Search results for ""verso""

Five hundred years since its first publication, Thomas More's Utopia remains astonishingly radical and provocative. More imagines an island nation where thousands live in peace and harmony, men and women are both educated, and property is communal. In a text hovering between fantasy, satire, blueprint and game, More explores the theories and realities behind war, political conflicts, social tensions and redistribution, and imagines the day-to-day lives of a citizenry living free from fear, oppression, violence and suffering.But there has always been a shadow at the heart of Utopia. If this is a depiction of the perfect state, why, as well as wonder, does it provoke a growing unease?In this quincentenary edition, published in conjunction with Somerset House, More's text is introduced by multi-award-winning author China Miéville and accompanied by four essays from Ursula K. Le Guin, today's most distinguished utopian writer and thinker.

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Sixty years ago, the political theorist Hannah Arendt, an exiled Jew deprived of her German citizenship, observed that before people can enjoy any of the "inalienable" Rights of Man-before there can be any specific rights to education, work, voting, and so on-there must first be such a thing as "the right to have rights". The concept received little attention at the time, but in our age of mass deportations, Muslim bans, refugee crises, and extra-state war, the phrase has become the centre of a crucial and lively debate. Here five leading thinkers from varied disciplines-including history, law, politics, and literary studies-discuss the critical basis of rights and the meaning of radical democratic politics today.

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Pocket Pantheon is an invitation to engage with the greats of postwar Western thought, such as Lacan, Sartre and Foucault, in the company of one of today's leading political and philosophical minds. Alain Badiou draws on his encounters with this pantheon-his teachers, opponents and allies-to offer unique insights into both the authors and their work. These studies form an accessible, authoritative distillation of continental theory and a capsule history of a period in Western thought.

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The Beautiful Struggle is an extraordinary memoir from the most important new voice in the US race debate and the author of New York Times bestseller list no. 1 Between the World and Me, hailed by Toni Morrison as "required reading."This small and perfectly formed epic follows the lives of boys on the journey to manhood in black America and beyond in 1980s Baltimore, a city on the verge of chaos. These youngsters needed to learn fast, and Ta-Nehisi's father, Paul, was a fine teacher: a Vietnam vet who rolled with the Black Panthers, an old-school disciplinarian, and an autodidact who launched a publishing company in his basement. The Beautiful Struggle is a moving father-and-son story about the reality that tests us, and the love that saves us.

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The BBC is one of the most important institutions in Britain; it is also one of the most misunderstood. Despite its claim to be independent and impartial, and the constant accusations of a liberal bias, from its Reithian origins to its coverage of the 2019 General Election: the BBC has always sided with the elite. As Tom Mills demonstrates, we are only getting the news that the Establishment wants aired in public. And yet in the current age of multi-platform news, this bias is increasingly exposed. Mills asks if the institution is fit for purpose? And can it even be reformed? The BBC is an important and timely examination of a crucial public institution that may threaten the very thing it was meant to uphold: democracy.

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Althusser delivered these lectures on Rousseau's Discourse on the Origins of Inequality at the École normale supérieure in Paris in 1972. They are fascinating for two reasons. First, they gave rise to a new generation of Rousseau scholars, attentive not just to Rousseau's ideas, but also to those of his concepts that were buried beneath metaphors or fictional situations and characters. Second, we are now discovering that the "late Althusser's" theses about aleatory materialism and the need to break with the strict determinism of theories of history in order to devise a new philosophy "for Marx" were being worked out well before 1985 in this reading of Rousseau dating from twelve years earlier, which introduces into Rousseau's text the ideas of the void, the accident, the take, and the necessity of contingency.

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In Praise of Disobedience draw on works from a single miraculous year in which Oscar Wilde published the larger part of his greatest prose - the year he came into maturity as an artist. Before the end of 1891, he had written the first of his phenomenally successful plays and met the young man who would win his heart, beginning the love affair that would lead to imprisonment and public infamy. In a witty introduction, playwright, novelist and Wilde scholar Neil Bartlett explains what made this point in the writer's life central to his genius and why Wilde remains a provocative and radical figure to this day.Included here are the entirety of Wilde's foray into political philosophy, The Soul of Man Under Socialism; the complete essay collection Intentions; selections from The Portrait of Dorian Gray as well as its paradoxical and scandalous preface; and some of Wilde's greatest fictions for children. Each selection is accompanied by stimulating and enlightening annotations. A delight for fans of Oscar Wilde, In Praise of Disobedience will restore and revitalize an often misunderstood legacy.

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B.R. Ambedkar's Annihilation of Caste is one of the most important, yet neglected, works of political writing from India. Written in 1936, it is an audacious denunciation of Hinduism and its caste system. It offers a scholarly critique of Hindu scriptures, scriptures that sanction a rigidly hierarchical and iniquitous social system. Arundhati Roy introduces this extensively annotated edition in "The Doctor and the Saint," examining the persistence of caste in modern India, and how the conflict between Ambedkar and Gandhi continues to resonate. Roy breathes new life into Ambedkar's anti-caste utopia, and says that without a Dalit revolution, India will continue to be hobbled by systemic inequality.

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One hundred years ago, French troops fired tear gas grenades into German trenches. Designed to force people out from behind barricades and trenches, tear gas causes burning of the eyes and skin, tearing, and gagging. Chemical weapons are now banned from war zones. But today, tear gas has become the most commonly used form of "less-lethal" police force. In 2011, the year that protests exploded from the Arab Spring to Occupy Wall Street, tear gas sales tripled. Most tear gas is produced in the United States, and many images of protestors in Tahrir Square showed tear gas canisters with "Made in USA" printed on them, while Britain continues to sell tear gas to countries on its own human-rights blacklist.An engrossing century-spanning narrative, Tear Gas is the first history of this weapon, and takes us from military labs and chemical weapons expos to union assemblies and protest camps, drawing on declassified reports and witness testimonies to show how policing with poison came to be.

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When, in 2013, the Daily Mail labeled Ralph Miliband "The Man Who Hated Britain," a diverse host rallied to his defense. Those who had worked with him - from both left and right - praised his work and character. He was lauded as "one of the best-known academic Marxists of his generation" and a leading figure of the New Left. Class War Conservatism collects together his most significant political essays and shows the scope and brilliance of his thinking. Ranging from the critical anatomy of capitalism to a clear-eyed analysis of the future of socialism in Britain, this selection shows Miliband as an independent and prescient thinker of great insight. Throughout, his writing is a passionate and forcefully argued demand for social justice and a better future.

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Here is one of the first books to assert that mass protest movements in disparate places such as Greece, Argentina, and the United States share an agenda-to raise the question of what democracy should mean. These horizontalist movements, including Occupy, exercise and claim participatory democracy as the ground of revolutionary social change today.Written by two international activist intellectuals and based on extensive interviews with movement participants in Spain, Venezuela, Japan, across the United States, and elsewhere, this book is both one of the most expansive portraits of the assemblies, direct democracy forums, and organizational forms championed by the new movements, and an analytical history of direct and participatory democracy from ancient Athens to Athens today. The new movements put forward the idea that liberal democracy is not democratic, nor was it ever.

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A solarpunk masterpiece from a writer who champions a positive, inclusive and deep-thinking version of future possibilities.The Pulldogs leave Rome to embrace a new condition: leaving no trace of their passage, they shape a new challenging lifestyle: wandering around the world as neo-nomads to spread their solarpunk way of living and to engage on a never-ending mission to save endangered human cultures with nanites. But the vision of Alan and Nicolas about how the Pulldogs should live collide, and as a consequence, they split in two groups: one goes North to live in the beautiful wilderness of Siberia and Mongolia, while the other goes South to save the Dogon tribe from a possible extinction due to climate change in Central Africa. But at the end everybody - including a new generation of Pulldogs - will have to come back to Rome, where their incredible transformation started many years before. Sequel to the celebrated The Roamers.FLAME TREE PRESS is the im

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A solarpunk masterpiece from a writer who champions a positive, inclusive and deep-thinking version of future possibilities.The Pulldogs leave Rome to embrace a new condition: leaving no trace of their passage, they shape a new challenging lifestyle: wandering around the world as neo-nomads to spread their solarpunk way of living and to engage on a never-ending mission to save endangered human cultures with nanites. But the vision of Alan and Nicolas about how the Pulldogs should live collide, and as a consequence, they split in two groups: one goes North to live in the beautiful wilderness of Siberia and Mongolia, while the other goes South to save the Dogon tribe from a possible extinction due to climate change in Central Africa. But at the end everybody - including a new generation of Pulldogs - will have to come back to Rome, where their incredible transformation started many years before. Sequel to the celebrated The Roamers.FLAME TREE PRESS is the im

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The pulldogs, a group of people at the twilight of Western civilisation, undergo an anthropological transformation caused by the dissemination of nanites (nanorobots capable of assembling molecules to create matter). This technology changes the way they eat and gives rise to a culture which, while reminiscent of an ancient nomadic society, is creative and new. Liberation from the imperative of food, combined with the ability to 3D print objects and use cloud computing, makes it possible for the pulldogs to make a choice that seems impossible and anachronistic – a new life, but is it really an Arcadia? FLAME TREE PRESS is the imprint of long-standing Independent Flame Tree Publishing, dedicated to full-length original fiction in the horror and suspense, science fiction & fantasy, and crime / mystery / thriller categories. The list brings together fantastic new authors and the more established; the award winners, and exciting, original voices. Learn more about Flame Tree Press at www.flametreepress.com and connect on social media @FlameTreePress.

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First published 1911. Reprinted 2010. Transferred to digital printing--T.p. verso.

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"Sponsored by: Society for Northwestern Vertebrate Biology, USDA Forest Service--Title page verso."

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"Scripture quotations, except where otherwise noted, are author's own translation from the Hebrew."--Title page verso.

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The pulldogs, a group of people at the twilight of Western civilisation, undergo an anthropological transformation caused by the dissemination of nanites (nanorobots capable of assembling molecules to create matter). This technology changes the way they eat and gives rise to a culture which, while reminiscent of an ancient nomadic society, is creative and new. Liberation from the imperative of food, combined with the ability to 3D print objects and use cloud computing, makes it possible for the pulldogs to make a choice that seems impossible and anachronistic – a new life, but is it really an Arcadia? FLAME TREE PRESS is the imprint of long-standing Independent Flame Tree Publishing, dedicated to full-length original fiction in the horror and suspense, science fiction & fantasy, and crime / mystery / thriller categories. The list brings together fantastic new authors and the more established; the award winners, and exciting, original voices. Learn more about Flame Tree Press at www.flametreepress.com and connect on social media @FlameTreePress.

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"Originally published as Der nachste Schritt 2016 by Piper Verlag GmbH, Munchen/Berlin, published under the imprint Malik"--T.p. verso.

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A celebration of handmade toys, featuring fabulous stuffed animals, handmade baby gifts and more - all made using fat quarter cuts of fabric - the most popular way that sewers buy fabric. Continuing the series from 50 Fat Quarter Makes, this fun collection features beautiful styled photography, step-by-step diagrams and templates for over 50 handmade toys, with patterns provided by 10 top international talents. These include Amie Plumley co-author of the bestselling Sewing School books, Ayda Algin of Café Nohut, Mollie Johanson of Wild Olive, bestselling author Emma Hardy and Aurifil thread designer and founder of #GreatBritishQuilter Sarah Ashford. All the toys are made using simple sewing techniques alongside patchwork, appliqué and embroidery.

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Rachel Dwyer is Senior Lecturer in Gujarati and Indian Studies at SOAS, University of London and author of All You Want is Money (Cassell, 2000) and All You Need is Love: Sexuality and Romance in Modern India (Verso, 1999)

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Rachel Dwyer is Senior Lecturer in Gujarati and Indian Studies at SOAS, University of London and author of All You Want is Money (Cassell, 2000) and All You Need is Love: Sexuality and Romance in Modern India (Verso, 1999)

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The original Haynes Repair Manual - Based on a complete stripdown and rebuild of a vehicle What's covered: Saloon, Hatchback and Estate, inc. special/limited editions. Petrol: 1.4 litre (1398cc) and 1.6 litre (1598cc). Diesel: 2.0 litre (1995cc). Exclusions: Does NOT cover Verso. Does NOT cover 1.8 litre petrol engine. Does NOT cover 1.4 litre diesel engine.

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La sensazionale ricostruzione del Neues Museum realizzata da David Chipperfield costituisce un ulteriore passo avanti verso verso il risanamento e la modernizzazione dell'Isola dei Musei di Berlino. Già l'edificio costruito fra il 1841 e il 1859 da Friedrich August Stüler era stato esaltato come un'opera eccezionale, non solo per l'impiego delle più avanzate tecniche di costruzione, ma anche per la sua concezione di "opera d'arte globale" in cui l'architettura, la decorazione figurativa e le opere esposte si integravano a vicenda in una messa in scena che permetteva ai visitatori di vivere l'esperienza di mondi tramontati e di culture esotiche dall'Antichità all'Evo Moderno. Grazie all'attenta salvaguardia di tutta la sostanza storica sopravvissuta alla seconda guerra mondiale e agli anni di incuria allo stato di rovina, nonché alle congeniali integrazioni moderne, il Neues Museum è oggi un degno rappresentante del patrimonio culturale dell'umanità dell'UNESCO. Questo libro descrive e analizza la storia dell'edificio nel suo antico e rinnovato splendore e riassume incisivamente l'intenso dibattito sui progetti per la sua ricostruzione e sulla loro realizzazione.

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Born in the small Extremaduran town of Moraleja in 1946, Spanish poet Pureza Canelo, at the age of twenty-five, published her first collections of poetry, Celda verde and Lugar común (winner of the 1970 Adonais Prize). By 1979, she had settled upon an understanding of her own aesthetic evolution, which she elaborated in Habitable (Primera poética). Then, in 1986, after a period of disenchantment with the written word during which she published only two chapbooks-Espacio de emoción (1981) and Vega de la paloma (1984)-she redefined her position in Tendido verso (Segunda poética). Designed to complement Nature's Colloquy with the Word: Pureza Canelo's First Poetics (Bucknell, 2004), the current text deciphers the intricate poetic language of the poet's mature works, which, at the time of writing, included the two above-mentioned chapbooks as well as Tendido verso, Pasión inédita (1990), and No escribir (1999). The author traces recurrent aesthetic and philosophical positions that serve to differentiate the poet's first and second poetics. Tendido verso is the volume in which temporality supersedes essence and, in so doing, breaks with insights expressed by Juan Ramón Jiménez during his Modernist phase. In Pasión inédita the intimate pronominal discourse between poet and creative other allows them to coalesce into an indeterminate being. At this point the desired goal of the creative process is achieved; the "holy wedding" (hieros gamos) of poet and creative other occurs. No escribir abandons the struggle of Canelo's previous books and carries out the method prescribed by her second poetics. She recognizes that only the creative process can satisfy her desire, and that love, the dominant symbol for creation, indeed, allows the pain of poetic failure to cease. Passion, nonetheless, must stop short of fulfillment, since the written poem, laden with the poet's gaze and subjectivity, cannot exist apart from its shadow.

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Il sito della Rocca di Oratino: dieci anni di ricerche presenta i risultati delle ricerche condotte a partire dal 2005 nel sito dell’età del Bronzo di Oratino – La Rocca (Campobasso), posto sull’alta valle del fiume Biferno, in posizione strategica lungo un’importante via di penetrazione che dalla costa adriatica permette di risalire verso le zone interne verso il massiccio del Matese, ai piedi di un alto sperone roccioso che caratterizza ancora oggi il paesaggio. Con questo volume vengono presentati i dati relativi agli ultimi livelli di frequentazione dell’insediamento, da porsi in un momento avanzato del Subappenninico (XII sec. a.C.). Questi sono caratterizzati dalla presenza di una serie di piastre di cottura e focolari, legati ad attività connesse con l’uso del fuoco, orientate alla preparazione e al consumo degli alimenti. Sono inclusi gli studi sulle diverse categorie di manufatti rinvenuti, tra cui le ceramiche, i concotti e i manufatti in litica scheggiata, oltre ai resti bioarcheologici, in particolare paelobotanici, che possono oggi confluire in una ricerca multidisciplinare. L’analisi integrata dei dati a disposizione (dati di scavo, studio funzionale delle ceramiche, determinazione dei resti bioarcheologici e distribuzione spaziale di questi e di altri manufatti) permette di formulare alcune ipotesi legate al funzionamento delle strutture di fuoco e alla gestione dello spazio, in un’area aperta posta in una zona marginale del sito.

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TEXT IN FRENCH. Acts from the international symposium held at the University of Copenhagen, October 2002, on the occasion of the bicentenary of Victor Hugo. The contributions concern, 'Les Miserables' (Morten Nojgaard, Odense), 'Les Travailleurs de La Mer' (Delphine Gleizes, Lyon), 'La Legende des Siecles' (Myriam Roman, Paris), 'Le Rhin' and 'Le Verso de La Page' (Hans P Lund, Copenhagen), Flaubert as a reader of Hugo (Juliettte Frolich, Oslo) and the politics of Hugo and Balzac (Michael Brix, Namur. The aim of all contributions is to emphasise how fragments of the oeuvre relate to the corpus of the author in its entirety.

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Written reputedly by an Egyptian magus, Horapollo Niliacus, in the fourth century C.E., The Hieroglyphics of Horapollo is an anthology of nearly two hundred "hieroglyphics," or allegorical emblems, said to have been used by the Pharaonic scribes in describing natural and moral aspects of the world. Translated into Greek in 1505, it informed much of Western iconography from the sixteenth through the nineteenth centuries. This work not only tells how various types of natural phenomena, emotions, virtues, philosophical concepts, and human character-types were symbolized, but also explains why, for example, the universe is represented by a serpent swallowing its tail, filial affection by a stork, education by the heavens dropping dew, and a horoscopist by a person eating an hourglass. In his introduction Boas explores the influence of The Hieroglyphics and the causes behind the rebirth of interest in symbolism in the sixteenth century. The illustrations to this edition were drawn by Albrecht Durer on the verso pages of his copy of a Latin translation.

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Cinema, Religion and the Romantic Legacy surveys the ways in which notions of religion and spirituality have impinged upon the cinema. Cinema is conceived as a post-Romantic form for which religion and spirituality can be unified only problematically. While inspecting many of the well-established themes and topoi of writing on religion and film (such as films about priests and 'Christ-figures') it also seeks to problematize them, focusing primarily upon the issues of religious representation foregrounded by such European directors as Kieslowski and Godard. Coates draws on theories of theologians, philosophers and cultural and literary critics including: Otto, Kant, Schiller and Girard. Addressing the relationship between religion and spirituality from a film studies specialist's perspective, this book offers all those concerned with film, media or religious studies an invaluable examination of artistic interaction with the theological and aesthetic issues of representation and representability. Paul Coates is Reader in Film Studies at the University of Aberdeen, Scotland, and author of many books including: The Gorgon's Gaze (CUP), Film at the Intersection of High and Mass Culture (CUP), The Story of the Lost Reflection (Verso).

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Resources running low, the population exploding, the planet is in danger: are we masters of our own destruction, or have we been invaded by aliens bent on mass extinction? Is this a pattern across the entire universe, or just our small sector of cosmic life? This new title in our successful Gothic Fantasy Short Stories series explores the theme of a dying planet, written by a fabulous mix of classic, ancient and brand new writing, with contemporary authors from all over the world. For the first time we’ve made a conscious effort to reach beyond our usual submissions seeking broader voices. This book offers a glorious mix of American, British, Canadian, Italian, Indian, Spanish and Chinese writers with contributions from Barton Aikman, V.K. Blackwell, Steve Carr, Brandon Crilly, AnaMaria Curtis, Kate Dollarhyde, Megan Dorei, Stephanie Ellis, Anita Ensal, E.E. King, Michael Kortes, Raymond Little, Ken Liu, Thana Niveau, John B. Rosenman, Sydney Rossman-Reich, Elizabeth Rubio, Zach Shephard, Shikhandin, Alex Shvartsman, Kristal Stittle, Rebecca E. Treasure, Francesco Verso, and Marian Womack. These sit alongside classic stories by authors such as Clark Ashton Smith, Stanley G. Weinbaum, H.G. Wells and more, as well as stretching back much further, to the Norse Eddas and Sagas, and an Ancient Egyptian Myth on the death of humankind.

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First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound’s understanding—it is fair to say, his appropriation—of the text. Fenollosa’s manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North America and East Asia. Pound’s editing of the essay obscured two important features, here restored to view: Fenollosa’s encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry. This book is the definitive critical edition of Fenollosa’s important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound’s deletions, insertions, and alterations to Fenollosa’s sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa’s ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition. This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry.

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Tales from writers with Latinx, Caribbean, Asian, African, Arabic, North American, East European origins, and more, challenge the reader with stories that spill out into space, parallel realms or just hidden in plain sight. The stories explore the world from the perspective of the incoming, whether necessitated through war or oppression, financial or familial need, or with hope for a better future, examining visions of displacement and relocation in future and speculative settings. New stories selected from open submissions are set alongside classic sci-fi by the likes of Otto (Eando) Binder and Zenna Henderson, modern stories by such authors as Celu Amberstone and Ken Liu, and older, realist immigrant narratives by Abraham Cahan, Sui Sin Far, Lee Yan Phou, Constantine Panunzio and more. Complemented by a foreword by author E.C. Osondu and an insightful introduction by Betsy Huang, Ph.D., this is an intriguing view of the conflict and anxiety between the settled and the unsettled. The new, contemporary and notable writers featured are: Ali Abbas, Celu Amberstone, Bebe Bayliss, Christine Bennett, Ben Blattberg, Judi Calhoun, V. Castro, P.A. Cornell, Yelena Crane, Indra Das, Deborah L. Davitt, Greg van Eekhout, Louis Evans, Illimani Ferreira, Beáta Fülöp, Elana Gomel, Eileen Gonzalez, Roy Gray, Alex Gurevich, Jennifer Hudak, Jordan Ifueko, Frances Lu-Pai Ippolito, Jas Kainth, Ken Liu, Samara Lo, Kwame M.A. McPherson, E.C. Osondu, Simon Pan, C.R. Serajeddini, Bogi Takács, Kanishk Tantia, Tehnuka, Francesco Verso (translated by Michael Colbert), M. Darusha Wehm, Kevin Martens Wong, and Eris Young. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

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Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product.Access interactive cases on breast imaging for the best board review possible!Part of McGraw-Hill's Radiology Case Review Series, this unique resource challenges you to look at a group of images, determine the diagnosis, answer related questions, and gauge your knowledge by reviewing the answer. It all adds up to the best interactive review of breast imaging available--one that's ideal for certification or recertification, or as clinical refresher.Distinguished by an effective 2-page design, each volume in this series is filled with cases, annotatedimages, questions & answers, pearls, and relevant literature references that will efficiently prepare you for virtually any exam topic. The book's cases are crosslinked to an online component that includes full-resolution images, interactive image stacks, discussions and extra teaching points that reinforce your grasp of must-know breast imaging topics--from gynecomastia to primary breast lymphoma.Radiology Case Review Series Features 200 cases for each volume, which consist of: Precise, state-of-the-art images accompanied by questions and answers, descriptions of the entities, insightful clinical pearls, and reference lists Intensive coverage of fundamental radiology principles, the latest diagnostic imaging techniques, radiology equipment, new technologies, and more Unique 2-page design for each case, which features: Images with 5 questions on the right-hand page Magnifications, annotations, and detailed answers on the verso page--a benefit that you'll find only in this exceptional series! Informative, bulleted comments box that provides important additional context for each case Cases organized and coded by difficulty level allowing you to evaluate your proficiency before progressing to the next level Radiology-relevant scrolling and stacking function A dedicated interactive website enables you to: Scroll the images from each case in the text as well as stack images (display multiple views of an image) Zoom in and out, or scroll up and down, to highlight specific details of a subject Access additional images for each case using the case ID number from the text

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Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product.Access interactive cases on breast imaging for the best board review possible!Part of McGraw-Hill's Radiology Case Review Series, this unique resource challenges you to look at a group of images, determine the diagnosis, answer related questions, and gauge your knowledge by reviewing the answer. It all adds up to the best interactive review of interventional radiology available--one that's ideal for certification or recertification, or as an incomparable clinical refresher. Distinguished by a cohesive 2-page design, each volume in this series is filled with cases, annotated images, questions & answers, pearls, and relevant literature references that will efficiently prepare you for virtually any exam topic. The book's cases are crosslinked to an online component that includes full-resolution images, interactive image stacks, discussions and extra teaching points that reinforce your grasp of must-know interventional radiology topics. Radiology Case Review Series Features 200 cases for each volume, which consist of: Precise, state-of-the-art images accompanied by questions and answers, descriptions of the entities, insightful clinical pearls, and reference lists Intensive coverage of fundamental radiology principles, the latest diagnostic imaging techniques, radiology equipment, new technologies, and more Unique 2-page format for each case, which features: Images with 5 questions on the right-hand page Magnifications, annotations, and detailed answers on the verso page--a benefit that you'll only find in this exceptional series! Informative, bulleted comments box that provides important additional context for each case Cases organized and coded by difficulty level allowing you to evaluate your proficiency before progressing to the next level Radiology-relevant scrolling and stacking function A dedicated interactive website--accessible via scratch-off code for each volume in the series--enables you to: Scroll the images from each case in the text as well as stack images (display multiple views of an image) Zoom in and out, or scroll up and down, to highlight specific details of a subject Access additional images for each case using the case ID number from the text

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Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product.Access interactive cases on musculoskeletal imaging for the best board review possible!Part of McGraw-Hill's Radiology Case Review Series, this unique resource challenges you to lookat a group of images, determine the diagnosis, answer related questions, and gauge your knowledge by reviewing the answer. It all adds up to the best interactive review of musculoskeletal imaging available--one that's ideal for certification or recertification, or as an incomparable clinical refresher. Distinguished by a cohesive two-page design, each volume in this series is filled with cases, annotated images, questions and answers, pearls, and relevant literature references that will efficiently prepare you for virtually any exam topic. The book's cases are crosslinked to an online component that includes full-resolution images, interactive image stacks, discussions and extra teaching points that reinforce your grasp of must-know musculoskeletal imaging topics.Radiology Case Review Series Features 200 cases for each volume, which consist of: Precise, state-of-the-art images accompanied by questions and answers, descriptions of the entities, insightful clinical pearls, and reference lists Intensive coverage of fundamental radiology principles, the latest diagnostic imaging techniques, radiology equipment, new technologies, and more Unique 2-page format for each case, which features: Images with 5 questions on the right-hand page Magnifications, annotations, and detailed answers on the verso page--a benefit that you'll only find in this exceptional series! Informative, bulleted comments box that provides important additional context for each case Cases organized and coded by difficulty level allowing you to evaluate your proficiency before progressing to the next level Radiology-relevant scrolling and stacking function A dedicated interactive website--accessible via scratch-off code for each volume in the series--enables you to: Scroll the images from each case in the text as well as stack images (display multiple views of an image) Zoom in and out, or scroll up and down, to highlight specific details of a subject Access additional images for each case using the case ID number from the text

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A reimagining of an instructional text on tumbling supports poems about the amateurishness of being human.Tumbling for Amateurs is a reimagining of James Tayloe Gwathmey’s 1910 book of the same name, published as part of Spalding’s Athletic Library. Bookended with “Propositions” on why tumbling is a skill that everyone should learn and “Extracts from Letters of Support,” each verso poem in this collection pairs with a recto illustration based on drawings from the source text. In the spirit of William Blake’s Songs of Innocence and of Experience, word and image work for each other, creating something more than just an instructional manual.Tumbling is, well, a metaphor for everything. And we all are, well, amateurs. Experimentation abounds in these poems and manipulated pictures. There are anaphoras, list sonnets, erasures, palimpsests and concrete poems, all working from tumbling’s limited vocabulary and central focus of acrobatics and gymnastics. In this experimentation of form and text is a search for the lyric, for an emotional connection when one isn’t always possible, in bodies, in movement, in desire. “We measure our lives by what our bodies can do.”"Matthew Gwathmey’s poems, springboarding from a genre of fitness manual popular in the early twentieth century, tumble us into the present through tests gamily set for body and mind. As ripped as his gymnast protagonists – evoked so fetchingly in the book’s illustrations – Gwathmey writes a poetry eschewing the lyrical in favour of a stripped-down, athletic language that gives shape to 'what must remain / nameless.' There’re so many ways to read ourselves into Tumbling for Amateurs. Go toe to toe with these poems and they’ll tone up your grip on what poetry is." – John Barton, author of Lost Family “We have no other way to touch each other. / Really no other way to touch each other. / We seek this particular exercise because / we have no other way to touch each other." Like the tumbling acts from which they spring, Gwathmey's poems are delightfully performative. They leap, loop, and reconfigure familiar forms into fresh and acrobatic new intimacies. Slyly queering his source text — an early 20th century tumbling manual for young men salvaged from the dusty closet of family history — Gwathmey transforms instruction into seduction as he conducts a tender and playful archeology of desire." – Suzanne Buffam, author of A Pillow Book"Gwathmey's poems go together like a troupe, somersaulting through the vocabulary of the way a body moves. They turn the still past into this moving present." – Paul Legault, author of The Tower

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Finalist at the 2011 and 2014 International Latino Book Awards. Cocorina has a big heart, but she’s a bit clumsy and forgetful… A delightful tale told in rhyme, ideal for learning to accept the faults of those around us and to ignore gossip.Cocorina had a big heart, but she was clumsy and forgetful too. She always had a thousand things in mind, so imagine when she gave birth to three chicks!Sometimes, her children ended up finding themselves in complicated situations due to the occasional distractions from their mother. In the farmyard, the other hens gossiped and insinuated Cocorina wasn’t a good mother to her children, and the rumor started to spread… Suddenly the rumor had already arrived to the city and soon to the most remote part of the world. Everyone said that Cocorina did not treat her children well.Although not everything was going as Cocorina would have liked, she did not stop striving for the welfare of her three beloved children. But being a good mother was not an easy task: more than once did Cocorina mess up, but she never gave up and, right after apologizing to her three little ones, she hugged them and showed them that she loved them very much.And the rumors didn’t matter, because the three chicks were clear that their mother was unique and that they would not change her for anything in the world.Finalista en los International Latino Book Awards 2011 y 2014. La gallina Cocorina tiene un gran corazón, pero es un poco torpe y olvidadiza... Un cuento lleno de emoción escrito en verso que nos enseña que nadie es perfecto.Cocorina era una gallina muy simpática y cariñosa, pero también algo despistada y torpe. El hecho de ser mamá de tres pollitos no ayudaba demasiado: ¡Cocorina andaba de aquí para allá con mil cosas a la cabeza!Sus pollitos en más de una ocasión acababan encontrándose en situaciones complicadas debido a algún que otro despiste de su mamá. Las gallinas empezaron a criticar a Cocorina por no ser una buena madre, y, de pronto, el rumor ya había circulado por la ciudad hasta llegar al lugar más remoto del mundo: todos decían que Cocorina no trataba bien a sus hijos.Si bien no todo iba como a Cocorina le hubiese gustado, ella no dejaba de esforzarse por el bienestar de sus tres queridos hijos. Pero ser una buena mamá no era tarea fácil: más de una vez Cocorina metió la pata, pero ella no se rendía nunca y, pidiendo perdón a sus tres pequeños, los abrazaba y les demostraba que los quería muchísimo.Y nada importaron los rumores, porque los tres pollitos tenían claro que su mamá era única y que no la cambiarían por nada en el mundo.

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Twenty-six new short stories representing the state of the art in international science fiction. 'Rare and wonderful' The Times 'The most important anthology of SF short fiction since Dangerous Visions' Adam Roberts 'Fizzes with great ideas and wonderful writing... Now this book exists, it feels absurd it didn't exist sooner' SFX The future is coming. It knows no bounds, and neither should science fiction. They say the more things change the more they stay the same. But over the last hundred years, science fiction has changed. Vibrant new generations of writers have sprung up across the globe, proving the old adage false. From Ghana to India, from Mexico to France, from Singapore to Cuba, they draw on their unique backgrounds and culture, changing the face of the genre one story at a time. Prepare yourself for a journey through the wildest reaches of the imagination, to visions of Earth as it might be and the far corners of the universe. Along the way, you will meet robots and monsters, adventurers and time travellers, rogues and royalty. In The Best of World SF, award-winning author Lavie Tidhar acts as guide and companion to a world of stories, from never-before-seen originals to award winners, from twenty-three countries and seven languages. Because the future is coming and it belongs to us all. Stories: 'Immersion' by Aliette de Bodard; 'Debtless' by Chen Qiufan (trans. from Chinese by Blake Stone-Banks); 'Fandom for Robots' by Vina Jie-Min Prasad; 'Virtual Snapshots' by Tlotlo Tsamaase; 'What The Dead Man Said' by Chinelo Onwualu; 'Delhi' by Vandana Singh; 'The Wheel of Samsara' by Han Song (trans. from Chinese by the author); 'Xingzhou' by Yi-Sheng Ng; 'Prayer' by Taiyo Fujii (trans. from Japanese by Kamil Spychalski); 'The Green Ship' by Francesco Verso (trans. from Italian by Michael Colbert); 'Eyes of the Crocodile' by Malena Salazar Maciá (trans. from Spanish by Toshiya Kamei); 'Bootblack' by Tade Thompson; 'The Emptiness in the Heart of all Things' by Fabio Fernandes; 'The Sun From Both Sides' by R.S.A. Garcia; 'Dump' by Cristina Jurado (trans. from Spanish by Steve Redwood); 'Rue Chair' by Gerardo Horacio Porcayo (trans. from Spanish by the author); 'His Master's Voice' by Hannu Rajaniemi; 'Benjamin Schneider's Little Greys' by Nir Yaniv (trans. from Hebrew by Lavie Tidhar); 'The Cryptid' by Emil H. Petersen (trans. from Icelandic by the author); 'The Bank of Burkina Faso' by Ekaterina Sedia; 'An Incomplete Guide...' by Kuzhali Manickavel; 'The Old Man with The Third Hand' by Kofi Nyameye; 'The Green' by Lauren Beukes; 'The Last Voyage of Skidbladnir' by Karin Tidbeck; 'Prime Meridian' by Silvia Moreno-Garcia; 'If At First You Don't Succeed' by Zen Cho

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Twenty-six new short stories representing the state of the art in international science fiction. 'Rare and wonderful' The Times 'The most important anthology of SF short fiction since Dangerous Visions' Adam Roberts 'Fizzes with great ideas and wonderful writing... Now this book exists, it feels absurd it didn't exist sooner' SFX The future is coming. It knows no bounds, and neither should science fiction. They say the more things change the more they stay the same. But over the last hundred years, science fiction has changed. Vibrant new generations of writers have sprung up across the globe, proving the old adage false. From Ghana to India, from Mexico to France, from Singapore to Cuba, they draw on their unique backgrounds and culture, changing the face of the genre one story at a time. Prepare yourself for a journey through the wildest reaches of the imagination, to visions of Earth as it might be and the far corners of the universe. Along the way, you will meet robots and monsters, adventurers and time travellers, rogues and royalty. In The Best of World SF, award-winning author Lavie Tidhar acts as guide and companion to a world of stories, from never-before-seen originals to award winners, from twenty-three countries and seven languages. Because the future is coming and it belongs to us all. Stories: 'Immersion' by Aliette de Bodard; 'Debtless' by Chen Qiufan (trans. from Chinese by Blake Stone-Banks); 'Fandom for Robots' by Vina Jie-Min Prasad; 'Virtual Snapshots' by Tlotlo Tsamaase; 'What The Dead Man Said' by Chinelo Onwualu; 'Delhi' by Vandana Singh; 'The Wheel of Samsara' by Han Song (trans. from Chinese by the author); 'Xingzhou' by Yi-Sheng Ng; 'Prayer' by Taiyo Fujii (trans. from Japanese by Kamil Spychalski); 'The Green Ship' by Francesco Verso (trans. from Italian by Michael Colbert); 'Eyes of the Crocodile' by Malena Salazar Maciá (trans. from Spanish by Toshiya Kamei); 'Bootblack' by Tade Thompson; 'The Emptiness in the Heart of all Things' by Fabio Fernandes; 'The Sun From Both Sides' by R.S.A. Garcia; 'Dump' by Cristina Jurado (trans. from Spanish by Steve Redwood); 'Rue Chair' by Gerardo Horacio Porcayo (trans. from Spanish by the author); 'His Master's Voice' by Hannu Rajaniemi; 'Benjamin Schneider's Little Greys' by Nir Yaniv (trans. from Hebrew by Lavie Tidhar); 'The Cryptid' by Emil H. Petersen (trans. from Icelandic by the author); 'The Bank of Burkina Faso' by Ekaterina Sedia; 'An Incomplete Guide...' by Kuzhali Manickavel; 'The Old Man with The Third Hand' by Kofi Nyameye; 'The Green' by Lauren Beukes; 'The Last Voyage of Skidbladnir' by Karin Tidbeck; 'Prime Meridian' by Silvia Moreno-Garcia; 'If At First You Don't Succeed' by Zen Cho

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