Search results for ""Author Ann Goldstein""

Primo Levi, the Italian-born chemist once described by Philip Roth as that “quicksilver little woodland creature enlivened by the forest’s most astute intelligence,” has largely been considered a heroic figure in the annals of twentieth-century literature for If This Is a Man, his haunting account of Auschwitz. Yet Levi’s body of work extends considerably beyond his experience as a survivor. Now, the transformation of Levi from Holocaust memoirist to one of the twentieth century’s greatest writers culminates in this publication of The Complete Works of Primo Levi. This magisterial collection finally gathers all of Levi’s fourteen books—memoirs, essays, poetry, and fiction—into three slip-cased volumes. Thirteen of the books feature new translations, and the other is newly revised by the original translator. Nobel laureate Toni Morrison introduces Levi’s writing as a “triumph of human identity and worth over the pathology of human destruction.” The appearance of this historic publication will occasion a major reappraisal of “one of the most valuable writers of our time” (Alfred Kazin). The Complete Works of Primo Levi features all new translations of: The Periodic Table, The Drowned and the Saved, The Truce, Natural Histories, Flaw of Form, The Wrench, Lilith, Other People’s Trades, and If Not Now, When?—as well as all of Levi’s poems, essays, and other nonfiction work, some of which have never appeared before in English.

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In this little-known classic of Italian literature, young Arturo grows up in near-isolation on the island of Procida in the Bay of Naples. His mother died in childbirth and his wayward father, who left him as a child in the care of a servant on the island, returns only sporadically. Cut off from the island community, Arturo exists almost entirely in solitude: he roams the island with his beloved dog, sails in his boat and reads tales of virtuous heroes and adventurers whom he imagines resemble his father. The boy's world is upended when his father arrives from Naples with his new wife Nunziata, who at sixteen is only a few years older than Arturo. Their presence shatters his childhood idyll, awakening passionate feelings and drawing the family towards painful conflict. Arturo's Island is a moving and dramatic portrayal of the loss of childhood idealism and the inescapable force of desire.

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FROM THE INTERNATIONALLY ACCLAIMED AUTHOR OF A GIRL RETURNED, COMES A MOVING NEW NOVEL ABOUT SISTERHOOD, THE PAST AND ITS INDELIBLE MARKS * NATALIE PORTMAN'S BOOK CLUB PICK FOR JULY 2022* *A Strega Prize 2021 finalist * It’s the darkest time of night. Adriana, a baby in her arms, hammers on her sister's door. Who is she running from? What uncomfortable truth will she deliver? Like a whirlwind, Adriana breaks into her sister’s life bringing chaos and cataclysmic revelations. Years later, the narrator gets an unexpected, urgent summons back to Pescara. She embarks on a long journey through the night, and through the folds and twists of her memory, from her and her sister’s youth, their loves and losses, their secrets and regrets. Back in Borgo Sud, the town’s fishermen’s quarter, in that impenetrable yet welcoming microcosm, she will discover what really happened, and perhaps make peace with the past. Donatella Di Pietrantonio, expert chronicler of the bonds between mothers and daughters, revisits the places and characters of A Girl Returned with a novel focussed on the ambivalent, ambiguous, wavering but steadfast relationship between sisters.

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18M copies of Elena Ferrante's books sold worldwide “This is my last column, after a year that has scared and inspired me.” With these words, Elena Ferrante, the bestselling author of My Brilliant Friend, bid farewell to her year-long collaboration with the Guardian. For a full year she penned short pieces, the subjects of which were suggested by editors at the Guardian, turning the writing process into a kind of prolonged interlocution; the subjects ranged from first love to climate change, from enmity among women to the adaptation of her novels to film and TV. As she said in her final column: “I have written as an author of novels, taking on matters that are important to me and that—if I have the will and the time—I’d like to develop within real narrative mechanisms.” Here, then, are the seeds of possible future novels, the ruminations of an internationally beloved author, and the abiding preoccupations of a writer who has been called “one of the great novelists of our time” (The New York Times). Gathered together for the first time and accompanied by an entirely new introduction written by Elena Ferrante and by Andrea Ucini’s intelligent, witty, and beautiful illustrations, this is a must for all Ferrante fans.

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