Search results for ""Author Rod"

'The whole point of a race is to find a winner... I chose to race, so I chose to win.' For 14 years between 1965 and 1978, cyclist Edouard Louis Joseph Merckx simply devoured his rivals, their hopes and their careers. His legacy resides as much in the careers he ruined as the 445 victories - including five Tour de France wins and all the monument races - he amassed in his own right. So dominant had Merckx become by 1973 that he was ordered to stay away from the Tour for the good of the event.Stage 17 of the 1969 Tour de France perfectly illustrates his untouchable brilliance. Already wearing the yellow jersey on the col du Tourmalet, the Tour's most famous peak, Merckx powered clear and rode the last 140 kilometres to the finish-line in jaw-dropping solitude, eight minutes ahead of his nearest competitor.Merckx's era has been called cycling's Golden Age.It was full of memorable characters who, at any other time, would all have gone on to become legends. Yet Merckx's phenomenal career overshadowed them all. How did he achieve such incredible success? And how did his rivals really feel about him? Merckx failed drug tests three times in his career - were they really stitch ups as he claimed? And what of the crash at a track meet in Blois, France that killed Merckx's pacer Fernand Wambst, which Merckx claimed deeply affected him psychologically and physically? Or the attack by a spectator in 1975?Despite his unique achievements, we know little about the Cannibal beyond his victories. This will be the first comprehensive biography of Merckx in English, and will finally expose the truth behind this legendary man.

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One of The Guardian's Best Food Books 2023'I really love Joe Woodhouse's food' - Nigella Lawson'Joe just makes the most delicious food that happens to have no meat or fish in it.'- Rachel Roddy'When Joe Woodhouse cooks then you know that something very, very good will result from much happy time spent in the kitchen. For such a modern cook, the flavours are deep, rich and magical. That there is no meat is happily forgotten here, for this is about great cooking.' - Jeremy Lee'Joe's food always looks gorgeous and totally doable. A major plus is that the recipes in his books can often be made with ingredients you have at home.' - Diana HenrySwapping just one meat dish for a plant-based one saves greenhouse gas emissions that are equivalent to the energy used to charge your phone for two years. In this new collection of recipes, a companion to the highly acclaimed Your Daily Veg, long-time vegetarian Joe Woodhouse celebrates everyday, seasonal vegetables in a fresh, modern way with dishes that always deliver on flavour and satisfaction. Focusing either on one core vegetable or a group of similar vegetables - including celeriac, beetroot and squash, tomatoes and fennel, mushrooms, onions and leeks, and beans, pulses and seeds - the recipes follow a simple format of short ingredients lists and easy-to-follow instructions.Praise for Your Daily Veg:'One of those cookbooks that you can tell will go into heavy rotation in your kitchen. Each chapter is given over to a different, common vegetable and how you can turn it into a satisfying and straightforward meal.' - Tim Lewis, Observer Food Monthly

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An NCSS Notable Social Studies Trade Books for Young People 2015Martha Gellhorn jumped at the chance to fly from Hong Kong to Lashio to report firsthand for Collier’s Weekly on the conflict between China and Japan. When she boarded the “small tatty plane” she was handed “a rough brown blanket and a brown paper bag for throwing up.” The flight took 16 hours, stopping to refuel twice, and was forced to dip and bob through Japanese occupied airspace.Reporting Under Fire tells readers about women who, like Gellhorn, risked their lives to bring back scoops from the front lines. Margaret Bourke-White rode with Patton’s Third Army and brought back the first horrific photos of the Buchenwald concentration camp. Marguerite Higgins typed stories while riding in the front seat of an American jeep that was fleeing the North Korean Army. And during the Guatemalan civil war, Georgie Anne Geyer had to evade an assassin sent by the rightwing Mano Blanco, seeking revenge for her reports of their activities.These 16 remarkable profiles illuminate not only the inherent danger in these reporters’ jobs, but also their struggle to have these jobs at all. Without exception, these war correspondents share a singular ambition: to answer an inner call driving them to witness war firsthand, and to share what they learn via words or images.

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Desarrolle el líder que está en ustedes el primer y más perdurable libro de liderazgo del doctor Maxwell habiendo vendido más de un millón de copias. En esta edición descubrirás el fundamento bíblico para el liderazgo que John Maxwell ha utilizado como pastor y líder de negocios durante más de cuarenta años. Estos mismos principios y prácticas están disponibles para que cada líder aplique en su vida cotidiana. Es un llamado para liderar un grupo, una familia, un ministerio, un negocio. Los principios en este libro traerán cambios positivos en tu vidas y en las vidas de aquellos que te rodean. Aprenderás: La verdadera definición de líder. «El liderazgo es influencia. Eso es todo. Nada más y nada menos». Los tratos del liderazgo. «El liderazgo no es un club exclusivo para quienes nacieron con el». Los tratos que constituyen las material fundamentales para el liderazgo se pueden adquirir. Combínalos con el anhelo y nada evitará que te conviertas en un líder. «La diferencia entre administración y liderazgo». Asegurarse que los demás realicen su trabajo es el logro de un gerente. Inspirar a otros a hacer un mejor trabajo es el logro de un líder. «Dios ha llamado a cada creyente a influir en los demás, a ser sal y luz. Desarrolle el líder que está en ustedte equipará para mejorar tu liderazgo e inspirar a otros. Explore y mejore las destrezas del liderazgo dentro de usted. En este libro, John Maxwell examínalas diferencias entre los estilos de liderazgo y bosqueja los principios para motivar e influir en los demás. Estos principios pueden usarse en cualquier organización para fomentar la integridad y autodisciplina y producir un cambio positivo.

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Loie Fuller was the most famous American in Europe throughout the late nineteenth and early twentieth centuries. Rising from a small-time vaudeville career in the States, she attained international celebrity as a dancer, inventor, impresario, and one of the first women filmmakers in the world. Fuller befriended royalty and inspired artists such as Mallarme, Toulouse-Lautrec, Rodin, Sarah Bernhardt, and Isadora Duncan. Today, though, she is remembered mainly as an untutored "pioneer" of modern dance and stage technology, the "electricity fairy" who created a sensation onstage whirling under colored spotlights. But in Rhonda Garelick's Electric Salome, Fuller finally receives her due as a major artist whose work helped lay a foundation for all modernist performance to come. The book demonstrates that Fuller was not a mere entertainer or precursor, but an artist of great psychological, emotional, and sexual expressiveness whose work illuminates the centrality of dance to modernism. Electric Salome places Fuller in the context of classical and modern ballet, Art Nouveau, Orientalism, surrealism, the birth of cinema, American modern dance, and European drama. It offers detailed close readings of texts and performances, situated within broader historical, cultural, and theoretical frameworks. Accessibly written, the book also recounts the human story of how an obscure, uneducated woman from the dustbowl of the American Midwest moved to Paris, became a star, and lived openly for decades as a lesbian.

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A través de la historia es fácil comprobar que la pasión, bien sea amorosa, ideológica o simplemente vital, ha tenido consecuencias trágicas para el sexo femenino. Son muchos los casos en los que la consagración de una vida al arte, al amor, o a una causa política o religiosa ha tenido un trágico final. La eterna lucha entre Eros y Tanatos, la pasión y la muerte, es una constante en la biografía de muchas mujeres a lo largo de todas las épocas y en todas las latitudes.Por las páginas de este título, desfilan muchas de estas mujeres que, en su momento, fueron capaces de luchar por sus ideales o de vivir un amor aún a costa de su propia vida. Mujeres como Juana de Arco, Inés de Castro, Ana Bolena, María Estuardo, Mariana Pineda, Olimpia de Gouges, Mata Hari o Diane Fossey que murieron víctimas de la intolerancia de quienes las rodeaban o por haber cometido el delito de amar apasionadamente. Mujeres, que como Beatrice Cenci, Isabella di Morra o tantas víctimas de la violencia de géner

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As a young girl, trapped in bed with a life-threatening disease, Paula Eber dreamed of adventuring across the globe, visiting exotic places far beyond the suffocating walls of her bedroom. Thirty years later, now an anthropology professor, cyclist and mother of two young girls, Paula runs into a quirky ad that sets in motion a very unconventional idea. Why not bicycle around the world with her family? Traveling slowly on a bicycle and camping along the way, the family could meet the local people, intimately experiencing the culture, history and geography of the world. Plus, the journey could support an important cause. Each kilometer they pedaled would raise money for asthma, the disease that had almost killed Paula as a child. And by cycling, they would choose a sustainable form of travel, making the world a better place to breathe.Two years later, supported by six major outdoor sponsors and World Bike for Breath, www.worldbikeforbreath.org, Paula, her husband, Lorenz, and their two daughters—eleven year old Yvonne and thirteen year old Anya—set off with two tandems, two tents, six panniers and one stuffed elephant. Their audacious plan: to pedal 15,000 kilometers across Europe, through Asia, Australia and the South Pacific and across North America in an unbroken, continuous circle around the globe. As they cycle, the Ebers do indeed plunge deeply into the local culture. They become guests of honor of an Italian cycling team; cook dinner with a Mongolian family over a dung fire in their yurt; participate in an ancient tea ceremony at a Buddhist monastery in Taiwan and are treated as honored guests at the Dayton rodeo in the U.S.However, as the family struggles with increasing hardships and danger, both parents and children are forced to grow and change both individually and together. Facing a 100 degree heat wave in Italy, a snowstorm at the Great Wall in China, an earthquake in Taiwan, and a tornado in North Dakota, the family is forced to work together—each dependent on the skills of the other, no matter how young. Dealing with drug smugglers and corrupt border guards in Russia, a bite by a poisonous molokau in Tonga and a broken foot in New Zealand, Paula and Lorenz learn hard leadership and decision-making lessons as parents. Yvonne and Anya come face to face with poverty and global inequities as they camp on the lawn of a Lithuanian man whose home has no heat or insulation. And weaving throughout the story is Paula’s own personal challenge: overcoming her asthma as she struggles to breathe while cycling over high altitude mountains in the Alps and Rockies and battling pollution filled air in Asia.On August 28, 2004, the Ebers finished their 14,931 kilometer journey in Washington D.C. They raised $65,000 to combat a disease that kills more than 250,000 children and adults around the world every year. The family spoke about clean air and asthma to over 150 newspapers, magazines and TV stations across the globe, including features in Time for Kids and NPR, and PBS’s Road Trip Nation. They are the only family on record to complete a full circumnavigation of the world by bicycle.

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Duchess of Cork Street is the autobiography of a remarkable woman who, educated in the culturally unsophisticated milieu of South Africa, managed by charm, determination and good judgment to establish herself as a doyenne of the London art world between about 1950 and the late 1970s. Although Lillian Browse had originally had ambitions to become a ballet-dancer, she joined the staff of the well known Leger Gallery in the early 1930s, and in 1945 she set up a new art gallery called Roland, Browse and Delbanco in Cork Street in the west end of London together with two fellow art dealers, thus coming to know through her varied experiences many of the most distinguished people of her time as clients and friends. She had worked with Sir Kenneth Clark on planning exhibitions in the National Gallery during the war. Her gallery soon acquired a reputation for quality and integrity and, with her distinctive and influential taste, she pioneered the study of important French and English painters and sculptors, among them Degas, Rodin, Sickert, William Nicholson and Augustus John, and she also gave consistent support to an expanding group of living artists. She was active in the world of art-dealing for over fifty years. During that period the character of the profession changed out of all recognition. Although the spotlight has now moved from London to New York for a variety of reasons, she is by no means despairing of the future. The number of galleries is growing fast, especially away from central London. Above all, there is a much wider interest in art and appreciation of living artists in Britain than ever before. She played a significant role in helping to bring that about. Lillian Browse, who was awarded the CBE in 1998, remains a popular and revered personality in the art world. Her book has been eagerly awaited.

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A Top 10 Best Books of the Year (Wall Street Journal), Top 10 Best Nonfiction (Time), Top 5 Nonfiction (LA Times), Top 10 Books of 2022 (Fresh Air), and One of Oprah Daily's Favourite Books of 2022: A revelatory biography from a Pulitzer Prize-winner about the most essential Founding Father- the one who stood behind the change in thinking that produced the American Revolution."A glorious book that is as entertaining as it is vitally important." -Ron Chernow"A beautifully crafted, invaluable biography...Schiff ingeniously connects the past to our present and future, underscoring the lessons of Adams while reclaiming our nation's self-evident truths at a moment when we seemed to have forgotten them." -Oprah DailyThomas Jefferson asserted that if there was any leader of the Revolution, "Samuel Adams was the man." With high-minded ideals and bare-knuckle tactics, Adams led what could be called the greatest campaign of civil resistance in American history.Stacy Schiff returns Adams to his seat of glory, introducing us to the shrewd and eloquent man who supplied the moral backbone of the American Revolution. A singular figure at a singular moment, Adams amplified the Boston Massacre. He helped to mastermind the Boston Tea Party. He employed every tool available to rally a town, a colony, and eventually a band of colonies behind him, creating the cause that created a country. For his efforts he became the most wanted man in America: When Paul Revere rode to Lexington in 1775, it was to warn Samuel Adams that he was about to be arrested for treason.In The Revolutionary: Samuel Adams, Schiff brings her masterful skills to Adams's improbable life, illuminating his transformation from aimless son of a well-off family to tireless, beguiling radical who mobilized the colonies. Arresting, original, and deliriously dramatic, this is a long-overdue chapter in the history of our nation.

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'Broadmoor Inmates: True Crime Tales of Life and Death in the Asylum' brings together the histories of people who died in Broadmoor Criminal Lunatic Asylum, each having committed a crime that led to them being pronounced criminally insane, necessitating their confinement and containment for their own protection, as well as that of the public. Nowadays, staff have a wide range of therapeutic tools at their disposal but historically the only treatment offered to patients was work, leisure activities and abundant fresh air. All human life is here - the addicts, the mentally deranged, the delusional, the tragic and the chronically and postnatally depressed - men and women whose acts of madness led them to be reviled and feared, but who were often as much victims of their own internal demons as were those they harmed. As well as wife murderers James Potter and Peter Whittle, the characters within include Henry Dommett, James Senior and Mary Ann Parr, who each killed their own children and Christiana Edmunds, who poisoned several people in Brighton to divert suspicion from herself, after attempting to murder her love rival. Other vignettes include serial arsonist John Green, counterfeiter Emma Jackson and James Stevenson and Roderick Edward McClean, both of whom took exception to the accession of Her Majesty Queen Victoria to the throne, the latter attempting to assassinate her. Daniel McNaughten became so paranoid about the 'Tory' spies that he believed followed him constantly that he killed a civil servant in 1843, mistakenly believing his victim to be prime minister Sir Robert Peel. Such was McNaughten's derangement that his crime spawned a new standard for the legal definition of insanity. Generously illustrated throughout, this book will prove of interest to those with a fascination for historical true crime and the way its perpetrators were dealt with by society.

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‘One of the lancers rode by, and stabbed me in the back with his lance. I then turned, and lay with my face upward, and a foot soldier stabbed me with his sword as he walked by. Immediately after, another, with his firelock and bayonet, gave me a terrible plunge, and while doing it with all his might, exclaimed, “Sacré nom de Dieu!” ’The truly epic and brutal battle of Waterloo was a pivotal moment in history – a single day, one 24-hour period, defined the course of Europe’s future.In March 1815, the Allies declared war on Napoleon in response to his escape from exile and the renewed threat to imperial European rule. Three months later, on 18 June 1815, having suffered considerable losses at Quatre-Bras, Wellington’s army fell back on Waterloo, some ten miles south of Brussels. Halting on the ridge, they awaited Napoleon’s army, blocking their entry to the capital. This would become the Allies’ final stand, the infamous battle of Waterloo.In this intimate, hour-by-hour account, acclaimed military historian Robert Kershaw resurrects the human stories at the centre of the fighting, creating an authoritative single-volume biography of this landmark battle. Drawing on his profound insight and a field knowledge of military strategy, Kershaw takes the reader to where the impact of the orders was felt, straight into the heart of the battle, shoulder to shoulder with the soldiers on the mud-splattered ground.Masterfully weaving together painstakingly researched eyewitness accounts, diaries and letters – many never before seen or published – this gripping portrayal of Waterloo offers unparalleled authenticity. Extraordinary images of the men and women emerge in full colour; the voices of the sergeants, the exhausted foot-soldiers, the boy ensigns, the captains and the cavalry troopers, from both sides, rise from the page in vivid and telling detail, as the fate of Europe hangs by a thread.

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December 1776: Just six months after the signing of the Declaration of Independence, George Washington and the new American Army sit on the verge of utter destruction by the banks of the Delaware River. The despondent and demoralized group of men had endured repeated defeats and now were on the edge of giving up hope. Washington feared “the game is pretty near up.” Rather than submit to defeat, Washington and his small band of soldiers crossed the ice-choked Delaware River and attacked the Hessian garrison at Trenton, New Jersey on the day after Christmas. He followed up the surprise attack with successful actions along the Assunpink Creek and at Princeton. In a stunning military campaign, Washington had turned the tables, and breathed life into the dying cause for liberty during the Revolutionary War. The campaign has led many historians to deem it as one of the most significant military campaigns in American history. One British historian even declared that “it may be doubted whether so small a number of men ever employed so short a space of time with greater or more lasting results upon the history of the world.” In Victory or Death, historian Mark Maloy not only recounts these epic events, he takes you along to the places where they occurred. He shows where Washington stood on the banks of the Delaware and contemplated defeat, the city streets that his exhausted men charged through, and the open fields where Washington himself rode into the thick of battle. Victory or Death is a must for anyone interested in learning how George Washington and his brave soldiers grasped victory from the jaws of defeat.

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Court painter to King Philip IV of Spain, Diego Rodríguez de Silva y Velázquez (June 1599 – August 6, 1660) is not only a leading light of the Spanish Golden Age, but among the most celebrated masters in all Western art history. Monet and Renoir, Corot and Courbet, Degas and Dalí all hailed his influence. Picasso was so inspired by his masterpiece Las Meninas that he painted 44 variations of it. Velázquez’s importance is found particularly in his naturalist approach, in contrast to the more ubiquitous idealized manner of his age. Early works included numerous “bodegones”, genre scenes of everyday life in early 17th century Spain, in which warm, rich tones and textures set off the most ordinary of subjects and humble of faces, such as Old Woman Frying Eggs. Later, his portraiture for the Royal Court brought the same naturalism to the highest echelons of society, marking a profound shift in the depiction of royalty with softer, more relaxed poses that offered his subjects a human warmth and character as much as a sense of grandeur. Velázquez’s most famous work, Las Meninas, was also painted in the royal court, but in its enigmatic composition raises many broader questions about reality and illusion and the relationship between the painter, painting, and viewer. This fresh TASCHEN Basic Art 2.0 edition introduces Velázquez through key works from throughout his career. From humble genre scenes to the royal portraits, the exquisite Rokeby Venus nude, and the ever-mysterious Las Meninas, we explore his exceptional attention to composition, masterful handling of tone, and his remarkable influence as, in Manet’s words, “the greatest painter of all.”

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This Handbook uses methodologies and cases to discover how and when to evaluate social policy, and looks at the possible impacts of evaluation on social policy decisions. The contributors present a detailed analysis on how to conduct social policy evaluation, how to be aware of pitfalls and dilemmas and how to use evidence effectively. Organized into three thematic sections, this new resource includes contributions from a variety of researchers from a range of disciplines and countries. The first section explores evaluation and examples of methods used; the second focuses on the intersection between evaluation and policy-making; and the third delves into current social policy in order to discover the use of evaluation within central welfare state policies. One conclusion found is that welfare states are increasingly using evidence, but that it varies from and within different welfare areas. Researchers and students with an interest in evaluation and social policy analysis, as well as policy-makers and administrators in need of evidence and analysis on the subject, will find much value in this clear and precise overview of the use and misuse of evidence.Contributors include: K. Bakhai, M. Barnard, A.E. Boardman, R. Boruch, K.N. Breidahl, C. Brown, M. Calnan, E. Cassells, M. Costa, C. Deeming, P. Dahler-Larsen, T. Douglass, J. Edbrooke-Childs, W. Eichhorst, D. Etherington, S. Evans-Lacko, J.-E. Furubo, H. Gaus, M. Gerressu, H. Gleeson, D. Gondek, B. Greve, A. Hagelund, A. Halvorsen, M.B. Hansen, T. Haux, M.A. Hussain, J.M. Hyatt, C. Irish, J. Jacob, H.C. Kavli, M. Knapp, R. Konle-Seidl, M. Lakhanpaul, K. Liket, N. McHugh, C.E. Mueller, L. Richardson, R. Rodrigues, M.J. Roy, S. Sinclair, K. Smith, T. Sundberg, H. Turner, W. Van Lancker, A.R. Vining, J. Warren, I. Whelan, J. Wistow, M. Wolpert, R. Yang

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When Ecuador's cut-flower industry took off in the mid-1980s, it rode a wave of international credit peddling and currency speculation that would lead countries of the Global South into successive debt crises and northern financial firms to fortune and dominion. By the start of the twenty-first century, as the Ecuadorian economy collapsed and its ties with international finance became strained, flower exporters rebuilt their businesses around the profitability of their indigenous labor force, drawing local communities deeply into new plantation systems taking over the highlands. In A Feast of Flowers, Christopher Krupa goes inside Ecuador's booming cut-flower industry to chronicle the ways its capitalist pioneers built a booming export industry around a racial ideology, turning indigenous people's purported differences into resources for industrial expansion. At the core of this racial system is a belief, central to postcolonial science and politics in Ecuador, in capitalism's unique capacity to change people's racial identity and to liberate oppressed populations from racial subordination. Krupa shows how such views not only guide how indigenous people are today incorporated into demanding labor systems in Ecuador's new export plantations, but also how indigenous minds and bodies became sites of study and intervention by scientists, politicians, and economic planners throughout the last century, all looking to change indigenous people in some way. Combining nearly two decades of ethnographic and historical research, A Feast of Flowers shows how aggressive capitalist expansion in postcolonial contexts may revive longstanding intersections between race and economy to facilitate new modes of dispossession under the guise of humanitarian intervention.

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‘I adored this book. It’s so Geena and so inspiring and such a wonderful read’ Emma Thompson A Times Film and Theatre Book of the Year 2022 From two-time Academy Award winner and screen icon Geena Davis, Dying of Politeness is the candid, surprising tale of her journey from her epically polite childhood to the roles that put her in the spotlight and gave her the strength to become a powerhouse in Hollywood. At three years old, Geena announced she was going to be in movies. Now, with a slew of iconic roles and awards under her belt, she has surpassed her childhood dream, but her journey has been one of fits and starts, with a pothole or two along the way. In this hilarious memoir, Geena regales us with tales of a career playing everything from an amnesiac assassin to the parent of a rodent in Stuart Little; a soap star in her underwear to a housewife turned road warrior in Thelma & Louise; a baseball phenomenon in A League of Their Own to the first female President of the United States in Commander in Chief, and more. She is frank about her eccentric childhood; her many relationships, including her spontaneous Las Vegas wedding to Jeff Goldblum; her archery exploits which led her to the Olympic trials; and how she became a tireless advocate for women and girls, founding her own institute which engages film and TV creators to better represent women and actors from diverse backgrounds. Dying of Politeness is a touching account of one woman’s journey to fight for herself, and ultimately fighting for women all around the globe.

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Antwerp artist Eugeen Van Mieghem (1875-1930) documents the pulsating life around the port of Antwerp at the turn of the twentieth century. Dockers, sack sewers, passengers, local communities and general labourers are the subjects of his lifelong fascination with Antwerp port. His affinity with his subjects makes his work direct and sincere and is unique in the genre of social realism. The port is one of the great gateways to the city, facilitating the constant movement of goods and people - migrations that are essential for the economy as well as for the evolution of people and society. Ports also are scenes of human tragedy, witnessing the forced emigration of families and communities fleeing persecution and poverty, as immortalised in the paintings and drawings of Eugeen Van Mieghem. Antwerp does have strong associations with Irish artists in the late nineteenth century, many of whom, attracted by the pioneering developments in art practice on the Continent, travelled to Antwerp to study at the Royal Academy of Fine Arts artists, including Roderic O'Conor, Walter Osborne and Norman Garstin. The result was light-filled fleeting images painted out of doors, en plein air, a radical departure from the official teachings of the established art academies. It is not known if Van Mieghem and any of those Irish artists ever came in contact with each other, but this exhibition shows for the first time Van Mieghem's oeuvre alongside that of his Irish peers, proving yet again how vital are ongoing migrations of culture and people in illuminating and understanding our contemporary society.

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‘As if Bill Bryson had taken to two wheels’ - FT Somewhere in a German forest 200 years ago, during the darkest, wettest summer for centuries, the story of cycling began. The calls to ban it were more or less immediate. Re:Cyclists is the tale of the following two centuries. It tells how cycling became a kinky vaudeville act for Parisians, how it was the basis of an American business empire to rival Henry Ford's, and how it found a unique home in the British Isles. The Victorian love of cycling started with penny-farthing riders, who explored lonely roads that had been left abandoned by the coming of the railways. Then high-society took to it - in the 1980s the glittering parties of the London Season featured bicycles dancing in the ballroom, and every member of the House of Lords rode a bike. Twentieth-century cycling was very different, and even more popular. It became the sport and the pastime of millions of ordinary people who wanted to escape the city smog, or to experience the excitement of a weekend's racing. Cycling offered adventure and independence in the good times, and consolation during the war years and the Great Depression. Re:Cyclists tells the story of cycling's glories and also of its despairs, of how it only just avoided extinction in the motoring boom of the 1960s. And finally, at the dawn of the 21st century, it celebrates how cycling rose again - a little different, a lot more fashionable, but still about the same simple pleasures that it always has been: the wind in your face and the thrill of two-wheeled freedom.

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Feel is the story of how a small-time boy from humble beginnings in Louisiana rose to the pantheon of greats, to win the 500cc and 250cc GP Championship in the same year – an historic achievement over three decades ago which has never been repeated.Growing up at the time of the assassination of Malcolm X and Martin Luther King, Freddie judged by feel, not by colour. Blind to prejudice and discrimination, he formed dynamic connections with people and events, but only years later during his racing afterlife could Freddie come to understand the true power of the things he learned.Spencer is an articulate and compassionate guide as he describes the thrill and horror of racing in an era when death was a perennial threat. He recalls in pin-sharp detail the frenetic high-octane racing duels with the ‘King’ Kenny Roberts, but also describes a parallel internal journey as he struggled to make sense of it all. Driven by a search for the personal fulfilment that comes through finding your purpose, Freddie’s story is a universal one. In its message of hope, Feel transcends its genre to offer a story for everyone. Part thriller, part philosophical self-exploration, it is a remarkably insightful account of what it is like to have it all, but wonder why. “For the first time I will talk about the traumas of my childhood, the contrast between the leaf fire burns, the mistrust and discomfort and the peace and purpose I felt when riding my bike. I didn’t tell my parents about something that happened to me. Why? I felt ashamed, but when I rode I felt connected to everything and the pain in my hand and heart would go away. It gave me the feeling of hope”.

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Over 35 and want to win your age group and run injury-free for the next 50 years or even longer? Run for Life lays out a plan to help you run to 100. Traveling the running world from Kenya to Tahiti and Boston to Badwater in search of the keys to super-fit running longevity, Wallack tests new running methods, products, and fitness regimens, and talks to the world's top coaches, athletes, and researchers as he develops a science-backed, time-efficient strategy for long-term running fitness. Featuring 10 extensive oral-history interviews with super-fit, all-time greats, such as Frank Shorter, Bill Rodgers, and Dr. Kenneth Cooper, Run for Life brims with ground-breaking innovations, including:· Soft Running: A bio-mechanical overhaul that reduces knee-shock by 50% · A Call to Arms: A cheap, simple handgrip that automatically perfects your form · HGH Strength Training: Fast, high-intensity resistance exercises that stop age-related muscle deflation and build speed, power, balance, and quick-reaction time by jacking up the natural release of human growth hormone · The Ultra Interval: Crazy-hard 20- and 30-second all-out sprints that leave you gasping and cue rapid strength increases that essentially make you younger · High-tech Water Running: New pool tools that are making champion runners faster and safer on land · Barefoot Running: How going shoeless strengthens feet, cuts shock, and adds running longevity · Yoga on the Run: A just-for-runners flexibility/warmup program designed by famed multisport yogi Steve Ilg · And much more!

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He pulled off what some deem the crime of the century: skyjacking a commercial jetliner, collecting a ransom of $200,000, parachuting off the aft stairs of the Boeing 727 into the night, and simply disappearing. Since November 1971, "D.B. Cooper"—no one knows his real name or identity—has become a figure of enduring fascination and obsession. The FBI pursued him for over forty years, before closing the case and leaving it unsolved. Unsolved, perhaps, but much admired. D.B. Cooper's exploit over the skies of the American Northwest has inspired books, films, and endless speculation. What's less known is that it inspired imitators. None were more daring than the hijacker of American Airlines Flight 119. After commandeering the flight from St. Louis with a machine gun and collecting $502,500 in ransom, he parachuted out over Indiana. Unlike Cooper, he was tracked down. In The Hijacking of American Flight 119, John Wigger explores the wave of hijackings that swept over commercial flight between 1961 and 1972. One hijacker ran across the ramp in Reno, Nevada with a pillowcase over his head, gun in hand, to seize a United Airlines flight. Another collected a large ransom in Washington, D.C. before jumping over Honduras. Yet another rode a bicycle across the tarmac with a rifle strapped to the handlebars. Motivations involved an admixture of ideology, greed, derring-do, and a desperate need to be somebody. What they had in common was that their exploits transfixed the nation's attention, bringing about a transformation in airline security that remains with us still. With its focus on the parachute hijackers, Wigger's book gathers together the stories of this period of daring criminality and recounts them in gripping fashion, showing their effect on the public, the media, and law enforcement. Using never-before- published interviews and first-hand accounts, he brings to life one of the most chaotic and fascinating periods in American aviation history.

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Since 2015, Fred Segal has chronicled "unprophetic" sports predictions on the internet. His Freezing Cold Takes social media pages feature quotes and predictions from members of the sports world that have aged poorly or were, in hindsight, flat-out wrong. The pages have become a guilty pleasure for hundreds of thousands of sports fans who love to see (okay, and mock in good humor) sports media's infamous "hot takes" that went cold.With this book, Segal focuses on the NFL, and provides a vast collection of poorly aged predictions and analysis from NFL media members and personalities about some of the most famous teams and players in the league's history. He also explores ill-fated commentary related to draft picks, hiring decisions, and some of the NFL's most notable games. But this book is not simply a list of quotes. It delves through content mined from internet archives and original interviews with media, players, and coaches. Segal provides important background surrounding each featured mistake to offer essential context as to why the ill-fated prediction was made as well as why the personality who made the prediction is eating their words.Together, the fourteen chapters-each spotlighting Freezing Cold Takes about a specific team or topic within a certain defined period-create a wholly unique and endlessly entertaining lens through which to explore NFL history.A few illustrative examples:- (1987-94 San Francisco 49ers): "The 49ers should do everyone a favor. Trade Steve Young. The myth. And the man."- (1989-93 Dallas Cowboys): "The Vikings fleeced the Cowboys to get Herschel Walker"- (2000 New England Patriots): "The Patriots will regret hiring Bill Belichick"- (2008 Green Bay Packers): "Brian Brohm has more upside than Aaron Rodgers"- (NFL Draft Picks): "The Dolphins could have had their next Dan Marino if they selected Brady Quinn" (2007)

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I've been a cheerleader. A corporate executive. A Barbie Doll. A sports caster. A soap opera vixen. A side-line reporter. A Playboy cover model. A Diamond Diva. A red-carpet correspondent. An investigative journalist. A disrupter. I made Dennis Rodman cry. I've interviewed three presidents and hundreds of athletes. I co-starred in a viral video that has one billion views. I sued the New England Patriots-and won. I tracked down a murderer. I was hit by a car. I butted heads with Barbara Walters. I even played myself in a movie starring Brad Pitt. During her career in sports broadcasting, Guerrero covered Super Bowls, Worlds Series, NBA Finals, and interviewed sports superstars. From the outside it seemed glamourous, but often she was miserable, told to smile more, argue less, and show a lot of leg and cleavage. Colleagues would joke-sometimes on national TV-that she clinched big interviews because of sexual acts rather than talent. She made a mistake on air during the opening game on Monday Night Football that cost her her sportscasting career... and almost her life.Fast forward a few years, and Guerrero has achieved phenomenal success as Inside Edition's Chief Investigative Correspondent. Her stories have led to arrests, changed federal legislation and policies at Fortune 500 companies, and helped shine a light on crime, scams, child abuse, and even cold case murders. And in the last decade alone, she has won over thirty-five national journalism honours and awards.Today, Guerrero is bombarded with emails and direct messages from people of every generation who all want to know the same thing: "How are you so brave? How can I be brave too?" Women dealing with husbands, friends, in-laws, co-workers, and bosses ask for the courage to request raises, be taken seriously at meetings, and stand up to abusive spouses. Teens and pre-teens ask for advice on dealing with bullies, teachers, and parents. Warrior-filled with the incisive stories of failure, struggles, challenges, perseverance, and finally, success-is her answer.

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Daniel C. Dennett, preeminent philosopher and cognitive scientist, has spent his career considering the thorniest, most fundamental mysteries of the mind. Do we have free will? What is consciousness and how did it come about? What distinguishes human minds from the minds of animals? Dennett’s answers have profoundly shaped our age of philosophical thought. In I’ve Been Thinking, he reflects on his amazing career and lifelong scientific fascinations. Dennett’s relentless curiosity has taken him from a childhood in Beirut and the classrooms of Harvard, Oxford, and Tufts, to “Cognitive Cruises” on sailboats and the fields and orchards of Maine, and to laboratories and think tanks around the world. Along the way, I’ve Been Thinking provides a master class in the dominant themes of twentieth-century philosophy and cognitive science—including language, evolution, logic, religion, and AI—and reveals both the mistakes and breakthroughs that shaped Dennett’s theories. Key to this journey are Dennett’s interlocutors—Douglas Hofstadter, Marvin Minsky, Willard Van Orman Quine, Gilbert Ryle, Richard Rorty, Thomas Nagel, John Searle, Gerald Edelman, Stephen Jay Gould, Jerry Fodor, Rodney Brooks, and more—whose ideas, even when he disagreed with them, helped to form his convictions about the mind and consciousness. Studded with photographs and told with characteristic warmth, I’ve Been Thinking also instills the value of life beyond the university, one enriched by sculpture, music, farming, and deep connection to family. Dennett compels us to consider: What do I really think? And what if I’m wrong? This memoir by one of the greatest minds of our time will speak to anyone who seeks to balance a life of the mind with adventure and creativity.

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Becoming Black is a powerful theorization of Black subjectivity throughout the African diaspora. In this unique comparative study, Michelle M. Wright discusses the commonalties and differences in how Black writers and thinkers from the United States, the Caribbean, Africa, France, Great Britain, and Germany have responded to white European and American claims about Black consciousness. As Wright traces more than a century of debate on Black subjectivity between intellectuals of African descent and white philosophers, she also highlights how feminist writers have challenged patriarchal theories of Black identity.Wright argues that three nineteenth-century American and European works addressing race—Thomas Jefferson’s Notes on the State of Virginia, G. W. F. Hegel’s Philosophy of History, and Count Arthur de Gobineau’s Essay on the Inequality of the Human Races—were particularly influential in shaping twentieth-century ideas about Black subjectivity. She considers these treatises in depth and describes how the revolutionary Black thinkers W. E. B. Du Bois, Aimé Césaire, Léopold Sédar Senghor, and Frantz Fanon countered the theories they promulgated. She explains that while Du Bois, Césaire, Senghor, and Fanon rejected the racist ideologies of Jefferson, Hegel, and Gobineau, for the most part they did so within what remained a nationalist, patriarchal framework. Such persistent nationalist and sexist ideologies were later subverted, Wright shows, in the work of Black women writers including Carolyn Rodgers and Audre Lorde and, more recently, the British novelists Joan Riley, Naomi King, Jo Hodges, and Andrea Levy. By considering diasporic writing ranging from Du Bois to Lorde to the contemporary African novelists Simon Njami and Daniel Biyaoula, Wright reveals Black subjectivity as rich, varied, and always evolving.

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For over 350 years Parisians have designed and preserved phenomenal public outdoor spaces. In this book Jacqueline Widmar Stewart follows the fine-spun threads of the parklands tapestry in greater Paris. Identification of various hallmarks of premiere park-building eras imbues individual parks with multi-dimensional qualities and allows readers to experience these grand green places in the way Parisians do. Multiple layers of elements and themes are woven into the fabric of French parks. Reaching back as far as its Roman heritage, vestiges of the history of Paris are apparent in virtually all its parks, regardless of size. Even the balanced distribution of green spaces throughout the city reflects a major 19th-century city-planning epoch and is still carried forward in current park development. A number of French parks and gardens from the 17th century initially belonged to royal estates but now welcome public visits -- it should be noted that the Tuileries first opened its gates to the public in 1667. Thoughtfully designed and meticulously tailored to needs of the time, others have covered unsightly urban blight with splendor, and have converted industrial sites to recreational usage while maintaining cultural ties with the past. Many marvels beckon all who enter Paris' magical spheres: a several-kilometer-long landscaped promenade above busy streets; a modern garden suspended above a major train station; the Parc de la Villette with its grand red architectural curiosities of form and motion; a midisland allée in the Seine; newly created marshlands now home to mallard ducklings; clouds of fragrance from rose-descendants of Josephine Bonaparte's original collection; not one, but two gardens of the quintessential sculptor, Auguste Rodin.

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"Stunning images in fine art photobook capture the 'strength and dignity' of America's cowboys and their breathtaking Wild West home." – Daily Mail “Titled American Cowboys, the book captures the pioneering spirit of modern cowboys and cowgirls, turning the camera on high-stakes rodeos, hard-working ranchers and horseback rides across stunning desert landscapes.” – Daily Mail The ranching communities in the heartland of the great American West may be a long way from New York City, but renowned photographer Anouk Masson Krantz has been drawn back time and time again to explore this largely unfamiliar and overlooked part of the world. In West: The American Cowboy, Anouk revisits this enduring iconic symbol of America's pioneering spirit. Set out in a stunning large-format book, the pages within inspire with a fresh and contemporary perspective of the American West. Along with the cowboy's ranching traditions comes a life built around the core values and faith that are central to their integrity. Long admired for their strength, relentless work ethic, and humble values, the forgotten American cowboy is alive and well, and has never stood in such stark contrast to the rapidly changing nation that surrounds them. Earning wide acclaim for her incredible fine art work exhibited in galleries and published in the bestselling Wild Horses of Cumberland Island (2017), also by IMAGES, West: The American Cowboy is another artful, intimate study of the American character and their sense of place, and is a unique collection of works brought together by this award-winning photographer and storyteller. Also available by Anouk Krantz: Wild Horses of Cumberland Island ISBN 9781864708851

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A Russian Defector—A Worldwide Dragnet—A Looming Assassination—Max Geller is back in Moscow Former CIA Russia expert Max Geller is recovering from an intense mission while lying low in Australia, enjoying his sudden wealth in the company of his new girlfriend. But his beachy bliss is short-lived when Max, while relaxing by the ocean, is ambushed by the CIA. He soon learns that his girlfriend, Vanessa, is being used as blackmail by his former CIA boss, Rodney, to convince Max to go to Moscow. His mission? Smuggle out a defector with knowledge of a secret Kremlin war plan. Max is wanted by the Russians, so the defector could be bait to lure him into the hands of his old enemy, FSB Colonel Zabluda. But it’s either Max or Vanessa who must go, so Max takes the bait and heads off. When Max is spotted in Moscow, Zabluda launches a manhunt, pursuing him and the defector across country lines. Max and the defector race to evade countless attacks and attempts at capture as they escape to the United States. Will they make it in time? And what happens when the defector reveals crucial information that indicates U.S. democracy could be in peril? Max must figure out a way to avoid capture and halt imminent attacks—before it’s too late.Perfect for fans of Daniel Silva and Nelson DeMille While the novels in the Max Geller Spy Thriller Series stand on their own and can be read in any order, the publication sequence is:The President’s Dossier The Blood of Patriots and Traitors

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Winner of the 2009 Lora Romero First Book Prize from the American Studies Association 2009 Choice Outstanding Academic Title Explores the transnational movements of Mexican migrants, including their expressive culture and social movement practices Migrant Imaginaries explores the transnational movements of Mexican migrants in pursuit of labor and civil rights in the United States from the 1920s onward. Working through key historical moments such as the 1930s, the Chicano Movement, and contemporary globalization and neoliberalism, Alicia Schmidt Camacho examines the relationship between ethnic Mexican expressive culture and the practices sustaining migrant social movements. Combining sustained historical engagement with theoretical inquiries, she addresses how struggles for racial and gender equity, cross-border unity, and economic justice have defined the Mexican presence in the United States since 1910. Schmidt Camacho covers a range of archives and sources, including migrant testimonials and songs, Amrico Parede’s last published novel, The Shadow, the film Salt of the Earth, the foundational manifestos of El Movimiento, Richard Rodriguez’s memoirs, narratives by Marisela Norte and Rosario Sanmiguel, and testimonios of Mexican women workers and human rights activists, as well as significant ethnographic research. Throughout, she demonstrates how Mexicans and Mexican Americans imagined their communal ties across the border, and used those bonds to contest their noncitizen status. Migrant Imaginaries places migrants at the center of the hemisphere’s most pressing concerns, contending that border crossers have long been vital to social change.

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In a little more than a decade, economist Michael A. Lebowitz has written several major works about the transition from socialism to capitalism: Beyond Capital (winner of the Deutscher Prize), Build It Now, The Socialist Alternative, and The Contradictions of "Real Socialism." Here, he develops and deepens the analysis contained in those pathbreaking works by tracing major issues in socialist thought from the nineteenth century through the twenty‐first. Lebowitz explores the obvious but almost universally ignored fact that as human beings work together to produce society's goods and services, we also "produce" something else: namely, ourselves. Human beings are shaped by circumstances, and any vision of socialism that ignores this fact is bound to fail, or, at best, reproduce the alienation of labor that is endemic to capitalism. But how can people transform their circumstances in a way that allows them to re‐organize roduction and, at the same time, fulfil their human potential? Lebowitz sets out to answer this question first by examining Marx's Critique of the Gotha Programme, and from there investigates the experiences of the Soviet Union and more recent efforts to build socialism in Venezuela. He argues that socialism in the twenty‐first century must be animated by a central vision, in three parts: social ownership of the means of production, social production organized by workers, and the satisfaction of communal needs and communal purposes. These essays repay careful reading and reflection, and prove Lebowitz to be one of the foremost Marxist thinkers of this era.

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Vladimir Lucien is a young poet with so many gifts. His poetry is intelligent, musical, gritty in observation, graceful in method. You can see a young man building his house of poetry, just as his poems reflect on building a marriage and making his home, and all the accommodations that this demands. The world where he builds his house is St Lucia, itself an island that reflects the intra-regional migrancy of Caribbean people, with ancestral connections to Barbados, Antigua and Trinidad. He builds his house with stories of ancestors, immediate family, the history embedded in his language choices as a St Lucian writer, and heroes such as Walter Rodney, CLR James, Kamau Brathwaite and a local steelbandsman. His poems are never overtly political, but there's an oblique and often witty politics embedded in the poems, as where observing the rise of a grandfather out of rural poverty into the style of colonial respectability, he writes of the man "who eat his farine and fish/and avocado in a civilize fight between/knife and fork and etiquette on his plate". His poems tell truths, creating and questioning their own mythologies, as in a poem about his mother who "liked to look for relatives/ to find blood where there was only water." This is a collection that is alive with its conscious tensions both in subject matter and form. There's a tension between the vision of ancestors, family and of the poet himself as being engaged in the business of acting in the world and building on the past, and a sharp awareness of the inescapability of age's frailty, the decay of memory and of death. In the music of the poems themselves, there's an enlivening counterpoint between the natural rhythms of creole speech and the metric organisation of the line and its patterns of sound.

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_______________ 'An autobiographical meditation on feminism, power and womanhood … Full of Isabel's wisdom and warm words' - Grazia 'In her small, potent polemic . . . Isabel Allende writes about the toxic effects of “machismo”, combining wit with anger as she picks apart the patriarchy' - Independent 'Allende has everything it takes: the ear, the eye, the mind, the heart, the all-encompassing humanity' - New York Times An Independent, Guardian and Grazia Highlight for 2021 _______________ The wise, warm, defiant new book from literary legend Isabel Allende – a meditation on power, feminism and what it means to be a woman When I say that I was a feminist in kindergarten, I am not exaggerating. As a child, Isabel Allende watched her mother, abandoned by her husband, provide for her three small children. As a young woman coming of age in the late 1960s, she rode the first wave of feminism. She has seen what has been accomplished by the movement in the course of her lifetime. And over the course of three marriages, she has learned how to grow as a woman while having a partner, when to step away, and the rewards of embracing one's sexuality. So what do women want? To be safe, to be valued, to live in peace, to have their own resources, to be connected, to have control over their bodies and lives, and above all, to be loved. On all these fronts, there is much work to be done, and this book, Allende hopes, will ‘light the torch of our daughters and granddaughters with mine. They will have to live for us, as we lived for our mothers, and carry on with the work still left to be finished.’ _______________ 'Her thoughts, language and ideas traverse fluidly through ideas of gender, historic injustices, her marriages and bodily experiences and literary references . . . Allende’s love for women is palpable' - Sydney Morning Herald

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The contents of this book include: Introduction (L. Renneboog) - Part 1: Corporate restructuring; mergers and acquisitions in Europe (M. Martynova, L. Renneboog); the performance of acquisitive companies in the US (K. Cools, M. V. D. Laar); The announcement effects and long-run stock market performance of corporate spin-offs: The international evidence (C. veld, Y. Veld-Merkoulova); the competitive challenge in banking (A. Boot, A. Schmeits); Consolidation of the European banking sector: Impact on innovation (H. Degryse, S. Ongena, M.F. Penas) - Part II: Corporate governance; transatlantic corporate governance reform (J. McCahery, A. Khachaturyan); The role of self-regulation in corporate governance: evidence and implications from the Netherlands (A. De Jong, D. Dejong, G. Mertens, C. Wasley); and Shareholder lock-in contracts: Share price and trading volume effects at the lock-in expiry (P. P. Angenendt, M. Goergen, L. Renneboog). It also features: The grant and exercise of stock options in IPO firms: Evidence from the Netherlands (T. V. D. Groot, G. Mertens, P. Roosenboom); Institutions, corporate governance and firm performance (J. Grazell) - Part III: Capital structure and valuation; Why do companies issue convertible bonds? A review of the theory and empirical evidence (I. Loncarski, J. Ter Horst, C. Veld); The financing of Dutch firms: a historical perspective (A. De Jong, A. Roell); Corporate financing in the Netherlands (R. Kabir); Syndicated loans: Developments, characteristics and benefits (G. Van Roij); The bank's choice of financing and the correlation structure of loan returns: loans sales versus equity (V. Ioannidou, Y. Pierides); and shareholder value and growth in sales and earnings (L. Soenen) - Part IV: Asset pricing and monetary economics. This book includes: The term structure of interest rates: An overview (P. De Goeii); incorporating estimation risk in portfolio choice (F. De Roon, J. Ter Horst, B. Werker); a risk measure for retail investment products (T. Nijman, B. Werker); understanding and exploiting momentum in stock returns (J. C. Rodriguez, A. Sbuelz); and Relating risks to asset types: A new challenge for central banks (J. Sijben).

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When Dave Hickey was twelve, he rode the surfer's dream: the perfect wave. And, like so many things in life we long for, it didn't quite turn out----he shot the pier and dashed himself against the rocks of Sunset Cliffs in Ocean Beach, which just about killed him. Fortunately, for Hickey and for us, he survived, and continues to battle, decades into a career as one of America's foremost critical iconoclasts, a trusted, even cherished no-nonsense voice commenting on the all-too-often nonsensical worlds of art and culture. Perfect Wave brings together essays on a wide range of subjects from throughout Hickey's career, displaying his usual breadth of interest and powerful insight into what makes art work, or not, and why we care. With Hickey as our guide, we travel to Disneyland and Vegas, London and Venice. We discover the genius of Karen Carpenter and Waylon Jennings, learn why Robert Mitchum matters more than Jimmy Stewart, and see how the stillness of Antonioni speaks to us today. Never slow to judge or to surprise us in doing so Hickey powerfully relates his wincing disappointment in the later career of his early hero Susan Sontag, and shows us the appeal to our commonality that we've been missing in Norman Rockwell. With each essay, the doing is as important as what's done; the pleasure of reading Dave Hickey lies nearly as much in spending time in his company as in being surprised to find yourself agreeing with his conclusions. Bookended by previously unpublished personal essays that offer a new glimpse into Hickey's own life including the aforementioned slam-bang conclusion to his youthful surfing career Perfect Wave is not a perfect book. But it's a damn good one, and a welcome addition to the Hickey canon.

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In this jarring look at contemporary warfare and political visuality, renowned anthropologist of violence Allen Feldman provocatively argues that contemporary sovereign power mobilizes asymmetric, clandestine, and ultimately unending war as a will to truth. Whether responding to the fantasy of weapons of mass destruction or an existential threat to civilization, Western political sovereignty seeks to align justice, humanitarian right, and democracy with technocratic violence and visual dominance. Connecting Guantanamo tribunals to the South African Truth and Reconciliation Commission, American counterfeit killings in Afghanistan to the Baader-Meinhof paintings of Gerhard Richter, and the video erasure of Rodney King to lynching photography and political animality, among other scenes of terror, Feldman contests sovereignty's claims to transcendental right -whether humanitarian, neoliberal, or democratic-by showing how dogmatic truth is crafted and terror indemnified by the prosecutorial media and materiality of war. Excavating a scenography of trials-formal or covert, orchestrated or improvised, criminalizing or criminal-Feldman shows how the will to truth disappears into the very violence it interrogates. He maps the sensory inscriptions and erasures of war, highlighting war as a media that severs factuality from actuality to render violence just. He proposes that war promotes an anesthesiology that interdicts the witness of a sensory and affective commons that has the capacity to speak truth to war. Feldman uses layered deconstructive description to decelerate the ballistical tempo of war to salvage the embodied actualities and material histories that war reduces to the ashes of collateral damage, the automatism of drones, and the opacities of black sites. The result is a penetrating work that marries critical visual theory, political philosophy, anthropology, and media archeology into a trenchant dissection of emerging forms of sovereignty and state power that war now makes possible.

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Monty Newton and Rodolphe Lemoine must be two of the most outrageous conmen in history. When the Rajah Sir Hari Singh of Kashmir came to London in 1919, his first time in Europe, between visits to the King and Queen and the Prince of Wales he was introduced by his aide de camp to Mrs Maud (Maudie) Robinson. They became lovers and went to Paris for Christmas where they were ‘discovered’ in bed together. The Mayfair Mob had set the whole thing up. The Rajah’s aide de camp masterminded the scam and Sir Hari paid up to avoid citation in a divorce case. What happened next was sensational: a court case that gripped the world for eight days in 1924. The British government imposed the greatest secrecy on the scandal and kept files closed for a hundred years rather than the usual thirty. Monty was saved by the intervention of his partner in crime Lemoine, a German working for French intelligence, who - in 1931 - bought the working manuals of the new German Enigma encoding machine from a clerk, so that - in 1932 - a young Polish mathematician could crack the code. This is five years before Alan Turing even thought of studying cryptology. In between the greatest blackmail pay-out in history and buying the code, Chancers follows Newton and Lemoine around the world, from Monte Carlo to Mexico - always staying in the best hotels - as they con the rich and gullible out of their millions. During Barbara Jeffery’s research at the India Office Library and the National Archives she has unearthed an extraordinary story: one document was opened specially for her and she was obliged to read it in a locked room.

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An ode to friendship delivered by the capybara and their many animal friends! Whether they're sharing their favorite snacks, laughing along with your best jokes, or cheering you on through thick and thin, capybaras know what it means to be a good friend! This lighthearted ode to friendship is delivered by capybaras, gentle giants who are known for their calm demeanor and social friendships with other animals, from dogs and monkeys to turtles and birds. This gift book features charming photography of these cuddly creatures and their assorted animal companions, paired with sweet advice and odes to friendship, straight from nature's experts. This celebration of the capybara's community, love, and kindness towards everyone—regardless of whether they have hooves, claws, or shells—is a must-have gift for friends of all sizes. ANIMAL FRIENDSHIPS: Whether it's playing with puppies, basking with caimans, getting into mischief with monkeys, sharing a bite to eat with bunnies, or giving a ride to a butterfly, You're A Good Friend, Capybara is full of unexpectedly delightful real life photos of animals being friends. FRIENDS AROUND THE WORLD: Although they are native to South America, these lovable giant rodents have gained huge followings around the world for their photogenic friendships and chill demeanor, and can be found at many zoos and refuges globally. A GIFT FOR FRIENDS: This book is the perfect feel good present for any friend. Whether it's someone you see every day or your far away bestie, this little book is full of sweet, funny, and heartfelt reminders of what makes a good friend. Perfect for birthdays, Galentine's Day, wedding party gifts, and any occasion to say, "You're a good friend!"

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'An engrossing, urgent, and entertaining read. I couldn't put it down' Roddy Doyle______Marguerite Penrose's is an extraordinary story of making a great life from complicated beginnings. Marguerite was born in a Dublin mother-and-baby home in 1974, the daughter of an Irish mother and a Zambian father. Severe scoliosis indicated a future of difficult medical procedures. She was a little girl who needed a break. And she got it at three when she was fostered - and later adopted - by a young couple, Mick and Noeline, and acquired a mam, dad, sister, Ciara, and loving extended family. Growing up, Marguerite's appearance was occasionally remarked on by strangers, but it wasn't until her teens that she understood that her skin colour was a provocation for some. The progressive city that she knew was revealed to have an unpleasant undercurrent. So, she became an expert in shaping her life around anything that marked her out as 'different'.Marguerite's story is one of facing some big questions - Who am I? How do I live in world made for people with bodies different to mine? Why does anyone care about my skin colour? - with intelligence, humour, courage and common-sense. She writes about coming to terms with the circumstances of her birth and, like so many in her position, looking for answers. About navigating the world as an active woman with a disability. About what it means to be both Irish and Black, particularly at a moment when the conversation is becoming mainstream in Ireland and she is thinking about it in new ways herself. Mostly, she writes about embracing life in a spirit of openness and positivity.Yeah, But Where Are You Really From? is a captivating, wise and inspiring memoir by a truly remarkable woman.___________'Beautiful, moving, tender and informative' SINÉAD MORIARTY'Wonderful' MIRIAM O'CALLAGHAN

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When a ruthless killer seeks to overturn the world order, our only hope is vigilante justice.Since Lamont Cranston - known to a select few as the Shadow - defeated Shiwan Khan and ended his reign of terror over New York one year ago, the city has started to regenerate.But there is evil brewing elsewhere. And this time the entire world is under threat.Which is why Lamont has scoured the globe to assemble a team with unmatched talent.Only their combined powers can foil an enemy with ambitions and abilities beyond anyone's deepest fears.As their mission takes them across the globe and into the highest corridors of power - pushing them beyond their limits - can justice prevail?________________________________PRAISE FOR JAMES PATTERSON'Patterson boils a scene down to the single, telling detail, the element that defines a character or moves a plot along. It's what fires off the movie projector in the reader's mind' Michael Connelly'Patterson knows where our deepest fears are buried... there's no stopping his imagination' New York Times Book Review'A writer with an unusual skill at thriller plotting' The Guardian'The master storyteller of our times' Hillary Rodham Clinton'No one gets this big without amazing natural storytelling talent - which is what Jim has, in spades' Lee Child'Patterson boils a scene down to the single, telling detail, the element that defines a character or moves a plot along. It's what fires off the movie projector in the reader's mind' Michael Connelly'James Patterson is The Boss. End of.' Ian Rankin'It's no mystery why James Patterson is the world's most popular thriller writer ... Simply put: nobody does it better' Jeffrey Deaver

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As the Second World War progressed and defeat for Hitler's Third Reich in all theatres became ever more certain, the tight Abwehr network, built so effectively by its head, Admiral Canaris, began to unravel. High-level defections to the Allies and bitter disputes with the Sicherheitsdienst (SD) added to a collapse in morale. Most notably was the increasing opposition within the officer ranks of the Army to Hitler fermented by Canaris and his deputy Generalmajor Hans Oster. The final years of the Abwehr were marked by the Abwehr's efforts to undermine the regime, which came to a bloody conclusion following the Valkyrie assassination attempt of 20 July 1944. This saw the arrest of many Abwehr officials and the execution of Canaris and Oster. In this penetrating study of the final years of the Abwehr, Nigel West, a world-renowned specialist in the field, pieces together the gradual decline in the organisation's role and importance with Hitler and his acolytes paying little heed to reports that were increasingly cautionary. Among the many previously undisclosed stories are details gleaned from recently opened files which tell of a hitherto unknown spy-swap. This was the exchange of Berthold Shulze-Holthus, a German spy detained in Iran, for Ferdinand Rodriguez, a British radio operator captured in France. This was the only such exchange that took place during the whole of the Second World War - though the fact that the swap took place at all suggests that a previously unsuspected degree of communication existed between the Allies and Nazi Germany. Perhaps most tantalizingly of all, is the new night light thrown upon the role the British Secret Intelligence Service, MI6, had, in league with the Abwehr, in the Valkyrie bombing which almost killed Hitler.

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"David Mellor ...was the outstanding British flatware designer of the last century and a remarkable man who ... understood, and insisted upon, the essential relationship between making things and designing them" Stephen Bayley, The Guardian "Britain's most serious, modest and greatest post-war product designer" Sir Terence Conran David Mellor: Design is an introduction to the designer, his works and his importance within the British design landscape, post 1950. The wider world knows him for his cutlery, which although exquisite and important, is the tip of the iceberg. To see Mellor as 'just' a cutlery designer is to miss his depth: his love of public projects, street furniture or Church commissions. But then to see Mellor as 'just' a designer is to miss his influence as a patron of architecture, or his passion for retailing and promoting British crafts. He may be the 'King of cutlery' but that is just the beginning. David Mellor (1930-2009) began his career at the RCA, developing sophisticated yet simple aesthetics which he displayed through his silver smithing. His cutlery continued in the Sheffield tradition whilst using some technologically advanced manufacturing methods and radically modern designs. He also designed public street furniture in the 50s and 60s which pulled Britain's streets into the modern era. During the late 1960s he opened a shop in Sloane Square, London. His work as a retailer helped introduce the highest professional design standards into our equipment for cooking with and eating with. It followed the trail led by Elizabeth David, introducing continental cuisine to the country, a development that today seems so natural. Beautifully and comprehensively illustrated, this book opens up the wonderful work of David Mellor to a wider audience. The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Also available: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719 Jan Le Witt and George Him ISBN: 9781851495665 Paul Nash and John Nash ISBN: 9781851495191 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

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Our national leaders have drifted into treating the pandemic as though it were an unavoidable natural catastrophe, repeating a depressing cycle of panic followed by neglect. So a remarkable group of practitioners and scholars from many backgrounds came together determined to discover and learn lessons from this latest world war. Lessons from the Covid War is plain-spoken and clear sighted. It cuts through the enormous jumble of information to make some sense of it all and answer: What just happened to us, and why? And crucially, how, next time, could we do better? Because there will be a next time.The Covid war showed Americans that their wondrous scientific knowledge had run far ahead of their organized ability to apply it in practice. Improvising to fight this war, many Americans displayed ingenuity and dedication. But they struggled with systems that made success difficult and failure easy. This book shows how Americans can come together, learn hard truths, build on what worked, and prepare for global emergencies to come.A joint effort from:Danielle Allen John M. Barry John Bridgeland Michael Callahan Nicholas A. Christakis Doug Criscitello Charity Dean Victor Dzau Gary Edson Ezekiel Emanuel Ruth Faden Baruch Fischhoff Margaret "Peggy" Hamburg Melissa Harvey Richard Hatchett David Heymann Kendall Hoyt Andrew Kilianski James Lawler Alexander J. Lazar James Le Duc Marc Lipsitch Anup Malani Monique K. Mansoura Mark McClellan Carter Mecher Michael Osterholm David A. Relman Robert Rodriguez Carl Schramm Emily Silverman Kristin Urquiza Rajeev Venkayya Philip Zelikow

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‘Fuchsia Dunlop, our great writer and expert on Chinese gastronomy, has fallen in love with this region and its cuisine – and her book makes us fall in love too’ Claudia Roden ‘Fuchsia Dunlop’s erudite writing infuses each page and her delicious recipes will inspire any serious cook to take up their wok’ Ken Hom The Lower Yangtze region or Jiangnan, with its modern capital Shanghai, has been known since ancient times as a ‘Land of Fish and Rice’. For centuries, local cooks have been using the plentiful produce of its lakes, rivers, fields and mountains, combined with delicious seasonings and flavours such as rice vinegar, rich soy sauce, spring onion and ginger, to create a cuisine that is renowned in China for its delicacy and beauty. Drawing on years of study and exploration, Fuchsia Dunlop explains basic cooking techniques, typical cooking methods and the principal ingredients of the Jiangnan larder. Her recipes are a mixture of simple rustic cooking and rich delicacies – some are famous, some unsung. You’ll be inspired to try classic dishes such as Beggar’s chicken and sumptuous Dongpo pork. Most of the recipes contain readily available ingredients and with Fuchsia’s clear guidance, you will soon see how simple it is to create some of the most beautiful and delicious dishes you’ll ever taste. With evocative writing and mouth-watering photography, this is an important new work about one of China’s most fascinating culinary regions.

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Das Buch erzählt bestürzend aktuell vom Freiheitskampf der 1989er Zeitenwende in Ungarn und den beiden deutschen Staaten – aber nicht vom (bekannten) Ende her: Es führt durch wechselnde Ereignisse und Perspektiven in die damalige Zeit hinein. Vom frenetischen Beifall beim Wiener Neujahrskonzert für die „edle ungarische Nation“ über die propaganda-trockenen Neujahrsgrüße eines Erich Honecker, bis hin zu dem merkwürdigen Wunsch von Bundeskanzler Kohl, die Bundesrepublikaner mögen „mehr Freude“ haben; von den Inaugurationsworten des neu gewählten US-Präsidenten, die sich bald schon als prophetisch erweisen werden („freedom works“), bis hin zu den tödlichen Fluchtversuchen an der Berliner Mauer, so vielfältig ist das Archivmaterial, das Zsuzsa Breier kunstvoll zu einer neuen Geschichte der Wendezeit verwebt. Der Fokus liegt auf dem Alltag zweier unterdrückter und einer freien Gesellschaft. So gibt die Autorin den Blick frei für die Mechanismen von Demokratie und Diktatur, der gerade auch für unsere Gegenwart wieder so wichtig geworden ist. „Ein wunderbarer Mix aus Vertrautem und Unbekanntem, Nahem und Fernem, Erinnern und Hinzulernen.“ (Dirk van Laak) „Ein famoses Buchprojekt: enorm anschaulich, ein Kaleidoskop und Panorama zugleich, an- und berührend, stilistisch ansprechend, und sollte gerade für ein deutsches Publikum enorm lehrreich sein, gerade in der Gegenüberstellung unterschiedlicher Perspektiven, wo doch jeder für gewöhnlich nur die eigene sieht.“ (Andreas Rödder) „Das Buch ist ein Solitär, glänzend geschrieben, an vielen Stellen tief ergreifend, ein würdiger Verwandter von Kempowskis Echolot“ (Adolf Muschg)

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Winner, 2016 Best First Book Prize from the Immigration and Ethnic History Society Finalist, 2016 Sami Rohr Prize for Jewish Literature Winner, 2015 Book Prize from the Southern Jewish Historical Society Finalist, 2015 Jordan Schnitzer Book Award from the Association for Jewish Studies Winner, 2014 National Jewish Book Award in American Jewish Studies from the Jewish Book Council The majority of Jewish immigrants who made their way to the United States between 1820 and 1924 arrived nearly penniless; yet today their descendants stand out as exceptionally successful. How can we explain their dramatic economic ascent? Have Jews been successful because of cultural factors distinct to them as a group, or because of the particular circumstances that they encountered in America? The Rag Race argues that the Jews who flocked to the United States during the age of mass migration were aided appreciably by their association with a particular corner of the American economy: the rag trade. From humble beginnings, Jews rode the coattails of the clothing trade from the margins of economic life to a position of unusual promise and prominence, shaping both their societal status and the clothing industry as a whole. Comparing the history of Jewish participation within the clothing trade in the United States with that of Jews in the same business in England, The Rag Race demonstrates that differences within the garment industry on either side of the Atlantic contributed to a very real divergence in social and economic outcomes for Jews in each setting.

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To help students think critically about international relations and politics, Stephen Benedict Dyson examines the fictional but deeply political realities of three television shows: Star Trek, Game of Thrones, and Battlestar Galactica. Deeply familiar with the events, themes, characters, and plot lines of these popular shows, students can easily draw parallels from fictive worlds to contemporary international relations and political scenarios. In Dyson's experience, this engagement is frequently powerful enough to push classroom conversations out into the hallways and onto online discussion boards. In Otherworldly Politics, Dyson explains how these shows are plotted to offer alternative histories and future possibilities for humanity. Fascinated by politics and history, science fiction and fantasy screenwriters and showrunners suffuse their scripts with real-world ideas of empire, war, civilization, and culture, lending episodes a compelling intricacy and contemporary resonance. Dyson argues that science fiction and fantasy television creators share a fundamental kinship with great minds in international relations. Creators like Gene Roddenberry, George R. R. Martin, and Ronald D. Moore are world-builders of no lesser creativity, Dyson argues, than theorists such as Woodrow Wilson, Kenneth Waltz, and Alexander Wendt. Each of these thinkers imagines a realm, specifies the rules of its operation, and by so doing seeks to teach us something about ourselves and how we interact with one another. A vital spur to creative thinking for scholars and an accessible introduction for students, this book will also appeal to fans of these three influential shows.

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When the 2016 Oscar acting nominations all went to whites for the second consecutive year, #OscarsSoWhite became a trending topic. Yet these enduring racial biases afflict not only the Academy Awards, but also Hollywood as a whole. Why do actors of color, despite exhibiting talent and bankability, continue to lag behind white actors in presence and prominence? Reel Inequality examines the structural barriers minority actors face in Hollywood, while shedding light on how they survive in a racist industry. The book charts how white male gatekeepers dominate Hollywood, breeding a culture of ethnocentric storytelling and casting. Nancy Wang Yuen interviewed nearly a hundred working actors and drew on published interviews with celebrities, such as Viola Davis, Chris Rock, Gina Rodriguez, Oscar Isaac, Lucy Liu, and Ken Jeong, to explore how racial stereotypes categorize and constrain actors. Their stories reveal the day-to-day racism actors of color experience in talent agents’ offices, at auditions, and on sets. Yuen also exposes sexist hiring and programming practices, highlighting the structural inequalities that actors of color, particularly women, continue to face in Hollywood. This book not only conveys the harsh realities of racial inequality in Hollywood, but also provides vital insights from actors who have succeeded on their own terms, whether by sidestepping the system or subverting it from within. Considering how their struggles impact real-world attitudes about race and diversity, Reel Inequality follows actors of color as they suffer, strive, and thrive in Hollywood.

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The beauty and barrenness of the southwestern landscape naturallylends itself to the art of storytellers. It is a land of heat and dryness, aland of spirits, a land that is misunderstood by those living along thecoasts. New Stories from the Southwest presents nineteen short stories that appeared in North American periodicals between January and December 2006. Though many of these stories vary by aesthetics, tone, voice, and almost any other craft category one might wish to use, they are nevertheless bound together by at least one factor, which is that the landscape of the region plays a key role in their narratives. They each evoke and explore what it means to exist in thisunique corner of the country. Selected by editor D. Seth Horton, the former fiction editor for the Sonora Review, from a wide cross-section of journals and magazines, and with a foreword by noted writer Ray Gonzalez, New Stories from the Southwest presents a generous sampling of the best of contemporary fiction situated in this often overlooked area of the country. Swallow Press is particularly pleased to publish this wide-ranging collection of stories from both new and established writers. Contributors to New Stories from the Southwest are: - Alan Cheuse - Matt Clark - Lorien Crow - Kathleen De Azvedo - Alan Elyshevitz - Marcela Fuentes - Dennis Fulgoni - Ray Gonzalez - Anna Green - Donald Lucio Hurd - Toni Jensen - Charles Kemnitz - Elmo Lum - Tom McWhorter - S. G. Miller - Peter Rock - Alicita Rodriguez - John Tait - Patrick Tobin - Valery Varble

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