Search results for ""author victoria"

Over six thousand players have proudly worn the colours of Coventry City since the club was first formed as Singers FC back in 1883. Many have made only fleeting contributions, whilst others have become City heroes and carved their names forever in the annals of Coventry's footballing history. This volume offers a retrospectvice look at 100 of the finest players to have represented the club, with a detailed examination of their time at Coventry and their careers in football. From early heroes of the Victorian era, such as Frank Mobley and Nat Robinson, the book follows the club through its days in the Birmingham and Southern Leagues, introducing players such as the club's first-ever international Bob Evans, and the prolific striker Harry Buckle. The period between admission to the Football League in 1919 and the Second World War is represented by the likes of Frank Herbert and Jackie Randle, along with greats of the 'Old Five' era including record goalscorer Clarrie Bourton and City stalwart George Mason. The post war years of the late 1940s adn 1950s bring George Lowrie, Reg Matthews adn their compatriots of the 1960s, during which numerous City greats came to prominence under 1960s, during which numerous City greats came to prominence under the leadership of the 'Ironman', George Curtis. highlighted players from the latter decades of the twentieth century include Ian Wallace, Dennis Mortimer, Danny Thomas, Dion Dublin and of course heroes of the cup-wining side of 1987, including Regis, Bennett, Peake and Kilcline. As a biographical and statistical reference guide to Coventry's greatest players, this volume it second to none. As an enjoyable wander down memory lane, it is a must for all followers of the Sky Blues.

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Filled to the brim with images, this scrapbook of the 1930s overflows with nostalgia, for those who remember that extraordinary era. For those who do not, this wealth of imagery provides a vivid insight into a time when sliced bread had just reached the table and Butlin's holiday camps had recently opened. Life in the 1930s for many was not easy; for others, who had known Victorian times, the pace of change was frightening, and 'modern' life led to 'nerve tension'. Yet change brought a better standard of living and numerous new products helped the daily routine. Electrical appliances were a boon to housewives without servants, affordable motor cars made access to the countryside easier, new fun included Dinky Toys, Monopoly and a stream of delectable confectionery (Mars bars, KitKat, Black Magic, Cadbury's Roses). The aluminium milk bottle top made its appearance. Design was memorable for the red telephone kiosk, the Anglepoise lamp and the Underground map - all still in evidence today. The Royal Family went through a turbulent year following the death of George V, when Edward VIII decided he had to abdicate. The speeding motorist was hampered by 30 mph restrictions, and pedestrian crossings were guarded by Belisha beacons. By the end of the 1930s, television held exciting promise for the future, but a growing tension focused on impending war. The 1930s Scrapbook has drawn together the best from the Robert Opie Collection. The images are as bright today as when they were purchased in the shops. Coronation souvenirs, film and fashion magazines, fireworks, comics and Christmas crackers - all survived to tell a remarkable story.

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"Jennifer Haslam’s book The New Naturals combines inspiring design with some gorgeous houses, beautifully photographed and presented in a warm, approachable style. It feels timeless, classic and considered, chiming perfectly with its message of sustainability that feels especially relevant today." – Ben Kendrick"Jennifer Haslam's The New Naturals is so inspiring, showcasing a modern, and very beautiful, yet sustainable way to live, something we can all take influence from." – Pip Rich"Jennifer Haslam has once again worked her creative magic and masterfully curated a collection of not only beautiful, but sustainable homes from around the world. It is a coffee table must-have that you will want to return to again and again." – Nicole Gray The New Naturals celebrates 18 global homes that put wellbeing and environment first, incorporating eco elements and sympathetic natural materials that provide a nourishing connection to nature. The properties showcased include: renovated Victorian homes in London; Italian summer houses; New York retreats and Australian new builds. Their owners and designers are the likes of Louisa Grey (House of Grey), Jonathan Tuckey, Jack Harries and Alice Aedy of Earthrise Studios, Sebastian and Brogan Cox and many more. Their shared credentials are garnered from a focus on key eco elements such as clay walls, reclaimed wood, stone, and natural paints but their visual identities are unexpectedly varied. These contributors are pioneers of slow living and sustainable choices, whether it's a lick of paint, an upcycle of existing pieces, the use of sustainable materials, or modern technology that sits comfortably behind the scenes. All combine to create a book showing us how we must exist, now and in the future.

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Frank Furness (1839-1912) has remained a curiosity to architectural historians and critics, somewhere between an icon and an enigma, whose importance and impact have yet to be properly evaluated or appreciated. To some, his work pushed pattern and proportion to extremes, undermining or forcing together the historic styles he referenced in such eclectic buildings as the Pennsylvania Academy of the Fine Arts and the University of Pennsylvania Library. To others, he was merely a regional mannerist creating an eccentric personal style that had little resonance and modest influence on the future of architecture. By placing Furness in the industrial culture that supported his work, George Thomas finds a cutting-edge revolutionary who launched the beginnings of modern design, played a key part in its evolution, and whose strategies continue to affect the built world. In his sweeping reassessment of Furness as an architect of the machine age, Thomas grounds him in Philadelphia, a city led by engineers, industrialists, and businessmen who commissioned the buildings that extended modern design to Chicago, Glasgow, and Berlin. Thomas examines the multiple facets of Victorian Philadelphia's modernity, looking to its eager embrace of innovations in engineering, transportation, technology, and building, and argues that Furness, working for a particular cohort of clients, played a central role in shaping this context. His analyses of the innovative planning, formal, and structural qualities of Furness's major buildings identifies their designs as initiators of a narrative that leads to such more obviously modern figures as Louis Sullivan, William Price, Frank Lloyd Wright and eventually, the architects of the Bauhaus. Misunderstood and reviled in the traditional architectural centers of New York and Boston, Furness's projects, commissioned by the progressive industrialists of the new machine age, intentionally broke with the historical styles of the past to work in a modern way—from utilizing principles based on logistical planning to incorporating the new materials of the industrial age. Lavishly illustrated, the book includes more than eighty black-and-white and thirty color photographs that highlight the richness of his work and the originality of his design spanning more than forty years.

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“At last we reached a circular enclosure among the grass and scanty trees. We rushed in and it was like getting into a tropical greenhouse with the roof off. There were tall trees and long creepers making monkey ropes, large flowers hanging, great cactus trees, aloes and all sorts of beautiful things crowded together, so that one could hardly squeeze through. I should have liked to stop and stare at the vegetation but on we rushed, over walls and to the tower we had heard of, which is close to the outer wall. We did not stay even to walk round the tower but out we rushed again, like people who were taking a stolen look into an enchanted garden and were afraid of being bewitched if we remained… It was quite dark and we had to be guided by shouts to our camp and got home in a state of great wonder and delight and hope of profitable work and full assurance of the great antiquity of the ruins. Theodore was not very well and had to take quinine.” [M.V.A. Bent, 4 June 1891] Thus a few lines from Mabel (Mrs J. Theodore) Bent’s 1891 African travel diary on her arrival at ‘Great Zimbabwe’ (in present-day Zimbabwe), written for her family, serve to evoke the romance and hardships of colonial exploration for a Victorian audience. Of particular importance are Mabel’s previously unpublished notebooks covering the couple’s arduous wagon trek to these famous ruins, in part sponsored by the ambitious Cecil Rhodes. Theodore Bent’s interpretations of these wonderful monuments sparked a controversy (one of several this maverick archaeologist was involved in over his short career) that still divides scholars today. Mabel Bent was probably the first woman to visit there and help document this major site. As tourists in Egypt and explorers in the Sudan, Ethiopia, and Southern Africa, anyone interested in 19th-century travel will want to follow the wagon tracks and horse trails of the Bents across hundreds of miles of untouched African landscape. Contents: Personal diaries, travel accounts and letters relating to the Bents’ travels and explorations in: Egypt (1885); Zimbabwe (1891); Ethiopia (1893); Sudan (1896); Egypt (1898). Includes extended contributions on the archaeological background to ‘Great Zimbabwe’ by Innocent Pikirayi, and ‘The Stone Birds of Great Zimbabwe’ by William J. Dewey. Additional documents, maps, and Mabel Bent’s own photographs contribute to this important insight into the lives of two of the great British travellers of the nineteenth century. The Travel Chronicles of Mrs J. Theodore Bent. Mabel Bent's diaries of 1883-1898, from the archive of the Joint Library of the Hellenic and Roman Societies, London. Published in three volumes: Volume I – Greece and the Levantine Littoral (2006); Volume II: The African Journeys (2012); Vol III – Southern Arabia and Persia (2010). "...Brisch and Archaeopress have done a major service by reproducing these hidden gems and rescuing Mabel Bent from relative obscurity. This collection is a valuable primary source and will be of immense interest to those interested in female travelogues, historical archaeology, or the daily experiences of European women in colonial Africa." (Reviewed in 'Journal of African History', Vol. 55/2, 2014, 296-298)

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A comprehensive presentation of the provocative, modernist graphic works of Britain’s creator of Art Nouveau This is the first book to bring together the recorded works of the English artist Aubrey Beardsley. Despite his early death from tuberculosis in 1898, at the age of 25, these amount to nearly 1100 completed works of art (plus many related sketches) as well as more than 100 sketches in his letters and the books he owned, and this book includes over 50 that have never previously been published. In his brief career Beardsley made a defining contribution to Art Nouveau in Britain and abroad. He also influenced the early history of modern art, attracting the attention of the young Picasso, for example. His distinctive and innovatory graphic style, combined with highly provocative, often sexual subject matter, outraged critics and led to a period of intense notoriety. Beardsley's drawings span the grotesque, the delicately beautiful, the subtly erotic, and the frankly bawdy, and challenged the moral norms of Victorian society. They enthralled artists and art lovers the world over and continue to enthral today. Linda Gertner Zatlin's text presents Beardsley's drawings with a full record of their making, provenance, exhibition history and references in the art historical literature. This material record is accompanied by often extensive discussions of their themes, motifs and symbolism, as well as their critical reception. Unprecedented in its scope and thoroughness, this study presents Beardsley's work and explores its meanings more comprehensively than any previous work on him; it is likely to remain definitive. This superbly illustrated two volume catalogue, beautifully presented as a boxed set, is both an essential reference for specialists and an accessible and enchanting delight for Beardsley enthusiasts.Published for the Paul Mellon Centre for Studies in British Art

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The eighth action-packed Victorian military adventure featuring hero Jack Lark: soldier, leader, imposter. Expect hard fighting, dangerous bandoleros and double-crossing aplenty as Jack arrives in Mexico. A must-read military adventure for fans of Bernard Cornwell and Simon Scarrow. Dusty deserts, showdowns under the blistering sun, bloodthirsty bandoleros, rough whisky and rougher men. Bullets fly, emotions run high and treachery abounds in The Lost Outlaw. This is classic Jack Lark in a classic western...an exceptionally entertaining historical action adventure' In the midst of civil war, America stands divided. Jack Lark has faced both armies first hand, but will no longer fight for a cause that isn't his. 1863, Louisiana. Jack may have left the battlefield behind, but his gun is never far from reach, especially on the long and lonely road to nowhere. Soon, his skill lands him a job, and a new purpose.Navy Colt in hand, Jack embarks on the dangerous task of escorting a valuable wagon train of cotton down through Texas to Mexico. Working for another man, let alone a man like the volatile Brannigan, isn't going to be easy. With the cargo under constant attack, and the Deep South's most infamous outlaws hot on their trail, Jack knows he is living on borrowed time. And, as they cross the border, Jack soon discovers that the usual rules of war don't apply. He will have to fight to survive, and this time the battle might prove one he could lose. Praise for the Jack Lark series:'Brilliant' Bernard Cornwell'Enthralling' The Times 'You feel and experience all the emotions and the blood, sweat and tears that Jack does... I devoured it in one sitting' Parmenion Books

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'The lamps are going out all over Europe. We shall not see them lit again in our life-time.' The words of Sir Edward Grey, looking out from the windows of the Foreign Office at the end of August 1914, are amongst the most famous in European history, and encapsulate the impending end of the nineteenth-century world.The man who spoke them was Britain's longest-ever serving Foreign Secretary (in a single span of office) and one of the great figures of late Victorian and Edwardian Britain. Statesman of Europe describes the three decades before the First World War through the prism of his biography, which is based almost entirely on archival sources and presents a detailed account of the main domestic and international events, and of the main personalities of the era. In particular, it presents a fresh understanding of the approach to war in the years and months before its outbreak, and Grey's role in the unfolding of events.Yet Grey's life was not all public affairs, momentous as those were. He disliked being in London, much preferring country life at Fallodon, his family estate in Northumberland, and displayed none of the ambition of his contemporaries (or successors). He attended assiduously to his duties as director of the Great North Eastern Railway, one of the transformative enterprises in industry and communications of the period, and wanted to spend as much time as he could fishing. Apart from his memoirs, the only book he wrote was called The Charm of Birds. This hinterland gave quality to his judgements, and made his character attractive to his contemporaries.This important book is the definitive biography of one of the pivotal figures in European diplomacy, and a magnificent portrait of an age.

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For centuries inventors have been dreaming up schemes to allow people to submerge beneath the waves, stay a while then return again unharmed. The Resurgam was designed for this purpose, as a stealthy underwater weapon which was the brainchild of an eccentric inventor realised in iron, timber, coal and steam. The inventor was George William Garrett, a curate from Manchester who designed and built the Resurgam submarine in 1879 using the limited technology available to a Victorian engineer on a small budget. This is not the story of Garrett himself as this story has already been told, instead this book tells the story how the Resurgam was built, how she may have worked and what happened to her. The book introduces Garrett the inventor then puts the creation of Resurgam in context by considering similar submarines being developed at the end of the 19th century. Garrett’s relationship with the Royal Navy is related here as they were his intended client and the tale continues with a description of how the submarine was built and how it may have worked. The end of the story relates how the Resurgam came to be lost in 1880 pieced together from documents and newspaper reports. Curiously, aspects of the tale do not fit with what was found by underwater archaeologists recording the wreck so other ideas are explored about how and why the submarine was lost.

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The loss of reason, a sense of alienation from the commonsense world we all like to imagine we inhabit, the shattering emotional turmoil that seizes hold and won't let go--these are some of the traits we associate with madness. Today, mental disturbance is most commonly viewed through a medical lens, but societies have also sought to make sense of it through religion or the supernatural, or by constructing psychological or social explanations in an effort to tame the demons of unreason. Madness in Civilization traces the long and complex history of this affliction and our attempts to treat it. Beautifully illustrated throughout, Madness in Civilization takes readers from antiquity to today, painting a vivid and often harrowing portrait of the different ways that cultures around the world have interpreted and responded to the seemingly irrational, psychotic, and insane. From the Bible to Sigmund Freud, from exorcism to mesmerism, from Bedlam to Victorian asylums, from the theory of humors to modern pharmacology, the book explores the manifestations and meanings of madness, its challenges and consequences, and our varied responses to it. It also looks at how insanity has haunted the imaginations of artists and writers and describes the profound influence it has had on the arts, from drama, opera, and the novel to drawing, painting, and sculpture. Written by one of the world's preeminent historians of psychiatry, Madness in Civilization is a panoramic history of the human encounter with unreason.

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This is the fourth part of a successful facsimile series which reprints The Modern Traveller, originally published in 30 volumes between 1825 and 1829. Edited by Josiah Conder, the editor of journals like The Eclectic Review or The Patriot, The Modern Traveller was a successful series of travel books published just prior to Britain’s transport revolution which saw the development and rapid expansion of roads and railways. Reflecting Britain’s imperial ambitions and the expansion of its Empire around the globe, the series had global range, including coverage of the Middle East, Africa, North & South America, and Asia. It provided general readers with the latest information on each country’s geography, history, political situation, culture, customs, major cities, travel routes along historic sites, scenic spots, and so on. Each volume contains illustrations and foldout maps which are all faithfully reproduced in the reprint. The fourth part of the series is from the 20th to the 25th volume. It covers Africa and North America, which were both of geopolitical and of commercial interests to Britain in the early nineteenth-century, particularly in view of the slavery trade. Including very interesting descriptions and pre-Victorian British views of the area, these newly available volumes are a valuable source for any researcher interested in the history of the relationships between Britain and those new continents.

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At its heart, this book is an examination of how a new structural material – mass-produced steel – came to be first applied to the buildings of one of the world’s great cities. The focus is evolution and change in London’s buildings and architecture in the late Victorian and early Edwardian period; its emphasis is unashamedly constructional. A great deal has been written about the shape, style and ornament of metropolitan buildings of the period, but comparatively little on their structural anatomy and physiology. The first part examines the technological developments and economic forces that brought structural steel into being. Central to this was the invention of the Bessemer and Siemens-Martin processes which revolutionised steelmaking and enabled the mass production of a metal which outmatched both cast and wrought iron. Steel became the pillar of a new phase of industrialisation and urbanisation throughout the world, and London, where Henry Bessemer had conducted his initial steelmaking experiments, was one of the first cities to make use of it. The second part of the book is an examination of how structural steel was exploited in different types of London building before 1910. As steel construction developed, and buildings became larger and more complex, structure was forced back onto the architectural agenda. Techniques of framing evolved to make buildings more open, better lit, more stable, or to give them stronger floors or wider roofs.

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A new approach to the mysterious ballads, and their relationship with the past. Katharine Briggs Award 2018: Runner Up The ballad genre, and its material, are frequently backward-looking in terms of subject and style: it is ideally suited to the reimagining of past events, both real and fictional. This volume addresses the past of the ballad and the past in the ballad. It challenges existing scholarship by embracing discontinuity rather than continuity, seeing the ballad as belonging to a culture of cheap printand imaginative literature rather than the rarefied construct of a mythical "folk". It finds a conscious antiquarianism and medievalism reinterpreting the genre at different stages of its literary history, at the same time as theballad itself is continually adapting to the needs of readers, singers, and audience. Chapters cover the few remaining examples of the medieval ballad, and Thomas Percy's medievalism; David Mallet's "William and Margaret" andthe beginnings of the gothic mode early in the eighteenth century; ballads of "Sir James the Rose" and the culture of cheap print in Scotland from the late eighteenth through to the early twentieth century; shipwreck ballads on the loss of the Ramillies and "Sir Patrick Spens", and the reimagining of the past in the present, with a diversion into Coleridge's "Dejection: An Ode"; murder ballads, special providence, and the history of mentalities from earlymodern to Victorian times. DAVID ATKINSON is Honorary Research Fellow at the Elphinstone Institute, University of Aberdeen.

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Jack the Ripper's London...an eerily quiet dining room on the Titanic...and a series of murders that covers two decades.1912. Locked in an eerily quiet dining room on the Titanic, a mysterious man tells a young girl his life story as the ship begins to sink. It all starts in Whitechapel, London in 1888...In the small hours of the night in a darkened Whitechapel alley, young Mary Kelly stumbles upon a man who has been seriously injured and is almost unconscious in the gutter. Mary - down on her luck and desperate to survive - steals his bag and runs off into the night.Two days later, an American gentleman wakes in a hospital bed with no memory of who he is or how he got there. He has suffered a serious head injury, and with no one to help him remember who he is he starts to wonder how he will ever find his way home.One terrible truth links these two lost souls in the dark world of Victorian London - a truth that could ruin the name of the most influential man in the land...Back in 1912, as the Titanic begins its final shuddering descent to the bottom of the frozen, black Atlantic, one man is about to reveal the truth behind a series of murders that have hung like a dark fog over London for more than two decades...the identity of Jack the Ripper.

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In this first study to address women in Thackeray's fiction, Clarke draws on the writer's biography as well as his novels, tales, and nonfictional writings to place him in the context of the women's movement. Approaching her analysis from a feminist-sociological perspective, Clarke connects Thackeray's novels to historical developments in nineteenth-century feminism and identifies an evolution in Thackeray's fictional treatment of women. Contrary to traditional representations of the writer as conventional and even hostile to "the Cause, " the portrait of Thackeray that emerges is of a man both of his age and far ahead of it. Clarke explores the relationship of Thackeray's depiction of women to the prevalent discourse on gender that energized nineteenth-century literature. She synthesizes recent Thackeray studies and examines writers and works Thackeray knew - writers including Judith Drake and Sidney Owenson and works including An Essay in Defense of the Female Sex and Woman and Her Master. The life and works of Caroline Norton serve as a particularly important influence and thread throughout Thackeray's writing. Establishing a strong tie between Thackeray's novels and the nineteenth-century women's movement, Clarke offers a new perspective on the complex, distinctive voice of the writer. Because her study demonstrates the views on women of a major nineteenth-century writer as they are reflected in his novels, the study will appeal to scholars of women's studies, the novel, and Victorian literature and history.

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Featuring innovative research by emergent and established scholars, The Fin-de-Siècle Poem throws new light on the remarkable diversity of poetry produced at the close of the nineteenth century in England. Opening with a detailed preface that explains why literary historians have frequently underrated fin-de-siècle poetry, the collection shows how a strikingly rich body of lyrical and narrative poems anticipated many of the developments traditionally attributed to Modernism. Each chapter provides insights into the ways in which late-nineteenth-century poets represented their experiences of the city, their attitudes toward sexuality, their responses to empire, and their interest in religious belief. The eleven essays presented by editor Joseph Bristow pay renewed attention to the achievements of writers such as Oscar Wilde, John Davidson, Ernest Dowson, Lionel Johnson, and W. B. Yeats, who dominated the literary scene of the 1890s. This book also explores the lesser-known but equally significant advances made by notable women poets, including Michael Field, Amy Levy, Charlotte Mew, Alice Meynell, A. Mary F. Robinson, and Graham R. Tomson. The Fin-de-Siècle Poem brings together innovative research on poetry that has been typecast as the attenuated Victorianism that was rejected by Modernism. The contributors underscore the remarkable innovations in English poetry of the 1880s and 1890s and show how women poets stood shoulder-to-shoulder with their better-known male contemporaries.

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Once notorious but now largely forgotten, the political idealist and radical John Baxter Langley was typical of the well-educated and ethical Victorians who struggled to create a fairer, more equal society. Through a long and wide-ranging career of political agitation he was a journalist, editor and owner of several newspapers, was prominent in the call for franchise reform, and opposed religious legislation that prevented Sunday entertainment and education for working men and women. Langley was also integral to the founding of a trade union, campaigned for an end to public executions and built affordable housing in Battersea. Internationally, he condemned the Second Opium War, exposed British brutality in India and worked covertly for Lincoln’s administration. He was a fellow-traveller for many other key radicals of the day, while his founding of the ‘Church of the Future’ garnered the support of Charles Darwin, James Martineau and John Stuart Mill. Through a chronological narrative of Langley's activities, this book provides an overview of many of the most significant political causes of the mid- to late nineteenth century. These include electoral reform, feminism, slavery, racism, trade unionism, workers' rights, the free press, leisure, prostitution, foreign relations and espionage. A neglected but important figure in the history of nineteenth-century radicalism, this work gives John Baxter Langley the attention he deserves and reveals the breadth of his legacy.

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When Celerie Kemble laid eyes on a wild swath of jungle in the Dominican Republic next to mint green water and an endless stretch of golden sand, she fell madly in love. Against all odds, she designed a home away from home there, an island retreat suffused with light and air, full of indoor and outdoor rooms for relaxation. Drawing inspiration from a childhood where whimsy was part of her home s foundation, she blended meaningful, unique, and surprising design choices and details into these spaces. There is the lacy tragaluz fretwork above the doors that lets in breezes and echoes the Victorian influences in a town near the property. There are the artisanal tiles with patterns reminiscent of the strangely beautiful flora of the jungle. There are the sweet pastel-coloured bungalows and the art, objects, and textiles in dark hues reminiscent of a Gauguin painting. Throughout this lovingly crafted book about Kemble s own island design journey, ideas abound for anyone decorating a sunny home or fantasizing about spending time in one. Kemble shares inspiration for creating a sense of openness to the sea, sand, and sky; offering places to wash sandy feet or perfect viewing spots for a sunset-saturated drink; and infusing spaces with a sense of welcome, invitation, and magic. Bunny Williams s An Affair with a House meets India Hicks s Island Style in this gorgeously photographed, open-hearted volume.

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Great British Women is a Quality Pocket Book ( A6 ) which presents the lives of remarkable British women who made a mark on their country, and beyond. From the defiant warrior Boudicca to contemporary women found in every field, the reader will meet some of the most remarkable women in British history from Roman times to modern day. This handy book offers tales of women who led empires, shaped civilisation and excelled in creativity. Read about medieval great Queens such as Eleanor, suffragettes and scientists such as Wollstonecraft and Somervillle, as well as heroic war acts and advances in fields which were often off-limits to women. Find out about the first woman to rule an Anglo-Saxon kingdom, the first to patent a bridge, the first to sit in parliament and the first to become prime minister. Do you know which woman helped create modern Iraq, which wrote 'the greatest English novel' and which sold her unique propellers to the Victorian navy? Individual pages with original illustrations for each woman reveal their background together with the influences and challenges which shaped their lives, all in a concise and readable way. From politics to poetry and sports to science, meet the extraordinary British women whose words, actions and innovations deserve recognition. As is now tradition with the White on Black brand, a donation from each sale will be given to Womens Aid

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** The first Biographic of a fictional character ** The Biographic series presents an entirely new way of looking at the lives of the world's greatest thinkers and creatives. It takes the 50 defining facts, dates, thoughts, habits and achievements of each subject, and uses infographics to convey all of them in vivid snapshots. Each Biographic title is designed to be as entertaining as it is informative. Timelines not only pinpoint significant dates, but set them in the context and culture of their times. Dynamic maps locate biographical events alongside other points of interest. Character traits are illuminated by visual comparisons. Many people know that Sherlock Holmes was an enigmatic detective who, with his companion Dr Watson, pursued criminals through Victorian and Edwardian England. What, perhaps, they don't know is that he investigated 60 fully documented cases, including 37 murders; that 46 of those cases began in his offices at 221B Baker Street; that only three of them involved his nemesis Moriarty; and that in his later years Holmes spent his time beekeeping on the Sussex Downs. Biographic: Sherlock presents an investigative guide to his life and work, with an array of clues and observations converted into infographics to reveal the detective behind the detection. SELLING POINTS: . Sherlock Holmes through 50 defining facts, thoughts, habits and achievements . Entertaining and informative infographics . Stylish gift for lovers of classic fiction 150 illustrations

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Crowds of visitors flock to Whitby to explore the ancient abbey, walk the narrow streets, pass Captain Cook’s home and see the replica of his ship Endeavour, but the history of Whitby is much richer, as revealed in this tour of its significant, interesting and unusual buildings. After the Dissolution of the Monasteries the Cholmley family took over much of the abbey’s lands, building a grand home and developing the port and local industries. Whitby became one of the busiest ports in the land and magnificent Georgian buildings testify to the wealth brought into the town, not least through whale hunting. Other grand buildings of this time were constructed on wealth from the elsewhere, including slave plantations in the Caribbean. The town has also preserved the more modest homes of sailors and fishermen, including charitable housing, and the continuing connection with the sea is also represented by lighthouses, the foghorn station and lifeboat stations. More recently Whitby has become a holiday destination, with Victorian and more recent hotels, cinemas and a lido built for the use of visitors and local inhabitants. Whitby in 50 Buildings explores the history of this fascinating Yorkshire coastal resort through a selection of its most interesting buildings and structures, showing the changes that have taken place over the years. The book will appeal to all those who live in Whitby or who know it well.

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This is the story of a man who went from Yorkshire mill worker to Monte Carlo millionaire. Amongst the men ‘who broke the bank at Monte Carlo’, Joseph Hobson Jagger is unique. He is the only one known to have devised an infallible and completely legal system to defeat the odds at roulette and win a fortune. But he was not what might be expected. He wasn’t a gentleman or an aristocrat, he wasn’t a professional gambler, he was a Yorkshire textile worker who had laboured in the Victorian mills of Bradford since childhood. What led a man like this to travel nearly a thousand miles to the exclusive world of the Riviera when most people lived and died within a few miles of where they were born? The trains that took him there were still new and dangerous, he did not speak French and had never left the north of England. His motivation was strong. Joseph, his wife and four children, the youngest of whom was only two, faced a situation so grave that their only escape seemed to be his desperate gamble on the roulette tables of Monte Carlo. Today Jagger’s legacy is felt in casinos worldwide and yet he is virtually unknown. Anne Fletcher is his great-great-great niece and in this true-life detective story she uncovers how he was able to win a fortune, what happened to his millions and why Jagger should now be regarded as the real ‘man who broke the bank at Monte Carlo’.

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Gruel and truffles, wine and gin, opium and cocaine. Making a Man: Gentlemanly Appetites in the Nineteenth-Century British Novel addresses consumption of food, drink, and drugs in the conspicuously consuming nineteenth century in order to explore the question of what, in fact, makes a man in novels of the period. Gwen Hyman analyzes the rituals of dining room, drawing room, opium den, and cocaine lab, and the ways in which these alimentary behaviors make, unmake, and remake the gentlemanly body. The gentleman, Making a Man argues, is a dangerous alimental force. Threatened with placelessness, he seeks to locate and mark himself through his feasting and fasting. But in doing so, he inevitably threatens to starve, to subsume, to swallow the community around him. The gentleman is at once fundamental and fundamentally threatening to the health of the nation: his alimental monstrousness constitutes the nightmare of the period’s striving, anxious, alimentally fraught middle class. Making a Man makes use of food history and theory, literary criticism, anthropology, gender theory, economics, and social criticism to read gentlemanly consumers from Mr. Woodhouse, the gruel-eater in Jane Austen’s Emma, through the vampire and the men who hunt him in Bram Stoker’s Dracula. Hyman argues that appetite is a crucial means of casting light on the elusive identity of the gentleman, a figure who is the embodiment of power and yet is hardly embodied in Victorian literature.

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'Animal lovers will delight' Ann Granger'A real treat . . . I loved it. Cats, dogs, murder and a credible and relatable heroine' Barbara NadelDriving home from a ceramics evening class, Clarice Beech reflects on the absence of one of her students, Colin Compton-Smythe. Later, Emily, Colin's daughter, telephones to say her father has died during routine surgery. Distraught, Emily opens up to Clarice about his wretched childhood and the day five-year-old Colin returned home to discover Avril, his mother, gone. Colin never believed she would have left without him and had been trying to find out more about Avril's disappearance all those years ago.Clarice readily agrees to accompany Emily to Colin's funeral. On arriving at the stunning Victorian Gothic manor house, with Bellatrix, the majestic stone Siamese cat reposing at its entrance, Clarice soon becomes drawn into the fractious world of the Compton-Smythe family: Colin's argumentative father Ralph and his equally combative partner Tessa, their daughter, Dawn, being stalked by an ex-lover and, most unsettling of all, Ernestine, Ralph's emotionally unpredictable sister. And then there's Johnson, Ralph's menacing manservant.Clarice discovers the nearer she gets to the truth, the greater she is in danger as somebody is intent that the mystery of the missing wife should never be resolved.

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. The Royal Botanic Gardens, Kew has a gallery dedicated to the paintings of the remarkable Victorian artist Marianne North, who had a great eye for botanical detail. She set out in 1871 on a painterly progress through world flora. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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Originally published in 1966. In his lifetime, Gerard Manley Hopkins was known as a poet only by a small circle of his friends. More than any other major Victorian writer, he was recovered and presented as a poet to modern readers by editors and scholars of the first half of the twentieth century. This book analyzes how and to what extent the presuppositions of these critics have dictated the modern conception of Hopkins's work. Bender seeks to dispel, once and for all, the notion that Hopkins was a naïf poet. He provides an analysis of classical Greek and Latin rhetoric relative to the classical background of Hopkins's style and the structure in his poetry. He maintains that especially in Hopkins's more extreme work, such as "The Wreck of the Deutschland," there are precedents for the structure of the poem itself, the structure of the sentences within the poem, and its sensual and obscure imagery in the classical literature that Hopkins knew so well.Bender's study suggests two highly controversial positons: first, that although Hopkins is one of the most original voices in English, his poetry is within a tradition insufficiently recognized by modern critics; and second, that the effect of careful and sympathetic study of classical literature can induce quite the opposite of a neoclassical style in English.

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In nineteenth-century England, marriage between first cousins was both legally permitted and perfectly acceptable. After mid-century, laws did not explicitly penalize sexual relationships between parents and children, between siblings, or between grandparents and grandchildren. But for a widower to marry his deceased wife's sister was illegal on the grounds that it constituted incest. That these laws and the mores they reflect strike us today as wrongheaded indicates how much ideas about kinship, marriage, and incest have changed. In Family Likeness, Mary Jean Corbett shows how the domestic fiction of novelists including Jane Austen, Charlotte Brontë, George Eliot, Elizabeth Gaskell, and Virginia Woolf reflected the shifting boundaries of "family" and even helped refine those borders. Corbett takes up historically contingent and culturally variable notions of who is and is not a relative and whom one can and cannot marry. Her argument is informed by legal and political debates; texts in sociology and anthropology; and discussions on the biology of heredity, breeding, and eugenics. In Corbett's view, marriage within families—between cousins, in-laws, or adoptees—offered Victorian women, both real and fictional, an attractive alternative to romance with a stranger, not least because it allowed them to maintain and strengthen relations with other women within the family.

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A bold reassessment of nineteenth-century British painter and decorative artist Edward Burne-Jones, elucidating his fundamentally radical defiance of the Victorian age Challenging the dominant characterization of Edward Burne-Jones as an escapist who withdrew from the modern world into imaginary realms of his own creation, this groundbreaking book argues that he was engaged in a fundamentally radical defiance of the age, protesting against imperial aggression, capitalist economic inequality, and environmental destruction in the wake of the industrial revolution. Harnessing the utopian power of embodied aesthetic encounters, Burne-Jones drew inspiration from the medieval concept of dreams as visionary states of transformation. Therefore, his art functioned not as a retreat, but as a vehicle for revolutionary awakening. Often characterized as a painter, this book re-centers Burne-Jones’s practice in the decorative arts, demonstrating that he consistently interrogated the boundaries of artistic media, in keeping with wider debates over the role of the arts in the nineteenth century. The first scholarly monograph solely devoted to Burne-Jones since 1973, The Radical Vision of Edward Burne-Jones offers a thorough re-examination of his work, illuminating his radical defiance of the artistic, social, and political hierarchies of nineteenth-century Britain.Distributed for the Paul Mellon Centre for Studies in British Art

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Gold Medal (tie) in the 2022 Independent Publisher Book Awards (IPPYs) - History (U.S.) Category. A rich account of 1920s to 1950s New York City, starring an eclectic mix of icons like James Joyce, Margaret Sanger, and Alfred Kinsey—all led by an unsung hero of free expression and reproductive rights: Morris L. Ernst. At the turn of the twentieth century, the United States was experiencing an awakening. Victorian-era morality was being challenged by the introduction of sexual modernism and women's rights into popular culture, the arts, and science. Set during this first sexual revolution, when civil libertarian-minded lawyers overthrew the yoke of obscenity laws, Dirty Works focuses on a series of significant courtroom cases that were all represented by the same lawyer: Morris L. Ernst. Ernst's clients included a who's who of European and American literati and sexual activists, among them Margaret Sanger, James Joyce, and Alfred Kinsey. They, along with a colorful cast of burlesque-theater owners and bookstore clerks, had run afoul of stiff obscenity laws, and became actors in Ernst's legal theater that ultimately forced the law to recognize people's right to freely consume media. In this book, Brett Gary recovers the critically neglected Ernst as the most important legal defender of literary expression and reproductive rights by the mid-twentieth century. Each chapter centers on one or more key trials from Ernst's remarkable career battling censorship and obscenity laws, using them to tell a broader story of cultural changes and conflicts around sex, morality, and free speech ideals. Dirty Works sets the stage, legally and culturally, for the sexual revolution of the 1960s and beyond. In the latter half of the century, the courts had a powerful body of precedents, many owing to Ernst's courtroom successes, that recognized adult interests in sexuality, women's needs for reproductive control, and the legitimacy of sexual inquiry. The legacy of this important, but largely unrecognized, moment in American history must be reckoned with in our contentious present, as many of the issues Ernst and his colleagues defended are still under attack eight decades later.

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This NKJV Large Print Thinline Bible is inviting to pick up and hard to put down. Unique to this edition, the words of Christ are highlighted in a restful blue ink that’s easy to read and colorblind-friendly.The slim design of the NKJV Large Print Thinline Reference Bible means you can bring it along, wherever your day takes you. This large print edition features Thomas Nelson’s NKJV Comfort Print®, designed to provide a smooth reading experience of the accurate and beautiful New King James Version. And with features including extensive cross-references, concordance, and full-color maps, you’ll still have the tools to get more out of God’s Word. Features include: Presentation page to personalize this special gift by recording a memory or a note Words of Christ in blue quickly identify verses spoken by Jesus Double column provides a nice readable flow of the text End-of-page cross-references and translator notes allow you to find related passages quickly and easily Concordance for finding a word’s occurrences throughout the Bible Full-color maps show a visual representation of Israel and other biblical locations for better context Durable Smyth-sewn binding lies flat in your hand or on your desk Two satin ribbon markers for you to easily navigate and keep track of where you are reading Elegant, gilded page-edge design Clear and readable 10-point NKJV Comfort Print About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.

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This NKJV Large Print Thinline Bible is inviting to pick up and hard to put down. Unique to this edition, the words of Christ are highlighted in a restful blue ink that’s easy to read and colorblind-friendly.The slim design of the NKJV Large Print Thinline Reference Bible means you can bring it along, wherever your day takes you. This large print edition features Thomas Nelson’s NKJV Comfort Print®, designed to provide a smooth reading experience of the accurate and beautiful New King James Version. And with features including extensive cross-references, concordance, and full-color maps, you’ll still have the tools to get more out of God’s Word. Features include: Presentation page to personalize this special gift by recording a memory or a note Words of Christ in blue quickly identify verses spoken by Jesus Double column provides a nice readable flow of the text End-of-page cross-references and translator notes allow you to find related passages quickly and easily Concordance for finding a word’s occurrences throughout the Bible Full-color maps show a visual representation of Israel and other biblical locations for better context Durable Smyth-sewn binding lies flat in your hand or on your desk Two satin ribbon markers for you to easily navigate and keep track of where you are reading Elegant, gilded page-edge design Clear and readable 10-point NKJV Comfort Print About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.

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'She sells sea shells on the sea shore' - and she really did! This rhyme is thought to have been written about Mary Anning, an amazing fossilist and dinosaur expert, who was almost unknown at the time she lived. This biography explores the life of Mary Anning, from her first fossil finds at the age of ten to her sales of important discoveries to wealthy scientists. Mary's fossil finds made a great contribution to what scientist understood about pre-historic life. Through the story of Mary Anning, readers learn about life and society in the 1800s and Victorian Britain. We learn what it was like to be born into a poor family and about the roles of women in society and in the field of science. Readers will learn to draw conclusions from the evidence provided - a great basis for class discussions.History VIP biographies each look at the life of a famous Briton telling the stories of these Very Important People with clear, lively text. Amazing facts are added with feature panels and lively illustrations give visual information of the time and society the VIP lived in. With these key biographies students learn how individual people's actions have shaped the course of history. Key terms are defined in an easy-to-use glossary encouraging readers to use historical terms in their own work. History VIPs biographies focus on key subjects in the history curriculum for Key Stages 2 and 3, exploring the impact of exceptional figures in history and the society and culture in Britain at the time that they lived. Features include:In other news - these panels give context and help readers to understand the society and events of the wider world in which the subject livedTrue or False - questions lead students to question information and to interact with the facts they are presented with. What they said - quote features bring the subjects to life using their own words!WOW! - Boxes add humorous or amazing information to astound the reader and bring out the hilarious side of history

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Celebrated novelist, biographer and critic Peter Ackroyd paints a vivid picture of one of the world's greatest cities in this brilliant and original work, exploring how the city's many hues have come to shape its history and identity. Think of the colours of London and what do you imagine? The reds of open-top buses and terracotta bricks? The grey smog of Victorian industry, Portland stone and pigeons in Trafalgar square? Or the gradations of yellows, violets and blues that shimmer on the Thames at sunset – reflecting the incandescent light of a city that never truly goes dark? We associate green with royal parks and the District Line; gold with royal carriages, the Golden Lane Estate, and the tops of monuments and cathedrals.Colours of London shows us that colour is everywhere in the city, and each one holds myriad links to its past. The colours of London have inspired artists (Whistler, Van Gogh, Turner, Monet), designers (Harry Beck) and social reformers (Charles Booth). And from the city’s first origins, Ackroyd shows how colour is always to be found at the heart of London’s history, from the blazing reds of the Great Fire of London to the blackouts of the Blitz to the bold colours of royal celebrations and vibrant street life. This beautifully written book examines the city's fascinating relationship with colour, alongside specially commissioned colourised photographs from Dynamichrome, which bring a lost London back to life. London has been the main character in Ackroyd's work ever since his first novel, and he has won countless prizes in both fiction and non-fiction for his truly remarkable body of work. Here, he channels a lifetime of knowledge of the great city, writing with clarity and passion about the hues and shades which have shaped London's journey through history into the present day. A truly invaluable book for lovers of art, history, photography or urban geography, this beautifully illustrated title tells a rich and fascinating story of the history of this great and ever-changing city.

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Between 1865 and 1937, Pinkerton's National Detective Agency was at the center of countless conflicts between capital and labor, bandits and railroads, and strikers and state power. Some believed that the detectives were protecting society from dangerous criminal conspiracies; others thought that armed Pinkertons were capital's tool to crush worker dissent. Yet the image of the Pinkerton detective also inspired romantic and sensationalist novels, reflected shifting ideals of Victorian manhood, and embodied a particular kind of rough frontier justice. Inventing the Pinkertons examines the evolution of the agency as a pivotal institution in the cultural history of American monopoly capitalism. Historian S. Paul O'Hara intertwines political, social, and cultural history to reveal how Scottish-born founder Allan Pinkerton insinuated his way to power and influence as a purveyor of valuable (and often wildly wrong) intelligence in the Union cause. During Reconstruction, Pinkerton turned his agents into icons of law and order in the Wild West. Finally, he transformed his firm into a for-rent private army in the war of industry against labor. Having begun life as peddlers of information and guardians of mail bags, the Pinkertons became armed mercenaries, protecting scabs and corporate property from angry strikers. O'Hara argues that American capitalists used the Pinkertons to enforce new structures of economic and political order. Yet the infamy of the Pinkerton agent also gave critics and working communities a villain against which to frame their resistance to the new industrial order. Ultimately, Inventing the Pinkertons is a gripping look at how the histories of American capitalism, industrial folklore, and the nation-state converged.

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Like their penchant for clubs, cricket, and hunting, the planting of English gardens by the British in India reflected an understandable need on the part of expatriates to replicate home as much as possible in an alien environment. In Flora's Empire, Eugenia W. Herbert argues that more than simple nostalgia or homesickness lay at the root of this "garden imperialism," however. Drawing on a wealth of period illustrations and personal accounts, many of them little known, she traces the significance of gardens in the long history of British relations with the subcontinent. To British eyes, she demonstrates, India was an untamed land that needed the visible stamp of civilization that gardens in their many guises could convey. Colonial gardens changed over time, from the "garden houses" of eighteenth-century nabobs modeled on English country estates to the herbaceous borders, gravel walks, and well-trimmed lawns of Victorian civil servants. As the British extended their rule, they found that hill stations like Simla offered an ideal retreat from the unbearable heat of the plains and a place to coax English flowers into bloom. Furthermore, India was part of the global network of botanical exploration and collecting that gathered up the world's plants for transport to great imperial centers such as Kew. And it is through colonial gardens that one may track the evolution of imperial ideas of governance. Every Government House and Residency was carefully landscaped to reflect current ideals of an ordered society. At Independence in 1947 the British left behind a lasting legacy in their gardens, one still reflected in the design of parks and information technology campuses and in the horticultural practices of home gardeners who continue to send away to England for seeds.

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In the kingdom of Fairyland-Below, preparations are underway for the annual Revels . . . but aboveground, the creatures of Fairyland are in no mood for a party. It has been a long time since young September bid farewell to Fairyland, and she is excited to see it again; but upon her return she is shocked to find that her friends have been losing their shadows, and therefore their magic, to the kingdom of Fairyland-Below... It spells certain disaster and September won't stand for it. Determined to make amends, she travels down into the underworld where, among creatures of ice and moonlight, she encounters a face she recognizes all too well: Halloween, the Hollow Queen. Only then does September realize what she must do to save Fairyland from slipping into the mundane world forever.Come and join in the Revels with September and her friends. But be warned: in Fairyland-Below, even the best of friends aren't always what they seem . . . Praise for The Girl Who Circumnavigated Farilyand in a Ship of Her Own Making:'A glorious balancing act between modernism and the Victorian Fairy Tale, done with heart and wisdom.' Neil Gaiman.'An Alice in Wonderland for the 21st century... So effortless, so vivid, so funny. Every page has a phrase or observation to savour and her characters are wondrous creations.' Sunday Telegraph.'A charming modern fairytale...with a knowing twinkle in its eye.' Telegraph.'A whole esoteric world of whimsy - Alice meets the Wizard of Oz meets the Persephone story with a whiff of Narnia.' Independent on Sunday.'Bundles of imagination and wry wit.' Financial Times.

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In days of old, Christmas was defined by the custom of exchanging simple handmade gifts. Today, it has become a multi-billion industry, synonymous with commercialism and consumption. How did this transformation occur? In this incisive and engaging examination of how Christmas has evolved since 1880, Waits chronicles the history of the holiday, from its origin to its current form. The book is illustrated with dozens of historical photographs and will be of interest to cultural and social historians alike. Christmas was a relatively modest occasion in the English- speaking world, celebrated by the exchange of modest handmade gifts, until the Victorians invested the holiday with immense significance as part of a larger effort to celebrate home, family, and a mythic past of well-ordered communities. By the late 19th century, Christmas had become a major American festival. Today, it is a multi-billion dollar industry and easily the most important seasonal event of the year. In this survey of the modern American Christmas, William Waits shows us how this holiday emerged, tracing its evolution from the days prior to 1880 when people presented one another with simple crafted presents to the turn of the century when industrialization brought with it waves of inexpensive, tawdry gimcracks. In the early twentieth century, reform-minded Americans reflecting on the new Christmas prompted a backlash against this cheapening of the Yule tradition, and the Christmas card was born. Henceforth, family members and close friends exchanged useful, costly items, while cards were sent to acquaintances and distant relatives. These reformers also persuaded retail stores to keep their regular hours of business during the holiday, rather than lengthening them, to give trade workers the opportunity to join in the celebration. They also rationalized the collection and distribution of holiday charity, resulting in the Christmas celebration we have today. Waits's book clearly illustrates that the notion that Christmas is uncontrollable is simply untrue. An incisive and engaging history of giftgiving, The Modern Christmas in Americaalso examines the differing traditions of giftgiving to friends, employees, the poor, and among entire communities. Handsomely illustrated with dozens of historical photographs, this book is not only the perfect holiday gift but will also be of interest to any student of American history and culture.

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This NKJV Large Print Thinline Bible is inviting to pick up and hard to put down. Unique to this edition, the words of Christ are highlighted in a restful blue ink that’s easy to read and colorblind-friendly.The slim design of the NKJV Large Print Thinline Reference Bible means you can bring it along, wherever your day takes you. This large print edition features Thomas Nelson’s NKJV Comfort Print®, designed to provide a smooth reading experience of the accurate and beautiful New King James Version. And with features including extensive cross-references, concordance, and full-color maps, you’ll still have the tools to get more out of God’s Word. Features include: Presentation page to personalize this special gift by recording a memory or a note Words of Christ in blue quickly identify verses spoken by Jesus Double column provides a nice readable flow of the text End-of-page cross-references and translator notes allow you to find related passages quickly and easily Concordance for finding a word’s occurrences throughout the Bible Full-color maps show a visual representation of Israel and other biblical locations for better context Durable Smyth-sewn binding lies flat in your hand or on your desk Two satin ribbon markers for you to easily navigate and keep track of where you are reading Elegant, gilded page-edge design Clear and readable 10-point NKJV Comfort Print About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.

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How much do the English really care about their stately homes? In this pathbreaking and wide-ranging account of the changing fortunes and status of the stately homes of England over the past two centuries, Peter Mandler melds social, cultural, artistic, and political perspectives and reveals much about the relationship of the nation to its past and its traditional ruling elite. Challenging the prevailing view of a modern English culture besotted with its history and its aristocracy, Mandler portrays instead a continuously changing and modernizing society in which both popular and intellectual attitudes toward the aristocracy—and its stately homes—have veered from selective appreciation to outright hostility and only recently to thoroughgoing admiration.With great panache, Mandler adds the missing pieces to the story of the country house. Going beyond its architects and its owners, he brings to center stage a much wider cast of characters—aristocratic entrepreneurs, anti-aristocratic politicians, campaigning conservationists, ordinary sightseers and voters—and a scenario full of incident and local and national color. He traces attitudes toward the stately homes, beginning in the first half of the nineteenth century when public feeling about the aristocracy was mixed and divided. Criticism of the "foreign" and "exclusive" image of the typical aristocratic country house was widespread. At the same time, interest grew in those older houses that symbolized an olden time of imagined national harmony. The Victorian period also saw the first mass tourist industry, and a strong popular demand emerged for the right to visit all the stately homes. By the 1880s, however, hostility toward the aristocracy made appreciation of any country house politically treacherous, and interest in aristocratic heritage declined steadily for sixty years. Only after 1945, when the aristocracy was no longer seen as a threat, was a gentle revival of the stately homes possible, Mandler contends, and only since the 1970s has that revival become a triumphant appreciation. He enters today's debate with a discussion of how far people today—and tomorrow—are willing to see the aristocracy's heritage as their own.

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"Christmas seems to have been always with us. It is that time of year when we expect good cheer and goodwill, a moment's respite from the year's vicissitudes, solace during difficult times," writes James Ballowe in his introduction to Christmas in Illinois. This book is about the holiday as remembered by Illinoisans. Some are widely familiar--John W. Allen, Gwendolyn Brooks, Sandra Cisneros, Mike Royko, Carl Sandburg, Joseph Smith--but most are known only in their close-knit communities that together represent the very best of the Prairie State. We learn here about the customs of Christmas from Chicago to Cairo, Belleville to Danville, before statehood to the present day, through hard times and good. Tales, poems, news reports, memoirs, recipes, and images are arranged in sections on Christmas in Illinois history, living traditions, songs and symbols, Christmas outdoors, eating merrily, and memories. We see how bright an occasion Christmas has been, and sometimes amusing, raucous, or even dark. The collection's highlights include Chicago's Christmas tree ship, Peoria's Santa Parade, Rockford's Julotta service, a Victorian holiday in Bloomington, and Audubon's 1810 Christmas on the Cache River. Nature writers detail holiday bird-watching expeditions along the North Shore and in deepest southern Illinois. A letter from a member of the 130th Illinois Infantry captures Christmas Day 1863, and Jack McReynolds recalls West Frankfort's 1951 Orient Number Two mine disaster that thereafter haunted the holiday for him and many others. The holiday table is not neglected, with traditional recipes for wild game, pickled herring, and all manner of Christmas cookies. A wide array of illustrations includes images of Chicago's grand State Street parade, the Santa Lucia celebration at Bishop Hill, Belleville's Santa Claus House, Millikin University's Vespers tradition, the University of Illinois madrigal singers, Studs Terkel singing songs of good cheer, and the holiday art of Edgar Rice Burroughs. Heat up some cider, put a log on the fire, and curl up with Christmas in Illinois to share the holiday with friends both old and new.

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Published on the occasion of Damien Hirst's exhibition at White Cube in Hong Kong in the spring of 2013. Among many new works illustrated in the publication are pieces from some of Hirst's latest series: the Entomology paintings and the Blade paintings. Hirst began work on the Entomology paintings in 2009. Each piece is made by placing hundreds of varieties of insect and beetle species into household gloss paint, in intricate geometric patterns. The series is reminiscent of Hirst's iconic series of butterfly wing Kaleidoscope pieces, dating from 2001, which were originally inspired by Victorian tea trays. As with the butterfly--one of Hirst's most enduring "universal triggers"--the insects' appeal derives largely from the appearance of life they retain in death. However, whilst the iridescent beauty of the wings in the Kaleidoscope series evoke stained glass windows, and are often assigned spiritual titles, the Entomology paintings are named after phases and characters in Dante Alighieri's tortuous vision of the afterlife, The Divine Comedy. The works also allude to Hirst's longterm interest in the nineteenth-century fascination with natural history and the irony involved in having to kill something in order to look at it. The Blade paintings are amongst the newest series of works in Hirst's practice. Thousands of variously shaped scalpel blades are positioned on a canvas in spectacular, mandala-like patterns. In some of the works, intermittent areas of coloured gloss paint have been layered in between the blades. The Blade paintings reference two of Hirst's seminal earlier series. While their geometric patterns recall the earlier series of butterfly Kaleidoscope paintings, in their use of surgical instruments, Hirst also returns to one of his most recognisable themes: medicine, and its inevitable futility in the face of our mortality. The surgical materials, first used by Hirst in his early 90s instrument cabinets, are described by the artist as "phenomenal objects because they have to have this confidence and this belief. They are the best quality. They are brilliantly designed, for all the right reasons." With the Blade paintings, the instruments eventual inability to arrest decay is highlighted by their relegation to decorative status.

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In the middle of the nineteenth century, most of New Brunswick was pristine wilderness. But by the end of the century the map of eastern Canada would be changed forever by the sport of salmon angling, and by the adventurers, gentlemen, rakes, and royalty, who were drawn together in their lust for the finest of fish. In Lost Land of Moses, Peter Thomas recounts the dramatic changes that occurred between 1840 and 1880, as strenuous wilderness idylls became the Victorian equivalent of adventure tourism. To illustrate his story, he has chosen more than fifty engravings, cartoons, maps, and photographs from archival collections and 19th century books and magazines. Moses Perley was a New Brunswick lawyer with a gift for contagious enthusiasm. Between 1839 and 1841, he published a series of articles in the British magazine Sporting Review describing his canoe trips with Mi'kmaq or Maliseet companions. The articles inspired a generation of young adventurers to visit New Brunswick. Soon, these young British gentlemen were joined by the rich and famous, as steamships brought fishermen right to the rivers, and needs were supplied by professional outfitters. In 1879, the Marquess of Lorne, then Governor General of Canada, and his daring wife, Princess Louise, spent two glorious weeks on the Restigouche, complete with a vice-regal retinue, a houseboat called Great Caesar's Ghost, and carpeted tents. The New Brunswick salmon waters were open for business. Many of the consequences of this influx were dire. Leases were let on the rivers, allowing only wealthy people to fish them. They founded clubs, built expansive camps, and hired wardens to patrol the pools. Most troubling of all, by the 1880s, the Mi'kmaq and Maliseet, at first respected as knowledgeable guides into their own territory, had been reduced to being perceived as mere servants. Moses Perley never foresaw the changes that large numbers of visitors would bring to New Brunswick's teeming salmon rivers. Lost Land of Moses reveals the consequences of his crusade to lure fly fishermen to New Brunswick. For good and ill, the legacy of those forty years is with us today.

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The first comprehensive biography of this undervalued writer, who was considered 'far and away the best living woman poet' in her day.Andrew Motion's Spectator Book of the Year.'One of the many achievements of This Rare Spirit is its rejection of that tired view of the poet as mouse that barely roared in favour of a true sense of a spikily modern woman, bound by various obligations but resilient, headstrong, and poetically inventive . . . Copus's diligent, scholarly, sensitive work should help Mew's pipe play on for years to come.' Declan Ryan, Los Angeles Review of Books'[A] supreme biography . . . It is hard to do justice to the breadth of research Copus has done here, or the compassionate, detailed conjuring of Mew and her milieu . . . An essential book, a classic work of literary biography.' Seán Hewitt, Irish Times'[K]eenly intelligent, fascinating and nuanced biography . . . Save Charlotte Mew! And read this book.' Joanna Kavenna, Literary Review'An exquisitely told account of the life of a half-forgotten London poet whose work was admired by Hardy, Sassoon and Virginia Woolf. Julia Copus does her justice at last.' Claire Tomalin'This Rare Spirit is a classic - the biography of Mew we have all been waiting for.' Fiona BensonThe British poet Charlotte Mew (1869-1928) was regarded as one of the best poets of her age by fellow writers, including Virginia Woolf, Siegfried Sasson, Walter de la Mare and Marianne Moore. She has since been neglected, but her star is beginning to rise again, all the more since her 150th anniversary in 2019. This is the first comprehensive biography, from cradle to grave, and is written by fellow poet Julia Copus, who recently unveiled a blue plaque on Mew's childhood house in Doughty Street and was the editor of the Selected Poetry and Prose (2019).Mew was a curious mix of New Woman and stalwart Victorian. Her poems speak to us strongly today, in these strangely mixed times of exposure and seclusion: they reveal the private agony of an isolated being who was forced to keep secret the tragedies of her personal life while being at the same time propelled by her work into the public arena. Her poetry transfigures that very private suffering into art that has a universal resonance.

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'To construct a civilization around the nostrum that the public realm is morally, economically and socially inferior to the private realm is to submit to an alien barbarism in which what we hold in common is permanently placed as second best. David Marquand has constructed a masterly and highly readable plea for the idea of the public once again to be celebrated in British life. His re-entry into the national conversation could not be better timed or more important. Let's hope our fellow citizens take arms in the battle he invites us to join.' --Will Hutton, Columnist, Observer Newspaper 'A profound analysis of the decline of the public realm and the growth of unaccountable government in Britain. The summation of a life's work by one of Britain's leading political thinkers.' --John Gray, The London School of Economics The public domain of citizenship, equity and service is crucial for individual fulfilment and social well-being. But it has been under attack for thirty years – first from the market fundamentalists of the New Right, and then from their New Labour imitators. The results are everywhere – resource-starved public services; the marketization of the public sector; the soul-destroying targets and audits that go with it; the denigration of professionalism and the professional ethic; and the erosion of public trust. More damaging still are the hollowing out of citizenship, the manipulative populism that now pervades British government and a slide towards a new version of the 'Old Corruption' that our Victorian ancestors thought they had banished. David Marquand traces the growth of the public domain from Gladstone to Attlee, analyses the forces that began to undermine it in its post-war heyday and exposes the campaign that the Thatcher and Blair governments have waged against it. He ends with a call for a counter-attack, based on a re-statement of the civic ideal in a twenty-first century idiom. This book will appeal to all those who take an interest in current political events as well as those studying politics and social policy.

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From wicked queens, beautiful princesses, elves, monsters, and goblins to giants, glass slippers, poisoned apples, magic keys, and mirrors, the characters and images of fairy tales have cast a spell over readers and audiences, both adults and children, for centuries. These fantastic stories have travelled across cultural borders, and been passed on from generation to generation, ever-changing, renewed with each re-telling. Few forms of literature have greater power to enchant us and rekindle our imagination than a fairy tale. But what is a fairy tale? Where do they come from and what do they mean? What do they try and communicate to us about morality, sexuality, and society? The range of fairy tales stretches across great distances and time; their history is entangled with folklore and myth, and their inspiration draws on ideas about nature and the supernatural, imagination and fantasy, psychoanalysis, and feminism. Marina Warner has loved fairy tales over a long writing life, and she explores here a multitude of tales through the ages, their different manifestations on the page, the stage, and the screen. From the phenomenal rise of Victorian and Edwardian literature to contemporary children's stories, Warner unfolds a glittering array of examples, from classics such as Red Riding Hood, Cinderella, and The Sleeping Beauty, the Grimm Brothers' Hansel and Gretel, and Hans Andersen's The Little Mermaid, to modern-day realizations including Walt Disney's Snow White and gothic interpretations such as Pan's Labyrinth. In ten succinct chapters, Marina Warner digs into a rich hoard of fairy tales in their brilliant and fantastical variations, in order to define a genre and evaluate a literary form that keeps shifting through time and history. Her book makes a persuasive case for fairy tale as a crucial repository of human understanding and culture.

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No other regiment in Wellington's Peninsular army can compare with the 95th Rifles. Even before Bernard Cornwell's Sharpe novels and television series, the Rifles were the most famous of all the British Army's fighting formations. Unlike the red-coated regiments of the Line, the Riflemen were trained to act with a degree of independence, selecting their own targets in battle. As a result, a number of the officers and some of the men were more literate than their counterparts in the Line, or at least were more willing to record their experiences fighting the French. Consequently, many of the finest memoirs of the era have come from the pens of the likes of Harry Smith, Johnny Kincaid and Riflemen Harris and Costello, and have found their places on the shelves of every enthusiast of the era. However, these well-known works were written years after the fighting when memories had faded and were bulked out with incidents borrowed from others and heavily edited with grand descriptions of derring-do' for their Victorian audience, and heavily constrained by the strict morals of the day. Through many years of research, Gareth Glover has uncovered other memories written by members of the 95th which have never been published before or have not been brought to the attention of the present-day public, that were written at the time. These honestly state what really happened on the battlefields of Spain and Portugal - the suffering, the awkward incidents, the rumours and camp gossip - presenting a very different picture of life in Wellington's army than the sanitised versions we have been presented with until now. Also included are rare or unpublished memoires written by members of the staff of the Light Division, enabling the reader to understand the division's command structure and organisation to provide a rounded and realistic vision of this famous fighting force.

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'A convincing small-town setting, clever contemporary dialogue, compelling characterizations and a touch of cool humor .... This story's special strength lies in its seamless incorporation of the supernatural into the real world.' - Publishers Weekly'Armstrong has a good ear for dialogue, and the main characters, especially Jaime and Eve, stand out in full colour.' - Winnipeg Free PressBook six in Kelley Armstrong's supernatural series marks the return of werewolf Elena Michaels from BITTEN and STOLEN. When half-demon Xavier calls in the favour Elena owes him, it seems easy enough - steal Jack the Ripper's 'From Hell' letter away from a Toronto collector who had himself stolen it from the Ripper evidence boxes in the Metropolitan Police files. But nothing in the supernatural world is ever as simple as it seems. Elena accidentally triggers a spell placed on the letter, and manages to tear an opening that leads into the nether regions of Victorian London. Toronto may be looking for a tourism boost, but 'Gateway to Hell' isn't quite the new slogan the city had in mind . . .A brilliant novel of suspense with a supernatural twist - packaged in the stunning new Kelley Armstrong series style.Books by Kelley Armstrong: Women of the Otherworld series Bitten Stolen Dime Store Magic Industrial Magic Haunted Broken No Humans Involved Personal Demon Living with the Dead Frost Bitten Walking the Witch Spellbound Thirteen Nadia Stafford Exit Strategy Made to be Broken Wild JusticeRocktonCity of the LostA Darkness AbsoluteThis Fallen PreyWatcher in the WoodsAlone in the Wild Darkest Powers The Summoning The Awakening The Reckoning Otherworld Tales Men of the Otherworld Tales of the Otherworld Otherworld Nights Otherworld Secrets Otherworld Chills Darkness Rising The Gathering The Calling The Rising Cainsville Omens Visions Deceptions Betrayals Rituals

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Before Winston Churchill made history, he made news. To a great extent, the news made him too. If it was his own efforts that made him a hero, it was the media that made him a celebrity - and it has been considerably responsible for perpetuating his memory and shaping his reputation in the years since his death. Churchill first made his name via writing and journalism in the years before 1900, the money he earned helping to support his political career (at a time when MPs did not get salaries). Journalistic activities were also important to him later, as he struggled in the interwar years to find the wherewithal to run and maintain Chartwell, his country house in Kent. Moreover, not only was journalism an important aspect of Churchill's political persona, but he himself was a news-obsessive throughout his life. The story of Churchill and the news is, on one level, a tale of tight deadlines, off-the-record briefings and smoke-filled newsrooms, of wartime summits that were turned into stage-managed global media events, and of often tense interactions with journalists and powerful press proprietors, such as Lords Northcliffe, Rothermere, and Beaverbrook. Uncovering the symbiotic relationship between Churchill's political life and his media life, and the ways in which these were connected to his personal life, Richard Toye asks if there was a 'public Churchill' whose image was at odds with the behind-the-scenes reality, or whether, in fact, his private and public selves became seamlessly blended as he adjusted to living in the constant glare of the media spotlight. On a wider level, this is also the story of a rapidly evolving media and news culture in the first half of the twentieth century, and of what the contemporary reporting of Churchill's life (including by himself) can tell us about the development of this culture, over a period spanning from the Victorian era through to the space age.

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