Ancient Houses, sponsored by the Lincoln Civic Trust, and now continued in the work of the Survey of Lincoln. Christopher Johnson, Chair of theSurvey of Lincoln, was an archivist and latterly service manager at Lincolnshire Archives prior to becoming Information and Records Manager at Lincolnshire County Council; Stanley Jones was a lecturer at Sheffield College of Art,and has been deeply involved in the Survey of Ancient Houses in Lincoln.

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Combining the unique heritage of gentlemen s tailoring with a progressive approach to street style, London is fast becoming the world s capital of men s fashion. For this book, Dylan Jones presents a discerning sartorialist s guide to the capital, from London s coolest neighbourhoods to the studios of its most influential designers and beyond. Beginning with an exploration of London s chicest urban villages, the book reflects the extraordinary eclecticism of the city s street style from envelope-pushing streetwear in Shoreditch to classic tailoring in Mayfair. Forays into the coolest and hardest-to-find menswear shops in the city at once reveal the sources of the fashions on display and capture the atmosphere of the capital. At the heart of the book are profiles of London s top designers from world renowned brands to up-and-coming names, these are the designers whose work is shaping the future of menswear. Legends such as Paul Smith and Vivienne Westwood, whose flair for subversion colors their refinement, sit alongside younger designers such as Christopher Shannon and Agi and Sam, pioneers of bringing graphics and pattern to luxury streetwear. Icons of classic elegance such as Tom Ford and Burberry contrast with a new generation of designers, from Nigel Cabourn to Mr. Hare, whose redefined silhouettes and innovative materials take the traditions of Savile Row into the new millennium.

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In 1945, Sukarno declared that the new Indonesian republic would be grounded on monotheism, while also insisting that the new nation would protect diverse religious practice. The essays in Religious Pluralism in Indonesia explore how the state, civil society groups, and individual Indonesians have experienced the attempted integration of minority and majority religious practices and faiths across the archipelagic state over the more than half century since Pancasila. The chapters in Religious Pluralism in Indonesia offer analyses of contemporary phenomena and events; the changing legal and social status of certain minority groups; inter-faith relations; and the role of Islam in Indonesia's foreign policy. Amidst infringements of human rights, officially recognized minorities—Protestants, Catholics, Hindus, Buddhists and Confucians—have had occasional success advocating for their rights through the Pancasila framework. Others, from Ahmadi and Shi'i groups to atheists and followers of new religious groups, have been left without safeguards, demonstrating the weakness of Indonesia's institutionalized "pluralism." Contributors: Lorraine Aragon, Christopher Duncan, Kikue Hamayotsu, Robert Hefner, James Hoesterey, Sidney Jones, Mona Lohanda, Michele Picard, Evi Sutrisno, Silvia Vignato

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Heroic figures such as Heracles, Perseus, and Jason were seen by the Greeks not as mythical figures but as real people who in a bygone age traveled the world, settled new lands, and left descendants who, generation after generation, could trace their ancestry back to the "time of heroes." From the Homeric age to Byzantium, peoples and nations sharing the same fictive ancestry appealed to their kinship when forging military alliances, settling disputes, or negotiating trade connections. In this intriguing study of the political uses of perceived kinship, Christopher Jones gives us an unparalleled view of mythic belief in action.Throughout the centuries of Greek preeminence, the Roman Republic and Empire, and into the early Christian era, examples of kinship diplomacy abound. Ancient historians report, for instance, that when the forces of Alexander the Great reached what is now southern Pakistan they encountered a people called the Siboi, whom they judged to be descendants of Heracles. Since Alexander was himself a descendant of the same hero, the invading Macedonians and the Siboi were clearly kinsmen and so parted in peace. Examining the very origins of ancient diplomacy, and kinship as one of its basic constituents, Kinship Diplomacy addresses fundamental questions about communal and national identity and sheds new light on the force of Greek mythic traditions.

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Attitudes towards `labour', in the wake of the Black Death, shown to range from early protest literature to repressive authoritarianism. At the very moment that the image of the honest labourer seemed to reach its apogee in the Luttrell Psalter or, a few decades later, in Piers Plowman, the dominant culture of the landed interests was increasingly suspiciousof what it described as the idleness, greed and arrogance of the lower orders. Labour was one of the central issues during the fourteenth century: the natural disasters and profound social changes of the period created not merelya "problem" of labour, but also new ways of discussing and (supposedly) solving that problem. These studies engage with the contrasting and often competing discourses which emerged, ranging from the critical social awareness of some of the early fourteenth-century protest literature to the repressive authoritarianism of the new national employment laws that were enforced in the wake of the Black Death, and were expressed in counter-cultures of resistanceand dissent. JAMES BOTHWELL and P.J.P. GOLDBERG lecture in history, and W.M. ORMROD is Professor of History, at the University of York. Contributors: CORDELIA BEATTIE, CHRISTOPHER DYER, RICHARD K. EMMERSON,P.J.P. GOLDBERG, KATE GILES, CHRIS GIVEN-WILSON, STEPHEN KNIGHT, DEREK PEARSALL, SARAH REES JONES.

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In 1945, Sukarno declared that the new Indonesian republic would be grounded on monotheism, while also insisting that the new nation would protect diverse religious practice. The essays in Religious Pluralism in Indonesia explore how the state, civil society groups, and individual Indonesians have experienced the attempted integration of minority and majority religious practices and faiths across the archipelagic state over the more than half century since Pancasila. The chapters in Religious Pluralism in Indonesia offer analyses of contemporary phenomena and events; the changing legal and social status of certain minority groups; inter-faith relations; and the role of Islam in Indonesia's foreign policy. Amidst infringements of human rights, officially recognized minorities—Protestants, Catholics, Hindus, Buddhists and Confucians—have had occasional success advocating for their rights through the Pancasila framework. Others, from Ahmadi and Shi'i groups to atheists and followers of new religious groups, have been left without safeguards, demonstrating the weakness of Indonesia's institutionalized "pluralism." Contributors: Lorraine Aragon, Christopher Duncan, Kikue Hamayotsu, Robert Hefner, James Hoesterey, Sidney Jones, Mona Lohanda, Michele Picard, Evi Sutrisno, Silvia Vignato

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In 1962 Mick Jagger was a bright, well-scrubbed boy (planning a career in the civil service), while Keith Richards was learning how to smoke and to swivel a six-shooter. Add the mercurial Brian Jones (who'd been effectively run out of Cheltenham for theft, multiple impregnations and playing blues guitar) and the wryly opinionated Bill Wyman and Charlie Watts, and the potential was obvious. During the 1960s and 70s the Rolling Stones were the polarising figures in Britain, admired in some quarters for their flamboyance, creativity and salacious lifestyles, and reviled elsewhere for the same reasons. Confidently expected never to reach 30 they are now approaching their seventies and, in 2012, will have been together for 50 years. In The Rolling Stones, Christopher Sandford tells thehuman drama at the centre of the Rolling Stones story. Sandford has carried out interviews with those close to the Stones, family members (including Mick's parents), the group's fans and contemporaries - even examined their previously unreleased FBI files. Like no other book before The Rolling Stoneswill make sense of the rich brew of clever invention and opportunism, of talent, good fortune, insecurity, self-destructiveness, and of drugs, sex and other excess, that made the Stones who they are.

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Charles II's succession to the throne came at a time of national turbulence: his father had been beheaded, Oliver Cromwell had usurped his right to reign. England was at sea among Europe's constantly shifting allegiances. But Henry Jermyn, a Suffolk commoner, lover to the queen mother and possibly even father to the king, was there to keep the royal family together. Jermyn's deft way of secretly manipulating government and raising an army almost prevented Civil War. He was instrumental in saving the monarchy and set in motion the rise of the British Empire. A duellist, soldier and spymaster, Jermyn was close to the great men of the 17th century: Francis Bacon (his kinsman), Louis XIV, Cardinal Richelieu, Inigo Jones, Samuel Peypys, Christopher Wren and Thomas Hobbes (whose Leviathan he inspired). The King's Henchman is a story of love, family, regicide, adversity and last-minute escapes, set against the backdrop of bloody Civil War. It is also the remarkable love story of a commoner and a royal who together shared a vision for Britain and created St James's Square and Greenwich Park as its first grand expression.

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This collection of fifteen insightful essays examines the complexity and diversity of Quaker antislavery attitudes across three centuries, from 1658 to 1890. Contributors from a range of disciplines, nations, and faith backgrounds show Quaker's beliefs to be far from monolithic. They often disagreed with one another and the larger antislavery movement about the morality of slaveholding and the best approach to abolition. Not surprisingly, contributors explain, this complicated and evolving antislavery sensibility left behind an equally complicated legacy. While Quaker antislavery was a powerful contemporary influence in both the United States and Europe, present-day scholars pay little substantive attention to the subject. This volume faithfully seeks to correct that oversight, offering accessible yet provocative new insights on a key chapter of religious, political, and cultural history. Contributors include Dee E. Andrews, Kristen Block, Brycchan Carey, Christopher Densmore, Andrew Diemer, J. William Frost, Thomas D. Hamm, Nancy A. Hewitt, Maurice Jackson, Anna Vaughan Kett, Emma Jones Lapsansky-Werner, Gary B. Nash, Geoffrey Plank, Ellen M. Ross, Marie-Jeanne Rossignol, James Emmett Ryan, and James Walvin.

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Christopher Neve’s classic book is a journey into the imagination through the English landscape. How is it that artists, by thinking in paint, have come to regard the landscape as representing states of mind? ‘Painting’, says Neve, ‘is a process of finding out, and landscape can be its thesis.’ What he is writing is not precisely art history: it is about pictures, about landscape and about thought. Over the years, he was able to have discussions with many of the thirty or so artists he focuses on, the inspiration for the book having come from his talks with Ben Nicholson; and he has immersed himself in their work, their countryside, their ideas. Because he is a painter himself, and an expert on 20th-century art, Neve is well equipped for such a journey. Few writers have conveyed more vividly the mixture of motives, emotions, unconscious forces and contradictions which culminate in the creative act of painting. Each of the thirteen chapters has a theme and explores its significance for one or more of the artists. The problem of time, for instance, is considered in relation to Paul Nash, God in relation to David Jones, music to Ivon Hitchens, hysteria to Edward Burra, abstraction to Ben Nicholson, ‘the spirit in the mass’ to David Bomberg. There are also chapters about painters’ ideas on specific types of country: about Eric Ravilious and the chalk landscape, Joan Eardley and the sea, and Cedric Morris and the garden.

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While Experiential Learning has been an influential methods in the education and development of managers and management students, it has also been one of the most misunderstood. This Handbook offers the reader a comprehensive picture of current thinking on experiential learning; ideas and examples of experiential learning in practice; and it emphasises the importance of experiential learning to the future of management education. Contributors include: Chris Argyris, Joseph Champoux, D. Christopher Kayes, Ruth Colquhoun, John Coopey, Nelarine Cornelius, Elizabeth L. Creese, Gordon Dehler, Andrea Ellinger, Meretta Elliott, Silvia Gherardi, Jeff Gold, Steve G. Green, Kurt Heppard, Anne Herbert, Robin Holt, Martin J. Hornyak, Paula Hyde, Tusse Sidenius Jensen, Sandra Jones, Anna Kayes, Kirsi Korpiaho, Tracy Lamping, Enrico Maria Piras, Amar Mistry, Dale Murray, Jean Neumann, Barbara Poggio, Keijo Räsänen, Peter Reason, Michael Reynolds, Clare Rigg, Bente Rugaard Thorsen, Burkard Sievers, Stephen Smith, Sari Stenfors, Antonio Strati, Elaine Swan, Jane Thompson, Richard Thorpe, Kiran Trehan, Russ Vince, Jane Rohde Voight, Tony Watson, and Ann Welsh.

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This extensively illustrated volume focuses on William Morris (1834–1896), placing his wallpaper designs within the context of the radical changes in taste witnessed during the Victorian era. Against a backdrop of the fanciful, naturalistic patterns that typified fashionable papers in Morris’s youth, the impact of the Reform Movement of the mid-19th century is underscored, particularly the reformers' crusade against such multi-coloured ornamental decoration. Instead, the insistence on the concepts of honesty and propriety as promoted by A. W. N. Pugin and Owen Jones, are demonstrated as influences on Morris. The role of imported Japanese wallpapers is also explored, giving insight into a seldom-discussed cultural exchange evidenced within the story of Morris & Co, which produced wallpapers from 1864 until 1940 and, after a post-war hiatus, from the 1960s to the present. Amplifying Morris’s role in the creation of an influential and lasting style, his work is set within a selection by other designers, including Christopher Dresser and C. F. A. Voysey. Also introduced are firms of significance including Jeffrey & Co. and Arthur Sanderson & Sons, both of whom block-printed the Morris wallpapers. In a highly visual presentation, what is revealed are influences across time and within a global context, as pertinent to the creation of wallpaper art in the 19th century as it is today.

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Though Easter (like Christmas) is often trivialized by the culture at large, it is still the high point of the religious calendar for millions of people around the world. And for most of them, there can be no Easter without Lent, the season that leads up to it. A time for self-denial, soul-searching, and spiritual preparation, Lent is traditionally observed by daily reading and reflection. This collection will satisfy the growing hunger for meaningful and accessible devotions. Culled from the wealth of twenty centuries, the selections in Bread and Wine are ecumenical in scope, and represent the best classic and contemporary Christian writers. Includes more than seventy Lenten and Easter readings by Alexander Stuart Baillie, Alfred Kazin, Alister E. McGrath, Amy Carmichael, Barbara Brown Taylor, Barbara Cawthorne Crafton, Blaise Pascal, Brennan Manning, C. S. Lewis, Christina Rossetti, Christoph Friedrich Blumhardt, Clarence Jordan, Dag Hammarskjöld, Dale Aukerman, Dietrich Bonhoeffer, Dorothee Soelle, Dorothy Day, Dorothy Sayers, Dylan Thomas, E. Stanley Jones, Eberhard Arnold, Edith Stein, Edna Hong, Emil Brunner, Ernesto Cardenal, Fleming Rutledge, Frederica Mathewes-Green, Frederick Buechner, Fyodor Dostoevsky, G. K. Chesterton, Geoffrey Hill, George MacDonald, Henri Nouwen, Henry Drummond, Howard Hageman, J. Heinrich Arnold, Jean-Pierre de Caussade, Johann Christoph Arnold, John Dear, John Donne, John Howard Yoder, John Masefield, John Stott, John Updike, Joyce Hollyday, Jürgen Moltmann, Kahlil Gibran, Karl Barth, Kathleen Norris, Leo Tolstoy, Madeleine L’Engle, Malcolm Muggeridge, Martin Luther, Meister Eckhart, Morton T. Kelsey, Mother Teresa, N. T. Wright, Oscar Wilde, Oswald Chambers, Paul Tillich, Peter Kreeft, Philip Berrigan, Philip Yancey, Romano Guardini, Sadhu Sundar Singh , Saint Augustine, Simone Weil, Søren Kierkegaard, Thomas à Kempis , Thomas Howard, Thomas Merton, Toyohiko Kagawa, Walter J. Ciszek, Walter Wangerin, Watchman Nee, Wendell Berry and William Willimon.

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WINNER of Saboteur 2014 - Best AnthologyThere's something about Liars' League that brings out the wildness in the writers' imaginations. Here we explore myth, fantasy, science fiction, and the indefinable what the - that makes up Weird. In true Liars' League fashion there is as much humour as there is darkness and poignancy. More than twenty tales, varying in style from stories not out of place in One Thousand and One Nights, to the completely bemusing. Discover mirrors that predict the immediate future and museums where your personal future life is exhibited in the kind of ephemeral objects that might normally find their way into a dustbin. Meet tadpoles, lazy assassins, and assiduous poisoners; observe deals with the devil, and workplace stress taken to its logical conclusion. Heroes, villains, and animals - anything and anyone could provide the twist in the tale - cursed travellers, persistent dreamers, aliens, robots and even ice might be the object, or source, of love. Stories from: Alan Graham, Alex Smith, Angela Trevithick, Andrew Lloyd Jones, Barry McKinley, C.T.Kingston, Christopher Samuels, David McGrath, David Malone, David Mildon, Derek Ivan Webster, Ellen O'Neill, James Smyth, Jonathan Pinnock, Joshan Esfandiari Martin, Lee Reynoldson, Lennart Lundh, Maria Kyle, Nichol Wilmor, Peng Shepherd, Rebecca J Payne, Richard Meredith, Richard Smyth, Tom McKay

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Welcome to a landscape of ancient evil . . . with stories by masters of horror Arthur Machen, Algernon Blackwood, H. P. Lovecraft, M. R. James​, Ramsey Campbell, Storm Constantine, Christopher Fowler, Alison Littlewood, Kim Newman, Reggie Oliver​, Michael Marshall Smith, Karl Edward Wagner, and more! The darkness that endures beneath the earth . . . the disquiet that lingers in the woodland surrounding a forgotten path . . . those ancient traditions and practices that still cling to standing stone circles, earthworks, and abandoned buildings; elaborate rituals that invoke elder gods or nature deities; the restless spirits and legendary creatures that remain connected to a place or object, or exist in deep wells and lonely pools of water, waiting to ensnare the unwary traveler . . . These concepts have been the archetypes of horror fiction for decades, but in recent years they have been given a name: Folk Horror. This type of storytelling has existed for more than a century. Authors Arthur Machen, Algernon Blackwood, H. P. Lovecraft, and M. R. James all published fiction that had it roots in the notion of the supernatural being linked to objects or places “left behind.” All four writers are represented in this volume with powerful, and hopefully unfamiliar, examples of their work, along with newer exponents of the craft such as Ramsey Campbell, Storm Constantine, Christopher Fowler, Alison Littlewood, Kim Newman, Reggie Oliver, and many others. Illustrated with the atmospheric photography of Michael Marshall Smith, the stories in The Mammoth Book of Folk Horror tap into an aspect of folkloric tradition that has long been dormant, but never quite forgotten, while the depiction of these forces as being in some way “natural” in no way detracts from the sense of nameless dread and escalating horror that they inspire . . .

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A Victorian club house in a castle in the West End of London, complete with battlements and turrets. A design for the post-war reconstruction of the capital in 1945. A fantasy landscape featuring Le Corbusier’s Capriccio of Notre-Dame du Haut in ruins.This is a treasury of architectural drawing from the 16th century to the present day. Exploring both how and why architects draw, it offers a rich visual history from Palladio, Inigo Jones and Augustus Pugin to Richard Rogers, Norman Foster and Zaha Hadid, via Sir Christopher Wren, George Gilbert Scott and Erno Goldfinger, and everything else in between.From back-of-envelope concept sketches to painstaking pen-and-ink perspectives, exploded axonometrics and born-digital drawings, this book celebrates the full gamut of architectural representation. With over 200 lush, full-colour reproductions, this is a window into the soul of architectural drawing over the past five hundred years. Includes newly digitised, never-seen-before material from the RIBA Collections, one of the largest architectural archives in the world. Explores rare drawings and designs from John Nash, Sir Edwin Lutyens, Frank Lloyd Wright and many more. Insightful commentary alongside each drawing ensures that each image is as accessible and engaging as possible. Wide-ranging in scope, this book will both inspire and inform.

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The fossil fuel revolution is usually rendered as a tale of historic advances in energy production. In this perspective-changing account, Christopher F. Jones instead tells a story of advances in energy access—canals, pipelines, and wires that delivered power in unprecedented quantities to cities and factories at a great distance from production sites. He shows that in the American mid-Atlantic region between 1820 and 1930, the construction of elaborate transportation networks for coal, oil, and electricity unlocked remarkable urban and industrial growth along the eastern seaboard. But this new transportation infrastructure did not simply satisfy existing consumer demand—it also whetted an appetite for more abundant and cheaper energy, setting the nation on a path toward fossil fuel dependence.Between the War of 1812 and the Great Depression, low-cost energy supplied to cities through a burgeoning delivery system allowed factory workers to mass-produce goods on a scale previously unimagined. It also allowed people and products to be whisked up and down the East Coast at speeds unattainable in a country dependent on wood, water, and muscle. But an energy-intensive America did not benefit all its citizens equally. It provided cheap energy to some but not others; it channeled profits to financiers rather than laborers; and it concentrated environmental harms in rural areas rather than cities.Today, those who wish to pioneer a more sustainable and egalitarian energy order can learn valuable lessons from this history of the nation’s first steps toward dependence on fossil fuels.

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Volume 97 of Harvard Studies in Classical Philology is a special issue, entitled “Greece in Rome,” comprising revised versions of papers presented at a Loeb Classical Conference on the question of the Greek influence on Roman culture, with a particular though not exclusive emphasis on the Augustan period. The papers reflect the complexity of the relationship between the cultures involved—Greek, Roman, and Italic—and span many fields: history, literature, philosophy, linguistics, religion, and the visual arts.Contributors include: G. W. Bowersock, “The Barbarism of the Greeks”; John Scheid, “Graeco Ritu: A Typically Roman Way of Honoring the Gods”; Calvert Watkins, “Greece in Italy outside Rome”; Gisela Striker, “Cicero and Greek Philosophy”; Brad Inwood, “Seneca in His Philosophical Milieu”; Bettina Bergmann, “Greek Masterpieces and Roman Recreative Fictions”; Elaine K. Gazda, “Roman Sculpture and the Ethos of Emulation: Reconsidering Repetition”; Ann Kuttner, “Republican Rome Looks at Pergamon”; Cynthia Damon, “Greek Parasites and Roman Patronage”; Richard F. Thomas, “Vestigia Ruris: Urbane Rusticity in Virgil’s Georgics”; R. J. Tarrant, “Greek and Roman in Seneca’s Tragedies”; Christopher P. Jones, “Graia Pandetur ab Urbe”; Albert Henrichs, “Graecia Capta: Roman Views of Greek Culture”; and Sarolta A. Takács, “Alexandria in Rome.”

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Volume 101 of Harvard Studies in Classical Philology includes the following contributions: Stephen Scully, “Reading the Shield of Achilles: Terror, Anger, Delight”; Hugh Lloyd-Jones, “Zeus, Prometheus, and Greek Ethics”; Robert W. Wallace, “An Early Fifth-Century Athenian Revolution in Aulos Music”; Lucia Athanassaki, “Transformations of Colonial Disruption into Narrative Continuity in Pindar’s Epinician Odes”; Christina Clark, “Minos’ Touch and Theseus’ Glare: Gestures in Bakkhylides 17”; Peter Grossardt, “The Title of Aeschylus’ Ostologoi”; John Gibert, “Apollo’s Sacrifice: The Limits of a Metaphor in Greek Tragedy”; Albert Henrichs, “Hieroi Logoi and Hierai Bibloi: The (Un)Written Margins of the Sacred in Ancient Greece”; David M. Engel, “Women’s Role in the Home and the State: Stoic Theory Reconsidered”; James J. Clauss, “Once upon a Time on Cos: A Banquet with Pan on the Side in Theocritus Idyll 7”; Alexander Sens, “Pleasures Recalled: A.R. 3.813–814, Asclepiades, and Homer”; Christopher S. Mackay, “Quaestiones Pisonianae: Procedural and Chronological Notes on the S.C. De Cn. Pisone Patre”; Alex Hardie, “The Pindaric Sources of Horace Odes 1.12”; Charles E. Murgia, “The Date of the Helen Episode”; Mark Toher, “Nicolaus and Herod in the Antiquitates Judaicae”; W. S. Watt,† “Notes on the Anthologia Latina”; D. R. Shackleton Bailey, “New Readings in Valerius Maximus”; and R. Sklenář, “The Cosm(et)ology of Claudian’s ‘In Sepulchrum Speciosae.’”

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Abstract art was never dead. Since its revolutionary beginnings at the dawn of the 20th century, it has repeatedly flourished and survived all animosities, even bans. And more than that: today in particular, artists and museums are increasingly devoting themselves to this theme, in the world’s most important art metropolises and in unprecedented diversity. Aspects of contemporary abstract art, coupled with historical reminiscences, are the focus of the publication on the occasion of the third exhibition, showcasing works from the Deutsche Bank Collection at the PalaisPopulaire. The selection includes works from 1959 to 2021. Included are not only drawings and photographs but also, for the first time, significant paintings and prints. Artists: Markus Amm, Rana Begum, Otto Boll, Kerstin Brätsch, Cabrita, Ernst Caramelle, Carlos Cruz-Diez, Adriana Czernin, Helmut Federle, Günther Förg, Günter Fruhtrunk, Franziska Furter, Rupprecht Geiger, Katharina Grosse, João Maria Gusmão + Pedro Paiva, Erwin Heerich, Bernhard Härtter, Daniel Hunziker, ShŌichi Ida, Jürgen Jansen, Olav Christopher Jenssen, Jennie C. Jones, Kapwani Kiwanga, Imi Knoebel, Norbert Kricke, Tadaaki Kuwayama, Thomas Locher, Fabian Marti, Bernd Minnich, Wilhelm Müller, Nima Nabavi, Albert Oehlen, Susanne Paesler, Blinky Palermo, Jorge Pardo, Georg Karl Pfahler, Charlotte Posenenske, Lothar Quinte, Gerhard Richter, Peter Roehr, Ulrich Rückriem, Fred Sandback, Karin Sander, Kai Schiemenz, Richard Serra, Dieuwke Spaans, Ulrich Wendland, Claudia Wieser, Beat Zoderer Text in English and German.

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How a new generation of counterculture talent changed the landscape of Hollywood, the film industry, and celebrity culture. By 1967, the commercial and political impact on Hollywood of the sixties counterculture had become impossible to ignore. The studios were in bad shape, still contending with a generation-long box office slump and struggling to get young people into the habit of going to the movies. Road Trip to Nowhere examines a ten-year span (from 1967 to 1976) rife with uneasy encounters between artists caught up in the counterculture and a corporate establishment still clinging to a studio system on the brink of collapse. Out of this tumultuous period many among the young and talented walked away from celebrity, turning down the best job Hollywood—and America—had on offer: movie star. Road Trip to Nowhere elaborates a primary-sourced history of movie production culture, examining the lives of a number of talented actors who got wrapped up in the politics and lifestyles of the counterculture. Thoroughly put off by celebrity culture, actors like Dennis Hopper, Christopher Jones, Jean Seberg, and others rejected the aspirational backstory and inevitable material trappings of success, much to the chagrin of the studios and directors who backed them. In Road Trip to Nowhere, film historian Jon Lewis details dramatic encounters on movie sets and in corporate boardrooms, on the job and on the streets, and in doing so offers an entertaining and rigorous historical account of an out-of-touch Hollywood establishment and the counterculture workforce they would never come to understand.

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How a new generation of counterculture talent changed the landscape of Hollywood, the film industry, and celebrity culture. By 1967, the commercial and political impact on Hollywood of the sixties counterculture had become impossible to ignore. The studios were in bad shape, still contending with a generation-long box office slump and struggling to get young people into the habit of going to the movies. Road Trip to Nowhere examines a ten-year span (from 1967 to 1976) rife with uneasy encounters between artists caught up in the counterculture and a corporate establishment still clinging to a studio system on the brink of collapse. Out of this tumultuous period many among the young and talented walked away from celebrity, turning down the best job Hollywood—and America—had on offer: movie star. Road Trip to Nowhere elaborates a primary-sourced history of movie production culture, examining the lives of a number of talented actors who got wrapped up in the politics and lifestyles of the counterculture. Thoroughly put off by celebrity culture, actors like Dennis Hopper, Christopher Jones, Jean Seberg, and others rejected the aspirational backstory and inevitable material trappings of success, much to the chagrin of the studios and directors who backed them. In Road Trip to Nowhere, film historian Jon Lewis details dramatic encounters on movie sets and in corporate boardrooms, on the job and on the streets, and in doing so offers an entertaining and rigorous historical account of an out-of-touch Hollywood establishment and the counterculture workforce they would never come to understand.

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Captain Jack is finally dying, and it's time for his oldest friend to visit his deathbed. King John has come to tell him a story. The story of the life he should have had. It's the story of Alexander the Great, sinking ships, falling empires, robot dinosaurs, and alien invasions. It's a story of love, royal weddings, murder, mass murder, genocide, and very tight trousers. It's the story of the life of Captain John and it's the story of Torchwood. Be careful what you wish for. The huge and long - running public interest in new Torchwood adventures resulted in a server melt-down when its return on audio was announced by star John Barrowman on his Sunday night radio slot. Across the range, John Barrowman, Eve Myles, Kai Owen and Gareth David -Lloyd have reprised the characters who starred in four years of hit Doctor Who spin-off Torchwood, screened around the world - Gareth David-Lloyd played Ianto Jones in the BBC series, a character so popular with fans that when he was killed off, a shrine was created in Cardiff that is still there to this day! This marks the first time James Marsters has reprised his popular Captain Hart character, though to fans of Buffy the Vampire Slayer he's still best known as the charismatic baddy vampire Spike! Big Finish's Torchwood range also includes - so far - three specials: Torchwood - Outbreak, The Torchwood Archive and Torchwood One - Before the Fall, and in late 2017 a new audio range carried on the series from where it left off on TV. NOTE: Torchwood contains adult material and may not be suitable for younger listeners. Cast: John Barrowman (Captain Jack Harkness), James Marsters (Captain John Hart), Eve Myles (Gwen Cooper), Gareth David-Lloyd (Ianto Jones), Kai Owen (Rhys Williams), Tom Price (Sgt Andy), Samuel Barnett (Norton Folgate), Rowena Cooper (Queen Victoria), Rick Yale (Christopher Marlowe), Aly Cruickshank (Alexander the Great), Marilyn Le Conte (Catherine the Great), Luke Williams (Hephaeston), Richard Elfyn (Field Marshal), Kerry Joy Stewart (Flat Holm Doctor), Kristy Philipps (Royal Servant).

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This book focuses on the problems faced by newly-established competition authorities, and on shaping policies and building institutions in those jurisdictions. In particular four key issues encountered by new competition jurisdictions are considered, namely: the challenges and obstacles to adopting competition laws; institutional challenges and choices, with a specific focus on deterrence; the global perspective, with a specific focus on mergers; and a discussion of how to help young academics in new jurisdictions. Theoretical analysis is informed by practice throughout, and in particular by those considered to be at the cutting edge, either working in new competition authorities or from specialists advising them on a daily basis (such as those in the OECD and UNCTAD). New Competition Jurisdictions will be of great interest to lawyers, economists, academics, judges and public officials working in the fields of competition law and policy. Contributors: M. Agarwal, M. Botta, M. Chowdhury, J. Davies, M.S. Gal, D.J. Gerber, C.A. Jones, W.E. Kovacic, D. Lewis, C. Schatan, U. Schwager, H. Shahein, J. Tapia, C. Townley, K. Weeks, R. Whish

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Big Finish have been producing Doctor Who audios since 1999, starring Tom Baker, Peter Davison, Colin Baker, Sylvester McCoy, Paul McGann, David Tennant and John Hurt. In these two new adventures, Jon Culshaw comes on board to play Kamelion, a shape-changing android companion from the Fifth Doctor’s era. BLACK THURSDAY by Jamie Anderson. 1902. Deep beneath the Welsh village of Abertysswg, men have worked the black seam for generations. Until the day of the disaster. The day that a blue box from the future materialised inside the mine... and things would never be the same again. POWER GAME by Eddie Robson. Welcome to the Incredible Power Game, in which three brave Earthlings enter the Void Pit in search of strange gems to help return the alien Hostess to her home dimension. Today's contestants include Graham, Sadia... and Tegan, an air stewardess from Brisbane! Jon Culshaw comes on board to play Kamelion, a shape-changing android companion from the Fifth Doctor’s era, the character’s first appearance at Big Finish. Cast: Peter Davison (The Doctor), Janet Fielding (Tegan Jovanka), Mark Strickson (Turlough), Jon Culshaw (Kamelion), Lizzie Roper (Eira Hughes), Tim Treloar (John Hughes), Matthew Aubrey (Gwyn Hughes), Derek Hutchinson (Geoff Evans), Bettrys Jones (Judith Matson), Christopher Naylor (James Hudd), Harriet Kershaw (The Hostess), Natalie Winter (Una), Richard Popple (Richard), Dougie McMeekin (Stuart), Alex Tregear (Sadia).

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Winner, APMA Best Atlantic-Published Book Award and The Critical Eye AwardHonourable Mention, Canadian Museums Association’s Outstanding Achievement in ResearchIn Future Possible, Mireille Eagan and other writers and artists navigate the tangled histories and cultures of Newfoundland and Labrador to investigate the visual output and to write the narrative that it has created. The result is an ambitious volume, arising from a two-part exhibition of the same name at The Rooms, that provides a multi-vocal, multi-faceted history spanning pre- and post-Confederation Newfoundland.Lavishly illustrated with reproductions of original works and installation views, Future Possible features essays by curators and artists on topics such as pre-Confederation art; contemporary art, craft, and Indigenous culture; and outsider and folk art. This intriguing volume places artifacts from the province’s history and work by iconic Newfoundland and Labrador artists such as Gerald Squires and Mary Pratt in conversation with works by contemporary artists like Jordan Bennett and Kym Greeley. Together they explore how history is told and retold through objects and images and how these objects and images, and the power structures that preserve them, define an understanding of place.Contributions from Mireille Eagan, Jamie Fitzpatrick, Andy Jones, Heather Igloliorte, Jeff Webb, Darryn Doull, Bushra Junaid, Cory Thorne, Kelley Totten, Patricia Grattan, Gerard Curtis, Caroline Stone, Craig Francis Power, Christopher Pratt, Logan MacDonald, Lisa Moore, Eva Crocker, Andria Hickey, and a foreword by Anne Chafe.

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Violin Star offers beginner violinists a refreshing and inspirational choice of pieces to help build confidence and musical skills. The repertoire is imaginatively tailored to develop specific techniques through an exciting range of musical styles. The Student's books contain the solo violin parts, along with colourful illustrations, activities. Play-along tracks can be access via the download code in the book. The Accompaniment books include separate piano and violin accompaniments for every piece. Key features of the series: an approachable progression from beginner level to Grade 2, play-along tracks with each Student's book, which contain specially, created instrumental arrangements to convey style and mood, original compositions and arrangements by Edward Huws Jones. Edward Huws Jones is a composer, arranger and music educationalist. He studied at the University of York and the Royal Academy of Music, and went on to develop extensive experience as a string teacher. He has travelled widely to research fiddle-playing styles, and his original compositions are firmly established in educational repertoire.

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