Search results for ""Author Painters"

Ellen Gallagher (b.1965) is one of the most celebrated painters of her generation, coming to prominence in the mid-1990s in the wake of the so-called 'culture wars' and the art world's controversial embrace of identity-politics and multiculturalism.In this in-depth look at her oeuvre, Caoimhín Mac Giolla Léith unpacks the complexities of her richly layered paintings, examining themes such as identity, race, displacement and the ecological environment, which Gallagher has explored throughout her work. The author takes the reader from Gallagher's early years — looking at her formative influences — through her engagement, from the late 1990s on, with the inherited modernist forms of the monochrome and the grid and with the violence and division at the root of modernism itself. Also explored are her phantasmagoric explorations of oceanic life, which draw on the discoveries of natural science, the traumatic history of the Atlantic slave trade and the speculative fictions of Afrofuturism. For anyone interested in contemporary art and the ways particular artists are expanding its borders, in form and content, this is essential reading.

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‘A lover of light’: in 1912, a French critic used these words to describe the great Danish painter Peder Severin Krøyer, who had close ties to the French art scene for more than two decades. Krøyer first visited Paris in 1877, and his many letters clearly show the impact French art had on Krøyer’s own development as a painter, on the artists’ colony in Skagen, and on Danish art history in general.In Krøyer and Paris. French Connections and Nordic Colours, art historians Mette Harbo Lehmann and Dominique Lobstein describe Krøyer’s artistic development from the Golden Age tradition favoured by the Danish academy to Naturalism and the Modern Breakthrough. They show how inspiration from France can be traced in his painting technique and his open-air paintings from Skagen, revealing how French Naturalism made its mark on Krøyer’s distinctive style.

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In A Short Book About Painting, writer and broadcaster Andrew Marr tackles the subjects of inspiration, creativity, politics, beauty and form. How does the artist make good work? What constitutes “good”? How important is technique – and the imagination? Following a serious stroke in 2013 that left him partially paralysed, Marr struggled with the physical rigours of painting using oils. This led to his wrestling with some of the very fundamental questions about painting as an art form in itself ­ and to interrogate himself daily about brushstrokes, colour balance, line and texture. Using his own work in progress as examples of failures, and examples of techniques from classical artists right up to the present day, Marr examines how the painter can improve and learn from his or her mistakes. Marr’s provocative, political and instructive book is not just an essential resource for all amateur painters, it is a must-read for anyone fascinated by the creative process and the limits of human artistic achievement.

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"Never was a painter more nobly joyous, never did an artist take a greater delight in life, seeing it all as a kind of breezy festival and feeling it through the medium of perpetual success... He was the happiest of painters." - Henry James on Veronese, 1909 Collected here for the first time, these fascinating early biographies (one of which has never been translated before) describe and celebrate the astonishingly fertile art of Paolo Veronese. Most of what we know about Veronese comes from these three essays. 'I have known this Paolino and I have seen his beautiful works. He deserves to have a great volume written in praise of him, for his pictures prove that he is second to no other painter', wrote Veronese's contemporary Annibale Carracci in the margins to his copy of Vasari's writings, continuing 'and this fool passes over him in four lines. And just because he was not Florentine.' It was indeed a measure of his fame that Vasari, whose Life of Veronese is reprinted here, should have overcome his pro-Tuscan prejudices to write about his great Venetian contemporary; and he was followed in this by another Florentine, the theorist Raffaele Borghini. But the most striking record of the impact of Veronese's art on his countrymen is the extensive biography by his fellow Venetian, Carlo Ridolfi. Entirely original in the seriousness and passion with which he approached his subject, Ridolfi permanently changed the course of writing about art. This is the first translation of his work into English. Translated and introduced by Xavier F. Salomon, curator of Veronese: Renaissance Magnificence at the National Gallery, London. Fifty pages of colour illustrations cover the span of Veronese's breath-taking career.

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Among the few women artists who have transcended art history, none had a meteoric rise quite like Mexican painter Frida Kahlo (1907–1954). Her unmistakable face, depicted in over fifty extraordinary self-portraits, has been admired by generations; along with hundreds of photographs taken by notable artists such as Edward Weston, Manuel and Lola Álvarez Bravo, Nickolas Muray, and Martin Munkácsi, they made Frida Kahlo an icon of 20th century art. After an accident in her early youth, Frida became a painter. Her marriage to Diego Rivera in 1929 placed her at the forefront of an artistic scene not only in the cultural Renaissance of Mexico, but also in the United States. Her work garnered praise from the poet André Breton, who added the Mexican painter to the ranks of international surrealism and exhibited her work in Paris in 1939 to the admiration of Picasso, Kandinsky, and Duchamp. We access the intimacy of Frida’s affections and passions through a selection of drawings, pages from her personal diary, letters, and an extensive illustrated biography featuring photos of Frida, Diego, and the Casa Azul, Frida’s home and the center of her universe. This large-format XXL book allows readers to admire Frida Kahlo’s paintings like never before, including unprecedented detail shots and famous photographs. It presents pieces in private collections and reproduces works that were previously lost or have not been exhibited for more than 80 years, forming the most extensive study of Kahlo’s work and life to date.

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No visit to an art gallery can rival this one! Tom visits a very special exhibition where each picture features a cat. One by one, the cats all leap out and follow him, until a very large, scary cat makes them rush back to the safety of their frames. But these aren't just any cats or any pictures! Ruth Brown has created her own unique and amusing masterpieces in the style of twelve well known painters from around the world. Young children will enjoy discovering the pictures with Tom, watching the increasing number of cats following him around, and matching the cats with the pictures. The perfect introduction to the world of fine art. 'Exceptional draughtsmanship makes all her books a feast...a book to lead readers to 13 painters from Mondrian to Munch and Kahlo to Klimt.' - Sunday Times Culture Magazine 'Cleverly conceived and superbly executed.' - Red Reading Hub Age range 3 to 6

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E.T.A. Hoffman's wildly original fictions are some of the most unusual examples of German Romanticism's dark passions, and the stories in Tales of Hoffman are selected and translated from the German with an introduction by R.J. Hollingdale in Penguin Classics.This selection of Hoffmann's finest short stories vividly demonstrates his intense imagination and preoccupation with the supernatural, placing him at the forefront of both surrealism and the modern horror genre. Suspense dominates tales such as Mademoiselle de Scudery, in which an apprentice goldsmith and a female novelist find themselves caught up in a series of jewel thefts and murders. In the sinister The Sandman, famously used by Sigmund Freud to illustrate both his concept of the unheimlich, or 'uncanny', and of Oedipal guilt, a young man's sanity is tormented by fears about a mysterious chemist; while in The Choosing of a Bride a greedy father preys on the weaknesses of his daughter's suitors. Master of the bizarre, Hoffman creates a sinister and unsettling world combining love and madness, black humour and bewildering illusion.This edition contains authoritative translations of Hoffman's best stories. In his introduction, R.J. Hollingdale explores the background of these works and examines the duality of Hoffman's life - a lawyer by day and creator of a world of fantasy by night.E.T.A Hoffmann (1776-1822) studied law and entered the Prussian civil service, but his over-riding ambition was to become a graphic artist and painter. He turned to fiction only in his thirties, living a Jekyll-and-Hyde existence as lawyer by day, author by night - and became one of the most influential authors of his time.If you enjoyed Tales of Hoffman, you might also like Jorge Luis Borges's Fictions, available in Penguin Modern Classics.

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To maintain the pace at which he worked as a parliamentarian, cabinet minister, war leader, writer and painter, Churchill required a vast female staff of secretaries, typists and others. For these women Churchill was an intimidating boss; he was a man of prodigious energy, who imposed unusual and demanding schedules on those around him, and who combined a callous-seeming disregard with sincere solicitude for their well-being. Churchill was no ordinary employer: he did not live by the clock on the office wall. He expected those who worked with and for him to live by that timetable. Despite these often unreasonable demands, Churchill inspired an enduring loyalty and affection amongst the women who worked for him. Drawing on the wealth of oral testimonies of Churchill's many secretaries held in the Churchill Archive in Cambridge, Cita Stelzer – author of Dinner with Churchill – brings to life the experiences of a legion of women whose stories have hitherto remained unpublished in journals and letters. In recapturing their memories of working for and with Churchill – of famous people met, of travels abroad, of taking dictation in non-air-conditioned aeroplanes, of working though whisky-fuelled nights – she paints an original and memorable biographical portrait of one of the twentieth century's iconic statesmen.

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Paragon of English virtues or racist imperialist? Andrew Lycett (acclaimed biographer of Ian Fleming) has returned to primary sources to tell the intricate story of a misunderstood genius who became Britain's most famous and highest earning author. Among the many new sources, Lycett has discovered previously unpublished letters that illuminate Kipling's crucial years in India, his first girlfriend (the model for Mrs Hauksbee of Plain Tales from the Hills), his parents' decision to send him back to England to boarding school; and in his adult life his use of opium, his frustrating times in London and the brief peace he found in America before the devastating loss of both his young daughter and, in the First World War, his son. Lycett also uncovers the extraordinary story of Kipling's great love for Flo Garrard, daughter of the crown jeweller, and unravels the complicated yet enthralling saga of the American family the Balestiers, and of Carrie Balestier who became Kipling's wife. This biography is full of new material on Kipling's financial dealings with Lord Beaverbrook, his friendships with T.E. Lawrence, the painter Edward Burne-Jones and the Prime Minister Stanley Baldwin (who was his cousin).

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‘A sparklingly delicious confection to satisfy the mystery reader’s appetite’ Helena Dixon, bestselling author of the Miss Underhay Mysteries Jodie ‘Nosey’ Parker is back! When a body turned up at her last catering gig it certainly put people off the hors d’oeuvres. With a reputation to salvage, Jodie’s determined that her next job for the village’s festival will go off without a hitch. But when chaos breaks out, Jodie Parker somehow always finds herself caught up in the picture. The body of a writer from the festival is discovered at the bottom of a cliff, and the prime suspect turns out to be the guest of honour, the esteemed painter Duncan Stovall. With her background in the Met police, Jodie has got solving cases down to a fine art so she knows things are rarely as they seem. Can she find the killer before the village faces another brush with death? The second book in the Jodie ‘Nosey’ Parker cozy mystery series. Can be read as a standalone. A humorous cosy mystery with a British female sleuth in a small village. Includes one of Jodie's Tried and Tested Recipes! Written in British English. Mild profanity and peril. Previously published as A Brush with Death.

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From the great-grandson of renowned folk art painter Grandma Moses comes a magical and shimmering picture book about the first Christmas.Based on the lyrics of the beloved carol “O Little Town of Bethlehem,” this beautiful picture book in Will Moses’s acclaimed folk art style is perfect for families to read together and cherish year after year.

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From 1942 to 1954, Sister Jacques-Marie, initially Monique Bourgeois, retraces her encounter with Henri Matisse, which led to the creation of the Rosary Chapel in Vence (Provence, France). The last and final project of the artist, it corresponds to the culmination of his work. About the chapel, Henri Matisse declared: «This work required four years of exclusive and assiduous work, and it is the result of my entire active life. Despite all its imperfections, I consider it as my masterpiece.” In her text, Sister Jacques-Marie recounts the friendship and complicity she shared with the painter over the years, from which emerged the masterpiece that is the Chapel of the Rosary in Vence. Reproductions of drawings by Matisse, unpublished archive photographs, accompanied by excerpts from the painter’s correspondence, as well as a preface by Zia Mirabdolbaghi, the director of the Château de Villeneuve, and Dominique Szymusiak, the former curator of the Matisse Museum in Cateau-Cambrésis, complete the text.

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A massive full-career retrospective for Arte Informale painter Emilio Vedova One hundred years after his birth, Emilio Vedova examines the career of the Italian painter Emilio Vedova (1919–2006), best known for his role in the postwar Arte Informale movement. The book surveys Vedova’s career in terms of the artist’s investigations of line and gesture: from the lively, energetic landscape drawings of the 1930s through his progress toward increasingly expressive, materially inventive work—like the Plurimi of the 1960s, in which the artist broke up the surface of a picture into multiple pieces. The publication’s account of Vedova’s career is enriched by an extensive set of illustrations: images of the artist’s works, plus reproductions of his personal photographs, texts and archival material that flesh out the artist’s historical and artistic context. Emilio Vedova offers a comprehensive overview of the work of a pivotal figure in postwar Italian art.

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'Sitters', Tony Roberts second collection of poetry, is a portrait gallery of well-known and lesser known figures from the nineteenth centuries. Among the wide range of artists (and their models) whose voices we hear are Degas, Munch, the Bonnards and Henry James, all under the presiding lens of the fashionable Victorian painter John Singer Sargent.

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'An outstanding mystery thriller… Noir fans won’t want to miss it' - Publishers Weekly (Starred) 'A riveting, brutal journey into the high stakes world of legacy art and inherited wealth' - Denise Mina, author of the Garnethill trilogy and The Long Drop The Goldenacre – a masterpiece by the painter and architect Charles Rennie Mackintosh – has been given to the people of Scotland. The beautiful canvas, the last work by the artistic genius, enthrals the art world, but behind it lies a dark and violent mystery. Thomas Tallis, an art expert with a trouble past, is trying to uncover the truth about the painting's complex history, while dogged newspaper reporter Shona Sandison is investigating a series of shocking murders in Edinburgh. Both investigators soon become engulfed in the machinations of money, crime and identity in a literary thriller set amid the seen and unseen forces at work in modern Scotland. Winner of the Shamus Award for the Best First P.I. Novel

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Our Albert Racinet Ancient Egypt art is a nod to vintage art and design that helped influence Art Deco of the early 20th century.Albert-Charles-Auguste-Racinet (1825-1893) was a French costume historian, painter, illustrator, and author. Racinet''s publication L''Ornement Polychrome is a monumental collection of more than 100 richly-coloured lithographic plates depicting decorative artwork from ancient civilisations through the 18th century. 500-piece jigsaw puzzle Durable, compact, 2-piece box Gift box: 152 x 198 x 50 mm Completed puzzle: 482 x 355 mm teNeues NYC Stationery keeps up with fun and games at home with our museum-quality printed 500-Piece Puzzles.Packaged in durable, compact boxes, our 500-Piece Puzzles feature full-colour artwork, expertly-printed with nontoxic inks on sturdy, puzzle grey board.

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A guide to landscape painting for complete beginners with simple exercises. Hazel Soan is a hugely successful painter and an outstanding teacher and author of art books, which have introduced the wonders of art to a generation of amateur artists. In this book she teaches you how to get to grips with watercolour landscapes in the space of an afternoon. The book explores the basics of watercolour landscapes with lots of simple exercises and step-by-step demonstrations that are perfect for beginners. That life-long ambition of painting somewhere that is important to you can become a possibility with the help of this nifty little book. Topics covered include creating space, composition and focus, light and shadows, colours of the landscape and the mixing of watercolours. Watercolour painting techniques such as painting en plein air, brushwork, creating texture, wet into wet and wet on dry are explained. The book also explores specific landscape themes such as skies, foliage, forests, gardens, seascapes, wilderness, sunsets, urban landscapes, panoramas, sunsets and many more.

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This is the definitive account of the life and work of Edward Seago (1910-1974), the highly popular, versatile and talented British painter whose work was inspired by John Sell Cotman, John Constable and Alfred Munnings.Over 200 colour reproductions are complemented by an engaging text which highlights important periods, episodes and acquaintances from Seago's life and career. Full of anecdotes, sketches and quotations from the artist's books and correspondence, the author provides a vivid impression of Seago's character which helps inform discussion of the outstanding imagery which he created. Including important examples of works from all stages of Seago's career, this book reproduces beautiful landscapes, vibrant circus images, dramatic seascapes and paintings inspired by the artist's travels aboard. A true celebration of a powerful body of 20th-century British painting, Edward Seago will be an invaluable addition to the libraries of collectors, dealers and enthusiasts alike.

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For fans of rich and complex historical novels like Girl with a Pearl Earring or Code Name Verity, New York Times bestselling author Laura Malone Elliott delivers the stunning tale of real-life Renaissance woman Ginevra de' Benci, captured forever in Leonardo's first portrait-a painting that broke convention and established the master as a force of artistic honesty. Though rich in beauty, wit, and talent, Ginevra is trapped in an arranged marriage, expected to limit her creativity to household duties. When charismatic Venetian ambassador Bernardo Bembo chooses the teenage poetess as his Platonic muse, he commissions Ginevra's portrait by a young Leonardo da Vinci. Posing for the brilliant painter helps Ginevra find her own artistic voice and inspires a captivating intimacy between them. But the pair is soon caught up in a deadly battle between the powerful Medici family and its rivals.

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Philip de László (1869–1937) was born into a humble Hungarian family in Budapest and rose to become the preeminent portrait artist working in Britain between 1907 and 1937. He painted nearly 3,000 portraits, including those of numerous kings and queens, four American presidents, and countless members of the European nobility. “Has any one painter ever before painted so many interesting and historical personages?” asked his contemporaries. There has been no biography of him since 1939, and this new account of both his life and his work draws on previously untapped material from the family archive of over 15,000 documents, to which the author has had unrivaled access. It establishes the intrinsic importance of his art and re-positions him in his rightful place alongside his great contemporaries John Singer Sargent, Sir John Lavery, and Giovanni Boldini.

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for piano, violin, viola, and cello The Piano Quartet No.1 was written in 1992 and is in one movement. The composer writes: While writing it I was reminded of painting where blocks of colour meet or where objects intersect, of the mysteriousness of those moments. The painter Robert Ryman said that whatever is made should delight and have a rightness about it. That was my aim.

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The 15th century Armenian Lives of the Fathers, Jerusalem Arm. Patr. 285, was copied and illustrated by Thadeus Avremenc' n Kaffa in 1430. It is the first fully illustrated manuscript of the Lives of the Fathers in any language. Nira Stone has analyzed the illuminations, and shown that they stem from a previously unrecognized school of Armenian monastic painting in Kaffa. She has examined the movements in the religious thought and in the social and political life of the time which brought about the production of this manuscript and determined crucial stylistic and iconographic aspects of its illumination. The manuscript includes a long colophon by the copyist-painter which describes the way he compared various copies, decided upon a text which he incorporated into his own copy, and also highlights the religious motives which animated the painter/copyist. The cycle of paintings is very rich and it includes full- and half-page pictures, as well as 50 marginal medallions.

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From acclaimed painter Julie Heffernan, a wholly original and visually stunning four-color graphic work of autofiction about a young mother who—lost overnight on a hike with her infant son—experiences an extraordinary journey of memory, remorse, and rebirth that offers her a new way of seeing the world; for readers of Alison Bechdel, Roz Chast, and Marjane Satrapi.  One summer day, a young artist with a newborn—sleep-deprived, desperate to escape her hot, cramped apartment and her oblivious husband—sets off on a hike in the country with her baby boy, Sam, strapped to her front and her senses fully attuned to the colors, the sounds, and the flora and fauna in the woods around her. During her journey, Julie reflects on her childhood, her parents, her marriage, and her path to becoming a painter. Her memories soon merge with the imaginative pictorial worlds she invents in her work, creating a glorious and pe

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Alessandra is not quite fifteen when her prosperous merchant father brings a young painter back with him from Holland to adorn the walls of the new family chapel. She is fascinated by his talents and envious of his abilities and opportunities to paint to the glory of God. Soon her love of art and her lively independence are luring her into closer involvement with all sorts of taboo areas of life. On excursions into the streets of night-time Florence she observes a terrible evil stalking the city and witnesses the rise of the fiery young priest, Savanarola, who has set out to rid the city of vice, richness, even art itself. Alessandra must make crucial decisions about the shape of her adult life, as Florence itself must choose between the old ways of the luxury-loving Medicis and the asceticism of Savanorola. And through it all, there is the painter, whose love will change everything.

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Legend has it that when preparing props for the James Bond film Live and Let Die, producer Albert Broccoli commissioned Surrealist maestro Salvador Dalí to create a custom deck of tarot cards. Inspired by his wife Gala, who nurtured his interest in mysticism, Dalí eagerly got to work, and continued the project of his own accord when the contractual deal fell through. The work was published in a limited art edition in 1984 that has since long sold out, making Dalí the first renowned painter to create a completely new set of cards. Drawing on Western masterpieces from antiquity to modernity (including some of his own), Dalí seamlessly combined his knowledge of the arcane with his unmistakable wit. The result is a surreal kaleidoscope of European art history. TASCHEN resurrects all 78 cards in a fresh celebration of Dalí’s inimitable custom set, complete with a booklet by renowned German tarot author Johannes Fiebig offering an introduction to Dalí’s life and the project’s making-of, a comprehensive explanation of each card’s composition, its meaning, and practical advice, step-by-step instructions on how to perform readings, and a jargon-free approach simplifying tarot for the newcomer.

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The Yellow House paints a fictional picture of Vincent van Gogh's life between August 1888 and December 1889 when he lived in Arles in Southern France and where he created many of his masterpieces. Jeroen Blokhuis tells the story from van Gogh's point of view, from inside his mind, providing a fresh and revealing look at how this intriguing painter worked.The Vincent in this novel very much tries to fit in, but is often baffled by how people react. It is almost as if he can only express himself through his paintings, which in turn flummox the public.At this point, Van Gogh has fled from the dark sombre Netherlands of his youth, from Paris, and even from his best friend and beloved brother Theo, in search of the light, the sun of the South. The yellow house in Place Lamartine becomes his refuge but what about his hope of setting up an atelier with other painters, of making friends, and having a sense of belonging?

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Leonardo Da Vinci is considered to be one of the greatest painters of all time and perhaps the most diversely talented person ever to have lived, responsible for the Mona Lisa, The Last Supper, The Madonna of the Carnation and Vitruvian Man. Leonardo was an Italian Renaissance polymath: painter, sculptor, architect, musician, scientist, mathematician, engineer, inventor, anatomist, geologist, cartographer, botanist, and writer, and this captivating book provides the reader with a unique insight into the life and work of one of history's most intriguing figures. All of Leonardo Da Vinci's work is presented in this compact volume - from his paintings and frescos, to detailed reproductions of his remarkable encrypted notebooks. As well as featuring each individual artwork, sections of each are shown in isolation to reveal incredible details - for example, the different levels of perspective between the background sections of the Mona Lisa, and the disembodied hand in The Last Supper. 640 pages of colour artworks and photographs of Da Vinci's original notebooks, accompanied by fascinating biographical and historical details are here.

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The author of Indiscretion returns with a scorching tale of love, passion, and obsession, about one man's all-consuming desire for a beautiful, bewitching, and beguiling woman. Since childhood, Wylie Rose has been drawn to the charming, close-knit Bonet siblings. But none affected him more than the enchanting Cesca, a girl blessed with incandescent beauty and a wild, irrepressible spirit. Growing up, Wylie's friendship with her brother, Aurelio, a budding painter of singular talent, brings him near Cesca's circle. A young woman confident in her charms, Cesca is amused by Wylie's youthful sensuality and trusting innocence. Toying with his devotion, she draws him closer to her fire-ultimately ruining him for any other woman. Spanning several decades, moving through the worlds of high society, finance, and art, and peopled with poignant characters, Girl in the Moonlight takes us on a whirlwind tour, from the wooded cottages of old East Hampton to the dining rooms of Upper East Side Manhattan to the bohemian art studios of Paris and Barcelona. As he vividly brings to life Wylie and Cesca's tempestuous, heart-wrenching affair, Charles Dubow probes the devastating depths of human passion and the nature of true love.

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One of the Europe's most celebrated rivers, the Seine stretches from the fertile plains of Burgundy to the English Channel at Le Havre. Starting at its source near Dijon, writer and engraver Robert Gibbings follows the river's 400-mile course as it develops from a tranquil stream into the mighty waterway that links Rouen to the sea. The journey takes different forms: on foot, in a tiny boat 'hardly more than a coracle', on a barge, and on a boat used for transporting books. Throughout this leisurely voyage during one summer Gibbings records his impressions, visual and verbal, of places and people as well as explaining how the river has played a vital role in French history. In part an evocation of the Seine's changing landscapes and rural beauty, this is also an account of towns and cities-Troyes, Rouen, Paris-and their relationship with the river. Looking at writers and painters as well as historic figures who have left their mark on the Seine, Gibbings presents an affectionate picture of this great river and the people who live and work on its banks. Discussing the vineyards of Champagne, the paintings of Sisley and Utrillo, the rituals of Parisian cafe life, the author conveys an irresistible enthusiasm not just for boats and river life, but for all things French. First published in 1953, Coming Down the Seine is illustrated with more than fifty of Gibbings' delightful engravings.

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A unique portrait of one of the creative geniuses of the 20th century, by the distinguished critic David Sylvester. Controversial in both life and art, Francis Bacon was one of the most important painters of the 20th century. His monumental, unsettling images have an extraordinary power to disturb, shock and haunt the spectator, ‘to unlock the valves of feeling and therefore return the onlooker to life more violently’. Drawing on his personal knowledge of Bacon’s inspirations, intentions and working methods, David Sylvester surveys the development of the work from 1933 to the early 1990s, and discusses critically a number of its crucial aspects. He also reproduces previously unpublished extracts from his celebrated conversations with Bacon in which the artist speaks about himself, modern painters and the art of the past. Finally, Sylvester gives a brief account of Bacon’s life, correcting certain errors that elsewhere have been presented as facts. Divided into the sections ‘Review’, ‘Reflections’, ‘Fragments of Talk’ and ‘Biographical Note’, Looking Back at Francis Bacon is a unique portrait of one of the creative geniuses of our age by a writer of comparable distinction.

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Salvador Dali's surrealist masterworks are admired worldwide for their eccentric metaphors. Far lesser known, though, are his fascinating writings, where he occupies himself with verve and in bewilderingly unrefined style with the human body and sexuality. The French art critic and writer Catherine Millet has studied Dali's artistic oeuvre and his writings for years. Her essay is the expression of a very personal reading of his self-reflecting texts. This pivotal book explains Dali's influence on his contemporary artist colleagues and reveals the narcissism, the constraints and the visual inventiveness of the most famous - and the most notorious - of the surrealists. The text is completed by rarely published photographs and paintings by Dali and others that illustrate Millet's ideas. "She (Millet) mainly draws upon the painter's writings, which she fortunately saves from oblivion. Readers of The Sexual Life of Catherine M. will find an extraordinary sequel in her vision of the textual life of Salvador D. A most unusually intimate view." - Le Monde AUTHOR: Catherine Millet is editor in chief of "Art Press" magazine, published in France. She is the author of several books, including "The Sexual Life of Catherine M. SELLING POINTS: . A personal view on Salvador Dali's oeuvre: indiscreet, provocative and suprisingly illuminative 1 colour, 62 b/w illustrations

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'"As Paul Moorhouse shows in this thorough and sensitive first biography, which concentrates on [Riley's] early years up to the age of thirty-four, it was only after many false starts, bracing shocks and firm decisions that Riley found her way as an abstract painter in the early 1960s with her eye-dazzling lines, squares, curves ... in ultra-hard-edged black-and-white". –Times Literary Supplement "In “Bridget Riley: A Very Very Person – The Early Years,” Paul Moorhouse ... homes in on the period between the artist’s childhood and her earliest success, and makes a surprising but compelling case for the influence of landscape on Ms Riley’s distinctive style." –Wall Street Journal "An entertaining and informative text that adds greatly to our understanding of a very prominent and still highly intriguing British artist." –Hyperallergic In January 1965 the international art world converged on New York to pay homage to a brilliant new star. The glittering opening of The Responsive Eye, a major exhibition of abstract painting at the Museum of Modern Art, signalled the latest phenomenon, op art – and its centre of attention was a young painter named Bridget Riley, whose dazzling painting Current appeared on the cover of the catalogue. Riley’s first solo show in New York sold out, and, following a feature in Vogue magazine, the Riley 'look' became a fashion craze. Overnight, she had become a sensation, yet only three years earlier, she was a virtual unknown. How did success arrive so suddenly? Authored by the acclaimed curator and writer Paul Moorhouse, A Very Very Person is the first biography of Bridget Riley and addresses that tantalising question. Focusing on her early years, it tells the story of a remarkable woman whose art and life were entwined in surprising ways. This intimate narrative explores Riley’s wartime childhood spent in the idyllic Cornish countryside, her subsequent struggles to find her way as an artist, and the personal challenges she faced before finally arriving as one of the world’s most celebrated artists in Swinging Sixties London.

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Mexico, the 1920s. The revolution is over and the country is rebuilding itself bit by bit, with two painters helping this revival through art. Diego Rivera, an established artist known for his murals, meets Frida Kahlo, a rising star in the art world and it is love at first sight.Their relationship is one of the greatest but most turbulent love affairs in art history. They painted each other, worked together and inspired each other for 25 years, and are probably the most legendary artistic couple of all time.A brand new series, Creative Partners/Team Up, celebrating the most iconic and important collaborations in history.From painters to singers, musicians, activists, athletes and trend setters, these books will show you how magic can happen when two talents meet, with accessible, easy-to-read text telling the stories of these partnerships and the brilliant creations they produced.This series pays tribute to sharing your talent with others, to achieving excellent together, and working as a team to create something special: behind every shining star, hides another one with potential to shine even brighter.

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From John Strausbaugh, author of City of Sedition and The Village, comes the definitive history of Gotham during the World War II era.New York City during World War II wasn't just a place of servicemen, politicians, heroes, G.I. Joes and Rosie the Riveters, but also of quislings and saboteurs; of Nazi, Fascist, and Communist sympathizers; of war protesters and conscientious objectors; of gangsters and hookers and profiteers; of latchkey kids and bobby-soxers, poets and painters, atomic scientists and atomic spies.While the war launched and leveled nations, spurred economic growth, and saw the rise and fall of global Fascism, New York City would eventually emerge as the new capital of the world. From the Gilded Age to VJ-Day, an array of fascinating New Yorkers rose to fame, from Mayor Fiorello La Guardia to Franklin and Eleanor Roosevelt, Langston Hughes to Joe Louis, to Robert Moses and Joe DiMaggio. In VICTORY CITY, John Strausbaugh returns to tell the story of New York City's war years with the same richness, depth, and nuance he brought to his previous books, City of Sedition and The Village, providing readers with a groundbreaking new look into the greatest city on earth during the most transformative -- and costliest -- war in human history.

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Meet Old Lobo, a gigantic grey wolf whose death-defying predations on sheep and cattle herds are the scourge of farmers and ranchers in the Currumpaw region of northern New Mexico. This great wolf is just one of the animals whose true stories come to life in this engrossing collection of tales by the celebrated naturalist Ernest Thompson Seton (1860-1946). Combining scientific observations of animals in their natural habitats with a romantic vision of nature and the narrative skills of a born storyteller, Seton created an extraordinary collection of tales that gave the animal story new force and believability as a literary genre. Critically and popularly acclaimed upon its initial appearance in 1898, Wild Animals I Have Known remains, more than a century later, the best-known and best-loved of his works.Each tale focuses on an individual creature: the clever crow, Silverspot; Raggylug, a young cottontail rabbit; the author's errant hound, Bingo; Redruff, a Don Valley partridge; a wild horse known as The Mustang; Vixen, The Springfield Fox; and Wully, faithful sheep dog by day and treacherous killer by night. Seton offers affectionate but realistic portraits of each animal, stressing the commonality between his subjects and their human neighbours.In addition to his popular wildlife stories, the author is well known for his work as an illustrator and painter. This edition faithfully reproduces the layout of the original volume, as well as all 200 of the author's distinctive illustrations. Animal lovers, environmentalists, naturalists, and any reader who appreciates a lively yarn will cherish this memorable wildlife classic.

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A sketchbook facsimile, DRM 1980 documents the rigorous thought process of Brooklyn-born minimalist painter Ted Stamm (1944–84) as he explores color within a series of 36 studies for a single composition. The warmth of these intimate works stands in contrast to the stately severity of his shaped canvasses, though lacking none of their masterly precision.

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Things You Shouldn’t Understand is the newest in a series of drawing books by Los Angeles–based painter Michael Williams (born 1978). It employs the motif of marker bleeding through a page to propel the narrative, each image repeating in mirror form and interacting with a new one on its facing page, as a psychedelic cast of creatures twists and turns.

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Stories for Ways and Means features original "grown up" story collaborations by some of this era's most compelling storytellers from the worlds of music and contemporary art. Ten years ago Jeff Antebi, the founder of music publisher Waxploitation, had an idea to ask his favorite music artists and favorite contemporary painters to come together and collaborate on original children’s stories for a benefit project. The resulting 350-page book includes stories from Tom Waits, Nick Cave, Frank Black, Justin Vernon, Laura Marling, Devendra Banhart, Alison Mosshart and Kathleen Hanna as well as painters/illustrators like Anthony Lister, Dan Baldwin, Swoon, Will Barras, James Jean, Ronzo, Kai & Sunny, and more. Guest narrators came along for fun as featured voices in short promo films: Danny Devito, Zach Galifianakis, Nick Offerman, Phil LaMarr, King Krule, and Lauren Lapkus. The project supports NGOs and nonprofit organizations advancing children's causes around the world, including Room to Read, Pencils of Promise, 826 National, and many more.

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A wide-ranging study of Louisiana landscape painting that places art from the region into a broader national and global context With its dense forests and swamps, Louisiana captured the imagination of writers and painters who viewed its landscape as a fascinating, untamed wilderness. Starting in the 1820s when French émigrés brought the Barbizon school to New Orleans, the state attracted artists from Europe, Latin America, the Caribbean, and the greater United States who shared ideas and experimented with approaches to the enigmatic scenery. Although Louisiana was in many ways an artists’ paradise, the land also bore the scars of colonialism and the forced migrations of slavery. Inventing Acadia explores this complex history, following the rise of Louisiana landscape art and situating it amid the cultural shifts of the 19th century. The authors engage not only with artworks but also with the issues that informed them—representations of race and industry, international trade, and climate change. These issues are then carried into the present with a look at the work of contemporary artist Regina Agu. Inventing Acadia establishes Louisiana’s role in creating a new vision for American art and highlights the continued relevance of landscape and representation.Distributed for the New Orleans Museum of ArtExhibition Schedule:New Orleans Museum of Art (November 16, 2019–January 26, 2020)

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Ivon Hitchens (1893-1979) is widely regarded as the outstanding English landscape painter of the 20th century. Immediately recognisable by its daring yet subtle use of colour and brushmark to evoke the spirit of place, his work is to be found in public and private collections throughout the world.This is the definitive study of Hitchens' life and work. Peter Khoroche draws on the painter's published writings, correspondence and conversation to create a critical reappraisal of Hitchens' theory and practice. He surveys the entire oeuvre (still-lifes, flower pieces, nudes, interiors and large-scale murals besides the landscapes), a huge legacy of work spanning sixty years, and charts the journey from conventional beginnings to 'figurative abstraction'.A selection of over 100 colour images, examples of Hitchens' best and most characteristic painting in all genres, provide a retrospective exhibition covering the artist's entire career. These illustrations, singled out for praise by reviewers of the hardback edition, demonstrate the artist's outstanding talents and reinforce his standing as a key figure in the history of British art.

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Pascin, a biography of the noted Jewish modernist painter (Julius Mordecai Pincas, known as Pascin, March 31, 1885--June 5, 1930), is Joann Sfar's most personal and important work. Pascin is portrayed by Sfar both as a kindred spirit and an aesthetic revolutionary struggling to redefine an art form. Sfar revels in the artist's celebration of all things corporeal in the world of art. Though the story is drenched in sex, it is never eroticized. Created in a direct and immediate drawing style, Sfar focuses more on the artist's personal and sexual life than on his art, and brings Pascin to life as the ultimate bohemian. Joann Sfar is considered one of the most important artists of the new wave of European comics. He is the author and artist on a great number of acclaimed graphic novels including The Rabbi's Cat, Klezmer: Tales of the Wild East, Vampire Loves, and Dungeon. He wrote and directed Gainsbourg: Une Vie Heroique, the biopic of the illustrious French songwriter and singer. The film was released in 2010 to international acclaim.

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This volume is dedicated to Bernardo Bellotto (1722-1780), grandson of Canaletto and protagonist of 18th century landscape painting. It explores the less investigated period of the Venetian painter's life, the one preceding the successful career undertaken in the European courts starting from 1747, the year in which he moved to Dresden. In the age of the Grand Tour, the eighteen year old Bellotto visited the great Italian art cities, leaving us with exceptional views that already reveal the peculiar characteristics and modernity of his painting. This book contains precious and rare works, among which are the ones related to the itinerary followed by the painter in Tuscany in 1740, and the series dedicated to the city of Lucca, coming from the British Library in London and the York Art Gallery, along with the views of Florence and Livorno. Edited by Bozena Anna Kowalczyk, one of the greatest scholars of Canaletto and Bellotto, the volume is divided into sections introduced by texts resulting from new and unpublished historical and archival research, and is completed by a documentary appendix, bibliography and indicies. Text in English and Italian.

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This is a fascinating look at one of the defining images of the Impressionist movement. Manet Paints Monet focuses on an auspicious moment in the history of art. In the summer of 1874, Edouard Manet (1832-1883) and Claude Monet (1840-1926), two outstanding painters of the nascent Impressionist movement, spent their holidays together in Argenteuil on the Seine River. Their growing friendship is expressed in their artwork, culminating in Manet's marvelous portrait of Monet painting on a boat. The boat was the ideal site for Monet to execute his new plein-air paintings, enabling him to depict nature, water, and the play of light. Similarly, Argenteuil was the perfect place for Manet, the great painter of contemporary life, to observe Parisian society at leisure. His portrait brings all the elements together - Manet's own eye for the effect of social conventions and boredom on vacationers, and Monet's eye for nature - but these qualities remain markedly distinct. With this book, esteemed art historian Willibald Sauerlander describes how Manet, in one instant, created a defining image of an entire epoch, capturing the artistic tendencies of the time in a masterpiece that is both graceful and profound.

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Half-Light Periscope, New York–based painter Rosy Keyser’s (born 1974) second publication with Karma, focuses on her steel paintings. The book presents a selection of large paintings incorporating corrugated steel, rope, house paint, horsehair and other “resuscitated” materials, as well as a series of smaller studies collaging ink, pencil, monoprint and Xerox on paper.

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Portraits, an inherently personal subject, provide an engaging entry point to an exploration of the politics, patronage, and power in Renaissance Florence The Medici family ruled Florence without interruption between 1434 and 1494, but following their return to power in 1512, Cosimo I de’ Medici demonstrated an unprecedented ability to wield culture as a political tool. His rule transformed Florence into a dynastic duchy and give Florentine art the central position it has held ever since. As Florence underwent these dramatic political transformations in the sixteenth century, portraits became an essential means of recording a likeness and conveying a sitter’s character, social position, and cultural ambitions. This fascinating book explores the ways that painters (including Jacopo Pontormo, Agnolo Bronzino, and Francesco Salviati), sculptors (such as Benvenuto Cellini), and artists in other media endowed their works with an erudite and self-consciously stylish character that distinguished Florentine portraiture. Featuring more than ninety remarkable paintings, sculptures, works on paper, and medals, this volume is written by a team of leading international authors and presents a sweeping, penetrating exploration of a crucial and vibrant period in Italian art. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (June 26–October 11, 2021)

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The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them “illuminated.” Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike.

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Jean-Auguste-Dominique Ingres has long been recognized as one of the great painters of the modern era and among the greatest portraitists of all time. Over a century and a half of scholarly writing on the artist has grappled with Ingres’s singular identity, his relationship to past and future masters, and the idiosyncrasies of his art. Ingres and the Studio: Women, Painting, History makes a unique contribution to this literature by focusing on the importance of Ingres’s training of students and the crucial role played by portraits—and their subjects—for Ingres’s studio and its developing aesthetic project. Rather than understanding the portrait as merely a screen onto which the artist’s desires were projected, the book insists on the importance of accounting for the active role of portrait sitters themselves. Through careful analysis of familiar and long-overlooked works, Ingres and the Studio traces a series of encounters between painters and portrait subjects in which women sitters—such as the artist Julie Mottez, art critic, salonnière, and historian Marie d’Agoult, and tragic actress Rachel—emerge as vital interlocutors in a shared aesthetic project.

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An authoritative introduction to one of the most influential painters in the history of art, written by the pre-eminent authority on the subject and informed by the latest research. More versatile and less idiosyncratic than Michelangelo, more prolific and accessible than his mentor Leonardo da Vinci, Raphael, though he died at only thirty-seven, is considered the single most influential artist of the Renaissance. Here, art historian Paul Joannides explores the different social and regional contexts of Raphael’s work and discusses all aspects of his artistic output. He traces Raphael’s career from his origins in Urbino, through his altarpieces made in Umbria in the shadow of Perugino, to the first flowering of his genius in Florence where he painted a series of iconic Madonnas that are among the most beloved images in Western art. Raphael’s employment by the dynamic and demanding Pope Julius II gave him opportunities without parallel and encouraged the full expansion of his genius. As a sophisticate entrepreneur, he dominated Rome’s artistic life and extended the range of his activities to that of architect, designer, pioneer archaeologist and theoretician. The foundation of Raphael’s versatility and range was his supreme clarity of mind as a draughtsman. Knowledge of his drawings, on which Joannides is a leading expert, is central to understanding of his achievement, and they are thoroughly explored here.

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