Search results for ""Author Victoria"

Isambard Kingdom Brunel: Victorian icon, engineer, artist, architect, designer and visionary, entrepreneur and celebrity. His astounding feats changed the British landscape, and this new book tells the story of his awe-inspiring achievements and innovations as a railway engineer. New to the developing world of railways in the early 1830s, Brunel soon came to rival George and Robert Stephenson, as he embarked on what he called ‘the finest work in England’. The construction of the Great Western Railway, arguably the most revolutionary of British railways, opened in 1841. Tim Bryan, Director of the Brunel Institute at the SS Great Britain, chronicles how, in almost thirty tumultuous years, Brunel created a rail network covering much of the South and West of England, the Midlands and Wales. The network included masterpieces like Paddington Station and the Royal Albert Bridge and still carries millions of travellers today. The book also describes how Brunel’s successes were matched by ‘monumental failures’ – the ill-fated atmospheric system used on the South Devon Railway, and the far-reaching implications of the broad gauge for his railways, which ultimately cost millions of pounds when abolished. Iron, Stone and Steam is also the story of the great engineer’s complex character and the roles of the people who helped the creative, and sometimes dictatorial, genius create his railway. These range from the navvies who built his bridges, tunnels and lines, to contemporaries like Daniel Gooch, without whom his vision would never have been fully realised. Above all, this is the story of Brunel’s vision to create a railway empire like no other.

Read more less

**Shortlisted for the 2018 General Outstanding Sports Book of the Year**One of the founder members in 1895 of what became the Rugby League, Batley was once a thriving centre of commerce, one of the bustling mill towns in the Heavy Woollen District of West Yorkshire. More than 120 years on, times have changed, even if the town's Victorian buildings remain, but one constant is the importance of the club as the centre of the community. And in 2016, the Batley Bulldogs brought more than their fair share of pride to the town. They were Underdogs, but gave their professional Super League rivals a run for their money in a season that surpassed all expectations.Given unprecedented access to the team - players, staff and fans - Tony Hannan charts a fascinating year in the life of a lower-league club, of labourers spilling blood and guts on to Batley's notorious sloping pitch before getting bruised bodies up for work on a Monday morning, of hand-to-mouth existence at the unglamorous and gritty end of British sport. And at their centre is the Bulldogs captain Keegan Hirst, the first rugby league player to come out as gay, and inspirational coach John Kear, just two men in the most colourful cast of characters. It was also a year when the town was plunged into tragedy by the brutal murder of local MP Jo Cox, a great supporter of the club.Underdogs is more than just a book about Batley though. It is the story of northern working-class culture, past and present, and a report from the front-line of a society struggling to find its identity in a changing world.

Read more less

Plants have profoundly moulded the Earth's climate and the evolutionary trajectory of life. Far from being 'silent witnesses to the passage of time', plants are dynamic components of our world, shaping the environment throughout history as much as that environment has shaped them. In The Emerald Planet, David Beerling puts plants centre stage, revealing the crucial role they have played in driving global changes in the environment, in recording hidden facets of Earth's history, and in helping us to predict its future. His account draws together evidence from fossil plants, from experiments with their living counterparts, and from computer models of the 'Earth System', to illuminate the history of our planet and its biodiversity. This new approach reveals how plummeting carbon dioxide levels removed a barrier to the evolution of the leaf; how plants played a starring role in pushing oxygen levels upwards, allowing spectacular giant insects to thrive in the Carboniferous; and it strengthens fascinating and contentious fossil evidence for an ancient hole in the ozone layer. Along the way, Beerling introduces a lively cast of pioneering scientists from Victorian times onwards whose discoveries provided the crucial background to these and the other puzzles. This understanding of our planet's past sheds a sobering light on our own climate-changing activities, and offers clues to what our climatic and ecological futures might look like. There could be no more important time to take a close look at plants, and to understand the history of the world through the stories they tell. Oxford Landmark Science books are 'must-read' classics of modern science writing which have crystallized big ideas, and shaped the way we think.

Read more less

This is the story of those who ended up on the end of the hangman’s rope at Norwich Castle Prison, Norwich City Prison on Earlham Road and the later Victorian Norwich Prison on Knox Road. The executions included in this book range from some of the earliest recorded in the county during the thirteenth century, then down the years including two gallows survivors and the execution of Kett and many of his rebels in 1549, to the last execution conducted in the county in 1951, when two young men went to the gallows for separate incidents but having committed the same crime — they both murdered their pregnant sweethearts. Recorded here are executions for a host of forgotten cases and a cornucopia of crimes as diverse as highway robbery, housebreaking, riot, arson and theft of livestock. Norwich was the location for the hangings of such notorious criminals as Frances Billing and Catherine Frary ‘The Burnham Poisoners’ — the last public double execution and last women to hang in the county; James Blomfield Rush, the Stanfield Hall Murderer; William Sheward, the murderer who confessed almost eighteen years after the murder and dismemberment of his wife; and Herbert Bennett, the Yarmouth Bootlace Murderer who may, or may not, have been guilty of his crime. Norwich Castle Prison was also the scene of one of the most infamous incidents in the history of British hangings and recalled with trepidation by all executioners who came after as ‘The Goodale Mess’.

Read more less

This magisterial work links the literary and intellectual history of England, Scotland, Ireland, and Britain's overseas colonies during the late eighteenth and early nineteenth centuries to redraw our picture of the origins of cultural nationalism, the lineages of the novel, and the literary history of the English-speaking world. Katie Trumpener recovers and recontextualizes a vast body of fiction to describe the history of the novel during a period of formal experimentation and political engagement, between its eighteenth-century "rise" and its Victorian "heyday." During the late eighteenth century, antiquaries in Ireland, Scotland, and Wales answered modernization and anglicization initiatives with nationalist arguments for cultural preservation. Responding in particular to Enlightenment dismissals of Gaelic oral traditions, they reconceived national and literary history under the sign of the bard. Their pathbreaking models of national and literary history, their new way of reading national landscapes, and their debates about tradition and cultural transmission shaped a succession of new novelistic genres, from Gothic and sentimental fiction to the national tale and the historical novel. In Ireland and Scotland, these genres were used to mount nationalist arguments for cultural specificity and against "internal colonization." Yet once exported throughout the nascent British empire, they also formed the basis of the first colonial fiction of Canada, Australia, and British India, used not only to attack imperialism but to justify the imperial project. Literary forms intended to shore up national memory paradoxically become the means of buttressing imperial ideology and enforcing imperial amnesia.

Read more less

Traditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world.It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.

Read more less

In 1980 Cathy N. Davidson traveled to Japan to teach English at a leading all-women’s university. It was the first of many journeys and the beginning of a deep and abiding fascination. In this extraordinary book, Davidson depicts a series of intimate moments and small epiphanies that together make up a panoramic view of Japan. With wit, candor, and a lover’s keen eye, she tells captivating stories—from that of a Buddhist funeral laden with ritual to an exhilarating evening spent touring the “Floating World,” the sensual demimonde in which salaryman meets geisha and the normal rules are suspended. On a remote island inhabited by one of the last matriarchal societies in the world, a disconcertingly down-to-earth priestess leads her to the heart of a sacred grove. And she spends a few unforgettable weeks in a quasi-Victorian residence called the Practice House, where, until recently, Japanese women were taught American customs so that they would make proper wives for husbands who might be stationed abroad. In an afterword new to this edition, Davidson tells of a poignant trip back to Japan in 2005 to visit friends who had remade their lives after the Great Hanshin Earthquake of 1995, which had devastated the city of Kobe, as well as the small town where Davidson had lived and the university where she taught.36 Views of Mount Fuji not only transforms our image of Japan, it offers a stirring look at the very nature of culture and identity. Often funny, sometimes liltingly sad, it is as intimate and irresistible as a long-awaited letter from a good friend.

Read more less

Few institutions were as central to nineteenth-century American culture as the home. Emerging in the 1820s as a sentimental space apart from the public world of commerce and politics, the Victorian home transcended its initial association with the private lives of the white, native-born bourgeoisie to cross lines of race, ethnicity, class, and region. Throughout the nineteenth century, home was celebrated as a moral force, domesticity moved freely into the worlds of politics and reform, and home and marketplace repeatedly remade each other. At Home in Nineteenth-Century America draws upon advice manuals, architectural designs, personal accounts, popular fiction, advertising images, and reform literature to revisit the variety of places Americans called home. Entering into middle-class suburban houses, slave cabins, working-class tenements, frontier dugouts, urban settlement houses, it explores the shifting interpretations and experiences of these spaces from within and without. Nineteenth-century homes and notions of domesticity seem simultaneously distant and familiar. This sense of surprise and recognition is ideal for the study of history, preparing us to view the past with curiosity and empathy, inspiring comparisons to the spaces we inhabit today—malls, movie theaters, city streets, and college campuses. Permitting us to listen closely to the nineteenth century’s sweeping conversation about home in its various guises, At Home in Nineteenth-Century America encourages us to hear our contemporary conversation about the significance and meaning of home anew while appreciating the lingering imprint of past ideals. Instructor's Guide

Read more less

A major new biography of the brilliant naturalist, traveler, humanitarian, and codiscoverer of natural selectionAlfred Russel Wallace (1823–1913) was perhaps the most famed naturalist of the Victorian age. His expeditions to remote Amazonia and southeast Asia were the stuff of legend. A collector of thousands of species new to science, he shared in the discovery of natural selection and founded the discipline of evolutionary biogeography.Radical by Nature tells the story of Wallace’s epic life and achievements, from his stellar rise from humble origins to his complicated friendship with Charles Darwin and other leading scientific lights of Britain to his devotion to social causes and movements that threatened to alienate him from scientific society.James Costa draws on letters, notebooks, and journals to provide a multifaceted account of a revolutionary life in science as well as Wallace’s family life. He shows how the self-taught Wallace doggedly pursued bold, even radical ideas that caused a seismic shift in the natural sciences, and how he also courted controversy with nonscientific pursuits such as spiritualism and socialism. Costa describes Wallace’s courageous social advocacy of women’s rights, labor reform, and other important issues. He also sheds light on Wallace’s complex relationship with Darwin, describing how Wallace graciously applauded his friend and rival, becoming one of his most ardent defenders.Weaving a revelatory narrative with the latest scholarship, Radical by Nature paints a mesmerizing portrait of a multifaceted thinker driven by a singular passion for science, a commitment to social justice, and a lifelong sense of wonder.

Read more less

Standing in stark contrast to the conservative churchmen of Victorian Britain, the Anglican clergyman Stewart Headlam was a passionately progressive reformer, a champion of the working poor--especially women --a defender of the music hall performers his colleagues attacked as licentious, and, in short, a man of God who remained firmly and controversially engaged with the society in which he lived and worked. This book, the first significant study of Headlam since 1928, paints a rich and complex picture of this larger-than-life man of the cloth, charting the trail he blazed across the social, political, and religious landscape of late nineteenth- and early twentieth-century Britain. Dissatisfied from an early age with his family’s Evangelical faith, Headlam became an Anglican curate, but his political views were increasingly radicalized as he befriended working-class atheists and trade union leaders. John Richard Orens details Headlam’s repeated conflicts with the establishment figures of his faith over his defense of music hall ballet performers’ right to reveal their legs, his role in the early years of the Fabian Society, his anti-puritanism, and his passionate socialism. Headlam was even instrumental in having Oscar Wilde bailed out of prison following the writer’s arrest for “homosexual offenses.” With this intellectual biography, Orens places Headlam’s life, beliefs, and actions in the context of the period, contributing to the ongoing debate about the proper relationship between Christianity, on the one hand, and society, sexuality, and the arts, on the other.

Read more less

SHORTLISTED FOR THE STELLA PRIZE 2018Highly Commended in the Victorian Premier's Literary Awards 2017Shortlisted for the ABIA Matt Richell Award for New Writers 2018Shortlisted for the Aurealis Award for a Science Fiction Novel 2017Longlisted for the Indie Book Award for Debut Fiction 2018Nominated for Ditmar Award Best New Talent 2018'Artfully combining elements of literary, historical, and speculative fiction, this allegorical novel is surprising and unforgettable' - starred review, Publishers Weekly'The truth that lies at the heart of this novel is impossible to ignore.' - Books+Publishing'a skilfully constructed pastiche of colonisation, resistance and apocalyptic chaos with parallels that sit unsettlingly close to home' - The Big IssueJacky was running. There was no thought in his head, only an intense drive to run. There was no sense he was getting anywhere, no plan, no destination, no future. All he had was a sense of what was behind, what he was running from. Jacky was running.The Natives of the Colony are restless. The Settlers are eager to have a nation of peace, and to bring the savages into line. Families are torn apart, reeducation is enforced. This rich land will provide for all.This is not Australia as we know it. This is not the Australia of our history. This TERRA NULLIUS is something new, but all too familiar. An incredible debut from a striking new Australian Aboriginal voice.'A delightfully duplicitous noodle-bender that flips the script on the Indigenous Australian survival narrative.' - Kirkus Reviews

Read more less

Communities in Fiction reads six novels or stories (one each by Trollope, Hardy, Conrad, Woolf, Pynchon, and Cervantes) in the light of theories of community worked out (contradictorily) by Raymond Williams, Martin Heidegger, and Jean- Luc Nancy. The book’s topic is the question of how communities or noncommunities are represented in fictional works. Such fictional communities help the reader understand real communities, including those in which the reader lives. As against the presumption that the trajectory in literature from Victorian to modern to postmodern is the story of a gradual loss of belief in the possibility of community, this book demonstrates that communities have always been presented in fiction as precarious and fractured. Moreover, the juxtaposition of Pynchon and Cervantes in the last chapter demonstrates that period characterizations are never to be trusted. All the features both thematic and formal that recent critics and theorists such as Fredric Jameson and many others have found to characterize postmodern fiction are already present in Cervantes’s wonderful early-seventeenth-century “Exemplary Story,” “The Dogs’ Colloquy.” All the themes and narrative devices of Western fiction from the beginning of the print era to the present were there at the beginning, in Cervantes Most of all, however, Communities in Fiction looks in detail at its six fictions, striving to see just what they say, what stories they tell, and what narratological and rhetorical devices they use to say what they do say and to tell the stories they do tell. The book attempts to communicate to its readers the joy of reading these works and to argue for the exemplary insight they provide into what Heidegger called Mitsein— being together in communities that are always problematic and unstable.

Read more less

Historian, revolutionary and cricket writer, CLR James was one of the truly radical voices of the twentieth century. Born in Trinidad in the final days of the Victorian era, he debated with Trotsky, played cricket with Constantine, was published by Leonard and Virginia Woolf, inspired Kwame Nkrumah, and was a profound influence on the British Black Power movement. And yet by the late 1970s, CLR James was all but forgotten. The books he had written over the past half century were nearly all out of print. There were a few circles in which his name rang a bell: serious students of Black history; obsessive cricket fans. But that was it. When he died in Brixton in 1989, CLR James was internationally famous - lauded as the greatest of Black British intellectuals: the 'Black Plato', according to The Times. The ideas he put forward in his own time - of the importance of identity alongside class, of rebellion coming from below, of the leading roles of Black people, women and youth in political struggle - have gradually made their way to the forefront of our political thinking. His two great books, The Black Jacobins and Beyond a Boundary, still have the power to change readers' understanding of the world today. But while CLR James's work has been much examined, his long and remarkable life story has often been overlooked. For the first time, in a biography full of original research, human drama and keen insight, John L. Williams unveils the rich and compelling story of an intellectual giant. In doing so, he firmly establishes the importance of CLR James for the twenty-first century - if Black Britain has had a presiding genius, it remains CLR James.

Read more less

**Explore the fascinating history of the real Downton Abbey as the Crawley family saga makes its way on to the big screen with Downton Abbey, the major motion picture**'Bright, breezy and unpretentious' Guardian'A loving and faithful portrait of Almina and her world' Countryfile magazine* * * * * *The story of the real Downton Abbey, told by Lady Fiona Carnarvon, chatelaine of Highclere Castle where the phenomentally successful TV series was filmed.Lady Fiona Carnarvon became the chatelaine of Highclere Castle - the setting of the hit series Downton Abbey - eight years ago. In that time she's become fascinated by the rich history of Highclere, and by the extraordinary people who lived there over the centuries. One person particularly captured Fiona's imagination - Lady Almina, the 5th Countess of Carnarvon. Almina was the illegitimate daughter of banking tycoon Alfred de Rothschild. She was his only daughter and he doted on her. She married the 5th Earl of Carnarvon, at 19, with an enormous dowry. At first, life at Highclere was a dizzying mix of sumptuous banquets for 500 and even the occasional royal visitor. Almina oversaw 80 members of staff - many of whom came from families who had worked at Highclere for generations. But when the First World War broke out, life at Highclere changed forever. History intervened and Almina and the staff of Highclere were thrown into one of the most turbulent times of the last century. Almina was forced to draw on her deepest reserves of courage in order to ensure her family, the staff and the castle survived. This is the remarkable story of a lost time. But Highclere remains and in this book, Fiona weaves Almina's journey and those of her family into the heritage and history of one of England's most exquisite Victorian castles.

Read more less

Can it get any stranger? Absolutely! When Peg, Meg, and Teg were first summoned Over Where, vast and varied life experience (along with wide reading choices) helped them adjust to a world where they were the only humans, magic was real, ships could fly, and reincarnation was a confirmed fact. In the company of the “inquisitors,” Xerak, Grunwold, and Vereez, the three newly appointed mentors rediscovered the Library of the Sapphire Wind, and, within it, revelations that transformed the young people’s pasts into a vast tangle of lies and half-truths. But there are still questions to be answered. Before they are done, Meg the retired librarian, Teg the archeologist-turned-mage, and the multi-talented, ever surprising Peg will deal with kidnappings, betrayal, arcane artifacts, romantic intrigues, and the inescapable reality that past lives cast long shadows. Together, the three mentors and their young allies will uncover the startling truth about what lies on the other side of the Aurora Borealis Bridge—a truth that holds the secret of Over Where, and that will change all their lives forever. About Jane Lindskold: “Intricately plotted. . . . a thought-provoking tale of magic and politics, enlivened by Firekeeper's wry and wolfish point-of-view.” —Publishers Weekly on Wolf's Blood “Lindskold delivers an exotic historical fantasy that takes the reader from Victorian England to Egypt.” —Publishers Weekly on The Buried Pyramid “I loved it. A thrilling, edge-of-the-seat read—I couldn't put it down!” —Tamora Pierce on Fire Season (cowritten with David Weber)

Read more less

The complete works of Joseph Butler, newly edited, with an introduction, notes, glossary, and an analytic index. This edition of Bishop Joseph Butler's [1692-1752] complete works is the first newly edited version to appear in a century, and is the only one to include a single, analytic index to the whole works. The editor's introduction presents Butler's ethics and philosophy of religion as a single, comprehensive system of pastoral philosophy and surveys the vast influence Butler exerted, especially in the nineteenth century. Included here are all fifteen published sermons from Butler's tenure as Preacher at the Rolls Chapel, the only sermons in English routinely studied by secular ethicists to this day; six additional sermons on the great public institutions; his Charge to the Clergy at Durham, controversial in its day for its defense of external religion; his youthful letters sent anonymously to Samuel Clarke, and the complete text of his Analogy of Religion, an apologetic tour de force, including the famous introduction on probability as the guide to life, the analogical defense of immortality, free will and the moral order of nature, as well as his famous rebuttal of deism and his dissertations on virtue and on personal identify. Butler's work is among the monuments of classical Anglican theology. He is a major source for work in ethical theory and philosophy of religion, as well as for the background of Victorian literature. David E. White teaches philosophy at St. John Fisher College and is an officer in the New York State Philosophical Association.

Read more less

The elegant Bible you'll keep coming back to because it's so easy to read and use. This edition is published in large KJV Comfort Print type, which was designed exclusively for Thomas Nelson to be the most readable at any size.Enjoy the classic King James Version in a traditional Scripture design optimized to help you quickly navigate through the Bible. The 2-column, large print text is easy to read, and the blue headings and verse numbers stand out while providing a restful, thoroughly enjoyable Scripture-reading experience. With over 72,000 cross references, this Bible gives you the tools you'll need to dive deeply into God's Word for yourself.Features include: Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Premium Bible paper in opaque white creates a high contrast with the black text, improving readability Words of Christ in black for a reading experience that is easy on your eyes throughout Scripture Ultra-flexible sewn binding lays flat in your hand or on your desk End of page cross references allow you to find related passages quickly and easily Wide double-faced satin ribbons help keep track of where you were reading Full color maps show a visual representation of Israel and other biblical locations for better context Clear and readable 10.5-point KJV Comfort Print More than 400 years since its initial publication, the bestselling King James Version Bible continues to inspire, encourage, and strengthen people from all walks of life. The KJV is considered one of the most influential and beautiful works of literature in the English language and continues to be the favorite translation for millions of Christians.About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.

Read more less

The Victorians called him 'Bobby' after Sir Robert Peel, the Home Secretary who created the Metropolitan Police in 1829. The generations that followed came to regard the force in which he served as 'the best police in the world'. If twenty-first century observers sometimes take a more jaundiced view of his efforts, the blue-helmeted, unarmed policeman remains an icon of Britishness, and a symbol of the relatively peaceful nature of our social evolution. In The Great British Bobby, Clive Emsley traces the development of Britain's forces of law and order from the earliest watchmen and constables of the pre-modern period to the police service of today. He examines in detail such milestones in police history as the establishment of the Bow Street Runners in the 1740s, the Police Acts of 1839, the introduction of women police officers during the First World War, and the Macpherson Report of 1999 into the death of Stephen Lawrence. Threaded through his narrative are case-studies of real-life Bobbies, drawn from police archives, evoking the day-to-day reality of the policeman's lot over two and a half centuries: the boredom of patrolling on foot in all weathers, the threats to life and limb of policing rough areas, and the diverse historical challenges of industrial unrest, the growth of cities, the arrival of the motor car and the ethnic diversification of society. From Robert Grubb, patrolling the mean streets of Georgian London with rattle and cudgel, to Norwell Roberts, the first black officer to be appointed to the Metropolitan Police, The Great British Bobby presents a cast of mostly honest coppers performing a testing role to the best of their ability. A distinguished historian and criminologist, Clive Emsley is ideally placed to tell - candidly but affectionately - the fascinating story of Britain's police force. The Great British Bobby is nothing less than a social history of Britain over the last 250 years, viewed through the prism of one of its most remarkable and distinctive institutions.

Read more less

Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field and represent a major contribution to international film studies. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors. This is augmented by numerous carefully chosen illustrations and a comprehensive filmography of English films, fiction and non-fiction, for the year. Particular attention is also paid to the ways in which the cinema of other countries affected the English industry. Volume 4 examines how in 1899 two major events influenced British cinema. The Boer War created a boom in film production as a result of an insatiable demand for news and pictures of the campaign brought on my fervent patriotism. Though actual battle could not be filmed, ‘fake’ war films based on incidents from the campaign began to be produced by English filmmakers. The University of Exeter Press editions of Volumes 2, 3, 4 are re-jacketed re-issues of the first editions. The long-awaited fifth and final volume in the series is published for the first time by UEP, and edited and introduced by Richard Maltby, Professor of Screen Studies, Flinders University, Australia. Describing in detail one of the most inventive periods in the history of English cinema, this series represents a major contribution to international film studies. Each illustrated volume details a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors, as well as a comprehensive filmography of English films, fiction and non-fiction, for the year. The previous volumes are aready established as classics in their field and have recently been re-jacketed and re-issued by University of Exeter Press.The fifth and final volume documents the year 1900, when the conflict in South Africa against the Boers and the Boxer uprising in China proved popular subjects for news films and fictional representations. It includes a full Introduction by Richard Maltby which places Victorian cinema in its cultural, social and historical context

Read more less

The elegant Bible you'll keep coming back to because it's so easy to read and use. This edition is published in large KJV Comfort Print type, which was designed exclusively for Thomas Nelson to be the most readable at any size.Enjoy the classic King James Version in a traditional Scripture design optimized to help you quickly navigate through the Bible. The 2-column, large print text is easy to read, and the blue headings and verse numbers stand out while providing a restful, thoroughly enjoyable Scripture-reading experience. With over 72,000 cross references, this Bible gives you the tools you'll need to dive deeply into God's Word for yourself.Features include: Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Premium Bible paper in opaque white creates a high contrast with the black text, improving readability Words of Christ in black for a reading experience that is easy on your eyes throughout Scripture Ultra-flexible sewn binding lays flat in your hand or on your desk End of page cross references allow you to find related passages quickly and easily Wide double-faced satin ribbons help keep track of where you were reading Full color maps show a visual representation of Israel and other biblical locations for better context Clear and readable 10.5-point KJV Comfort Print More than 400 years since its initial publication, the bestselling King James Version Bible continues to inspire, encourage, and strengthen people from all walks of life. The KJV is considered one of the most influential and beautiful works of literature in the English language and continues to be the favorite translation for millions of Christians.About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.

Read more less

*WINNER OF THE 2023 NATIONAL BUSINESS BOOK AWARD**FINALIST FOR THE 2023 OTTAWA BOOK AWARD**SHORTLISTED FOR THE SHAUGHNESSY COHEN PRIZE FOR POLITICAL WRITING**SHORTLISTED FOR THE 2022 DONNER PRIZE*NATIONAL BESTSELLERFrom the former Governor of the Bank of Canada, a far-seeing guide to the powerful economic forces that will shape the decades ahead.The economic ground is shifting beneath our feet. The world is becoming more volatile, and people are understandably worried about their financial futures. In this urgent and accessible guide to the crises and opportunities that lie ahead, economist and former Governor of the Bank of Canada Stephen Poloz maps out the powerful tectonic forces that are shaping our future, and the ideas that will allow us to master them.These forces include an aging workforce, mounting debt, and rising income inequality. Technological advances, too, are adding to the pressure, putting people out of work, and climate change is forcing a transition to a lower-carbon economy. It is no surprise that people are feeling uncertain.The implications of these tectonic tensions will cascade throughout every dimension of our lives—the job market, the housing market, the investment climate, as well as government and central bank policy, and the role of the corporation within society. The pandemic has added momentum to many of them. Poloz skillfully argues that past crises, from the Victorian Depression in the late 1800s to the more recent downturn in 2008, give a hint of what is in store for us in the decades ahead. Unlike the purely destructive power of earthquakes, the upheaval that is sure to come in the decades ahead will offer unexpected opportunities for renewal and growth.Filled with takeaways for employers, investors, and policymakers, as well as families discussing jobs and mortgage renewals around the kitchen table, The Next Age of Uncertainty is an indispensable guide for those navigating the fault lines of the risky world ahead.

Read more less

The elegant Bible you'll keep coming back to because it's so easy to read and use. This edition is published in large KJV Comfort Print type, which was designed exclusively for Thomas Nelson to be the most readable at any size.Enjoy the classic King James Version in a traditional Scripture design optimized to help you quickly navigate through the Bible. The 2-column, large print text is easy to read, and the blue headings and verse numbers stand out while providing a restful, thoroughly enjoyable Scripture-reading experience. With over 72,000 cross references, this Bible gives you the tools you'll need to dive deeply into God's Word for yourself.Features include: Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Premium Bible paper in opaque white creates a high contrast with the black text, improving readability Words of Christ in black for a reading experience that is easy on your eyes throughout Scripture Ultra-flexible sewn binding lays flat in your hand or on your desk End of page cross references allow you to find related passages quickly and easily Wide double-faced satin ribbons help keep track of where you were reading Full color maps show a visual representation of Israel and other biblical locations for better context Clear and readable 10.5-point KJV Comfort Print More than 400 years since its initial publication, the bestselling King James Version Bible continues to inspire, encourage, and strengthen people from all walks of life. The KJV is considered one of the most influential and beautiful works of literature in the English language and continues to be the favorite translation for millions of Christians.About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.

Read more less

Royally confused about kings and queens? Never sure what happened when? Or where — England, Scotland, Ireland, or Wales? Learn the people and events that shaped British history British History For Dummies, 3rd Edition is full of rip-roaring stories of power-mad kings, executions, invasions, high treason, global empire building, and forbidden love — not bad for a nation of stiff upper lips. Engaged travelers, lifelong learners, history buffs, and students will all enjoy this friendly and accessible guide written in, well, plain English. This book is for you if you studied British History in school (perhaps a while ago) or learned only a bit about Wales or Scotland or Ireland and want to know more. And if you've ever asked yourself, "What kingdoms are part of the United Kingdom?" or "Exactly how was the UK formed?" or "Which people make up the UK?" — you've come to the right place, to get those answers and so much more. With an 8-page color insert so you can see who, what, and where the ensuing historical action takes place, you’ll learn about the following people and events (and more): What led to the Roman invasion and about the Britons who resisted it How Britain was divided into Saxon and Celtic kingdoms How the Roman Church converted Celtic and British Christians When the Vikings arrived, and what other invaders followed The many battles of Henry II The forming of England’s parliament How the Black Death affected Britain The Tudors vs. The Stuarts How the Industrial Revolution helped push advancements in farming and infrastructure All about the Victorians — everyone's favorite Britain’s involvement in the Great War and World War II Additionally, this edition is revised and expanded to include the historical parliamentary elections of 2010 and the British mission in Afghanistan, and you don't want to miss out. Pick up your copy of British History For Dummies, 3rd Edition today.

Read more less

Catherine Hogarth, who came from a cultured Scots family, married Charles Dickens in 1836, the same year he began serializing his first novel. Together they traveled widely, entertained frequently, and raised ten children. In 1858, the celebrated writer pressured Catherine to leave their home, unjustly alleging that she was mentally disordered—unfit and unloved as wife and mother. Constructing a plotline nearly as powerful as his stories of Scrooge and Little Nell, Dickens created the image of his wife as a depressed and uninteresting figure, using two of her three sisters against her, by measuring her presumed weaknesses against their strengths. This self-serving fiction is still widely accepted. In the first comprehensive biography of Catherine Dickens, Lillian Nayder debunks this tale in retelling it, wresting away from the famous novelist the power to shape his wife's story. Nayder demonstrates that the Dickenses' marriage was long a happy one; more important, she shows that the figure we know only as "Mrs. Charles Dickens" was also a daughter, sister, and friend, a loving mother and grandmother, a capable household manager, and an intelligent person whose company was valued and sought by a wide circle of women and men. Making use of the Dickenses' banking records and legal papers as well as their correspondence with friends and family members, Nayder challenges the long-standing view of Catherine Dickens and offers unparalleled insights into the relations among the four Hogarth sisters, reclaiming those cherished by the famous novelist as Catherine's own and illuminating her special bond with her youngest sister, Helen, her staunchest ally during the marital breakdown. Drawing on little-known, unpublished material and forcing Catherine's husband from center stage, The Other Dickens revolutionizes our perception of the Dickens family dynamic, illuminates the legal and emotional ambiguities of Catherine's position as a "single" wife, and deepens our understanding of what it meant to be a woman in the Victorian age.

Read more less

Explore the places that time forgot. Abandoned, mysterious, sleeping monuments around the world have been relegated to the margins of history, pushed off the map and out of sight. From ancient ruins and crumbling castles to more recent relics – an art deco New York subway station, a Soviet ghost town in the Arctic Circle, a flooded Thai mall teeming with aquatic life – Travis Elborough takes you on a journey into these strange, overlooked and disappearing worlds and immortalises their fates.Original maps and stunning colour photography accompany Travis Elborough’s moving historic and geographic accounts of each site. The featured locations are a stark reminder of what was, and the accounts in this investigative book help to bring their stories back to life, telling us what happened, when and why, and to whom. The book features 40 sites, including: Santa Claus, Arizona, USA: A festive tourist resort turned ghost town deep in the desert where once you could meet Santa Claus any day of the year; Crystal Palace Subway, London, UK: One of the city’s best-kept secrets is an underground, cathedral-like relic from where many Victorian commuters bustled through; Montserrat, West Indies: The small Caribbean island with a population of 5,000 that was evacuated when its volcano erupted in 1995. The volcano is still active and nearly half the island remains a designated exclusion zone; Balaklava Submarine Base, Crimea: The former top-secret Soviet submarine base that was kept off all official maps and known as Object 825 GTS; Volterra Psychiatric Hospital, Tuscany, Italy: Once dubbed ‘the place of no return’, this long-closed lunatic asylum once housed 6,000 patients who were never allowed to leave. Also in the Unexpected Atlas series: Atlas of Improbable Places, Atlas of Untamed Places, Atlas of the Unexpected and Atlas of Vanishing Places (WINNER Illustrated Book of the Year - Edward Stanford Travel Writing Awards 2020).

Read more less

Instead of mentors, they got monsters . . . That’s what Xerak, Vereez, and Grunwold think when three strange creatures shimmer into being within the circle of Hettua Shrine. Their conclusion is reasonable enough. After all, they’ve never seen humans before. As for Margaret Blake, Peg Gallegos, and Tessa Brown—more usually known as Meg, Peg, and Teg—they’re equally astonished but, oddly enough, better prepared. Age and experience have accustomed them to surprises. A widely varied course of reading material has intellectually prepared them for the idea that other worlds, even worlds where people with traits more commonly ascribed to “animals” may exist. Then there is the mysterious verse that Teg speaks as they arrive, words that seem to indicate that the Shrine must have been at least partially responding to the request made of it. Despite doubts on all sides, the three unlikely mentors join forces with the three young “inquisitors” and venture out into the world Peg dubs “Over Where.” First they must find the Library of the Sapphire Wind, destroyed years before. Will they find answers there, or is this only the first stage in their search? About Jane Lindskold: “Intricately plotted. . . . a thought-provoking tale of magic and politics, enlivened by Firekeeper's wry and wolfish point-of-view.” —Publishers Weekly on Wolf's Blood “Lindskold delivers an exotic historical fantasy that takes the reader from Victorian England to Egypt.” —Publishers Weekly on The Buried Pyramid “I loved it. A thrilling, edge-of-the-seat read—I couldn't put it down!” —Tamora Pierce on Fire Season (cowritten with David Weber)

Read more less

This volume contains the histories of 24 parishes in south-east Cambridgeshire, forming the hundreds of Chilford, Radfield, and Whittlesford. Traversed, and in part bounded, by the Icknield Way and the ancient Wool Street, they stretch from the neighbourhood of Cambridge to the Suffolk border. In the valley of the Cam or Granta the arable was cultivated in open fields until the early- rgth-century inclosures. On the south-eastern upland the medieval clearance of ancient woodland in the heavy clays produced much early inclosure, while the heathland lying along the Icknield Way encouraged sheep-farming, and nearer Newmarket is used for stud-farms. Babraham was notable for 17th-century irrigated meadows, and as the home of the Victorian sheep-breeder, Jones Webb. The villages in the river valleys are mostly nucleated; in the less populous eastern part settlement has been more scattered. The former market townof Linton, near the centre of the area, had once two small religious houses, and Castle Camps a motte-and-bailey castle, held by the Veres. Among later mansions, the Tudor Babraham Hall, and Horseheath Hall, a grand classical house, destroyed through its owner's extravagance, have gone. Sawston Hall, the seat of the Catholic Huddlestons during four centuries, survives. The village of Sawston and its neighbours have grown since the 19th-century through the presence of such industries as tanning, paper-making, and the production of fertilizers, and more recently of adhesives, besides light engineering. Further east the land is still devoted mainly to farming.

Read more less

Robert Baden-Powell was Britain's first celebrity. A conflicted character - militarist and pacifist, macho man and drag artist, elitist and socialist - he was one of the 20th century's most influential and, latterly, controversial Englishmen, finding fame not once, but twice - and for two very different reasons. Before donning his trademark shorts, the man known for inventing the Scouts is hailed a hero of the Second Boer War, the first military conflict covered in great detail by the media. Reports of his unconventional methods of holding a Boer army at bay, despite being woefully outnumbered, at the South African town of Mafeking, make global headlines and when he returns home to England, hordes of adoring fans pack London's streets, waving flags and declaring him the Hero of Mafeking. The same ingenuity, reconnaissance skills and spectacular eccentricity that win him this military acclaim become the foundations of his second mission, that of saving Victorian boys from poverty and despair, and himself from having to grow up, by teaching them scouting. A youth movement is born which today boasts 54 million members throughout the world. This book examines Baden-Powell's dual personality, or his two lives' as he called them, including his difficult childhood with a domineering and unaffectionate mother whom he loved even after she forced him into the army at 19, dashing his dreams of becoming an artist. It looks at his military career and his love of drama and at why protesters wanted to topple his statue on Poole Quay in the pandemic summer of 2020. It also considers a recently-discovered telegraph that adds fuel to the speculation over the nature of his relationship with a fellow-soldier that endured for 30 years - until he married a 22-year-old woman in secret when he was 55. Baden-Powell achieved great prominence, as well as notoriety, in both his military and scouting lives, driven largely by a constant yearning to win his mother's approval.

Read more less

SHORTLISTED FOR THE LONGMAN-HISTORY TODAY PRIZE 2018LONGLISTED FOR THE ORWELL PRIZE 2018 'Makes a gripping human story out of the wisest and most progressive policy achievement of any government in the history of the world ... the welfare state deserves books this good' Stuart Maconie, New Statesman, Books of the Year'A brilliant book, full of little revelations' Jon Cruddas, Prospect'Carefully argued, deftly balanced and wittily written, with countless lovely details' Dominic Sandbrook, Sunday TimesA landmark book from a remarkable new historian, on a subject that has never been more important - or imperilledToday, everybody seems to agree that something has gone badly wrong with the British welfare state. In the midst of economic crisis, politicians and commentators talk about benefits as a lifestyle choice, and of 'skivers' living off hard-working 'strivers' as they debate what a welfare state fit for the twenty-first century might look like. This major new history tells the story of one the greatest transformations in British intellectual, social and political life: the creation of the welfare state, from the Victorian workhouse, where you had to be destitute to receive help, to a moment just after the Second World War, when government embraced responsibilities for people's housing, education, health and family life, a commitment that was unimaginable just a century earlier. Though these changes were driven by developments in different and sometimes unexpected currents in British life, they were linked by one over-arching idea: that through rational and purposeful intervention, government can remake society. It was an idea that, during the early twentieth century, came to inspire people across the political spectrum. In exploring this extraordinary transformation, Bread for All explores and challenges our assumptions about what the welfare state was originally for, and the kinds of people who were involved in creating it. In doing so, it asks what the idea continues to mean for us today.

Read more less

Bishop John Medley was associated with a revolutionary group, the Oxford Movement (also called the Tractarians), in the Church of England that sought to return the church to its primitive and Catholic heritage. Part of this revolution was a rejection of the comfortable relationship between Church and State that had existed since the end of the seventeenth century. Equally suspect because of their perceived Roman Catholic leanings and the potential for disloyalty to the English Establishment, the Tractarians aroused strong feelings throughout Victorian English society. Medley was associated with the key figures of the movement and involved in many of the religious controversies of this turbulent time. In addition, he had the responsibility of maintaining the unity of an ideologically divided church in a colonial diocese. This book illuminates one part of the great societal change that occurred in thenineteenth century as the British Empire both reached its apex and began to be transformed into diverse independent political entities. The role of the church and religion in this imperial enterprise and in subsequent movements toward independence is central to an understanding of this process. As an experiment, W. E. Gladstone, sometime Prime MInister of England and keen churchman, arranged to appoint a member of the controversial Tractarian party to the Episcopal bench. Because such a move was politically and ecclesiastically dangerous in England, Medley was sent to the colonies. Intended to be a planter of British High Churchmanship in the soil of the new world, Medley became convincd over the course of his forty-seven-year episcopate that the American model of the church was more practical than the British. He eventually forged an identity for his diocese that was, in many ways, to be the pattern for the modern worldwide Anglican Church. He played a major role in developing a modern, pluralistic, Canadian civil society. By examining previously unpublished original source materials and by subjecting Medley's

Read more less

Stratford developed at the lowest crossing point of the River Lea and was a strategic gateway to London. Part of the Essex parish of West Ham, its name, which derives from the Roman road to Colchester, was first mentioned shortly after the Norman Conquest. Domesday Book recorded nine water-mills and, more recently, the largest tithe-mill in Britain was built here in 1776, which happily survives to this day. The Abbey of Stratford Langthorne was founded in 1135, soon after the new Bow Bridge had been built, and it remained a wealthy institution until its dissolution in 1538.Throughout the Middle Ages, Stratford’s situation made it a trading place and a rural retreat for City merchants. Silk weaving and calico printing were the first industries to develop, together with the famous Bow porcelain works, but after the railway arrived in 1839, Hudson, ‘The Railway King’, turned Stratford into a major railway town. Meanwhile, on the marshy southern fringe fronting the Thames, ship-building and chemical works developed and the greatest industrial venture – the Royal Docks – were built, the largest in the country for many years. Stratford’s growth in the Victorian age was phenomenal; the population soared and social pressures mounted. The area became a cradle of the socialist and trade union movement.This splendidly illustrated book explores both the medieval background and the rich industrial and social heritage of Stratford in a fascinating narrative account, illuminated with a superb selection of carefully captioned old pictures. It will appeal to all who live or shop in the town and to everyone with an interest in the past of East London and the making of its present environment.

Read more less

'They have left here today!' he calls to the others. When King puts his hand down above the ashes of the fire, it is to find it still hot. There is even a tiny flame flickering from the end of one log. They must have left just hours ago.'MELBOURNE, 20 AUGUST 1860. In an ambitious quest to be the first Europeans to cross the harsh Australian continent, the Victorian Exploring Expedition sets off, farewelled by 15,000 cheering well-wishers. Led by Robert O'Hara Burke, a brave man totally lacking in the bush skills necessary for his task; surveyor and meteorologist William Wills; and 17 others, the expedition took 20 tons of equipment carried on six wagons, 23 horses and 26camels.Almost immediately plagued by disputes and sackings, the expeditioners battled the extremes of the Australian landscape and weather: its deserts, the boggy mangrove swamps of the Gulf, the searing heat and flooding rains. Food ran short and, unable to live off the land, the men nevertheless mostly spurned the offers of help from the local Indigenous people.In desperation, leaving the rest of the party at the expedition's depot on Coopers Creek, Burke, Wills and John King made a dash for the Gulf in December 1860. Bad luck and bad management would see them miss by just hours a rendezvous back at Coopers Creek, leaving them stranded in the wilderness with practically no supplies. Only King survived to tell the tale.Yet, despite their tragic fates, the names of Burke and Wills have become synonymous with perseverance and bravery in the face of overwhelming odds. They live on in Australia's history - and their story remains immediate and compelling.

Read more less

An ambitious comparative study of British and Latin American literature produced across a century of economic colonization.Winner of the Sonya Rudikoff Prize by the Northeast Victorian Studies AssociationSpanish colonization of Latin America came to an end in the early nineteenth century as, one by one, countries from Bolivia to Chile declared their independence. But soon another empire exerted control over the region through markets and trade dealings—Britain. Merchants, developers, and politicians seized on the opportunity to bring the newly independent nations under the sway of British financial power, subjecting them to an informal empire that lasted into the twentieth century. In The Forms of Informal Empire, Jessie Reeder reveals that this economic imperial control was founded on an audacious conceptual paradox: that Latin America should simultaneously be both free and unfree. As a result, two of the most important narrative tropes of empire—progress and family—grew strained under the contradictory logic of an informal empire. By reading a variety of texts in English and Spanish—including Simón Bolívar's letters and essays, poetry by Anna Laetitia Barbauld, and novels by Anthony Trollope and Vicente Fidel López—Reeder challenges the conventional wisdom that informal empire was simply an extension of Britain's vast formal empire. In her compelling formalist account of the structures of imperial thought, informal empire emerges as a divergent, intractable concept throughout the nineteenth-century Atlantic world.The Forms of Informal Empire goes where previous studies of informal empire and the British nineteenth century have not, offering nuanced and often surprising close readings of British and Latin American texts in their original languages. Reeder's comparative approach provides a new vision of imperial power and makes a forceful case for expanding the archive of British literary studies.

Read more less

*SHORTLISTED FOR THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE 2023*The lives, loves, adventures and trailblazing musical careers of four extraordinary women from a stunning debut biographer.'Fabulous.' Sunday Times 'A rare gift.' Financial Times 'Passionate ... Vivid ... Timely.' Telegraph 'Readable and inspiring.' Guardian 'Compelling ... Ambitious ... Poignant.' Spectator 'Magnificent.' Kate Mosse 'Riveting.' Antonia Fraser 'A breath of fresh air.' Kate Molleson 'Fascinating.' Alexandra Harris 'Wonderful.' Claire Tomalin 'Splendid.' Miranda Seymour 'Remarkable.' Fiona Maddocks 'Pioneering.' Andrew Motion 'Brilliant' Helen PankhurstEthel Smyth (b.1858): Famed for her operas, this trailblazing queer Victorian composer was a larger-than-life socialite, intrepid traveller and committed Suffragette.Rebecca Clarke (b.1886): This talented violist and Pre-Raphaelite beauty was one of the first women ever hired by a professional orchestra, later celebrated for her modernist experimentation.Dorothy Howell (b.1898): A prodigy who shot to fame at the 1919 Proms, her reputation as the 'English Strauss' never dented her modesty; on retirement, she tended Elgar's grave alone.Doreen Carwithen (b.1922): One of Britain's first woman film composers who scored Elizabeth II's coronation film, her success hid a 20-year affair with her married composition tutor.In their time, these women were celebrities. They composed some of the century's most popular music and pioneered creative careers; but today, they are ghostly presences, surviving only as muses and footnotes to male contemporaries like Elgar, Vaughan Williams and Britten - until now.Leah Broad's magnificent group biography resurrects these forgotten voices, recounting lives of rebellion, heartbreak and ambition, and celebrating their musical masterpieces. Lighting up a panoramic sweep of British history over two World Wars, Quartet revolutionises the canon forever.

Read more less

An eye-opening exploration of the weird and wonderful things human beings have done in pursuit (and denial) of the mighty orgasm, based on the hit Twitter account @WhoresofYoreThis is not a comprehensive study of every sexual quirk, kink and ritual across all cultures throughout time, as that would entail writing an encyclopaedia. Rather, this is a drop in the ocean, a paddle in the shallow end of sex history, but I hope you will get pleasantly wet nonetheless. The act of sex has not changed since people first worked out what went where, but the ways in which society dictates how sex is culturally understood and performed have varied significantly through the ages. Humans are the only creatures that stigmatise particular sexual practices, and sex remains a deeply divisive issue around the world. Attitudes will change and grow – hopefully for the better – but sex will never be free of stigma or shame unless we acknowledge where it has come from. Drawing upon extensive research from Dr Kate Lister's Whores of Yore website and written with her distinctive humour and wit, A Curious History of Sex covers topics ranging from twentieth- century testicle thefts to Victorian doctors massaging the pelvises of their female patients, from smutty bread innuendos dating back to AD 79, to the new and controversial sex doll brothels. It is peppered with surprising and informative historical slang and illustrated by eye-opening, toe- curling and hilarious images. In this fascinating book, Lister deftly debunks myths and stereotypes and gives unusual sexual practices an historical framework, as she provides valuable context for issues facing people today, including gender, sexual shame, beauty and language.

Read more less

Captain Robert Falcon Scott CVO (6 June 1868 29 March 1912) was a Royal Navy officer and explorer who led two expeditions to the Antarctic regions. During the second venture, Scott led a party of five which reached the South Pole on 17 January 1912, only to find that they had been preceded by Roald Amundsen's Norwegian expedition. On their return journey, Scott and his four comrades all perished from a combination of exhaustion, starvation and extreme cold. Before his appointment to lead the Discovery Expedition, Scott had followed the conventional career of a naval officer in peacetime Victorian Britain, where opportunities for career advancement were both limited and keenly sought after by ambitious officers. It was the chance for personal distinction that led Scott to apply for the Discovery command, rather than any predilection for polar exploration. However, having taken this step, his name became inseparably associated with the Antarctic, the field of work to which he remained committed during the final twelve years of his life. Following the news of his death, Scott became an iconic British hero, a status maintained and reflected today by the many permanent memorials erected across the nation. Sue Blackhall reassesses his life and the causes of the disaster that ended his and his comrades' lives, and the extent of Scott's personal culpability. From a previously unassailable position, Scott has became a figure of controversy, with questions raised about his competence and character. However, more recent research has on the whole regarded Scott more positively, emphasising his personal bravery and stoicism while acknowledging his errors, but ascribing his expedition's fate primarily to misfortune.

Read more less

In days of old, Christmas was defined by the custom of exchanging simple handmade gifts. Today, it has become a multi-billion industry, synonymous with commercialism and consumption. How did this transformation occur? In this incisive and engaging examination of how Christmas has evolved since 1880, Waits chronicles the history of the holiday, from its origin to its current form. The book is illustrated with dozens of historical photographs and will be of interest to cultural and social historians alike. Christmas was a relatively modest occasion in the English- speaking world, celebrated by the exchange of modest handmade gifts, until the Victorians invested the holiday with immense significance as part of a larger effort to celebrate home, family, and a mythic past of well-ordered communities. By the late 19th century, Christmas had become a major American festival. Today, it is a multi-billion dollar industry and easily the most important seasonal event of the year. In this survey of the modern American Christmas, William Waits shows us how this holiday emerged, tracing its evolution from the days prior to 1880 when people presented one another with simple crafted presents to the turn of the century when industrialization brought with it waves of inexpensive, tawdry gimcracks. In the early twentieth century, reform-minded Americans reflecting on the new Christmas prompted a backlash against this cheapening of the Yule tradition, and the Christmas card was born. Henceforth, family members and close friends exchanged useful, costly items, while cards were sent to acquaintances and distant relatives. These reformers also persuaded retail stores to keep their regular hours of business during the holiday, rather than lengthening them, to give trade workers the opportunity to join in the celebration. They also rationalized the collection and distribution of holiday charity, resulting in the Christmas celebration we have today. Waits's book clearly illustrates that the notion that Christmas is uncontrollable is simply untrue. An incisive and engaging history of giftgiving, The Modern Christmas in Americaalso examines the differing traditions of giftgiving to friends, employees, the poor, and among entire communities. Handsomely illustrated with dozens of historical photographs, this book is not only the perfect holiday gift but will also be of interest to any student of American history and culture.

Read more less

This NKJV Large Print Thinline Bible is inviting to pick up and hard to put down. Unique to this edition, the words of Christ are highlighted in a restful blue ink that’s easy to read and colorblind-friendly.The slim design of the NKJV Large Print Thinline Reference Bible means you can bring it along, wherever your day takes you. This large print edition features Thomas Nelson’s NKJV Comfort Print®, designed to provide a smooth reading experience of the accurate and beautiful New King James Version. And with features including extensive cross-references, concordance, and full-color maps, you’ll still have the tools to get more out of God’s Word. Features include: Presentation page to personalize this special gift by recording a memory or a note Words of Christ in blue quickly identify verses spoken by Jesus Double column provides a nice readable flow of the text End-of-page cross-references and translator notes allow you to find related passages quickly and easily Concordance for finding a word’s occurrences throughout the Bible Full-color maps show a visual representation of Israel and other biblical locations for better context Durable Smyth-sewn binding lies flat in your hand or on your desk Two satin ribbon markers for you to easily navigate and keep track of where you are reading Elegant, gilded page-edge design Clear and readable 10-point NKJV Comfort Print About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.

Read more less

How much do the English really care about their stately homes? In this pathbreaking and wide-ranging account of the changing fortunes and status of the stately homes of England over the past two centuries, Peter Mandler melds social, cultural, artistic, and political perspectives and reveals much about the relationship of the nation to its past and its traditional ruling elite. Challenging the prevailing view of a modern English culture besotted with its history and its aristocracy, Mandler portrays instead a continuously changing and modernizing society in which both popular and intellectual attitudes toward the aristocracy—and its stately homes—have veered from selective appreciation to outright hostility and only recently to thoroughgoing admiration.With great panache, Mandler adds the missing pieces to the story of the country house. Going beyond its architects and its owners, he brings to center stage a much wider cast of characters—aristocratic entrepreneurs, anti-aristocratic politicians, campaigning conservationists, ordinary sightseers and voters—and a scenario full of incident and local and national color. He traces attitudes toward the stately homes, beginning in the first half of the nineteenth century when public feeling about the aristocracy was mixed and divided. Criticism of the "foreign" and "exclusive" image of the typical aristocratic country house was widespread. At the same time, interest grew in those older houses that symbolized an olden time of imagined national harmony. The Victorian period also saw the first mass tourist industry, and a strong popular demand emerged for the right to visit all the stately homes. By the 1880s, however, hostility toward the aristocracy made appreciation of any country house politically treacherous, and interest in aristocratic heritage declined steadily for sixty years. Only after 1945, when the aristocracy was no longer seen as a threat, was a gentle revival of the stately homes possible, Mandler contends, and only since the 1970s has that revival become a triumphant appreciation. He enters today's debate with a discussion of how far people today—and tomorrow—are willing to see the aristocracy's heritage as their own.

Read more less

"Christmas seems to have been always with us. It is that time of year when we expect good cheer and goodwill, a moment's respite from the year's vicissitudes, solace during difficult times," writes James Ballowe in his introduction to Christmas in Illinois. This book is about the holiday as remembered by Illinoisans. Some are widely familiar--John W. Allen, Gwendolyn Brooks, Sandra Cisneros, Mike Royko, Carl Sandburg, Joseph Smith--but most are known only in their close-knit communities that together represent the very best of the Prairie State. We learn here about the customs of Christmas from Chicago to Cairo, Belleville to Danville, before statehood to the present day, through hard times and good. Tales, poems, news reports, memoirs, recipes, and images are arranged in sections on Christmas in Illinois history, living traditions, songs and symbols, Christmas outdoors, eating merrily, and memories. We see how bright an occasion Christmas has been, and sometimes amusing, raucous, or even dark. The collection's highlights include Chicago's Christmas tree ship, Peoria's Santa Parade, Rockford's Julotta service, a Victorian holiday in Bloomington, and Audubon's 1810 Christmas on the Cache River. Nature writers detail holiday bird-watching expeditions along the North Shore and in deepest southern Illinois. A letter from a member of the 130th Illinois Infantry captures Christmas Day 1863, and Jack McReynolds recalls West Frankfort's 1951 Orient Number Two mine disaster that thereafter haunted the holiday for him and many others. The holiday table is not neglected, with traditional recipes for wild game, pickled herring, and all manner of Christmas cookies. A wide array of illustrations includes images of Chicago's grand State Street parade, the Santa Lucia celebration at Bishop Hill, Belleville's Santa Claus House, Millikin University's Vespers tradition, the University of Illinois madrigal singers, Studs Terkel singing songs of good cheer, and the holiday art of Edgar Rice Burroughs. Heat up some cider, put a log on the fire, and curl up with Christmas in Illinois to share the holiday with friends both old and new.

Read more less

Published on the occasion of Damien Hirst's exhibition at White Cube in Hong Kong in the spring of 2013. Among many new works illustrated in the publication are pieces from some of Hirst's latest series: the Entomology paintings and the Blade paintings. Hirst began work on the Entomology paintings in 2009. Each piece is made by placing hundreds of varieties of insect and beetle species into household gloss paint, in intricate geometric patterns. The series is reminiscent of Hirst's iconic series of butterfly wing Kaleidoscope pieces, dating from 2001, which were originally inspired by Victorian tea trays. As with the butterfly--one of Hirst's most enduring "universal triggers"--the insects' appeal derives largely from the appearance of life they retain in death. However, whilst the iridescent beauty of the wings in the Kaleidoscope series evoke stained glass windows, and are often assigned spiritual titles, the Entomology paintings are named after phases and characters in Dante Alighieri's tortuous vision of the afterlife, The Divine Comedy. The works also allude to Hirst's longterm interest in the nineteenth-century fascination with natural history and the irony involved in having to kill something in order to look at it. The Blade paintings are amongst the newest series of works in Hirst's practice. Thousands of variously shaped scalpel blades are positioned on a canvas in spectacular, mandala-like patterns. In some of the works, intermittent areas of coloured gloss paint have been layered in between the blades. The Blade paintings reference two of Hirst's seminal earlier series. While their geometric patterns recall the earlier series of butterfly Kaleidoscope paintings, in their use of surgical instruments, Hirst also returns to one of his most recognisable themes: medicine, and its inevitable futility in the face of our mortality. The surgical materials, first used by Hirst in his early 90s instrument cabinets, are described by the artist as "phenomenal objects because they have to have this confidence and this belief. They are the best quality. They are brilliantly designed, for all the right reasons." With the Blade paintings, the instruments eventual inability to arrest decay is highlighted by their relegation to decorative status.

Read more less

In the middle of the nineteenth century, most of New Brunswick was pristine wilderness. But by the end of the century the map of eastern Canada would be changed forever by the sport of salmon angling, and by the adventurers, gentlemen, rakes, and royalty, who were drawn together in their lust for the finest of fish. In Lost Land of Moses, Peter Thomas recounts the dramatic changes that occurred between 1840 and 1880, as strenuous wilderness idylls became the Victorian equivalent of adventure tourism. To illustrate his story, he has chosen more than fifty engravings, cartoons, maps, and photographs from archival collections and 19th century books and magazines. Moses Perley was a New Brunswick lawyer with a gift for contagious enthusiasm. Between 1839 and 1841, he published a series of articles in the British magazine Sporting Review describing his canoe trips with Mi'kmaq or Maliseet companions. The articles inspired a generation of young adventurers to visit New Brunswick. Soon, these young British gentlemen were joined by the rich and famous, as steamships brought fishermen right to the rivers, and needs were supplied by professional outfitters. In 1879, the Marquess of Lorne, then Governor General of Canada, and his daring wife, Princess Louise, spent two glorious weeks on the Restigouche, complete with a vice-regal retinue, a houseboat called Great Caesar's Ghost, and carpeted tents. The New Brunswick salmon waters were open for business. Many of the consequences of this influx were dire. Leases were let on the rivers, allowing only wealthy people to fish them. They founded clubs, built expansive camps, and hired wardens to patrol the pools. Most troubling of all, by the 1880s, the Mi'kmaq and Maliseet, at first respected as knowledgeable guides into their own territory, had been reduced to being perceived as mere servants. Moses Perley never foresaw the changes that large numbers of visitors would bring to New Brunswick's teeming salmon rivers. Lost Land of Moses reveals the consequences of his crusade to lure fly fishermen to New Brunswick. For good and ill, the legacy of those forty years is with us today.

Read more less

The first comprehensive biography of this undervalued writer, who was considered 'far and away the best living woman poet' in her day.Andrew Motion's Spectator Book of the Year.'One of the many achievements of This Rare Spirit is its rejection of that tired view of the poet as mouse that barely roared in favour of a true sense of a spikily modern woman, bound by various obligations but resilient, headstrong, and poetically inventive . . . Copus's diligent, scholarly, sensitive work should help Mew's pipe play on for years to come.' Declan Ryan, Los Angeles Review of Books'[A] supreme biography . . . It is hard to do justice to the breadth of research Copus has done here, or the compassionate, detailed conjuring of Mew and her milieu . . . An essential book, a classic work of literary biography.' Seán Hewitt, Irish Times'[K]eenly intelligent, fascinating and nuanced biography . . . Save Charlotte Mew! And read this book.' Joanna Kavenna, Literary Review'An exquisitely told account of the life of a half-forgotten London poet whose work was admired by Hardy, Sassoon and Virginia Woolf. Julia Copus does her justice at last.' Claire Tomalin'This Rare Spirit is a classic - the biography of Mew we have all been waiting for.' Fiona BensonThe British poet Charlotte Mew (1869-1928) was regarded as one of the best poets of her age by fellow writers, including Virginia Woolf, Siegfried Sasson, Walter de la Mare and Marianne Moore. She has since been neglected, but her star is beginning to rise again, all the more since her 150th anniversary in 2019. This is the first comprehensive biography, from cradle to grave, and is written by fellow poet Julia Copus, who recently unveiled a blue plaque on Mew's childhood house in Doughty Street and was the editor of the Selected Poetry and Prose (2019).Mew was a curious mix of New Woman and stalwart Victorian. Her poems speak to us strongly today, in these strangely mixed times of exposure and seclusion: they reveal the private agony of an isolated being who was forced to keep secret the tragedies of her personal life while being at the same time propelled by her work into the public arena. Her poetry transfigures that very private suffering into art that has a universal resonance.

Read more less

In the nineteenth century, a small but dedicated group of European and American women rose to agitate for the inclusion of women in the medical profession. It is a historic tale that we have told and retold for decades, but it is far from where the story of women as physicians and healers begins. Stretching back into deepest antiquity, we possess accounts of women who were consulted by emperors and paupers alike for their medical expertise. They were surgeons, apothecaries, midwives, university lecturers, and medical researchers in correspondence with the most learned societies of their time. And then it all came crashing down. A History of Women in Medicine and Medical Research is the story of the women who participated in that early Golden Age, and of a medical establishment closing ranks against them so effectively that, by the early Victorian era, they not only were barred from practicing medicine, but from so much as stepping into a classroom where medical topics were being discussed. It is the story of that intrepid band of reformers and pioneers who built back the women's medical profession from the ashes and constructed a thriving new community of researchers and practitioners who within a century had retaken not only the ground that had been lost, but boldly advanced to levels of fame and achievement unimaginable to any previous era. Told through in-depth accounts of the lives of the pioneers and practitioners who built and rebuilt the women's medical movement, this title dives into the lives of not only legendary figures like Florence Nightingale, Gertrude Elion, Rosalyn Yalow, and Elizabeth Blackwell, but visits women the world over whose medical contributions broke down doors and advanced the cause of women's and world health, like the revolutionary medieval physician Trota of Salerno, the pioneering eighteenth century midwife and businesswoman Madame du Coudray, the microbiological research trailblazer Mary Putnam Jacobi, and the HIV researcher and world epidemic response coordinator Francoise Barre-Sinoussi. With over 140 stories spanning three millennia of global medicine, this book shines a light on the unknown heroes, towering discoveries, tragic missteps, and profound struggles that have accompanied the Rise, Fall, and Rebirth of the women's medical profession.

Read more less

In Imagining Inclusive Society in Nineteenth-Century Novels, Pam Morris traces a dramatic transformation of British public consciousness that occurred between the Reform Acts of 1832 and 1867. This brief period saw a shift from a naturalized acceptance of social hierarchy to a general imagining of a modern mass culture. Central to this collective revisioning of social relations was the pressure to restyle political leadership in terms of popular legitimacy, to develop a more inclusive mode of discourse within an increasingly heterogeneous public sphere and to find new ways of inscribing social distinctions and exclusions. Morris argues that in the transformed public sphere of mid-nineteenth-century Britain, the urbane code of civility collapsed under the strain of the conflicting interests that constitute mass society. It was replaced by a "code of sincerity," often manipulative and always ideological in that its inclusiveness was based upon a formally egalitarian assumption of mutual interiorities. The irresistible movement toward mass politics shifted the location of power into the public domain. Increasingly, national leaders sought to gain legitimacy by projecting a performance of charismatic "sincerity" as a flattering and insinuating mode of address to mass audiences. Yet, by the latter decades of the century, while the code of sincerity continued to dominate popular and political culture, traditional political and intellectual elites were reinscribing social distinctions and exclusions. They did so both culturally-by articulating sensibility as skepticism, irony, and aestheticism-and scientifically-by introducing evolutionist notions of sensibility and attaching these to a rigorous disciplinary code of bodily visuality. Through an intensive, intertextual reading of six key novels (Bronte's Shirley, Thackeray's Henry Esmond, Dickens's Bleak House and Our Mutual Friend, Gaskell's North and South, and Eliot's Romola) and an array of Victorian periodicals and political essays, Morris analyzes just how actively novelists engaged in these social transformations. Drawing on a wide range of literary, cultural, and historical thinkers-Jurgen Habermas, Michel Foucault, Benedict Anderson, Mary Poovey, and Charles Tilly-Morris makes an original and highly sophisticated contribution to our understanding of the complex and always contested processes of imagining social inclusiveness.

Read more less

Oxford started as an Anglo-Saxon border outpost, with a bridge replacing the 'oxen ford' from which it takes its name. It became a centre for trade and religion and developed one of the oldest universities in Europe from the late twelfth century. Since the Middle Ages its individual colleges have gone on building--chapels, halls, accommodation, libraries--in an extraordinary variety of styles from Gothic to Brutalist. Oxford also has many churches, a Covered Market, an extraordinary museum of Natural History in soaring iron, glass and stone, and a flamboyant neo-Jacobean Town Hall. In such a place, suggested W.B. Yeats, 'one almost expects the people to sing instead of speaking'. Nevertheless, Oxford has become a busy modern city. For much of the twentieth century the car industry, established in Cowley by William Morris (Lord Nuffield), dominated local life. Today there are cinemas, theatres, innumerable restaurants, shopping centres, an ice-rink, business and technology centres, close links to London by bus and train. Amidst the expanding city Oxford University retains its academic excellence, its student exuberance and its physical beauty.And it has been joined by a notably successful second university, Oxford Brookes. Martin Garrett discusses the literature Oxford has generated: from Chaucer to Lewis Carroll, Wilde, Evelyn Waugh, Barbara Pym, Tolkien and C.S. Lewis and Iris Murdoch. There are also chapters on architecture, on religion, on theatre, film and art--including Oxford's great museum of art and history the Ashmolean--and on leisure pursuits (punting and rowing, gardens, student pranks, city fairs and carnival). A chapter on commerce focuses on Victorian shops, Cornmarket and the Morris Motor Works, while a brief social history includes the former Oxford Castle and a gallery of dons as rulers--visionary or ignorant, charismatic or dull. Garrett looks at social change, especially the transformation in the position of Oxford women, and considers the city's darker side of crime. A final chapter explores its rich surroundings: the countryside where Matthew Arnold's 'black-winged swallows haunt the glittering Thames', the baroque grandeur of Blenheim Palace, the ancient windswept Ridgeway and White Horse.

Read more less

This book examines Delius's individual approaches to genre, form, harmony, orchestration and literary texts which gave the composer's musical style such a unique voice. Frederick Delius' (1862-1934) music has proved impervious to analytical definition. Delius's approaches to genre, form, harmony, orchestration and literary texts are all highly individual, not to say eccentric in their deliberate aim to avoid conformity. Rarely does Delius follow a conventional line, and though one can readily point to important influences, the larger Gestalt of each work has a syntax and coherence for which conventional analytical methods are mostly inadequate. Delius's musical style has also defied one of the most essential critical tools of his musical epoque - that of national identity. His style bears no relation either to the Victorian or Edwardian aesthetic of British music spearheaded by Parry, Stanford and Elgar before the First World War, nor to the more overtly nationalist, folk-song-orientated pastoralism of post-war Britain in such composers as Vaughan Williams and Holst. In contrast, Delius acknowledged himself a 'stateless' individual and considered that his music refused to belong to any national school or movement. To test these claims, the book explores a number of important factors. Delius's musical education at the Leipzig Conservatorium and the works he produced there. Delius's musical voice, notably his harmonic and melodic style and the close structural relationship between these two factors. The book also explores the question of Delius and 'genre' in which the investigation of form is central, especially in opera, the symphonic poem, the choral work (where words are seminal to the creation of structural design) and the sonata and concerto (to which Delius brought his own individual solution). Other significant factors are Delius's cosmopolitan use of texts, operatic plots and picturesque impressions, his relationship to Nietzsche's writings and the genre of dance, and the role of his 'earlier' works (1888-1896) in which it is possible to plot a course of stylistic change with reference to the influences of Grieg, Sinding, Florent Schmitt, Wagner, Strauss and Debussy.

Read more less

Contemporary readers who look at late-eigteenth-century or nineteenth-century imaginative literature must be struch by a phenomenon that is nearly universal in the period: the powerful presence of sentimentality. An often overlooked fact is that "Sentimentality" not only is a critical term, but is limited to a historical period, from roughly 1700 to the present. Fulweiler's hypothesis is that setimentality in writing has played a crucial part in shaping Western consciousness. As a study of evolution of consciousness-rather than the history of ideas- the argument grows out of the work of philosophers such as Ernst Cassirer and Susanne Langer, historical philosophers including R.G. Collingwood, Thomas Kuhn, and Michel Foucault, historically oriented literary critics such as Erich Auerbach, and finally the eclectic writing of Owen Barfield. Fulweiler's hypothesis is that the general consciousness of Western society has undergone severe shocks as a result of the loss-and sometimes repression- of an older human awareness of what anthropologists have called "participation," a term that may be defined as a non-sensory link between human beings and nature. This loss of participation has become gradually apparant with the erosiion of its visible emblems: The Church (with its supporting Law); the extended family, as visualized in feudal, hierarchical theories of society; and finally the nineteeth-century ideal, the nuclear family, with its sacred location, the home, and its glorified Proprietress, the Woman. Sentimentality emerges, then, as a desperate, if often illegitimate, attempt to regain what has been lost, so that imaginative literature of the nineteenth century, even very good literature, is overwhelmed by domestic sentimentality. In the twentieth century it has been heavily, although covertly, affected by a sexual sentimentality of the previous era. This sentimental journey is traced by focusing on six major writers: Tennyson and Dickens as the giants of Victorian domestic sentimentality, Hopkins and Hardy as transitional figures in whom the sentimental tropes of the ninteenth century are moving toward the sexual sentimentality of the twentieth, Lawrence and Eliot as representatives, in different ways, of that era. This multi-faceted study will be of considerable interest to specialists across a number of fields including literature, history, psychology, philosophy, and religious studies.

Read more less