Search results for ""Author Thames"

Imagine mind-bending new worlds with over one thousand surprising images. From the same team that created the best-selling Extraordinary Things to Cut Out and Collage comes this new collection of surprising images: a trip down the rabbit hole which will blow your mind and add new life to your collages.Every title in the Collage Kit series has all you need to create a host of surprising artworks of your own. There are over a thousand lively images – including backgrounds so you can create dramatic scenes – and a practical introduction will teach you the tricks of colour, composition, and juxtaposition that will fill your work with meaning and intrigue.Just bring scissors, glue, and your imagination!

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Why Do I Feel Like This? follows a child’s hilarious, wildly inventive train of thought as she walks home in a bad mood. Where do sad or angry feelings come from? What’s the best way to make them go away? And is there any way to stop them from coming back? This imaginative story will help young readers to think about their emotions and find creative ways to deal with bad days.

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Splat! traces art history through its key turning points and helps to map important art movements from the Renaissance and Impressionism to Surrealism and contemporary art. At the beginning, a spread explores how early peoples represented animals and everyday life. Then brief sections explore the stories of particular artists who helped to make important artistic innovations, including Michelangelo and the High Renaissance; Bruegel and his paintings of everyday peasant life; Manet and the shock of Impressionism; and Duchamp and the Dada revolution. Read the real-life stories of artists, such as Caravaggio, Jan Vermeer, Henri Rousseau, Vincent Van Gogh, Wassily Kandinsky and Frida Kahlo, who dared to imagine new ways of depicting the world. The achievements of these artists and the challenges, difficulties and dangers they faced are excitingly brought to life.

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In the first book of its kind, Aaron Rosen tells the story of how art developed across the world. He takes young readers on a journey through art history, from the Palaeolithic period to the present day, stopping off at thirty different locations around the world. As readers travel from one incredible destination to the next, they will discover the remarkable network of caves carved into the rock in ad 500 at Ajanta, India; Cambodia's remarkable Angkor Wat as it stood in ad 1200; the glories of Renaissance Florence in ad 1500; and the remarkable energy in New York in the 1950s. At every stop-off point readers will encounter stories of astonishing artworks and the cultures that gave birth to them. There are three sections: prehistoric and ancient; medieval and early modern; and modern and contemporary. At each location, two beautifully illustrated spreads allow children to engage with the art, artifacts and culture of a unique place in time. Along the way, key movements and ideas are pi

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This Book Thinks You’re a Maths Genius explores seven key areas of maths: geometry, space and volume, statistics, numbers and number patterns, codes and ciphers and the concept of infinity. Each spread centres on an open-ended question that introduces a key mathematical concept and suggests activities that engage the child in a fun and entertaining way. Activities include predicting the trajectory of a Malteser; building loo roll skyscrapers; mind-reading magic tricks; devising your own spy code; and working out the physical correlations between your dad and Usain Bolt. The end of the book includes a section of paper-based crafts including the kit to make a cardboard football and a data log for family quirks.

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Eddie knows her mum would love a Fluffy Squishy Itty Bitty for her birthday. The only problem is that she doesn't know what a Fluffy Squishy Itty Bitty is, or where to find one! Join Eddie as she tours the whole town, trying to track down the perfect present.

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It Might Be an Apple is a boisterous, philosophical shaggy dog story for young children – and probably a few adults. The story follows a child’s hilarious, wildly inventive train of thought through all the things an apple might be if it is not, in fact, an apple. Distrusting the apple’s convincing appearance, the child’s imagination spirals upwards and outwards into a madcap fantasy world – maybe it’s a star from outer space with tiny aliens on board? Perhaps it wants a cool hairstyle? Does it feel scared, or snore at night? Children can see what all these crazy, funny things might look like. This book is not only huge fun, but it also encourages a questioning, challenging approach to the world around us.

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Your guide to mindful photography, peaceful contemplation and a slow creative practice, including hands-on assignments, enlightening concepts and inspirational stories. In a world where millions of images are shot at every moment of every day and where fast-paced environments exhaust and stifle creativity, The Mindful Photographer proposes an antidote: slowing down. Through twenty concepts as varied as ‘Confidence’, ‘Gratitude’, ‘Playfulness’ and ‘Compassion’, all combined with hands-on assignments, Sophie Howarth invites readers to reflect on their photographic practice and learn to pause, pay attention and become more at one with the world around them. From the canonical to the contemporary, The Mindful Photographer features the works of photographers including Saul Leiter, Rinko Kawauchi, Sally Mann, Edward Weston, Gueorgui Pinkhassov, Teju Cole, Sarker Protick, Tamsin Calidas and many more. Their images are accompanied by quotes, stories and anecdotes to inspire the reader, simultaneously broadening their photographic knowledge and creative perspectives. Putting aside preconceived ideas and the competitive pressures of picture-perfect Instagram posts, the book rewires our relationship to photographic practice as one to be experienced as unconditionally joyful and rewarding. Sophie Howarth’s insightful and soothing texts work as a guide to both a mindful approach to photography, and a photographic approach to meditation. Offered in a highly affordable and pocketable format, this will be the must-have companion for anyone seeking the spiritual benefits of creative practice and a more mindful approach to engaging with their world through photography.

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‘The Château de Versailles is a real photographic challenge because it is so huge: there is an infinite number of possible points of view and they are never the same, depending on the time of day, the weather or the season… There are always new photos to take, to contemplate, to dream of. It is a demanding place that stimulates creativity and encourages you to look at it again and again’ Thomas Garnier Versailles is one of the most photographed places in the world, but only four people have the privilege of being the Palace’s official photographers. They have uniquely unfettered access to the secrets that lie within, outside and beneath this enormous domain where they spend their days – and sometimes their nights. Now, for the first time, they open their personal albums to offer a wealth of impressions and responses. Two hundred and fifty previously unpublished photographs reveal a plethora of outstanding artworks, the private apartments of Louis XIV, MarieAntoinette and Madame de Pompadour, magnificent galleries, the delightful Orangerie and more, all accompanied by texts that provide a lively introduction to daily life at the Château and its momentous history. This is a monumental volume on a scale that matches the grandeur of the worldrenowned Palace it celebrates.

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The complete, definitive and never-before-published catalogue of Hipgnosis, Vinyl • Album • Cover • Art finally does justice to the work of the most important design collective in music history, which, according to Roddy Bogawa, director of the documentary Taken by Storm (2011), ‘designed half your record collection’. Founded in 1967 by Storm Thorgerson, Aubrey ‘Po’ Powell and Peter Christopherson, Hipgnosis gained legendary status in graphic design, transforming the look of album art forever and winning five Grammy nominations for package design. Their revolutionary cover art moved away from the conventional group shots favoured by record companies of the day, resulting in the ground-breaking, often surreal designs which define the albums of many of the biggest names in the history of popular music: 10cc, AC/DC, Black Sabbath, Peter Gabriel, The Police, Genesis, Led Zeppelin, Pink Floyd, Paul McCartney, Robert Plant, Syd Barrett, Throbbing Gristle, T. Rex, Wings, Yes and XTC, to name but a few. Arranged chronologically, Vinyl • Album • Cover • Art features stunning reproductions of every single Hipgnosis cover – 372 in total – coupled with detailed information by Po and Storm Thorgerson on the artworks and the compelling stories behind their creation. Additional contributions by Peter Gabriel, Marcus Bradbury, and Pentagram’s Harry Pearce provide engrossing insights into the way these incredible artworks came into being; place the covers in context; and reflect on their enduring impact on album design. A highly accessible stand-alone volume, Vinyl • Album • Cover • Art will also make the perfect pop partner to the groundbreaking Hipgnosis | Portraits (2014) with its rare revelations and behind-the-scenes photography.

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Alexander McQueen has grasped the public’s imagination like few other fashion designers before him, with exhibitions dedicated to his work continuing to attract record visitor numbers. Almost 500,000 people visited the V&A’s 2015 ‘Alexander McQueen: Savage Beauty’ exhibition, making it the most popular in the museum’s history. Opening with a brief essay on the designer’s work, Alexander McQueen: Unseen unfolds chronologically. Each collection is introduced by a concise text by Claire Wilcox, one of the foremost experts on the McQueen’s work, revisiting the designer’s most iconic creations across his entire career and revealing previously unseen behind- the-scenes moments that capture models, hairdressers, stylists, make-up artists and Alexander McQueen himself at their most candid and creative. Robert Fairer’s stunning and high-energy photographs, all previously unpublished, capture the glamour, grit and spirit that made McQueen’s flamboyant shows unique. A treasure-trove of inspiration, they make this publication a must-have reference for fashion and photography lovers alike.

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Following the critical and commercial success of Pattern and Ornament in the Arts of India, Henry Wilson has turned for this companion volume to a single theme. But what a theme: the variety of floral motifs in the exquisitely wrought details of India’s architectural wonders is boundless, and one can only marvel at the way in which the basic elements of wood, stone and plaster have been transformed into masterworks of decorative art. From the illustrious Mughal Empire during its greatest period of monument-building and artistic creativity to the time of British rule, which brought with it an unprecedented period of peace that allowed great wealth to be concentrated on the arts, the richness of India’s architecture is overwhelming. Henry Wilson’s fine photographs reveals the skill, patience and pictorial imagination of the many thousands of craftsmen who have turned to floral motifs and rendered them with precision and life-enriching creativity. Juxtaposed with the photographs are Wilson’s own graphic transpositions of the designs – a wealth of detailed drawings, all created by hand but with a stencil-like clarity that helps us understand the original historical patterns. The result is an invaluable sourcebook that will appeal not only to those interested in one of the world’s oldest civilizations and greatest cultures, but also to anyone seeking inspiration for their own graphic creations.

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Creativity isn’t an occupation, it’s a preoccupation. It is at the very core of what makes us human. It’s also a fundamental challenge that everyone faces in the modern world, be they in business, in education or a struggling artist or musician. Being creative and innovative and communicating our ideas effectively and persuading others is vital. Who could be better able to demystify and set out some useful, generous advice on how to improve, sustain and nurture creativity than one of the world’s greatest advertising creatives and founder of an advertising agency renowned worldwide for its excellence? In this book, John Hegarty takes 50 provocations and themes that lie at the heart of creative thinking. These range from those with complex depths that lie beyond deceptively simple titles such as ‘Idea’, ‘Ego’, ‘Money’ and ‘Technology’, to others that look at the complexities of modern life, such as dealing with cynics in the workplace, or the best way of getting angry. Hegarty’s message is always crystal clear and promotes the benefits of simplifying, thinking boldly and being undaunted by challenges. With this book, when a challenge confronts them, readers will find that one of the great minds in advertising is there to guide them.

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The late 19th and early 20th centuries were a time of elegance and extravagance for Russia’s ruling tsars and the wealthy families with whom they were linked by marriage, and nowhere are these tastes more apparent than in the imperial jewels. Stefano Papi uncovers the fascinating stories behind the jewels and the people who wore them. The revised edition has 48 more pages than the first and includes some 50 additional images of jewels as well as contextual photographs.

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This major new work comprises more than 1,000 images that highlight the beauty, subtlety, simplicity or complexity of textiles created around the world. The juxtaposition of historical and contemporary examples highlights the skill and imagination of textile designers throughout history, as well as the remarkable range of achievements. Thematic illustrated sections present in-depth knowledge and sweeping insights into the role textiles have played throughout all human civilization, and illuminate the ways in which structure or surface decoration or embellishment enhance this most tactile of arts. With a definitive text by Mary Schoeser, drawing together knowledge gathered over a liftime of immersion in the textile arts, no other book in the vast literature on the subject has so comprehensively celebrated the spectacular and enduring appeal of textiles.

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‘Pietre dure’ are mosaic designs made from semi-precious stones. This richly illustrated, large format book brilliantly captures the beauty and craftsmanship of this ancient technique of ‘painting in stone’, looking at decorative stonework techniques from prehistory to the present day, but focusing in particular on the period from its rebirth in 16th-century Rome to the developments of the 19th century.

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The Hermès scarf is one of the greatest fashion icons of all time.Worn by royalty and celebrities, coveted and admired, and now avidly collected, this deceptively simple square of silk is much more than just an accessory: it is the stuff of legend. Now for the first time the heritage and influence of House of Hermès is fully explored, from the first scarf’s debut in 1937 right up to the present day.

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A bumper edition of John Peacock’s renowned costume drawings, charting the development of women’s and men’s clothing from the 1920s onwards. This beautifully illustrated, easy-reference volume features over 2,100 meticulous illustrations that record in fascinating detail the ways in which fashion has changed year by year, decade by decade, from the boyish silhouette of the 1920s right through to the structured ‘power dressing’ of the 1980s. Day wear, evening dress, sports and leisure wear, accessories, underwear and wedding wear are all portrayed, accompanied by complete descriptions of colour, cut, necklines, lapels, sleeves, pockets, fastening, buttons and belts. The reference section includes a chart that summarizes the evolution of fashion and garment-shapes through the decades, as well as biographies of the outstanding designers of each era. The Complete Fashion Sourcebook will be indispensable to all fashion enthusiasts, historians and collectors, and will be an invaluable sourcebook for any designer or student working in the performing arts.

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Christopher Dresser (1834–1904) is one of the most influential British designers of all time and he is widely regarded as Britain’s first independent industrial designer. His works still look remarkably modern more than a century later. Like his contemporary William Morris, Dresser advocated for an ‘honesty of materials’, but unlike Morris he fully embraced industrial techniques, designing for the growing consumer market. Dresser’s fascination with the arts of Japan and his advocacy of Owen Jones’s principle that ornament should be geometrical in form resulted in a range of designs that look surprisingly minimal for their time. Affordable, well-designed, functional and commercially successful, the objects that Dresser designed – wallpapers, textiles, carpets, ceramics, furniture and, most famously, metalwork – were industrially produced by manufacturers across the UK, the US and continental Europe. This compact, beautifully produced book on the work of Christopher Dresser begins with a brief introduction to his life and work before presenting 75 of his most important pieces, each accompanied by a narrative-style caption. It will appeal to anyone interested in modern design.With 117 illustrations in colour

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Jewels and Jewellery surveys splendid early medieval pieces and superb examples of Renaissance, Arts and Crafts, Art Nouveau and 21st-century jewellery. Exquisitely detailed photography reveals both rare and precious stones as well as the elaborate techniques of the jeweller’s craft such as chasing, enamelling and cameo. Claire Phillips considers the history of Western jewellery in three parts, first exploring the materials used by jewellers, then turning to the development of styles in jewellery from the Middle Ages to today, before exploring the ways in which jewellery has been hallmarked, distributed and worn over recent centuries. The book concludes with a glossary, bibliography and list of key designers. Showcasing pieces by Cartier, Tiffany and Liberty, this beautiful volume is the ultimate guide to the history of Western jewellery.

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Women began working as photographers in the second half of the 19th century, a time when the rules of the medium had not yet been codified and experimentation was the order of the day. Some opened their own studios, patenting their own equipment and carving out a place for themselves in this new artistic field, while others were obliged to work anonymously or under pseudonyms. As the 20th century dawned, women embraced genres ranging from pictorialist soft focus to documentary realism and surrealist photomanipulation, fearlessly exploring the boundaries of photographic possibility.

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It was around Kengo Kuma’s tenth birthday that he came into contact with Kenzō Tange’s fishlike Yoyogi National Gymnasium, completed for the 1964 Tokyo Olympics, and determined that he would become an architect. In the intervening five or so decades, he has become one of the world’s most fascinating and influential architects. Kuma is known throughout the world for his formally daring and materially expressive buildings, recognized for his inventive use of traditional materials, and his use of innovative materials in vernacular forms. He is perhaps less known for his work inside his native Japan, where he works actively towards the preservation of ancient building techniques and craft. A keen curiosity for all forms of building and a wealth of knowledge about the world acquired through expansive travels make Kuma a unique commentator on Tokyo’s dynamic architecture. Through twenty-five stories, this intimate little publication paints a picture of how a building inspired a boy to become an architect, how Japan’s national heritage helped form his thinking, and how his professional experience has made him one of the most successful architects of his generation. This book contains something for everyone: design acumen, insights into Japanese culture, a tour of Tokyo and the heartfelt commitment to producing buildings that have meaning and longevity.With 41 illustrations, 21 in colour

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A Chronology of Architecture presents a fresh perspective on the medium by taking a purely chronological approach to its history, tracing the complex links between structural innovations, social changes, and artistic interventions. Organized around a central timeline that charts the development of architecture from the earliest structures to the present-day skyscrapers and global cities, it features key buildings, together with commentaries and contextual information about the social, political and cultural events of the period in which they were built. Special feature spreads highlight important movements, construction methods and key practitioners. Covering a wide selection of genres, styles and architects, it is invaluable as a comprehensive guide to architecture in all its different forms.

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Established on the global stage by the international success and influence of architects such as Peter Zumthor and Herzog & de Meuron, today’s generation of architects in Switzerland draws on the country’s distinctive landscape of alpine peaks, crystalline lakes and efficient cities, and fuses traditional Swiss materials with new high-tech tools and innovative construction methods. New Swiss Architecture documents fifty of the most important buildings of the last decade through architectural photographs that highlight their exceptional detail, attention to context and material experimentation. Because of their isolated locations, many of these buildings are little known, despite having been designed by leading architects, including Christ & Gantenbein, Gigon/Guyer, Valerio Olgiati, Charles Pictet, Richter Dahl Rocha and Diener & Diener. The book is presented in two sections: the first comprises a photographic portfolio of projects organized into themes: Alpine, Infrastructural, Recreational, Rural, Suburban, Urban. The second section describes each of the featured buildings through drawings, plans and concise texts.

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How does a sign represent something other than itself? How do we understand the meaning of a written symbol? Can clothes be a sign? Can sounds? Signs and symbols represent ideas and objects and, over time, these marks and gestures have multiplied into a complex network of images. This handy pocket-book combines scholarship, documentary evidence and fantastic illustrations to provide the story of how we have interacted with signs and symbols across the ages.

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A landmark study of ancient Greek and Roman cults, from the nocturnal mysteries at Eleusis to the cults of Dionysus and Mithras. Mystery cults are one of the most intriguing areas of Greek and Roman religion. In the nocturnal mysteries at Eleusis, participants dramatically re-enacted the story of Demeter's loss and recovery of her daughter Persephone; in Bacchic cult, bands of women ran wild in the Greek countryside to honour Dionysus; in the mysteries of Mithras, men came to understand the nature of the universe and their place within it through frightening initiation ceremonies and astrological teachings. These cults were an important part of life in the ancient Mediterranean world, but their actual practices were shrouded in secrecy, and much of what they were about has remained unclear until now. This is the first book to describe and explain all the major mystery cults of the ancient world, cult by cult, reconstructing the rituals and exploring their origins. It makes plentiful use of artistic and archaeological evidence, as well as ancient literature and epigraphy. Greek painted pottery, Roman frescoes, inscribed gold tablets from Greek and South Italian tombs and the excavated sites of ancient religious sanctuaries all contribute to our understanding of ancient mystery cults. Making use of the most recent work on these cults, the book is also informed by crucial current work on the anthropology and cognitive science of religion. Not only is this clearly written book a significant contribution to the study of these cults, but it is also accessible to a general readership. More than any other book on ancient religion, it allows the reader to understand what it was like to participate in these life-transforming religious events.

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A pioneering look at early Scotland that transforms prehistory into gripping narrative history. The story of the land that became Scotland is one of dramatic geological events and impressive human endeavour. Alistair Moffat’s gripping narrative ranges from the great thaw at the end of the Ice Age – which was instrumental in shaping Scotland’s magnificent landscape – through the megalith builders, the Celts and the Picts, to the ascension of King Constantine II. Moffat deploys his knowledge with wit and deftness, interweaving the story with numerous special features on topics as diverse as cave drawings of dancing girls, natural birth control, the myth of Atlantis and the Zoroastrian Towers of Silence – all of them valuable, sometimes quirky, additions to the whole picture. Rounding out the account is a selection of carefully chosen colour photographs that give a strong sense of the Scottish landscape and monuments. Erudite and entertaining, Before Scotland transforms our understanding of a neglected period. A story of dramatic geological events and impressive human endeavour, it is essential reading for anyone interested in the land that became Scotland.

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The lives of 40 men and women behind some of the world’s most exciting gardens. Throughout history great gardeners have risen from all walks of life. Some have been aristocratic amateur gardeners, others professional designers with an international practice. Some have come to garden-making from sister arts such as sculpture or painting; others have been hands-on nurserymen or botanists. What they all have in common is the ability to take an idea and develop it in a new manner relevant to their times. The book contains four sections. ‘Gardens of Ideas’ moves from the politically allusive gardens of 18th-century England made by men such as William Kent, to Charles Jencks’s Scottish garden inspired by 21st-century cosmography. ‘Gardens of Straight Lines’ explores the lives of the great formalist gardeners, from Le Nôtre at Versailles to the rational English minimalism of contemporary designer Christopher Bradley-Hole. ‘Gardens of Curves’ begins with that great exponent of the English landscape garden, ‘Capability’ Brown, and leads to the extraordinary Brazilian designer Roberto Burle Marx. Finally, ‘Gardens of Plantsmanship’ moves from the father of naturalistic planting, William Robinson, to the sweeping prairies of New York’s favourite Dutch designer, Piet Oudolf.

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Great paintings cannot be fully understood in a single encounter; there is always more to be derived from them. Art lovers may revisit and reconsider the masterpieces throughout their lives, but a deeper understanding can only be gained by analysing the painting in detail, be it the placement of the subject, the lighting, the style of brushstrokes or the themes. Art in Detail examines 100 iconic paintings from the Western canon and spotlights the finer points a quick glance will almost certainly fail to reveal. These include subtle internal details, such as hidden symbols and artistic tricks employed by the painter to achieve particular effects. In addition, Susie Hodge writes intelligently about external influences on the artist – everything from the socioeconomic context in which he or she flourished, to smaller local difficulties, such as the level of air pollution at the time the painting was created. And she treats each of her subjects not only, to quote Matthew Arnold, ‘as in itself it really is’, but also as part of a tradition that links the oldest painting to the most recent, as artists pass a metaphorical baton down through the ages.With 700 illustrations

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The MR PORTER Guide To A Better Day covers all aspects of a man’s daily life, from morning rituals, to flawless grooming to handy tips for taking the work out of your working and social life. Compiled by MR PORTER’s Editors and featuring wisdom from Messrs Tom Ford, Laird Hamilton and more, this volume is packed with expert advice, helpful illustrations and full-colour photography that explores the habits and routines of the world’s most stylish men. Of course, it’s also got the wardrobe side of things covered: between each chapter, a dedicated section on ‘How To Dress’ offers a deep dive into the ins and outs of contemporary menswear, offering rules and guidelines on what to wear and how to wear it, whether you’re heading out for a fancy dinner, or spending a weekend recovering from just such a thing. Drawing on MR PORTER’s unparalleled experience of dressing discerning gentlemen across the globe, it is the definitive volume that every man of taste should have on his bookshelf this season.

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Sunday Times Art Book of the Year 2018'If you are interested in modern British art, the book is unputdownable. If you are not, read it.' - Grey Gowrie, Financial Times 'All the good stories, and more, are here … this is a genuinely encyclopaedic work, unlike anything else I have come across on the topic, informed by a deep love and understanding of modern painting. Everybody interested in the subject should read it.' - Andrew Marr, Sunday Times A masterfully narrated account of painting in London from the Second World War to the 1970s, illustrated throughout with documentary photographs and works of art The development of painting in London from the Second World War to the 1970s is the story of interlinking friendships, shared experiences and artistic concerns among a number of acclaimed artists, including Francis Bacon, Lucian Freud, Frank Auerbach, David Hockney, Bridget Riley, Gillian Ayres, Frank Bowling and Howard Hodgkin. Drawing on extensive first-hand interviews, many previously unpublished, with important witnesses and participants, the art critic Martin Gayford teases out the thread connecting these individual lives, and demonstrates how painting thrived in London against the backdrop of Soho bohemia in the 1940s and 1950s and ‘Swinging London’ in the 1960s. He shows how, influenced by such different teachers as David Bomberg and William Coldstream, and aware of the work of contemporaries such as Jackson Pollock as well as the traditions of Western art from Piero della Francesca to Picasso and Matisse, the postwar painters were allied in their confidence that this ancient medium, in opposition to photography and other media, could do fresh and marvellous things. They asked the question ‘what can painting do?’ and explored in their diverse ways, but with equal passion, the possibilities of paint.

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From the dawn of history to the death of Cleopatra, ancient Egypt was home to larger-than-life personalities. Across one hundred lives, Toby Wilkinson explores the true character and diversity of human experience in the ancient world’s greatest civilization. Some of those profiled are famous: pharaohs and queens such as Akhenaten, Nefertiti, Ramesses II and Tiye. Others are lesser known but equally engaging: Imhotep, architect of the first pyramid; Perniankhu, the court dwarf; and the royal sculptor Bak. Equally illuminating are the lives of commoners, so rarely given their own voice: ordinary men and women who include a doctor, a dentist, a housewife, a musician – and a serial criminal.

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Geometric patterns are perhaps the most recognizable visual expressions of Islamic art and architecture, magnificent in their beauty and awe-inspiring in their execution. Now, with the aid of this book, anyone can learn how to master this ancient art and create intricate patterns or re-create classic examples. An introduction guides the reader through the basics, and is followed by some of the best examples of geometric patterns from around the world, arranged into three levels of complexity, with careful, step-by-step instructions taking the reader through the stages of composition.

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Focusing on fifty diverse women artists, from Lavinia Fontana and Artemisia Gentileschi through Judy Chicago, Ana Mendieta and the Guerrilla Girls to Barbara Kruger, Cindy Sherman and Louise Bourgeois, this book equips the reader with a general understanding of the history of art by women, as well as an appreciation of its most outstanding figures. Traditionally women have been among art’s favoured objects of representation, while their contributions as art producers have been subordinated to those of men. This book documents women artists in context to offer readers an accessible but rich understanding of key female artists from the Baroque to the present day.

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Here is the fabric and textile directory that dressmakers and fashion designers everywhere have been waiting for. This book is like having your own personal shopper – able to recommend fabrics to suit the effects you want to achieve, show you how the fabric will perform, and tell you the best ways of using it. - Organized by function: do you want a fabric for structure, fluidity and movement, added volume, definition or decoration? This book works in such a way that you can view the fabric as the medium from which the garment design can be achieved right from the beginning. - Each textile in the directory is accompanied by samples of the fabric presented so that its properties come alive, allowing you to really understand how a fabric might behave. - The chart section at the back of the book includes essential guides to fibre properties, fabric structure and weight, fabric characteristics and end use.

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Architect and designer Michael Embacher’s unique collection of more than 250 bicycles, the only one of its kind, was lovingly collected over many years and exhibited around the world. This new compact edition of Cyclepedia offers an expanded selection of Embacher’s finest, most unusual and most coveted pieces, despite the fact that the collection is no longer intact. With a foreword by design guru Paul Smith and a history of bicycle design by Michael Zappe and Martin Strubreiter, this homage to the beauty of two wheels is a celebration of the fastest, lightest, most innovative – and most inventive – bicycles designed over the past century. This stunning, carefully curated selection features some of the rarest, most beautiful and most sought-after bicycles from around the world, including classic racing bikes from the Tour de France, high-tech machines that employ the latest advances in materials science, and eccentric bikes designed for unusual uses. With a redesigned layout that makes the most of Bernhard Angerer’s colourful photography, this edition features ten new bicycles from Embacher’s collection, including designs from Alex Singer, Alan, Textima and Puch. Published in a new and more accessible compact format, Cyclepedia is a cornucopia of all that bicycle design has to offer, the ultimate gift for cycling enthusiasts everywhere.

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Here is an informative and entertaining guide to everything that any tourist needs for a journey back in time to ancient Rome in AD 200. You need only pack your imagination and a toothbrush – this guide provides the rest, describing all the best places to stay and shop, what to do, and what to avoid. Brought to life with wonderful computergenerated reconstructions of ancient Rome, this highly original, witty book will appeal to tourists, armchair travellers and history buffs.

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All students with a budding interest in architectural design will value this book for its solid foundational orientation and instruction. Mo Zell introduces readers to architecture’s visual language, showing them how to think spatially and getting them started in architectural drawing with a series of instructional tutorials. Using three-dimensional design problems, she coaches students through the fundamentals of proportion and scale, space and volume, path and place and materials and textures. A series of study units cover virtually every aspect of architectural drawing. This book concludes with practical advice for anyone considering a career in architectural design, offering ideas on building a portfolio, getting advanced training and continuing on a path to a professional career.

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Monsters have preoccupied mankind from the earliest times: even cave art includes animal-human monsters. Certainly monsters were present in the ancient religions of Egypt and Mesopotamia; the Old Testament describes the giant land and sea monsters Behemoth and Leviathan, while in the world of Classical mythology, monsters embody the fantasies of the gods and the cruellest punishments of human beings. While we may no longer worry about being eaten by trolls on the way home, there remains a fascination with these creatures who have shadowed us throughout history. This book explores monsters down the ages and throughout the world. It provides a dark yet engrossing visual history of the human mind, lit up by flashes of wild and unearthly inspiration.

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The ten extraordinary houses and castles featured in this book have all survived the vicissitudes of Scotland’s history with almost all of their original families still in residence. Each house also represents a landmark in Scotland’s architectural history, ranging from the early seventeenth to the early twentieth century. The architectural revelation is matched by sensational settings, which merge designed gardens and landscape with the unparalleled wildness and vistas of Scotland. All of these cherished houses are chockablock with memories of the past, from swagger portraits to sporrans, from vintage photographs to ancient weaponry, from curling stones to fading chintz. James Fennell’s masterly photographs capture the distinctive atmosphere of each residence. As he guides the reader on an intimate tour of the houses, Knox recounts their histories and profiles the colourful lairds, clan chiefs and nobles who have called them home.

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Susan Herbert’s feline versions of famous paintings have delighted cat and art-lovers everywhere. In this book, now available in paperback, she turns her eye to the works of the Pre-Raphaelite painters, whose popularity is reaching new heights today. The epitome of their style and period, these wonderful paintings can be viewed in a new and entrancing way when their protagonists are endearing cats. The Beggar Maid, ‘more beautiful than day’ in Tennyson’s poem, takes on a particularly touching relationship with King Cophetua, while Medea gives new meaning to the word enchantress as she prepares the ingredients for a spell. And were ever two creatures so frightened and so abandoned as the poor cat princes wickedly imprisoned in the Tower, or two lovers so sad and so stoical as the young officer cat and his fiancée on the eve of the Battle of Waterloo? A special feature of this book is its inclusion of small black-and-white reproductions of all the original paintings that have inspired Susan Herbert. Once again she has risen to the challenge of endowing the world’s best- loved works of art with a certain feline charm.

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Why Your 5 Year Old Could Not Have Done That is Susie Hodge’s passionate and persuasive argument against the most common disparaging remark levelled at modern art. In this enjoyable and thought-provoking book, she examines 100 works of modern art that have attracted critical and public hostility – from Cy Twombly’s scribbled Olympia (1957), Jean-Michel Basquiat’s crude but spontaneous ‘LNAPRK’ (1982), to the apparently careless mess of Tracey Emin’s My Bed (1998) – and explains how, far from being negligible novelties, they are inspired and logical extensions of the ideas of their time. She explains how such notorious works as Carl Andre’s Equivalent VIII (1966) – the infamous bricks – occupy unique niches in the history of ideas, both showing influences of past artists and themselves influencing subsequent artists. With illustrations of works from Hans Arp to Adolf Wölfli, Hodge places each work in its cultural context to present an unforgettable vision of modern art. This book will give you an understanding of the ways in which modern art differs from the realistic works of earlier centuries, transforming as well as informing your gallery visits for years to come.

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The book that turned the art world on its head, now with new and exciting discoveries. Hockney takes his thesis further, demonstrating how Renaissance artists used mirrors and lenses to develop perspective and chiaroscuro – radically challenging our view of how these two foundations of Western art were established.

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Brett Whiteley was one of the most dynamic and talented artists in the history of Australian art, an artist whose recognition had spread worldwide before his untimely death in 1992. Early in his career he established a name for himself in London, exhibiting at the Whitechapel Art Gallery and coming into contact with many British painters - Francis Bacon and David Hockney among others. His early paintings startled critics and fellow artists, but even at that point, two basic subjects were evident: the landscape and the nude, elements which became the mainstay of his oeuvre. At the root of all Whiteley's work was a draughtsmanship of stunning virtuosity, capable of capturing all the poetic arabesque of a river in a single sweeping line of brush and ink, or the erotic curves of the human body in a few searching strokes of charcoal. This volume presents an illuminating evaluation of Whiteley's achievement. Works dating from the 1950s to the last years of his life, illustrated in over 180 colour plates, allow Whiteley's career to be surveyed in its entirety. Barry Pearce, Head Curator at the Art Gallery of New South Wales, provides a comprehensive overview of Whiteley's life and art; Bryan Robertson offers an impression of the artist's years in London; and Wendy Whiteley, the artist's wife and companion for over three decades, contributes an intimate portrait of the man behind the work. Superbly illustrated and produced, Brett Whiteley: Art & Life is a fitting tribute to one of Australia's most significant artists, a man whose outstanding work excites, amazes and impresses us no less now than it did when first created.

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The perfect introduction to the world of Japanese myth and legend. This is a smart and succinct guide to the rich tradition of Japanese mythology, from the earliest recorded legends of Izanagi and Izanami, their divine offspring and the creation of Japan, to medieval tales of vengeful ghosts, through to the modern-day reincarnation of ancient deities as the heroes of mecha anime. While many around the world love Japan’s cultural exports, few are familiar with Japan’s unique mythology - enriched by Shinto, Buddhism and regional folklore. Mythology remains a living, evolving part of Japanese society, and the ways in which the people of Japan understand their myths are very different today even from a century ago, let alone over a millennium into the past. Offering much more than any competing overview of Japanese mythology, The Japanese Myths not only retells the ancient stories but also considers their place within the patterns of Japanese religions, culture and history, helping readers to understand the deep links between past and present in Japan, and the ways these myths live and grow. Joshua Frydman takes the very earliest written myths in the Kojiki and the Nihonshoki as his starting point, and from there traces Japan’s mythology through to post-war State Shinto, the rise of the manga industry in the 1960s, J-horror and modern-day myths. Reinventions and retellings of myth are present across all genres of contemporary Japanese culture, from its auteur cinema to renowned video games such as Okami. This book is for anyone interested in Japan, as knowing its myths allows readers to understand and appreciate its culture in a new light.

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Painstakingly researched from many sources, this is the first book to look at the artistic phenomenon known as turquerie. At the end of the 17th century, the long-standing fear of the Turk in Europe was gradually replaced by fascination. Travellers’ accounts of the Ottoman lands, translations of works such as One Thousand and One Nights, and the magnificent spectacle of Ottoman ambassadors and their retinues were among the catalysts that inspired the creation of a European fantasy of this world. In this new book, Haydn Williams shows how turquerie manifested itself in the arts across Europe. Its most intense and long-lasting expression was in France, but its reach was broad: from a mosque folly in Kew Gardens to an ivory statuette of a janissary created in Dresden for King Augustus II of Poland and the costumes worn for a carnival celebration in Rome in 1748. Focusing on categories including painting, architecture, interiors and the theatre, Turquerie provides an engaging account of this whimsical European fantasy.

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The coming of the Industrial Revolution in the early 19th century witnessed unprecedented changes in society: rapid economic progress went hand-in-hand with appalling working conditions, displacement, squalor and destitution for those at the bottom of the social scale. These new circumstances presented a challenge to contemporary image-makers, who wished to capture the effects of hunger, poverty and alienation in Britain, Ireland and France in the era before documentary photography. In this groundbreaking book, the eminent art historian Linda Nochlin examines the styles and expressive strategies that were used by artists and illustrators to capture this misère, roughly characterized as poverty that afflicts both body and soul. She investigates images of the Irish Famine in the period 1846–51; the gendered representation of misery, particularly of poor women and prostitutes; and the work of three very different artists: Théodore Géricault, Gustave Courbet and the less wellknown Fernand Pelez. The artists’ desire to depict the poor and the outcast accurately and convincingly is still a pertinent issue, though now, as Nochlin observes, the question has a moral and ethical dimension – does the documentary style belittle its subjects and degrade their condition?

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Taking a radically new approach to the history of abstract painting, Pepe Karmel applies a scholarly yet fresh vision to reconsider the history of abstraction from a global perspective and to demonstrate that abstraction is embedded in the real world. Moving beyond the orthodox canonical terrain of abstract art, he surveys artists from across the globe, examining their work from the point of view of content rather than form. Previous writers have approached the history of abstraction as a series of movements solving a series of formal problems. In contrast, Karmel focuses on the subject matter of abstract art, showing how artists have used abstract imagery to express social, cultural and spiritual experience. An introductory discussion of the work of the early modern pioneers of abstraction opens up into a completely new approach to abstract art based around five inclusive themes – the body, the landscape, the cosmos, architecture, and the repertory of man-made signs and patterns – each of which has its own chapter. Starting from a figurative example, Karmel works outwards to develop a series of narratives that go far beyond the established figures and movements traditionally associated with abstract art. Each narrative is complemented by a number of ‘featured’ abstract works, which provide an in-depth illustration of the breadth of Karmel’s distinctive vision. A wide-ranging examination of topics – from embryos to the surface of skin, from vortexes to waves, planets to star charts, towers to windows – is interwoven with detailed analysis of works by established figures like Joan Miró and Jackson Pollock alongside pieces by lesser-known artists such as Wu Guanzhong, Hilma af Klint and Odili Donald Odita.

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