Search results for ""Fordham University Press""

Winner, Victorian Society in America Book Award A colorful tale of a singular New York City neighborhood and the personalities who make it special To outsiders or East Siders, Riverside Park and Riverside Drive may not have the star status of Fifth Avenue or Central Park West. But at the city’s westernmost edge, there is a quiet and beauty like nowhere else in all of New York. There are miles of mansions and monuments, acres of flora, and a breadth of wildlife ranging from Peregrine falcons to goats. It’s where the Gershwins and Babe Ruth once lived, William Randolph Hearst ensconced his paramour, and Amy Schumer owns a penthouse. Told in the uniquely personal voice of a longtime resident, Heaven on the Hudson is the only New York City book that features the history, architecture, and personalities of this often overlooked neighborhood, from the eighteenth century through the present day. Combining an extensively researched history of the area and its people with an engaging one-on-one guide to its sights, author Stephanie Azzarone sheds new light on the initial development of Riverside Park and Riverside Drive, the challenges encountered—from massive boulders to “maniacs”—and the reasons why Riverside Drive never became the “new Fifth Avenue” that promoters anticipated. From grand “country seats” to squatter settlements to multi-million-dollar residences, the book follows the neighborhood’s roller-coaster highs and lows over time. Readers will discover a trove of architectural and recreational highlights and hidden gems, including the Drive’s only freestanding privately owned villa, a tomb that’s not a tomb, and a sweet memorial to an eighteenth-century child. Azzarone also tells the stories behind Riverside’s notable and forgotten residents, including celebrities, murderers, a nineteenth-century female MD who launched the country’s first anti-noise campaign, and an Irish merchant who caused a scandal by living with an Indian princess. While much has been written about Central Park, little has focused exclusively on Riverside Drive and Riverside Park until now. Heaven on the Hudson is dedicated to sharing this West Side neighborhood’s most special secrets, the ones that, without fail, bring both pleasure and peace in a city of more than 8 million.

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At last recovered in this enriching annotated edition, this important but neglected work of American modernism offers a unique poetic encounter with the Jewish communities in New York’s Lower East Side. Long forgotten on account of her gender and left-wing politics, Lola Ridge is finally being rediscovered and read alongside such celebrated contemporaries as Hart Crane, William Carlos Williams, and Marianne Moore—all of whom knew her and admired her work. In her time Ridge was considered one of America’s leading poets, but after her death in 1941 she and her work effectively disappeared for the next seventy-five years. Her book The Ghetto and Other Poems, is a key work of American modernism, yet it has long, and unjustly, been neglected. When it was first published in 1918—in an abbreviated version in The New Republic, then in full by B. W. Huebsch five months later—The Ghetto and Other Poems was a literary sensation. The poet Alfred Kreymbourg, in a Poetry Magazine review, praised “The Ghetto” for its “sheer passion, deadly accuracy of versatile images, beauty, richness, and incisiveness of epithet, unfolding of adventures, portraiture of emotion and thought, pageantry of pushcarts—the whole lifting, falling, stumbling, mounting to a broad, symphonic rhythm.” Louis Untermeyer, writing in The New York Evening Post, found “The Ghetto” “at once personal in its piercing sympathy and epical in its sweep. It is studded with images that are surprising and yet never strained or irrelevant; it glows with a color that is barbaric, exotic, and as local as Grand Street.” The long title poem is a detailed and sympathetic account of life in the Jewish Ghetto of New York’s Lower East Side, with particular emphasis on the struggles and resilience of women. The subsequent section, “Manhattan Lights,” delves further into city life and immigrant experience, illuminating life in the Bowery. Other poems stem from Ridge’s lifelong support of the American labor movement, and from her own experience as an immigrant. This critical edition seeks to recover the attention The Ghetto, and Other Poems, and in particular the title poem, lost after Ridge’s death. The poems in the volume are as aesthetically strong as they are historically revealing. Their language combines strength and directness with startling metaphors, and their form embraces both panoramic sweep and lyrical intensity. Expertly edited and annotated by Lawrence Kramer, this first modern edition to reproduce the full 1918 publication of The Ghetto and Other Stories offers all the background and context needed for a rich, informed reading of Lola Ridge’s masterpiece.

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“The likeness of form between Chinese and English sentences,” writes the American Sinologist Ernest Fenollosa around 1906, “renders translation from one to the other exceptionally easy.” If Babel Had a Form asks not if his claim may be true, but what its phantasmic surprise may yet do. In twentieth-century intersections of China and Asia with the United States, translations did more than communicate meaning across politicized and racializing differences of language and nation. Transpacific translation breached the regulative protocols that created those very differences of human value and cultural meaning. The result, Tze-Yin Teo argues, saw translators cleaving to the sounds and shapes of poetry to imagine a translingual “likeness of form” but not of meaning or kind. At stake in this form without meaning is a startling new task of equivalence. As a concept, equivalence has been rejected for its colonizing epistemology of value, naming a broken promise of translation and false premise of comparison. Yet the writers studied in this book veered from those ways of knowing to theorize a poetic equivalence: negating the colonial foundations of the concept, they ignited aporias of meaning into flashpoints for a radical literary translation. The book’s transpacific readings glean those forms of equivalence from the writing of Fenollosa, the vernacular experiments of Boxer Scholar Hu Shi, the trilingual musings of Shanghai-born Los Angeles novelist Eileen Chang, the minor work of the Bay Area Korean American transmedial artist Theresa Cha, and a post-Tiananmen elegy by the exiled dissident Yang Lian. The conclusion returns to the deconstructive genealogy of recent debates on translation and untranslatability, displacing the axiom of radical alterity for a no less radical equivalence that remains—pace Fenollosa—far from easy or exceptional. Ultimately, If Babel Had a Form illuminates the demanding force of even the slightest sameness entangled in the translator’s work of remaking our differences.

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Grammatology of Images radically alters how we approach images. Instead of asking for the history, power, or essence of images, Sigrid Weigel addresses imaging as such. The book considers how something a-visible gets transformed into an image. Weigel scrutinizes the moment of mis-en-apparition, of making an appearance, and the process of concealment that accompanies any imaging. Weigel reinterprets Derrida’s and Freud’s concept of the trace as that which must be thought before something exists. In doing so, she illuminates the threshold between traces and iconic images, between something immaterial and its pictorial representation. Chapters alternate between general accounts of the line, the index, the effigy, and the cult-image, and case studies from the history of science, art, politics, and religion, involving faces as indicators of emotion, caricatures as effigies of defamation, and angels as embodiments of transcendental ideas. Weigel’s approach to images illuminates fascinating, unexpected correspondences between premodern and contemporary image-practices, between the history of religion and the modern sciences, and between things that are and are not understood as art.

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The Political Logic of Experience argues that experience and phenomenology are essentially political, with profound implications for our understanding of subjectivity, epistemology, experience, the phenomenological method, and politics. Drawing on work from across the phenomenological tradition, it develops an account of expression as the internal relationship uniting knowing, being, and doing with both transcendental conditions and empirical phenomena. This expressive unification generates subjectivity as an expression of particular communities and subjects as an expression of subjectivity. Subjectivity and experience are therefore both revealed to be inherently political prior to their expression in particular subjects. In clarifying the political nature of experience and the constitution of subjectivity, the book puts the work of critical phenomenology in dialogue with transcendental phenomenology to reveal the need for a phenomenological politics: a field tasked with explaining the expressive, co-constitutive, and necessarily political relationships between subjects and their communities. It is only through such a phenomenological politics that we can properly make sense of the epistemological, ontological, and practical significance of issues like racism and sexism, problems that concern our very experience of the world. The book reveals phenomenology to be both essentially political and politically essential, as it emerges within particular communities and shapes and transforms how individuals within those communities experience the world. Touching on issues of transcendental phenomenology, political strategy, historical interpretation and inter-disciplinary phenomenological method, the book argues for foundational claims pertaining to phenomenology, politics, and social criticism that will be of interest to those working in philosophy, gender studies, race, queer theory, transcendental and applied phenomenology, and beyond.

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Although Chinese medicine is assumed to be a timeless healing tradition, the encounter with modern biomedicine threatened its very existence and led to many radical changes. Prescriptions for Virtuosity tells the story of how doctors of Chinese medicine have responded to the global dominance of biomedicine and developed new forms of virtuosity to keep their clinical practice relevant in contemporary Chinese society. Based on extensive ethnographic and historical research, the book documents the strategies of Chinese medicine doctors to navigate postcolonial power inequalities. Doctors have followed two seemingly contradictory courses of action. First, they have emphasized the unique “Chinese” characteristics of their practice, defining them against the perceived strengths of biomedicine, and producing an ontological divide between the two medical systems. These oppositions have inadvertently marginalized Chinese medicine, making it seem appropriate for clinical use only when biomedical solutions are lacking. Second, doctors have found points of convergence to facilitate the blending of the two medical practices, producing innovative solutions to difficult clinical problems. Prescriptions for Virtuosity examines how the postcolonial condition can generate not only domination but hybridity. Karchmer shows, for example, how the clinical methodology of “pattern discrimination and treatment determination” bianzheng lunzhi, which is today celebrated as the quintessential characteristic of Chinese medicine, is a twentieth-century invention. When subjected to the institutional standardizations of hospital practice, bianzheng lunzhi can lead to an impoverished form of medicine. But in the hands of a virtuoso physicians, it becomes a dynamic tool for moving between biomedicine and Chinese medicine to create innovative new therapies.

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Winner: Vasiliki Karagiannaki Prize for the Best Edited Volume in Modern Greek Studies Promotes the understanding of Italian Americans and Greek Americans through the study of their interactions and juxtapositions. Redirecting Ethnic Singularity: Italian Americans and Greek Americans in Conversation contributes to U.S. ethnic and immigration studies by bringing into conversation scholars working in the fields of Italian American and Greek American studies in the United States, Europe, and Australia. The work moves beyond the “single group” approach—an approach that privileges the study of ethnic singularity––to explore instead two ethnic groups in relation to each other in the broader context of the United States. The chapters bring into focus transcultural interfaces and inquire comparatively about similarities and differences in cultural representations associated with these two groups. This co-edited volume contributes to the fields of transcultural and comparative studies. The book is multi-disciplinary. It features scholarship from the perspectives of architecture, ethnomusicology, education, history, cultural and literary studies, and film studies, as well as whiteness studies. It examines the production of ethnicity in the context of American political culture as well as that of popular culture, including visual representations (documentary, film, TV series) and “low brow” crime fiction. It includes analysis of literature. It involves comparative work on religious architecture, transoceanic circulation of racialized categories, translocal interconnections in the formation of pan-Mediterranean identities, and the making of the immigrant past in documentaries from Italian and Greek filmmakers. This volume is the first of its kind in initiating a multidisciplinary transcultural and comparative study across European Americans.

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This volume spotlights the unique suitability and situatedness of Filipinx American studies both as a site for reckoning with the work of historicizing U.S. empire in all of its entanglements, as well as a location for reclaiming and theorizing the interlocking histories and contemporary trajectories of global capitalism, racism, sexism, and heteronormativity. It encompasses an interrogation of the foundational status of empire in the interdiscipline; modes of labor analysis and other forms of knowledge production; meaning-making in relation to language, identities, time, and space; the critical contours of Filipinx American schooling and political activism; the indispensability of relational thinking in Filipinx American studies; and the disruptive possibilities of Filipinx American formations. A catalogue of key resources and a selected list of scholarship are also provided. Filipinx American Studies constitutes a coming-to-terms with not only the potentials and possibilities but also the disavowals, silences, and omissions that mark Filipinx American studies. It provides a reflective and critical space for thinking through the ways Filipinx American studies is uniquely and especially suited to the interrogation of the ongoing legacies of U.S. imperialism and the urgencies of the current period. Contributors: Karin Aguilar-San Juan, Angelica J. Allen, Gina Apostol, Nerissa S. Balce, Joi Barrios-Leblanc, Victor Bascara, Jody Blanco, Alana Bock, Sony Coráñez Bolton, Lucy Mae San Pablo Burns, Richard T. Chu, Gary A. Colemnar, Kim Compoc, Denise Cruz, Reuben B. Deleon, Josen Masangkay Diaz, Robert Diaz, Kale Bantigue Fajardo, Theodore S. Gonzalves, Vernadette Vicuña Gonzalez, Anna Romina Guevara, Allan Punzalan Isaac, Martin F. Manalansan IV, Dina C. Maramba, Cynthia Marasigan, Edward Nadurata, JoAnna Poblete, Anthony Bayani Rodriguez, Dylan Rodríguez, Evelyn Ibatan Rodriguez, Robyn Magalit Rodriguez, J. A. Ruanto-Ramirez, Jeffrey Santa Ana, Dean Itsuji Saranillio, Michael Schulze-Oechtering, Sarita Echavez See, Roy B. Taggueg Jr.

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How is religious conversion transforming American democracy? In one corner of Appalachia, a group of American citizens has embraced the Russian Orthodox Church and through it Putin’s New Russia. Historically a minority immigrant faith in the United States, Russian Orthodoxy is attracting Americans who look to Russian religion and politics for answers to Western secularism and the loss of traditional family values in the face of accelerating progressivism. This ethnography highlights an intentional community of converts who are exemplary of much broader networks of Russian Orthodox converts in the United States. These converts sought and found a conservatism more authentic than Christian American Republicanism and a nationalism unburdened by the broken promises of American exceptionalism. Ultimately, both converts and the Church that welcomes them deploy the subversive act of adopting the ideals and faith of a foreign power for larger, transnational political ends. Offering insights into this rarely considered religious world, including its far-right political roots that nourish the embrace of Putin’s Russia, this ethnography shows how religious conversion is tied to larger issues of social politics, allegiance, (anti)democracy, and citizenship. These conversions offer us a window onto both global politics and foreign affairs, while also allowing us to see how particular U.S. communities are grappling with social transformations in the twenty-first century. With broad implications for our understanding of both conservative Christianity and right-wing politics, as well as contemporary Russian–American relations, this book provides insight in the growing constellations of far-right conservatism. While Russian Orthodox converts are more likely to form the moral minority rather than the moral majority, they are an important gauge for understanding the powerful philosophical shifts occurring in the current political climate in the United States and what they might mean for the future of American values, ideals, and democracy.

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This highly accessible portrayal of a post-apartheid neighborhood in transition analyzes the relationship between identity, migration, and place. Since it was founded in 1894, amidst Johannesburg’s transformation from a mining town into the largest city in southern Africa, Hillbrow has been a community of migrants. As the “city of gold” accumulated wealth on the backs of migrant laborers from southern Africa, Jewish Eastern Europeans who had fled pogroms joined other Europeans and white South Africans in this emerging suburb. After World War II, Hillbrow became a landscape of high-rises that lured western and southern Europeans seeking prosperity in South Africa’s booming economy. By the 1980s, Hillbrow housed some of the most vibrant and visible queer spaces on the continent while also attracting thousands of Indian and Black South Africans who defied apartheid laws to live near the city center. Filling the void for a book about migration within the Global South, The Roads to Hillbrow explores how one South African neighborhood transformed from a white suburb under apartheid into a “grey zone” during the 1970s and 1980s to become a “port of entry” for people from at least twenty-five African countries. The Roads to Hillbrow explores the diverse experiences of domestic and transnational migrants who have made their way to this South African community following war, economic dislocation, and the social trauma of apartheid. Authors Ron Nerio and Jean Halley weave sociology, history, memoir, and queer studies with stories drawn from more than 100 interviews. Topics cover the search for employment, options for housing, support for unaccompanied minors, possibilities for queer expression, the creation of safe parks for children, and the challenges of living without documents. Current residents of Hillbrow also discuss how they cope with inequality, xenophobia, high levels of crime, and the harsh economic impacts of COVID-19. Many of the book’s interviewees arrived in Hillbrow seeking not only to gain better futures for themselves but also to support family members in rural parts of South Africa or in their countries of origin. Some immerse themselves in justice work, while others develop LGBTQ+ support networks, join religious and community groups, or engage in artistic expression. By emphasizing the disparate voices of migrants and people who work with migrants, this book shows how the people of Hillbrow form connections and adapt to adversity.

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This highly accessible portrayal of a post-apartheid neighborhood in transition analyzes the relationship between identity, migration, and place. Since it was founded in 1894, amidst Johannesburg’s transformation from a mining town into the largest city in southern Africa, Hillbrow has been a community of migrants. As the “city of gold” accumulated wealth on the backs of migrant laborers from southern Africa, Jewish Eastern Europeans who had fled pogroms joined other Europeans and white South Africans in this emerging suburb. After World War II, Hillbrow became a landscape of high-rises that lured western and southern Europeans seeking prosperity in South Africa’s booming economy. By the 1980s, Hillbrow housed some of the most vibrant and visible queer spaces on the continent while also attracting thousands of Indian and Black South Africans who defied apartheid laws to live near the city center. Filling the void for a book about migration within the Global South, The Roads to Hillbrow explores how one South African neighborhood transformed from a white suburb under apartheid into a “grey zone” during the 1970s and 1980s to become a “port of entry” for people from at least twenty-five African countries. The Roads to Hillbrow explores the diverse experiences of domestic and transnational migrants who have made their way to this South African community following war, economic dislocation, and the social trauma of apartheid. Authors Ron Nerio and Jean Halley weave sociology, history, memoir, and queer studies with stories drawn from more than 100 interviews. Topics cover the search for employment, options for housing, support for unaccompanied minors, possibilities for queer expression, the creation of safe parks for children, and the challenges of living without documents. Current residents of Hillbrow also discuss how they cope with inequality, xenophobia, high levels of crime, and the harsh economic impacts of COVID-19. Many of the book’s interviewees arrived in Hillbrow seeking not only to gain better futures for themselves but also to support family members in rural parts of South Africa or in their countries of origin. Some immerse themselves in justice work, while others develop LGBTQ+ support networks, join religious and community groups, or engage in artistic expression. By emphasizing the disparate voices of migrants and people who work with migrants, this book shows how the people of Hillbrow form connections and adapt to adversity.

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An inventive literary account of Cixous’s remarkable journey to her mother’s birthplace Winner, French Voices Award for Excellence in Publication and Translation For about eighty years, the Jonas family of Osnabrück were part of a small but vibrant Jewish community in this mid-size city of Lower Saxony. After the war, Osnabrück counted not a single Jew. Most had been deported and murdered in the camps, others emigrated if they could and if they managed to overcome their own inertia. It is this inertia and failure to escape that Hélène Cixous seeks to account for in Osnabrück Station to Jerusalem. Vicious anti-Semitism hounded all of Osnabrück’s Jews long before the Nazis’ rise to power in 1933. So why did people wait to leave when the threat was so patent, so in-their-face? Drawn from the stories told to Cixous by her mother, Ève, and grandmother, Rosalie (Rosi), this literary work reimagines fragments of Ève’s and Rosi’s stories, including the death of Ève’s uncle, Onkel André. Piecing together the story of Andreas Jonas from what she was told and from what she envisages, Cixous recounts the tragedy of the one she calls the King Lear of Osnabrück, who followed his daughter to Jerusalem only to be sent away by her and to return to Osnabrück in time to be deported to a death camp. Cixous wanders the streets of the city she had heard about all her life in her mother’s and grandmother’s stories, digs into its archives, meets city officials, all the while wondering if she should have come. These hesitations and reflections in the present, often voiced in dialogues staged with her own son or daughter, are woven with scenes from her childhood in Algeria and the half-remembered, half-invented stories of the Jonas family, making Osnabrück Station to Jerusalem one of the author’s most intensely engaging books. This work received the French Voices Award for excellence in publication and translation. French Voices is a program created and funded by the French Embassy in the United States and FACE (French American Cultural Exchange).

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A Reader in Early Franciscan Theology presents for the first time in English key passages from the Summa Halensis, one of the first major installments in the summa genre for which scholasticism became famous. This systematic work of philosophy and theology was collaboratively written mostly between 1236 and 1245 by the founding members of the Franciscan school, such as Alexander of Hales and John of La Rochelle, who worked at the recently founded University of Paris. Modern scholarship has often dismissed this early Franciscan intellectual tradition as unoriginal, merely systematizing the Augustinian tradition in light of the rediscovery of Aristotle, paving the way for truly revolutionary figures like John Duns Scotus. But as the selections in this reader show, it was this earlier generation that initiated this break with precedent. The compilers of the Summa Halensis first articulated many positions that eventually become closely associated with the Franciscan tradition on issues like the nature of God, the proof for God’s existence, free will, the transcendentals, and Christology. This book is essential reading for anyone wishing to understand the ways in which medieval thinkers employed philosophical concepts in a theological context as well as the evolution of Franciscan thought and its legacy to modernity. A Reader in Early Franciscan Theology is available from the publisher on an open-access basis.

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Since publication of The Black Loyalist Directory in 1996, the primary component, The Book of Negroes, has become one of the most-cited of American Revolutionary primary sources. This new edition salutes The Book of Negroes by using the original title of this famous accounting of Black freedom. On the surface, The Book of Negroes is a laconic, ledger-style enumeration of 3,000 self-emancipated and free Blacks who departed as part of the British evacuation of Loyalists from New York City in the summer and fall of 1783 for Nova Scotia, England, Germany, and other parts of the world. Created under orders from Sir Guy Carleton (Lord Dorchester), Commander-in-Chief of British forces in North America, to placate an angry George Washington, Commander-in-Chief of the Continental Army (USA), who regarded the Black Loyalists as fugitive slaves, The Book of Negroes is, as Alan Gilbert has observed, a “roll of honor.”

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Contemporary continental thought is marked by a move away from the “linguistic turn” in twentieth-century European philosophy, as new materialisms and ontologies seek to leave behind the thinking of language central to poststructuralism as it has been traditionally understood. At the same time, biopolitical philosophy has brought critical attention to the question of life, examining new formations of life and death. Within this broader turn, Derridean deconstruction, with its apparent focus on language, writing, and textuality, is generally set aside. This book, by contrast, shows the continued relevance of deconstruction for contemporary thought’s engagement with resolutely material issues and with matters of life and the living. Trumbull elaborates Derrida’s thinking of life across his work, specifically his recasting of life as “life death,” and in turn, survival or living on. Derrida’s activation of Freud, Trumbull shows, is central to this problematic and its consequences, especially deconstruction’s ethical and political possibilities. The book traces how Derrida’s early treatment of Freud and his mobilization of Freud’s death drive allow us to grasp the deconstructive thought of life as constitutively exposed to death, the logic subsequently rearticulated in the notion of survival. Derrida’s recasting of life as survival, Trumbull demonstrates, allows deconstruction to destabilize inherited understandings of life, death, and the political, including the dominant configurations of sovereignty and the death penalty.

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Women and Religiosity in Orthodox Christianity fills a significant gap in the sociology of religious practice: Studies focused on women’s religiosity have overlooked Orthodox populations, while studies of Orthodox practice (operating within the dominant theological, historical, and sociological framework) have remained gender-blind. The essays in this collection shed new light on the women who make up a considerable majority of the Orthodox population by engaging women’s lifeworlds, practices, and experiences in relation to their religion in multiple, varied localities, discussing both contemporary and pre-1989 developments. These contributions critically engage the pluralist and changing character of Orthodox institutional and social life by using feminist epistemologies and drawing on original ethnographic research to account for Orthodox women’s previously ignored perspectives, knowledges, and experiences. Combining the depth of ethnographic analysis with geographical breadth and employing a variety of research methodologies, this book expands our understanding of Orthodox Christianity by examining Orthodox women of diverse backgrounds in different settings: parishes, monasteries, and the secular spaces of everyday life, and under shifting historical conditions and political regimes. In defiance of claims that Orthodox Christianity is immutable and fixed in time, these essays argue that continuity and transformation can be found harmoniously in social practices, demographic trends, and larger material contexts at the intersection between gender, Orthodoxy, and locality. Contributors: Kristin Aune, Milica Bakic-Hayden, Maria Bucur, Ketevan Gurchiani, James Kapaló, Helena Kupari, Ina Merdjanova, Sarah Riccardi-Swartz, Eleni Sotiriou, Tatiana Tiaynen-Qadir, Detelina Tocheva

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From spectacular deaths in a drag musical to competing futures in a call center, Filipino Time examines how contracted service labor performed by Filipinos in the Philippines, Europe, the Middle East, and the United States generates vital affects, multiple networks, and other lifeworlds as much as it disrupts and dislocates human relations. Affective labor and time are re-articulated in a capacious archive of storytelling about the Filipino labor diaspora in fiction, musical performance, ethnography, and documentary film. Exploring these cultural practices, Filipino Time traces other ways of sensing, making sense of, and feeling time with others, by weaving narratives of place and belonging out of the hostile but habitable textures of labortime. Migrant subjects harness time and the imagination in their creative, life making capacities to make communal worlds out of one steeped in the temporalities and logics of capital.

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Shortlisted, Marilyn Gaull Book Award Techno-Magism explores how British Romantic literature abuts and is organized around both print and non-print media. The book explores not only the print, pictorial art, and theater of early nineteenth-century England and Europe but also communicative technologies invented after the British Romantic period, such as photography, film, video, and digital screens. This proleptic abutting points to one way we can understand the implicit exceptionality wagered by reading Romanticism through media studies and media theory. Techno-Magism argues that both media studies and the concept of mediation in general can benefit from a more robust confrontation with, or recovery of, the arguments of deconstruction, an unavoidable consequence of thinking about the relationship between Romanticism and media. The book thinks that relationship through the catachrestic practice of a techno-magism, a technics of inscription always outside the causalities of a dialectical economy. The book further pursues two interrelated ideas: the structural incommensurability of the cut and the unapologetic presentism of the constellation. Marked by its late capitalist moment of composition, the book explores the continuity between the social character of Romantic and post-Romantic media, in terms of commodity culture, revolution, and the ecological devastation of the anthropocene.

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Class Acts examines two often neglected aspects of Jacques Derrida’s work as a philosopher, his public presentations at lectures and conferences and his teaching, along with the question of the “speech act” that links them. What, Michael Naas asks, is one doing when one speaks in public in these ways? The book follows Derrida’s itinerary with regard to speech act theory across three public lectures, from 1971 to 1997, all given, for reasons the book seeks to explain, in Montreal. In these lectures, Derrida elaborated his critique of J. L. Austin and his own subsequent redefinition of speech act theory. The book then gives an overview of Derrida’s teaching career and his famous “seminar” presentations, along with his own explicit reflections on pedagogy and educational institutions beginning in the mid-1970s. Naas then shows through a reading of three recently published seminars—on life death, theory and practice, and forgiveness—just how Derrida the teacher interrogated and deployed speech act theory in his seminars. Whether in a conference hall or a classroom, Naas demonstrates, Derrida was always interested in the way spoken or written words might do more than simply communicate some meaning or intent but might give rise to something like an event. Class Acts bears witness to the possibility of such events in Derrida’s work as a pedagogue and a public intellectual.

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The personal is not political, even if politics marks it and, in many cases, determines it. Infrapolitics seeks to understand conditions of existence that are not reducible to political life and that exceed any definition of world bound to political determinations. It seeks to mobilize an exteriority without which politics could only be business or administration, that is, oppression. It demands a change in seeing and an everyday practice that subtracts from political totalization in the name of a new production of desire, of a new emancipation, and of a conception of experience that can breach the general captivation of life. In this book, Alberto Moreiras describes a form of thought aiming to provide content for a form of life and to offer a new theoretical practice for concrete existence. The book provides a genealogy of the notion of infrapolitics and places it within contemporary philosophical reflection, examining its deployment in the wake of postphenomenology and deconstruction, Lacanian analysis, the principle of anarchy, and an egalitarian symbolization of social life. In doing so, Moreiras elaborates Infrapolitics as both a general critique of the political apparatus and as an imperative horizon for existential self-understanding.

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The personal is not political, even if politics marks it and, in many cases, determines it. Infrapolitics seeks to understand conditions of existence that are not reducible to political life and that exceed any definition of world bound to political determinations. It seeks to mobilize an exteriority without which politics could only be business or administration, that is, oppression. It demands a change in seeing and an everyday practice that subtracts from political totalization in the name of a new production of desire, of a new emancipation, and of a conception of experience that can breach the general captivation of life. In this book, Alberto Moreiras describes a form of thought aiming to provide content for a form of life and to offer a new theoretical practice for concrete existence. The book provides a genealogy of the notion of infrapolitics and places it within contemporary philosophical reflection, examining its deployment in the wake of postphenomenology and deconstruction, Lacanian analysis, the principle of anarchy, and an egalitarian symbolization of social life. In doing so, Moreiras elaborates Infrapolitics as both a general critique of the political apparatus and as an imperative horizon for existential self-understanding.

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The Body of the Cross is a study of holy victims in Western Christian history and how the uses of their bodies in Christian thought led to the idea of the cross as a substitutionary sacrifice. Since its first centuries, Christianity has traded on the suffering of victims—martyrs, mystics, and heretics—as substitutes for the Christian social body. These victims secured holiness, either by their own sacred power or by their reprobation and rejection. Just as their bodies were mediated in eucharistic, social, and Christological ways, so too did the flesh of Jesus Christ become one of those holy substitutes. But it was only late in Western history that he took on the function of the exemplary victim. In tracing the story of this embodied development, The Body of the Cross gives special attention to popular spirituality, religious dissent, and the writing of women throughout Christian history. It examines the symbol of the cross as it functions in key moments throughout this history, including the parting of the ways of Judaism and Christianity, the gnostic debates, martyr traditions, and medieval affective devotion and heresy. Finally, in a Reformation era haunted by divine wrath, these themes concentrated in the unique concept that Jesus Christ died on the cross to absorb divine punishment for sin: a holy body and a rejected body in one.

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The secular world may have thought it was done with theology, but theology was not done with it. Recent decades have seen a resurgence of religion on the social and political scene, which have driven thinkers across many disciplines to grapple with the Christian theological inheritance of the modern world. Adam Kotsko provides a unique guide to this fraught terrain. The title essay establishes a fresh and unexpected redefinition of theology and its complex and often polemical relationship with its sister discipline of philosophy. Subsequent essays build on this framework from three different perspectives. In the first part, Kotsko demonstrates the continued vibrancy of Christian theology as a creative and constructive pursuit outside the walls of the church, showing that theological concepts can underwrite a powerful critique of the modern world. The second approaches Christian theology from the perspective of a range of contemporary philosophers, showing how philosophical thought is drawn to theology even despite itself. The concluding section is devoted to the unexpected theological roots of the modern world-system, making a case that the interplay of state and economy and the structure of modern racial oppression both build on theological patterns of thought. Kotsko’s book ultimately shows that theology is not a scholarly game or an edifying spiritual discipline, but a world-shaping force of great power. Lives are at stake when we do theology—and if we don’t do it, someone else will.

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Perspectives in a Pandemic is a series of enlightening essays written by Kevin M. Cahill, M.D., providing a unique insight into the early phase of the COVID-19 pandemic. Dr. Cahill draws on his extensive experiences in earlier epidemics, natural disasters, and armed conflicts to offer lessons, wisdom, guidance, and support to frontline workers. While he wrote the essays as weekly reflections in the early months of the pandemic for the thousands of humanitarian-relief workers he has trained around the world, this book is a must-read for anyone seeking to understand and make some sense of the complexities and chaos inevitable in a pandemic.

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Perfect for gift giving, the complete three-volume boxed set of In Your Eyes I See My Words gives readers an extraordinary opportunity to understand the vision of Pope Francis Volume 1 (19992004)Pope Francis is a first in many ways: the first pope from the Americas, the first Jesuit, the first Francis, the first child of immigrants from the Old World, nurtured and transformed by the New World and returned to lead the whole world. His eloquent homilies and speeches have inspired the faithful of Argentina for decades, largely through his gift of oratory, tracing back to his time as a bishop, archbishop, and cardinal in his home country. Published in English for the first time in their entirety and with contextual annotations, In Your Eyes I See My Words, Volume 1 collects his homilies and speeches from 1999 to 2004. This illuminating collection presents an extraordinary opportunity to understand the vision of a great pastor. His words bear witness to the deep experience of faith among

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Why did Saint Augustine ask God to “circumcise [his] lips”? Why does Sir Gawain cut off the Green Knight’s head on the Feast of the Circumcision? Is Chaucer’s Wife of Bath actually—as an early glossator figures her—a foreskin? And why did Ezra Pound claim that he had incubated The Waste Land inside of his uncut member? In this little book, A. W. Strouse excavates a poetics of the foreskin, uncovering how Patristic theologies of circumcision came to structure medieval European literary aesthetics. Following the writings of Saint Paul, “circumcision” and “uncircumcision” become key terms for theorizing language—especially the dichotomies between the mere text and its extended exegesis, between brevity and longwindedness, between wisdom and folly. Form and Foreskin looks to three works: a peculiar story by Saint Augustine about a boy with the long foreskin; Sir Gawain and the Green Knight; and Chaucer’s Wife of Bath’s Tale. By examining literary scenes of cutting and stretching, Strouse exposes how Patristic treatments of circumcision queerly govern medieval poetics.

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Infectious Liberty traces the origins of our contemporary concerns about public health, world population, climate change, global trade, and government regulation to a series of Romantic-era debates and their literary consequences. Through a series of careful readings, Robert Mitchell shows how a range of elements of modern literature, from character-systems to free indirect discourse, are closely intertwined with Romantic-era liberalism and biopolitics. Eighteenth- and early-nineteenth century theorists of liberalism such as Adam Smith and Thomas Malthus drew upon the new sciences of population to develop a liberal biopolitics that aimed to coordinate differences among individuals by means of the culling powers of the market. Infectious Liberty focuses on such authors as Mary Shelley and William Wordsworth, who drew upon the sciences of population to develop a biopolitics beyond liberalism. These authors attempted what Roberto Esposito describes as an “affirmative” biopolitics, which rejects the principle of establishing security by distinguishing between valued and unvalued lives, seeks to support even the most abject members of a population, and proposes new ways of living in common. Infectious Liberty expands our understandings of liberalism and biopolitics—and the relationship between them—while also helping us to understand better the ways creative literature facilitates the project of reimagining what the politics of life might consist of. Infectious Liberty is available from the publisher on an open-access basis.

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Five hundred years before “Jabberwocky” and Tender Buttons, writers were already preoccupied with the question of nonsense. But even as the prevalence in medieval texts of gibberish, babble, birdsong, and allusions to bare voice has come into view in recent years, an impression persists that these phenomena are exceptions that prove the rule of the period’s theologically motivated commitment to the kernel of meaning over and against the shell of the mere letter. This book shows that, to the contrary, the foundational object of study of medieval linguistic thought was vox non-significativa, the utterance insofar as it means nothing whatsoever, and that this fact was not lost on medieval writers of various kinds. In a series of close and unorthodox readings of works by Priscian, Boethius, Augustine, Walter Burley, Geoffrey Chaucer, and the anonymous authors of the Cloud of Unknowing and St. Erkenwald, it inquires into the way that a number of fourteenth-century writers recognized possibilities inherent in the accounts of language transmitted to them from antiquity and transformed those accounts into new ideas, forms, and practices of non-signification. Retrieving a premodern hermeneutics of obscurity in order to provide materials for an archeology of the category of the literary, Medieval Nonsense shows how these medieval linguistic textbooks, mystical treatises, and poems were engineered in such a way as to arrest the faculty of interpretation and force it to focus on the extinguishing of sense that occurs in the encounter with language itself.

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Winner, 2022 Frank S. and Elizabeth D. Brewer Prize While the idea that successful missions needed Indigenous revolts and missionary deaths seems counterintuitive, this book illustrates how it became a central logic of frontier colonization in Spanish North America. Missions Begin with Blood argues that martyrdom acted as a ceremony of possession that helped Jesuits understand violence, disease, and death as ways that God inevitably worked to advance Christendom. Whether petitioning superiors for support, preparing to extirpate Native “idolatries,” or protecting their conversions from critics, Jesuits found power in their persecution and victory in their victimization. This book correlates these tales of sacrifice to deep genealogies of redemptive death in Catholic discourse and explains how martyrological idioms worked to rationalize early modern colonialism. Specifically, missionaries invoked an agricultural metaphor that reconfigured suffering into seed that, when watered by sweat and blood, would one day bring a rich harvest of Indigenous Christianity.

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Winner, 2022 Frank S. and Elizabeth D. Brewer Prize While the idea that successful missions needed Indigenous revolts and missionary deaths seems counterintuitive, this book illustrates how it became a central logic of frontier colonization in Spanish North America. Missions Begin with Blood argues that martyrdom acted as a ceremony of possession that helped Jesuits understand violence, disease, and death as ways that God inevitably worked to advance Christendom. Whether petitioning superiors for support, preparing to extirpate Native “idolatries,” or protecting their conversions from critics, Jesuits found power in their persecution and victory in their victimization. This book correlates these tales of sacrifice to deep genealogies of redemptive death in Catholic discourse and explains how martyrological idioms worked to rationalize early modern colonialism. Specifically, missionaries invoked an agricultural metaphor that reconfigured suffering into seed that, when watered by sweat and blood, would one day bring a rich harvest of Indigenous Christianity.

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Winner, Alan Bray Memorial Book Award 2022 Lammy Finalist, LGBTQ Studies Can queer theory be erotophobic? This book proceeds from the perplexing observation that for all of its political agita, rhetorical virtuosity, and intellectual restlessness, queer theory conforms to a model of erotic life that is psychologically conservative and narrow. Even after several decades of combative, dazzling, irreverent queer critical thought, the field remains far from grasping that sexuality’s radical potential lies in its being understood as “exogenous, intersubjective and intrusive” (Laplanche). In particular, and despite the pervasiveness and popularity of recent calls to deconstruct the ideological foundations of contemporary queer thought, no study has as yet considered or in any way investigated the singular role of psychology in shaping the field’s conceptual impasses and politico-ethical limitations. Through close readings of key thinkers in queer theoretical thought—Eve Kosofsky Sedgwick, Leo Bersani, Lee Edelman, Judith Butler, Lauren Berlant, and Jane Gallop—Homo Psyche introduces metapsychology as a new dimension of analysis vis-à-vis the theories of French psychoanalyst Jean Laplanche, who insisted on “new foundations for psychoanalysis” that radically departed from existing Freudian and Lacanian models of the mind. Staging this intervention, Ashtor deepens current debates about the future of queer studies by demonstrating how the field’s systematic neglect of metapsychology as a necessary and independent realm of ideology ultimately enforces the complicity of queer studies with psychological conventions that are fundamentally erotophobic and therefore inimical to queer theory’s radical and ethical project.

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An important new volume showcasing a wide range of faith-based responses to one of today’s most pressing social issues, challenging us to expand our ways of understanding. Land of Stark Contrasts brings together the work of social scientists, ethicists, and theologians exploring the profound role of religion in understanding and responding to homelessness and housing insecurity in all corners of the United States—from Seattle, San Francisco, and Silicon Valley to Dallas and San Antonio to Washington, D.C., and Boston. Together, the essays of Land of Stark Contrasts chart intriguing ways forward for future initiatives to address the root causes of homelessness. In this way they are essential reading for practical theologians, congregational leaders, and faith-based nonprofit organizers exploring how to combine spiritual and material care for homeless individuals and other vulnerable populations. Social workers, nonprofit managers, and policy specialists seeking to understand how to partner better with faith-based organizations will also find the chapters in this volume an invaluable resource. Contributors include James V. Spickard, Manuel Mejido Costoya and Margaret Breen, Michael R. Fisher Jr., Laura Stivers, Lauren Valk Lawson, Bruce Granville Miller, Nancy A. Khalil, John A. Coleman, S.J., Jeremy Phillip Brown, Paul Houston Blankenship, María Teresa Dávila, Roberto Mata, and Sathianathan Clarke. Co-published with Seattle University’s Center for Religious Wisdom and World Affairs

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Now What? is an innovative exploration of artworks and films that return to radical histories subject to erasure or otherwise lost or occluded over time. The moments returned to—the Cuban Revolution, Chile’s 1973 coup d’état, the ambiguous 1989 “revolution” in Romania, and the mayhem surrounding the Red Army Faction in 1970s West Germany—stand as historical watersheds, foundational and precipitate moments in the history of radical politics. Delving into these key historical moments by way of Tania Bruguera’s 2009 performance Tatlin’s Whisper in Havana, filmmaker Patricio Guzmán’s decades-long cycle of returns to Allende’s Chile, Harun Farocki and Andrei Ujica’s Videograms of a Revolution, Corneliu Porumboiu’s 12:08 East of Bucharest, the film Germany in Autumn, and Gerhard Richter’s October 18, 1977 suite of paintings, Rachel Weiss convincingly threads these works together through subtle and illuminating reflections on the complex dynamics involved in historical trauma and memory, addressing key questions about the meanings and uses of the past.

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2022 PROSE Awards Category Winner - Biography & Autobiography Foreword INDIES Book of the Year Awards - 2021 BRONZE Winner for Biography The fascinating biography of Eunice Hunton Carter, a social justice and civil rights trailblazer and the only woman prosecutor on the Luciano trial Eunice Hunton Carter rose to public prominence in 1936 as both the only woman and the only person of color on Thomas Dewey’s famous gangbuster team that prosecuted mobster Lucky Luciano. But her life before and after the trial remains relatively unknown. In this definitive biography on this trailblazing social justice activist, authors Marilyn S. Greenwald and Yun Li tell the story of this unknown but critical pioneer in the struggle for racial and gender equality in the twentieth century. Carter worked harder than most men because of her race and gender, and Greenwald and Li reflect on her lifelong commitment to her adopted home of Harlem, where she was viewed as a role model, arts patron, community organizer, and, later, as a legal advisor to the United Nations, the National Council of Negro Women, and several other national and global organizations. Carter was both a witness to and a participant in many pivotal events of the early and mid– twentieth century, including the Harlem riot of 1935 and the social scene during the Harlem Renaissance. Using transcripts, letters, and other primary and secondary sources from several archives in the United States and Canada, the authors paint a colorful portrait of how Eunice continued the legacy of the Carter family, which valued education, perseverance, and hard work: a grandfather who was a slave who bought his freedom and became a successful businessman in a small colony of former slaves in Ontario, Canada; a father who nearly single-handedly integrated the nation’s YMCAs in the Jim Crow South; and a mother who provided aid to Black soldiers in France during World War I and who became a leader in several global and domestic racial equality causes. Carter’s inspirational multi-decade career working in an environment of bias, segregation, and patriarchy in Depression-era America helped pave the way for those who came after her.

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How the famous and not-so-famous like-minded citizens all gave their time, expertise, and money to build a park legacy of incomparable benefit The Palisades park and historic site system in New York and New Jersey is a significant anchor-point for the spread of national and state parks across the nation. The challenge to protect these treasures began with a brutal blast of dynamite in the late nineteenth century and continues to this day. Palisades: The People’s Park presents the story of getting from zero protected acres to the rich tapestry that is today’s Palisades park system, located in the nation’s most densely populated metropolitan region. This is an account of huge determination, moments of crisis, caustic resistance to the very idea of conservation, glorious philanthropy, a steep learning curve, and responsibilities for guardianship passed with care from one generation to the next. Despite the involvement of men of great wealth and fame from its earliest beginnings, the Palisades Interstate Park Commission faced an early and ongoing struggle to arrange financial support from both the New York and New Jersey state governments for a park that would cross state lines. The conflicts between developers and conservationists, industrialists and wilderness enthusiasts, with their opposing views regarding the uses of natural resources required the commissioners of the PIPC to become skilled negotiators, assiduous fundraisers, and savvy participants in the political process. The efforts to create Palisades Interstate Park was prodigious, requiring more than 1,000 real estate transactions to establish Sterling Forest, to save Storm King Mountain, to preserve Lake Minnewaska, to protect Stony Point Battlefield and Washington’s headquarters, to open Bear Mountain and Harriman state parks, and to add the other sixteen parks to the Palisades Interstate Park System. Beginning with the efforts of Elizabeth Vermilye of the New Jersey Federation of Women’s Clubs, who enlisted President Theodore Roosevelt’s support to stop the blasting and quarrying of Palisades rock, author Robert Binnewies traces the story of the famous, including J. P. Morgan, the Rockefellers, and the Harrimans, as well as the not-so-famous men and women whose donations of time and money led to the preservation of New York and New Jersey’s most scenic and historic lands. The park experiment, begun in 1900, still stands as a dynamic model among the nation’s major environmental achievements.

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Based on long-term ethnographic research in the art worlds of Istanbul and Berlin, The National Frame rethinks the politics of art by focusing on the role of art in state governance. It argues that artistic practices, arts patronage and sponsorship, collecting and curating art, and the modalities of censorship continue to be refracted through the conceptual lens of the nation-state, despite the globalization of the arts. By examining discussions of the civilizing function of art in Turkey and Germany and particularly moments in which art is seen to cede this function, The National Frame reveals the histories of violence on which the production, circulation, and, very understanding of art are predicated. Karaca examines this darker side of art in two cities in which art and its institutions have been intertwined with symbolic and material dispossession. The particularities of German and Turkish contexts, both marked by attempts to claim modern nationhood through the arts; illuminate how art is staked to memory and erasure, resistance and restoration; and why art has been at once vital and unwieldy for national projects. As art continues to be called upon to engage the past and imagine different futures, The National Frame explores how to reclaim art’s emancipatory potential.

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Who Is a Muslim? argues that modern Urdu literature, from its inception in colonial institutions such as Fort William College, Calcutta, to its dominant iterations in contemporary Pakistan—popular novels, short stories, television serials—is formed around a question that is and historically has been at the core of early modern and modern Western literatures. The question “Who is a Muslim?,” a constant concern within eighteenth-century literary and scholarly orientalist texts, the English oriental tale chief among them, takes on new and dangerous meanings once it travels to the North-Indian colony, and later to the newly formed Pakistan. A literary-historical study spanning some three centuries, this book argues that the idea of an Urdu canon, far from secular or progressive, has been shaped as the authority designate around the intertwined questions of piety, national identity, and citizenship.

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Toward a Feminist Ethics of Nonviolence brings together major feminist thinkers to debate Cavarero’s call for a postural ethics of nonviolence and a sociality rooted in bodily interdependence. Toward a Feminist Ethics of Nonviolence brings together three major feminist thinkers—Adriana Cavarero, Judith Butler, and Bonnie Honig—to debate Cavarero’s call for a postural ethics of nonviolence. The book consists of three longer essays by Cavarero, Butler, and Honig, followed by shorter responses by a range of scholars that widen the dialogue, drawing on post-Marxism, Italian feminism, queer theory, and lesbian and gay politics. Together, the authors contest the boundaries of their common project for a pluralistic, heterogeneous, but urgent feminist ethics of nonviolence.

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In the seventeenth century the ancient hope for the physical resurrection of the body and its flesh began an unexpected second life as critical theory, challenging the notion of an autonomous self and driving early modern avant-garde poetry. As an emerging empirical scientific world view and a rising Cartesian dualist ontology transformed the ancient hope for the resurrection of the flesh into the fantasy of a soul or mind living on separately from any body, literature complicated the terms of the debate. Such poets as Donne, Herbert, Vaughan, and Jonson picked up the discarded idea of the resurrection of the flesh and bent it from an apocalyptic future into the here and now to imagine the self already infused with the strange, vibrant materiality of the resurrection body. Fate of the Flesh explores what happens when seventeenth-century poets posit a resurrection body within the historical person. These poets see the resurrection body as the precondition for the social person’s identities and forms of agency and yet as deeply other to all such identities and agencies, an alien within the self that both enables and undercuts life as a social person. This perspective leads seventeenth-century poets to a compelling awareness of the unsettling materiality within the heart of the self and allows them to re-imagine agency, selfhood, and the natural world in its light. By developing a poetics that seeks a deranging materiality within the self, these poets anticipate twentieth-century “avant-garde” poetics. They frame their poems neither as simple representation nor as beautiful objects but as a form of social praxis that creates new communities of readers and writers assembled around a new experience of self-as-body mediated by poetry.

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Why have Americans expressed concern about immigration at some times but not at others? In pursuit of an answer, this book examines America’s first nativist movement, which responded to the rapid influx of 4.2 million immigrants between 1840 and 1860 and culminated in the dramatic rise of the National American Party. As previous studies have focused on the coasts, historians have not yet completely explained why westerners joined the ranks of the National American, or “Know Nothing,” Party or why the nation’s bloodiest anti-immigrant riots erupted in western cities—namely Chicago, Cincinnati, Louisville, and St. Louis. In focusing on the antebellum West, Inventing America’s First Immigration Crisis illuminates the cultural, economic, and political issues that originally motivated American nativism and explains how it ultimately shaped the political relationship between church and state. In six detailed chapters, Ritter explains how unprecedented immigration from Europe and rapid westward expansion re-ignited fears of Catholicism as a corrosive force. He presents new research on the inner sanctums of the secretive Order of Know-Nothings and provides original data on immigration, crime, and poverty in the urban West. Ritter argues that the country’s first bout of political nativism actually renewed Americans’ commitment to church–state separation. Native-born Americans compelled Catholics and immigrants, who might have otherwise shared an affinity for monarchism, to accept American-style democracy. Catholics and immigrants forced Americans to adopt a more inclusive definition of religious freedom. This study offers valuable insight into the history of nativism in U.S. politics and sheds light on present-day concerns about immigration, particularly the role of anti-Islamic appeals in recent elections.

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World Literature for the Wretched of the Earth recovers a genealogy of anticolonial thought that advocated collective inexpertise, unknowing, and unrecognizability. Early-twentieth-century anticolonial thinkers endeavored to imagine a world emancipated from colonial rule, but it was a world they knew they would likely not live to see. Written in exile, in abjection, or in the face of death, anticolonial thought could not afford to base its politics on the hope of eventual success, mastery, or national sovereignty. J. Daniel Elam shows how anticolonial thinkers theorized inconsequential practices of egalitarianism in the service of an impossibility: a world without colonialism. Framed by a suggestive reading of the surprising affinities between Frantz Fanon’s political writings and Erich Auerbach’s philological project, World Literature for the Wretched of the Earth foregrounds anticolonial theories of reading and critique in the writing of Lala Har Dayal, B. R. Ambedkar, M. K. Gandhi, and Bhagat Singh. These anticolonial activists theorized reading not as a way to cultivate mastery and expertise but as a way, rather, to disavow mastery altogether. To become or remain an inexpert reader, divesting oneself of authorial claims, was to fundamentally challenge the logic of the British Empire and European fascism, which prized self-mastery, authority, and national sovereignty. Bringing together the histories of comparative literature and anticolonial thought, Elam demonstrates how these early-twentieth-century theories of reading force us to reconsider the commitments of humanistic critique and egalitarian politics in the still-colonial present.

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Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology, cultural and media studies, and, more recently, in terms of theology/spirituality. Arvo Pärt: Sounding the Sacred focuses on the representational dimensions of Pärt’s music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on the human body. In response, this ambitiously interdisciplinary volume asks: What of sound and materiality as embodiments of the sacred, as historically specific artifacts, and as elements of creation deeply linked to the human sensorium in Pärt studies? In taking up these questions, the book “de-Platonizes” Pärt studies by demystifying the notion of a single “Pärt sound.” It offers innovative, critical analyses of the historical contexts of Pärt’s experimentation, medievalism, and diverse creative work; it re-sounds the acoustic, theological, and representational grounds of silence in Pärt’s music; it listens with critical openness to the intersections of theology, sacred texts, and spirituality in Pärt’s music; and it positions sensing, performing bodies at the center of musical experience. Building on the conventional score-, biography-, and media-based approaches, this volume reframes Pärt studies around the materiality of sound, its sacredness, and its embodied resonances within secular spaces.

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Demonization has increasingly become central to the global religious and political landscape. Passing Orders interrogates this centrality through an analysis of evangelical “spiritual warfare” demonologies in contemporary America. Situating spiritual warfare as part of broader frameworks of American exceptionalism, ethnonationalism, and empire management, author S. Jonathon O’Donnell exposes the theological foundations of the systems of queer- and transphobia, anti-blackness, Islamophobia, and settler colonialism that justify the dehumanizing practices of the current U.S. political order. O’Donnell argues that demonologies are not only tools of dehumanization but also ontological and biopolitical systems that create and maintain structures of sovereign power, or orthotaxies—models of the “right ordering” of space, time, and bodies that stratify humanity into hierarchies of being and nonbeing. Alternative orders are demonized as passing, framed as counterfeit, transgressive, and transient. Yet these orders refuse to simply pass on, instead giving strength to deviant desires that challenge the legitimacy of sovereign violence. Critically examining this challenge in the demonologies of three figures—Jezebel, the Islamic Antichrist, and Leviathan—Passing Orders re-imagines demons as a surprising source of political and social resistance, reflecting fragile and fractious communities bound by mutual passing and precarity into strategic coalitions of solidarity, subversion, and survival.

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Girl Head shows how gender has had a surprising and persistent role in film production processes, well before the image ever appears onscreen. For decades, feminist film criticism has focused on issues of representation: images of women in film. But what are the feminist implications of the material object underlying that image, the filmstrip itself? What does feminist analysis have to offer in understanding the film image before it enters the realm of representation? Girl Head explores how gender and sexual difference have been deeply embedded within film materiality. In rich archival and technical detail, Yue examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art. This original work of feminist media history shows how gender has had a persistent role in film production processes, well before the image ever appears onscreen.

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Girl Head shows how gender has had a surprising and persistent role in film production processes, well before the image ever appears onscreen. For decades, feminist film criticism has focused on issues of representation: images of women in film. But what are the feminist implications of the material object underlying that image, the filmstrip itself? What does feminist analysis have to offer in understanding the film image before it enters the realm of representation? Girl Head explores how gender and sexual difference have been deeply embedded within film materiality. In rich archival and technical detail, Yue examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art. This original work of feminist media history shows how gender has had a persistent role in film production processes, well before the image ever appears onscreen.

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How the South Bronx and Puerto Rican migration defined Fr. Neil Connolly’s priesthood as he learned to both serve and be part of his community South Bronx, 1958. Change was coming. Guidance was sorely needed to bridge the old and the new, for enunciating and implementing a vision. It was a unique place and time in history where Father Neil Connolly found his true calling and spiritual awakening. The Kingdom Began in Puerto Rico captures the spirit of the era and the spirit of this great man. Set in historical context of a changing world and a changing Catholic Church, The Kingdom Began in Puerto Rico follows Fr. Neil Connolly’s path through the South Bronx, which began with a special Church program to address the postwar great Puerto Rican migration. After an immersion summer in Puerto Rico, Fr. Neil served the largest concentration of Puerto Ricans in the Bronx from the 1960s to the 1980s as they struggled for a decent life. Through the teachings of Vatican II, Connolly assumed responsibility for creating a new Church and world. In the war against drugs, poverty, and crime, Connolly created a dynamic organization and chapel run by the people and supported Unitas, a nationally unique peer-driven mental health program for youth. Frustrated by the lack of institutional responses to his community’s challenges, Connolly challenged government abandonment and spoke out against ill-conceived public plans. Ultimately, he realized that his priestly mission was in developing new leaders among people, in the Church and the world, and supporting two nationally unique lay leadership programs, the Pastoral Center and People for Change. Discovering the real mission of priesthood, urban ministry, and the Catholic Church in the United States, author Angel Garcia ably blends the dynamic forces of Church and world that transformed Fr. Connolly as he grew into his vocation. The book presents a rich history of the South Bronx and calls for all urban policies to begin with the people, not for the people. It also affirms the continuing relevance of Vatican II and Medellin for today’s Church and world, in the United States and Latin America.

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Finalist, French-American Foundation Translation Prize In an age that prizes political and personal transparency, In Defense of Secrets champions the secret as what permits relation and ensures our humanity. Psychoanalyst and philosopher Anne Dufourmantelle drowned in 2017 in an attempt to rescue two children caught in the ocean. Her work lives on, though, in this provocative and necessary book. Through etymologies and case studies, personal history and incisive commentary on contemporary society, In Defense of Secrets returns us to the fundamental psychic scene of the secret. The secret, for Dufourmantelle, is not a code to be cracked or a firewall to be penetrated but a dynamic and powerful entity that permits relation and that ensures our humanity. Tracking the secret though art and literature, philosophy, psychoanalysis, and sociology, from the Inquisition to the present, Dufourmantelle’s writing spirals around the question of the secret’s value. In our age, when political and personal transparency seem to be prized above all—lives posted on the Internet, information leaked, whistles blown, taboos absent except with respect to the secret itself—In Defense of Secrets champions what remains hidden, private, veiled, hushed, just out of sight. The secret is on the side of nature, not science; organic growth, not technology; love’s generosity, not knowledge’s grasp. For Dufourmantelle, the secret is a powerful and dynamic thing: deadly if unheard or misused, perhaps, but equally the source of creativity and of ethics. An ethics of the secret, we can hear her say, means listening hard and sensitively, respecting the secret in its secret essence, unafraid of it and open to what it has to say.

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A clear and concise A-to-Z of keywords that echo our current human rights crisis As millions are forced to leave their nations of origin as a result of political, economic, and environmental peril, rising racism and xenophobia have led to increasingly harsh policies. A mass-mediated political circus obscures both histories of migration and longstanding definitions of words for people on the move, fomenting widespread linguistic confusion. Under this circus tent, there is no regard for history, legal advocacy, or jurisprudence. Yet in a world where the differences between “undocumented migrant” and “asylum seeker” can mean life or death, words have weighty consequences. A timely antidote to this circus, A is for Asylum Seeker reframes key words that describe people on the move. Written to correct the de-meaning of terms by rhetoric and policies based on dehumanization and profitable incarceration, this glossary provides an intersectional and historically grounded consideration of the words deployed in enflamed debate. Skipping some letters of the alphabet while repeating others, thirty terms cover everything from Asylum-seeker to Zero Tolerance Policy. Each entry begins with a contemporary or historical story for illustration and then proceeds to discuss the language politics of the word. The book balances terms affected by current political debates—such as “migrant,” “refugee,” and “illegal alien”—and terms that offer historical context to these controversies, such as “fugitive,” “unhoused,” and “vagrant.” Rendered in both English and Spanish, this book offers a unique perspective on the journeys, histories, challenges, and aspirations of people on the move. Enhancing the book’s utility as an educational and organizing resource, the author provides a list of works for further reading as well as a directory of immigration-advocacy organizations throughout the United States. ***** Un claro y breve abecedario de palabras clave que hacen eco en nuestra crisis humanitaria presente. Mientras millones son forzados de huir de sus naciones de origen debido a peligro político, económico, y ecológico, racismo y xenofobia han llevado a políticas más y más severas. Un circo político en los medios oculta a ambas las historias de inmigración y las definiciones antiguas de palabras para personas en movimiento, creando confusión lingüística amplia. Bajo esta carpa de circo, no hay consideración para historia, defensa legal, o jurisprudencia. Pero en un mundo donde las diferencias entre “migrante indocumentade” y “solicitante de asilo” pueden ser la diferencia entre vida y muerte, palabras tienen consecuencias graves. Un antídoto oportuno a este circo, A de Asilo re-enmarca palabras claves que describen a personas en movimiento. Escrito para corregir la de-significación de términos por retórica y políticas basadas en deshumanización y encarcelación lucrosa, este glosario provee una consideración interseccional e histórica de las palabras usadas en debate inflamado. Brincando a unas letras del alfabeto mientras repite a otras, treinta términos cubren todo desde Asilo a Tolerancia Cero. Cada artículo empieza con una historia contemporánea u histórica para ilustrar, y después discute la política alrededor de la palabra. El libro balancea términos impactados por debates políticos contemporáneos—como “migrante,” “refugiado” y “extranjero ilegal”—y términos que ofrecen contexto histórico a estas controversias, como “fugitivo” “sin casa” y “vagante.” Escrito en inglés y español, este libro ofrece una perspectiva única en las jornadas, historias, retos, y aspiraciones de personas en movimiento. Aumentando la utilidad del libro como un recurso educacional y organizacional, la autora provee una lista de obras para más lectura, igual que un directorio de organizaciones de defensa de inmigrantes a través de los Estados Unidos.

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