Search results for ""Author Victoria"

Before Winston Churchill made history, he made news. To a great extent, the news made him too. If it was his own efforts that made him a hero, it was the media that made him a celebrity - and it has been considerably responsible for perpetuating his memory and shaping his reputation in the years since his death. Churchill first made his name via writing and journalism in the years before 1900, the money he earned helping to support his political career (at a time when MPs did not get salaries). Journalistic activities were also important to him later, as he struggled in the interwar years to find the wherewithal to run and maintain Chartwell, his country house in Kent. Moreover, not only was journalism an important aspect of Churchill's political persona, but he himself was a news-obsessive throughout his life. The story of Churchill and the news is, on one level, a tale of tight deadlines, off-the-record briefings and smoke-filled newsrooms, of wartime summits that were turned into stage-managed global media events, and of often tense interactions with journalists and powerful press proprietors, such as Lords Northcliffe, Rothermere, and Beaverbrook. Uncovering the symbiotic relationship between Churchill's political life and his media life, and the ways in which these were connected to his personal life, Richard Toye asks if there was a 'public Churchill' whose image was at odds with the behind-the-scenes reality, or whether, in fact, his private and public selves became seamlessly blended as he adjusted to living in the constant glare of the media spotlight. On a wider level, this is also the story of a rapidly evolving media and news culture in the first half of the twentieth century, and of what the contemporary reporting of Churchill's life (including by himself) can tell us about the development of this culture, over a period spanning from the Victorian era through to the space age.

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Before Winston Churchill made history, he made news. To a great extent, the news made him too. If it was his own efforts that made him a hero, it was the media that made him a celebrity - and it has been considerably responsible for perpetuating his memory and shaping his reputation in the years since his death. Churchill first made his name via writing and journalism in the years before 1900, the money he earned helping to support his political career (at a time when MPs did not get salaries). Journalistic activities were also important to him later, as he struggled in the interwar years to find the wherewithal to run and maintain Chartwell, his country house in Kent. Moreover, not only was journalism an important aspect of Churchill's political persona, but he himself was a news-obsessive throughout his life. The story of Churchill and the news is, on one level, a tale of tight deadlines, off-the-record briefings and smoke-filled newsrooms, of wartime summits that were turned into stage-managed global media events, and of often tense interactions with journalists and powerful press proprietors, such as Lords Northcliffe, Rothermere, and Beaverbrook. Uncovering the symbiotic relationship between Churchill's political life and his media life, and the ways in which these were connected to his personal life, Richard Toye asks if there was a 'public Churchill' whose image was at odds with the behind-the-scenes reality, or whether, in fact, his private and public selves became seamlessly blended as he adjusted to living in the constant glare of the media spotlight. On a wider level, this is also the story of a rapidly evolving media and news culture in the first half of the twentieth century, and of what the contemporary reporting of Churchill's life (including by himself) can tell us about the development of this culture, over a period spanning from the Victorian era through to the space age.

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This is the story of a man who went from Yorkshire mill worker to Monte Carlo millionaire. Amongst the men ‘who broke the bank at Monte Carlo’, Joseph Hobson Jagger is unique. He is the only one known to have devised an infallible and completely legal system to defeat the odds at roulette and win a fortune. But he was not what might be expected. He wasn’t a gentleman or an aristocrat, he wasn’t a professional gambler, he was a Yorkshire textile worker who had laboured in the Victorian mills of Bradford since childhood. What led a man like this to travel nearly a thousand miles to the exclusive world of the Riviera when most people lived and died within a few miles of where they were born? The trains that took him there were still new and dangerous, he did not speak French and had never left the north of England. His motivation was strong. Joseph, his wife and four children, the youngest of whom was only two, faced a situation so grave that their only escape seemed to be his desperate gamble on the roulette tables of Monte Carlo. Today Jagger’s legacy is felt in casinos worldwide and yet he is virtually unknown. Anne Fletcher is his great-great-great niece and in this true-life detective story she uncovers how he was able to win a fortune, what happened to his millions and why Jagger should now be regarded as the real ‘man who broke the bank at Monte Carlo’.

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When a three-year-old child was found with a head wound and other injuries, it looked like an open-and-shut case of second-degree murder. Psychologist and attorney Susan Vinocour agreed to evaluate the defendant, the child's mentally ill and impoverished grandmother, to determine whether she was competent to stand trial. Even if she had caused the child's death, had she realized at the time that her actions were wrong or was she legally "insane"? What followed was anything but an open-and-shut case. Nobody's Child traces the legal definition of "insanity" back to its inception in Victorian Britain nearly two hundred years ago, from when our understanding of the human mind was in its infancy, to today, when questions of race, class, and ability so often determine who is legally "insane" and who is criminally guilty. Vinocour explains how "competency" and "insanity" are creatures of a legal system, not of psychiatric reality, and how, in criminal law, the insanity defense has to often been a luxury of the rich and white. Nobody's Child is a profoundly dignified portrait of injustice in America and a complex examination of the troubling intersection of mental health and the law. When prisons are now the largest institutions for the mentally ill, Vinocour demands that we reckon with our conceptions of "insanity" with clarity, empathy, and responsibility.

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This is the third part of a successful facsimile series which reprints The Modern Traveller, originally published in 30 volumes between 1825 and 1829.--Edited by Josiah Conder, known as the editor of journals like The Eclectic Review or The Patriot, The Modern Traveller was a successful series of travel books published just prior to Britain’s transport revolution which saw the development and rapid expansion of roads and railways.--Reflecting Britain’s imperial ambitions and the expansion of its Empire around the globe, the series had global range, including coverage of the Middle East, Africa, North & South America, and Asia. It provided general readers with the latest information on each country’s geography, history, political situation, culture, customs, major cities, travel routes along historic sites, scenic spots, and so on. --Each volume contains illustrations and foldout maps which are all faithfully reproduced in the reprint.-- The third part of the series is from the 14th to the 19th volume. It covers the countries around the Mediterranean Sea and the Black Sea which were of geopolitical special interest to Britain in the early nineteenth-century (twenty years or so before the Crimean War erupted).-- Including very interesting descriptions and pre-Victorian British views of the area, these newly available volumes are a valuable source for any researcher interested in the history of the relationships between Britain and Russia, Turkey, and other European countries.

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In Architecture of Thought, Andrzej Piotrowski maps and conceptually explores material practices of the past, showing how physical artifacts and visual environments manifest culturally rooted modes of thought and participate in the most nuanced processes of negotiations and ideological exchanges. According to Piotrowski, material structures enable people to think in new ways—distill emerging or alter existing worldviews—before words can stabilize them as conventional narratives. Combining design thinking with academic methods of inquiry, Piotrowski traces ancient to modern architectural histories and—through critical readings of select buildings—examines the role of nonverbal exchanges in the development of an accumulated Western identity. Unlike studies that organize around the traditional scheme of periodization in history, Architecture of Thought uses an interdisciplinary approach to investigate a wide spectrum of cultural productions in different times and places. Operating from the assertion that buildings are the most permanent record of unself-conscious beliefs and attitudes, it discusses Byzantium and the West after iconoclasm, the conquest and colonization of Mesoamerica, the Reformation and Counter-Reformation in Eastern Europe, the rise of the culture of consumerism in Victorian England, and High Modernism as its consequence. By moving beyond the assumption that historical structures reflect transcendental values and deterministic laws of physics or economy or have been shaped by self-conscious individuals, Piotrowski challenges the traditional knowledge of what architecture is and can be.

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"Jolly fellows," a term that gained currency in the nineteenth century, referred to those men whose more colorful antics included brawling, heavy drinking, gambling, and playing pranks. Reforms, especially the temperance movement, stigmatized such behavior, but pockets of jolly fellowship continued to flourish throughout the country. Richard Stott scrutinizes and analyzes this behavior to appreciate its origins and meaning. Stott finds that male behavior could be strikingly similar in diverse locales, from taverns and boardinghouses to college campuses and sporting events. He explores the permissive attitudes that thrived in such male domains as the streets of New York City, California during the gold rush, and the Pennsylvania oil fields, arguing that such places had an important influence on American society and culture. Stott recounts how the cattle and mining towns of the American West emerged as centers of resistance to Victorian propriety. It was here that unrestrained male behavior lasted the longest, before being replaced with a new convention that equated manliness with sobriety and self-control. Even as the number of jolly fellows dwindled, jolly themes flowed into American popular culture through minstrelsy, dime novels, and comic strips. Jolly Fellows proposes a new interpretation of nineteenth-century American culture and society and will inform future work on masculinity during this period.

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Ivory is a wonderful material: tactile, beautiful, workable into many different forms and the strongest in the animal kingdom. Unfortunately for the elephant, it has been highly prized from the Palaeolithic to the present day, in part by virtue of its rarity and the difficulty of acquiring it. During the early first millennium bc – the ‘Age of Ivory’ – literally thousands of carved ivories found their way to the Assyrian capital city of Kalhu, or modern Nimrud, in northern Iraq. The majority were not made there, in the heart of ancient Assyria, but arrived as gift, tribute or booty gathered by the Assyrian kings from the small neighbouring states of the ancient Middle Eastern world. The ivories were first unearthed in the mid-19th century by renowned Victorian traveller and adventurer Austen Henry Layard, but it was not until the mid-20th century that the extent of the treasure was realized by Max Mallowan, the archaeologist husband of Agatha Christie. Thousands of extraordinary ivories have since been excavated from the ruins of the ancient city’s extravagant palaces, temples and forts. In recent years, many have been destroyed or remain at risk following the invasion of Iraq and the sacking of the Iraq Museum, as well as in the ongoing conflict and destruction of cultural heritage in the region. As a result, the ivories preserved in these pages form a unique and unparalleled record of the otherwise lost art of the Middle East.

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The British Empire was the largest in all history: the nearest thing to world domination ever achieved. By the eve of World War II, around a quarter of the world's land surface was under some form of British rule. Yet for today's generation, the British Empire seems a Victorian irrelevance. The time is ripe for a reappraisal, and in Empire, Niall Ferguson boldly recasts the British Empire as one of the world's greatest modernizing forces.An important new work of synthesis and revision, Empire argues that the world we know today is in large measure the product of Britain's Age of Empire. The spread of capitalism, the communications revolution, the notion of humanitarianism, and the institutions of parliamentary democracy-all these can be traced back to the extraordinary expansion of Britain's economy, population, and culture from the seventeenth century until the mid-twentieth. On a vast and vividly colored canvas, Empire shows how the British Empire acted as midwife to modernity.Displaying the originality and rigor that have made him the brightest light among British historians, Ferguson shows that the story of the Empire is pregnant with lessons for today-in particular for the United States as it stands on the brink of a new era of imperial power, based once again on economic and military supremacy. A dazzling tour de force, Empire is a remarkable reappraisal of the prizes and pitfalls of global empire.

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Funk. It is multisensory and multidimensional philosophy used in conjunction with the erotic, eroticism, and black erotica. It is the affect that shapes film, performance, sound, food, technology, drugs, energy, time, and the seeds of revolutionary ideas for black movements. But funk is also an experience to feel, to hear, to touch and taste, and in Funk the Erotic, L. H. Stallings uses funk in all its iterations as an innovation in black studies. Stallings uses funk to highlight the importance of the erotic and eroticism in Black cultural and political movements, debunking "the truth of sex" and its histories. Brandishing funk as a theoretical tool, Stallings argues that Western theories of the erotic fail as universally applicable terms or philosophies, and thus lack utility in discussions of black bodies, subjects, and culture. In considering the Victorian concept of freak in black funk, Stallings proposes that black artists across all media have fashioned a tradition that embraces the superfreak, sexual guerrilla, sexual magic, mama's porn, black trans narratives, and sex work in a post-human subject position. Their goal: to ensure survival and evolution in a world that exploits black bodies in capitalist endeavors, imperialism, and colonization.Revitalizing and wide-ranging, Funk the Erotic offers a needed examination of black sexual cultures, a discursive evolution of black ideas about eroticism, a critique of work society, a reexamination of love, and an articulation of the body in black movements.

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In a lecture delivered before the University of Oxford’s Anglo-French Society in 1936, Gertrude Stein described romance as “the outside thing, that . . . is always a thing to be felt inside.” Hannah Roche takes Stein’s definition as a principle for the reinterpretation of three major modernist lesbian writers, showing how literary and affective romance played a crucial yet overlooked role in the works of Stein, Radclyffe Hall, and Djuna Barnes. The Outside Thing offers original readings of both canonical and peripheral texts, including Stein’s first novel Q.E.D. (Things As They Are), Hall’s Adam’s Breed and The Well of Loneliness, and Barnes’s early writing alongside Nightwood.Is there an inside space for lesbian writing, or must it always seek refuge elsewhere? Crossing established lines of demarcation between the in and the out, the real and the romantic, and the Victorian and the modernist, The Outside Thing presents romance as a heterosexual plot upon which lesbian writers willfully set up camp. These writers boldly adopted and adapted the romance genre, Roche argues, as a means of staking a queer claim on a heteronormative institution. Refusing to submit or surrender to the “straight” traditions of the romance plot, they turned the rules to their advantage. Drawing upon extensive archival research, The Outside Thing is a significant rethinking of the interconnections between queer writing, lesbian living, and literary modernism.

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Domesticity gets a bad rap. We associate it with stasis, bourgeois accumulation, banality, and conservative family values. Yet in Extreme Domesticity, Susan Fraiman reminds us that keeping house is just as likely to involve dislocation, economic insecurity, creative improvisation, and queered notions of family. Her book links terms often seen as antithetical: domestic knowledge coinciding with female masculinity, feminism, and divorce; domestic routines elaborated in the context of Victorian poverty, twentieth-century immigration, and new millennial homelessness. Far from being exclusively middle-class, domestic concerns are shown to be all the more urgent and ongoing when shelter is precarious. Fraiman's reformulation frees domesticity from associations with conformity and sentimentality. Ranging across periods and genres, and diversifying the archive of domestic depictions, Fraiman's readings include novels by Elizabeth Gaskell, Sandra Cisneros, Jamaica Kincaid, Leslie Feinberg, and Lois-Ann Yamanaka; Edith Wharton's classic decorating guide; popular women's magazines; and ethnographic studies of homeless subcultures. Recognizing the labor and know-how needed to produce the space we call "home," Extreme Domesticity vindicates domestic practices and appreciates their centrality to everyday life. At the same time, it remains well aware of domesticity's dark side. Neither a romance of artisanal housewifery nor an apology for conservative notions of home, Extreme Domesticity stresses the heterogeneity of households and probes the multiplicity of domestic meanings.

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A remarkable figure of British politics between the late Victorian and interwar years, Lord Lansdowne was among the last hereditary aristocrats to wield power by birth. Over the course of a distinguished fifty year career he served as Governor-General of Canada, Viceroy of India, Secretary of State for War, Foreign Secretary and Leader of the House of Lords. It was Lansdowne who engineered the crucial changes in British foreign policy and the burden of Britain's imperial commitments, led the House of Lords through one of the most divisive periods of modern times and at the end of the First World War became a figure of notoriety greater than any of the popular leaders of the day. Descended from one the Great Whig families, he was a moderate progressive incapable of discourtesy or of any dishonesty. He was trusted by everyone. His life illustrates the challenges that his class had to face at this time and acts as a prism through which to view the transition of Britain from a global force to a much reduced power. This authoritative text, based on the first full examination of Lansdowne's extensive archive, draws this great man out of the shadows and presents him in the context of his own time, offering a fascinating insight into the leading personalities and political events of his day. Simon Kerry's biography shows that many of the issues Lansdowne faced are still important today and that his career profoundly affected the course of modern history.

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This book is a reproduction of an artwork, bearing the same title, by Santu Mofokeng. The work, which is as much a research project as it is a work of art, is comprised of private photographs collected, scanned, and retouched over a number of years by the artist. Each of the original images were commissioned by urban black working and middle-class families in South Africa between 1890 and 1950, a time when the government was entrenching its infamous policies towards those designated as “natives.” Painterly in style, the images evoke the artifices of Victorian photography and reveal something about how the people captured within the frame imagined themselves, asking meditative questions on the meaning of African imagery: “Who were these people?,” “What were their aspirations?,” “Are these images evidence of mental colonization or did they serve to challenge prevailing images of ‘The African’ in the western world?” In this work Mofokeng thus analyses the sensibilities, aspirations and self-image of the urban black population in South Africa and its desire for representation and social recognition in times of colonial rule and suppression. This book contains the complete sequence of slides with reproduced photographs and Mofokeng’s own texts. The Black Photo Album / Look at Me: 1890-1950 also features selections from Mofokeng’s field notes and the original, unretouched photographs, published for the first time.

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Sunday Times History Book of the Year 2015 Currently filming for BBC programme Full Steam Ahead Britain's railways have been a vital part of national life for nearly 200 years. Transforming lives and landscapes, they have left their mark on everything from timekeeping to tourism. As a self-contained world governed by distinctive rules and traditions, the network also exerts a fascination all its own. From the classical grandeur of Newcastle station to the ceaseless traffic of Clapham Junction, from the mysteries of Brunel's atmospheric railway to the lost routines of the great marshalling yards, Simon Bradley explores the world of Britain's railways, the evolution of the trains, and the changing experiences of passengers and workers. The Victorians' private compartments, railway rugs and footwarmers have made way for air-conditioned carriages with airline-type seating, but the railways remain a giant and diverse anthology of structures from every period, and parts of the system are the oldest in the world. Using fresh research, keen observation and a wealth of cultural references, Bradley weaves from this network a remarkable story of technological achievement, of architecture and engineering, of shifting social classes and gender relations, of safety and crime, of tourism and the changing world of work. The Railways shows us that to travel through Britain by train is to journey through time as well as space.

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How race became embedded in a medical instrument In the antebellum South, plantation physicians used a new medical device—the spirometer—to show that lung volume and therefore vital capacity were supposedly less in black slaves than in white citizens. At the end of the Civil War, a large study of racial difference employing the spirometer appeared to confirm the finding, which was then applied to argue that slaves were unfit for freedom. What is astonishing is that this example of racial thinking is anything but a historical relic.In Breathing Race into the Machine, science studies scholar Lundy Braun traces the little-known history of the spirometer to reveal the social and scientific processes by which medical instruments have worked to naturalize racial and ethnic differences, from Victorian Britain to today. Routinely a factor in clinical diagnoses, preemployment physicals, and disability estimates, spirometers are often “race corrected,” typically reducing normal values for African Americans by 15 percent.An unsettling account of the pernicious effects of racial thinking that divides people along genetic lines, Breathing Race into the Machine helps us understand how race enters into science and shapes medical research and practice. Honorable Mention, 2017 Rachel Carson Prize, Society for the Social Studies of Science Winner of the 2018 Ludwik Fleck Prize from the Society for Social Studies of Science

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The first volume exclusively devoted to J.M.W. Turner's erotic works, bringing together an outstanding selection of sensual and passionate drawings by the great master, all drawn from Tate's collection. Up until a few years ago, biographies of both J.M.W. Turner and John Ruskin had claimed that, in 1858, Ruskin burned bundles of erotic paintings and drawings by Turner in a fit of embarrassed Victorian censorship, to protect Turner's posthumous reputation. Ruskin's friend Ralph Nicholson Wornum, who was Keeper of the National Gallery, was said to have colluded in the alleged destruction. However, in 2005 these works, which form part of the Turner Bequest held at Tate Britain, were re-appraised by Turner scholar Ian Warrell, who suggested that Ruskin and Wornum did not destroy the sketches and that almost all of the allegedly destroyed drawings are in the Tate collection. This lavishly illustrated book, the first exclusively devoted to Turner's erotic work, examines in detail this little known aspect of the artist's oeuvre. In his original essay, fully reproduced here, Warrell places the work within the context of Turner's social and artistic milieu, contemporary preoccupations with art for public and 'private' consumption, and the details and intricacies of Turner's life and output. An essential addition to the canon of work on Britain's most prolific and adored artist, this beautifully produced volume will be of interest to scholars, connoisseurs, and all Turner devotees.

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Are you ready to step inside the world of period homes? To unlock the secrets of the iconic buildings we see throughout the cities, towns and villages of Britain? Then this is the book for you. Period homes are all around us. Not only are they charming homes for those lucky enough to live in them, but they also give the community in which they're set a distinguished character and a link with the past. Yet sometimes it's hard to know exactly which features to look at in order to date these buildings. Or what to look for if you need to replace an original fitting. This book aims to help the reader recognise the common architectural styles and original features from each period, whether they just want to find out more about a particular property, or are trying to restore one. If you're in the middle of a renovation, for example, and you want to know which original window style you should be installing, you'll find it here. All styles and periods are covered - from graceful Regency terraces with elegant iron balconies and muscular Victorian houses with colourful stained glass, to Edwardian homes with white patterned timber work, and stylish 1930s semis with curved suntrap windows. From glasswork and doors to fireplaces and floors (plus everything in between) this is a treasure trove of information about the British period homes we love.

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The Great Thorpe Railway Disaster of 1874 is the third title from Norwich writer and biographer Phyllida Scrivens, who lives less than half a mile from the site of the fatal collision. At Norwich Thorpe Station on 10 September 1874, at Norwich station a momentary misunderstanding between the Stationmaster, Night Inspector and young Telegraph Clerk, resulted in an inevitable head-on collision. The residents of the picturesque riverside village of Thorpe-Next-Norwich were shocked by a deafening peal of thunder', sending them running through the driving rain towards a scene of destruction. Surgeons were summoned from the city, as the dead, dying and injured were taken to a near-by inn and boatyard. Every class of Victorian society was travelling that night, including ex-soldiers, landowners, clergymen, doctors, seamstresses, saddlers, domestic servants and a beautiful heiress. For many months local and national newspapers followed the story, publishing details of subsequent deaths, manslaughter trial and outcomes of unprecedented compensation claims. The Board of Trade Inquiry concluded that it was the most serious collision between trains meeting one another on a single line of rails [ ] that has yet been experienced in this country.' Using extensive research, non-fiction narrative, informed speculation and dramatised events, Phyllida Scrivens pays tribute to the 28 men, women and children who died that night, revealing the personal stories behind the names, hitherto only recorded as a list.

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The Coronavirus pandemic in 2020 has changed life as we know it and thrust the NHS into the spotlight. A nation in lockdown has adorned windows with rainbows and stepped onto doorsteps every Thursday to celebrate the people who are risking their lives by turning up to work. But as the grim reports of deaths from the disease cumulate, along with stories of insufficient protective equipment for staff, there is hope that the crisis will raise awareness and bring change to the way the NHS and its people are treated. At midnight on 5 July 1948, the National Health Service was born with the founding principal to be free at the point of use and based on clinical need rather than on a person's ability to pay. Over seventy years since its formation, these core principals still hold true, but the world has changed. Persistent underfunding has not kept pace with increased demand for healthcare, leading to longer waiting times, staffing shortages and low moral. This book traces the history of our health service, from Victorian healthcare and the early 20th century, through a timeline of change to the current day, comparing the problems and illnesses of 1948 to those we face today. Politics and funding are demystified and the effects of the pandemic are discussed, alongside personal stories from frontline staff and patients who have experienced our changing NHS.

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John Dixon (1835-1891) was one of the generation of British contractors who built railways, bridges and other civil engineering works around the world. Today most are generally forgotten, a fate entirely undeserved by the man who erected Cleopatra’s Needle on the Thames Embankment and who built the first railway in China. John Dixon was competent and self-confident, with the boundless enthusiasm and energy typical of Victorian contractors. Had his tender for the construction of the Forth Railway Bridge been accepted, and it was the lowest tender received, history would have treated him differently. This book describes the life and works of John, his bridges, railways, jetties, seaside piers and other projects. His wider business interests, his professional colleagues and his family life are also covered. It includes an explanation of why his tender for the Forth Bridge was unsuccessful, but only mentions Cleopatra’s Needle briefly as this is worthy of another book. Indeed, John’s brothers, Sir Raylton Dixon (1838-1901) and Waynman Dixon (1845-1930) were also distinguished engineers and it is hoped to publish similar books on their careers. John, Raylton and Waynman Dixon were members of the same Dixon family, from Raby, Cockfield and Newcastle upon Tyne, as was Jeremiah Dixon of Mason-Dixon Line fame.

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Britain’s tiny Jewish community (about 263,000 people) is the oldest non-Christian minority in the country. In 1656 Jews returned to England after an absence of nearly 400 years and the Jewish community has enjoyed a history of continuous settlement in England since 1656, a record unmatched anywhere else in Europe. Jewish Heritage in Britain and Ireland celebrates in full colour the undiscovered heritage of Anglo-Jewry. First published in 2006, it remains the only comprehensive guide to historic synagogues and sites in the British Isles, based on an authoritative survey carried out with the support of English Heritage and the Heritage Lottery Fund. The guide is simple to use, covering more than 300 sites, organised on a region-by-region basis. Each section highlights major Jewish landmarks, ranging from Britain’s oldest synagogue, Bevis Marks Synagogue in the City of London, through the Georgian gems of the West Country to the splendid High Victorian “cathedral synagogues” of Birmingham, Brighton, Liverpool and Glasgow. Relics of Anglo-Jewry’s medieval past are explored in York, Lincoln and Norwich, and venerable burial grounds with Hebrew inscriptions are found in the unlikeliest of places. Curious oddities are not to be missed, including a 19th-century private penthouse synagogue in Brighton and an Egyptian-style Mikveh [ritual bath] in Canterbury. The new edition has been completely revised and features many new images including, for the first time, of sites in Wales, Scotland, Ireland, the Channel Islands and the Isle of Man. The easy-to-follow heritage trails around former Jewish quarters in the major cities have been updated and full postcodes are now given for SatNav users.

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An overview of the history of yachting in its social, cultural, political and economic contexts. Shortlisted for the Maritime Foundation's Mountbatten Award 2018 This book, by a leading expert in the field, is the first major history of yachting for over a quarter of a century. Setting developments within political,social and economic changes, the book tells the story of yachting from Elizabethan times to the present day: the first uses of yachts, by monarchs, especially Charles II; yacht clubs and yacht racing in the eighteenth century; the early years of the Royal Yacht Squadron at Cowes and an analysis of the America Cup challenges; the pioneering developments in Ireland and the exporting of yachting to the colonies and trading outposts of the Empire; the expansion of yachting in Victorian times; the Golden Age of Yachting in the years before the First World War, when it was the sport of the crowned heads of Europe; the invention of the dinghy and the keelboat classes and, after the Second World War, the massive numbers of home-built dinghies; the breaking of new boundaries by risk-taking single-handers from the mid-1960s; the expansion of leisure sailing that came in the 1980s with the use of moulded plastic yachts; and current trends and pressures within the sport. Well-referenced yet highly readable, this book will be of interest both to the scholar and the sailing enthusiast. MIKE BENDER is an experienced yachtsman and qualified Ocean Yachtmaster, with some forty thousand miles, mostly singlehanded, under the keel. He is an Honorary Research Fellow in History at the University of Exeter.

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The growth and development of the Lincoln Record Society in its first hundred years highlights the contribution of such organisations to historical life. In 2010 the Lincoln Record Society celebrates its centenary with the publication of the hundredth volume in its distinguished series. Local record societies, financed almost entirely from the subscriptions of their members, have made an important contribution to the study of English history by making accessible in printed form some of the key archival materials relating to their areas. The story of the Lincoln society illustrates the struggles and triumphsof such an enterprise. Founded by Charles Wilmer Foster, a local clergyman of remarkable enthusiasm, the LRS set new standards of meticulous scholarship in the editing of its volumes. Its growing reputation is traced here througha rich archive of correspondence with eminent historians, among them Alexander Hamilton Thompson and Frank Stenton. The difficulties with which Kathleen Major, Canon Foster's successor, contended to keep the Society alive duringthe dark days of the Second World War are vividly described. The range of volumes published has continued to expand, from the staple cartularies and episcopal registers to more unusual sources, Quaker minutes, records ofCourts of Sewers and seventeenth-century port books. While many of the best-known publications have dealt with the medieval period, notably the magnificent Registrum Antiquissimum of Lincoln Cathedral, there have also beeneditions of eighteenth-century correspondence, twentieth-century diaries, and pioneering railway photographs of the late Victorian era. This story shows the Lincoln Record Society to be in good heart and ready to begin its secondcentury with confidence. Nicholas Bennett is currently Vice-Chancellor and Librarian of Lincoln Cathedral.

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Here is a wonderful collection of short stories by the writer known for 'the Mackay vision, suburban - as kitsch, as unexceptional, and yet as rich in history and wonder as a plain Victorian terrace house, its threshold radiant with tiling and stained-glass birds of paradise encased in leaded lights' - Guardian.Shena Mackay, who first came to fame before the age of twenty with two novellas, is the doyenne of the short form. In this volume of previously uncollected stories - including those read on radio - she constantly surprises with a view of the ordinary world that is not at all ordinary.A grasshopper determinedly takes up residence on a bathroom ceiling; a gecko hiding in a cupboard brings a strange sort of luck; a woman spies from a distance two older women friends after many long years and a memory of how they gallopedin the playground as Starlight Blaze and Pepperpot plays sweetly, suddenly in her mind; pigs are swaddled in blankets, looking like babies in shawls; luggage is packed with youthful hopes and ideals.She observes how people rub along and reveals the best and worst of us all: a disgruntled schoolboy and his hapless teacher conquer mountains and their antipathy for each other; a girl with green eyes and iridescent hair discovers revenge; a race to be the best mushroom-picker creates only losers; and rotten apples, in the right pair of hands, make a loving pie. Shena Mackay is a generous and keen-eyed chronicler of the everyday; she deftly brings wisdom and humour to the worlds she creates, worlds that we suddenly, excitingly see anew. She is an utterly original writer.

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A tour of Mars in the human imagination, from ancient astrologers to modern explorers. Mars and its secrets have fascinated and mystified humans since ancient times. Due to its vivid color and visibility, its geologic kinship with Earth, and its potential as our best hope for settlement, Mars embodies everything that inspires us about space and exploration. For the Love of Mars surveys the red planet’s place in the human imagination, beginning with ancient astrologers and skywatchers and ending in our present moment of exploration and virtual engagement. National Air and Space Museum curator Matthew Shindell describes how historical figures across eras and around the world have made sense of this mysterious planet. We meet Mayan astrologer priests who incorporated Mars into seasonal calendars and religious ceremonies; Babylonian astrologers who discerned bad omens; figures of the Scientific Revolution who struggled to comprehend it as a world; Victorian astronomers who sought signs of intelligent life; and twentieth- and twenty-first-century scientists who have established a technological presence on its surface. Along the way, we encounter writers and artists from each of these periods who take readers and viewers along on imagined journeys to Mars. By focusing on the diverse human stories behind the telescopes and behind the robots we know and love, Shindell shows how Mars exploration has evolved in ways that have also expanded knowledge about other facets of the universe. Captained by an engaging and erudite expert, For the Love of Mars is a captivating voyage through time and space for anyone curious about Curiosity and the red planet.

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This book features 25 handcrafted projects shown in 280 step-by-step photographs. Features: the centuries-old craft of decoupage celebrated in exciting designs and practical projects; complete step-by-step instructions for 25 original projects, from a simple album cover for your photographs to a bright and cheerful kitchen table; an inspirational gallery features classic and innovative examples of decoupage from contemporary artists; a comprehensive guide to the art of decoupage, from cutting intricate paper scraps to applying crackle glaze and sealing the finish with varnish; the definitive modern approach to a traditional craft; and useful advice on preparing surfaces, applying adhesives and enhancing decoupage with decorative backgrounds. The art of applying paper-cuts to a background is a versatile and accessible craft. All you need is a pair of scissors, cut-out pictures, adhesive and a clean background surface. The principles of decoupage are easy to master, and this inspiring new book gives practical advice on all the basic techniques. An introduction details all the materials you will need to produce your own decoupage projects. There are 25 varied and exciting projects to create, including beautiful and functional objects as diverse as a painted chest of drawers decorated with a zebra design, an elegant gilded mirror frame and a headboard for a child's bed. There are traditional designs such as a simple bead tie-back for a stylish curtain, a wastebasket and a Victorian scrap table. Contemporary treatments include a bathroom cabinet with a nautilus design, and a bright kitchen table. With innovative ideas in many styles, this book is both a visual sourcebook and a practical reference guide to a classic craft.

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‘As if Bill Bryson had taken to two wheels’ - FT Somewhere in a German forest 200 years ago, during the darkest, wettest summer for centuries, the story of cycling began. The calls to ban it were more or less immediate. Re:Cyclists is the tale of the following two centuries. It tells how cycling became a kinky vaudeville act for Parisians, how it was the basis of an American business empire to rival Henry Ford's, and how it found a unique home in the British Isles. The Victorian love of cycling started with penny-farthing riders, who explored lonely roads that had been left abandoned by the coming of the railways. Then high-society took to it - in the 1980s the glittering parties of the London Season featured bicycles dancing in the ballroom, and every member of the House of Lords rode a bike. Twentieth-century cycling was very different, and even more popular. It became the sport and the pastime of millions of ordinary people who wanted to escape the city smog, or to experience the excitement of a weekend's racing. Cycling offered adventure and independence in the good times, and consolation during the war years and the Great Depression. Re:Cyclists tells the story of cycling's glories and also of its despairs, of how it only just avoided extinction in the motoring boom of the 1960s. And finally, at the dawn of the 21st century, it celebrates how cycling rose again - a little different, a lot more fashionable, but still about the same simple pleasures that it always has been: the wind in your face and the thrill of two-wheeled freedom.

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*FOYLES NON-FICTION BOOK OF THE MONTH* 'I really can't recommend this enough - especially if you are going on holiday' Tom Holland 'Delightful ... Lucy Lethbridge has written a glorious romp of a book' Kathryn Hughes, The Mail on Sunday ‘It is the paramount wish of every English heart, ever addicted to vagabondizing, to hasten to the Continent…’ In 1815 the Battle of Waterloo brought to an end the Napoleonic Wars and the European continent opened up once again to British tourists. The nineteenth century was to be an age driven by steam technology, mass-industrialisation and movement, and, in the footsteps of the Grand Tourists a hundred years earlier, the British middle-classes flocked to Europe to see the sights. In Tourists, the voices of these travellers – puzzled, shocked, delighted and amazed – are brought vividly to life. From the discomfort of the stagecoach to the ‘self-contained pleasure palace’ of the beach resort, Lucy Lethbridge brilliantly examines two centuries of tourists’ experience. Among a range of disparate characters, we meet the commercial titans of Victorian tourism, Albert Smith, Henry Gaze and Thomas Cook, as well as their successor, Vladimir Raitz, the creator of the modern beach holiday. The growth of popular tourism introduced new markets in guidebooks, souvenirs, cuisine and health cures. It smoothed over class differences but also exacerbated them. It destroyed traditional cultures while at the same time preserving them. From portable cameras to postcards and suntans, Tourists explores how tourism has reflected changing attitudes to modernity and how, from the grand hotel to the campsite, the foreign holiday exposes deep fears, hopes and even longings for home.

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In September of 1859, the entire Earth was engulfed in a gigantic cloud of seething gas, and a blood-red aurora erupted across the planet from the poles to the tropics. Around the world, telegraph systems crashed, machines burst into flames, and electric shocks rendered operators unconscious. Compasses and other sensitive instruments reeled as if struck by a massive magnetic fist. For the first time, people began to suspect that the Earth was not isolated from the rest of the universe. However, nobody knew what could have released such strange forces upon the Earth--nobody, that is, except the amateur English astronomer Richard Carrington. In this riveting account, Stuart Clark tells for the first time the full story behind Carrington's observations of a mysterious explosion on the surface of the Sun and how his brilliant insight--that the Sun's magnetism directly influences the Earth--helped to usher in the modern era of astronomy. Clark vividly brings to life the scientists who roundly rejected the significance of Carrington's discovery of solar flares, as well as those who took up his struggle to prove the notion that the Earth could be touched by influences from space. Clark also reveals new details about the sordid scandal that destroyed Carrington's reputation and led him from the highest echelons of science to the very lowest reaches of love, villainy, and revenge. The Sun Kings transports us back to Victorian England, into the very heart of the great nineteenth-century scientific controversy about the Sun's hidden influence over our planet.

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'Bobby's oyster travelogue is an ambitious, one-of-a-kind piece that shines a spotlight on the extraordinary and the everyday of the industry. It's the stuff that oyster bucket lists are made of' Julie Qiu, In A Half Shell blog'A masterpiece' Sandy Ingber, Executive Chef of the Grand Central Oyster Bar, New York'An amazing tome . . . The stories behind each oyster and location are informative, in depth, but, most importantly, fun' Michel Roux JrThe oyster. Ostrea edulis. 'Edible bones'. The Great British oyster is deeply embedded in our geographical, historical and socio-cultural landscape. Five-thousand-year-old oyster shells have been discovered in the northern reaches of Scotland, and oyster shells are littered along the extinct riverbeds deep beneath the London of today. A highly prized delicacy of the Romans, the oyster has always been a class leveller: an everyman food of the poor during the Victorian age to a food of decadence during the twentieth century. It is a superfood; a biological water meter; an ecological superpower. The oyster card, 'the world is your oyster' - it has even crept into our language.Bobby Groves, Head of Oysters at the Chiltern Firehouse, takes us on a wonderful journey of the British oyster, a five-thousand-mile motorcycle odyssey of Britain's spectacular coastlines. He vividly brings to life this strange and marvellous creature, shining a light on its rich and vibrant history, its cultural impact and ecological importance as well as those oyster folk who work so hard to protect them.Part travelogue, part social history, Oyster Isles is a celebration of the much-loved yet much-misunderstood British oyster.

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Ralph Waldo Emerson has traditionally been cast as a dreamer and a mystic, concerned with the ideals of transcendentalism rather than the realities of contemporary science and technology. In Laura Dassow Walls's view Emerson was a leader of the secular avant-garde in his day. He helped to establish science as the popular norm of truth in America and to modernize American popular thought. In addition, he became a hero to a post-Darwinian generation of Victorian Dissenters, exemplifying the strong connection between transcendentalism and later nineteenth-century science.In his early years as a minister, Emerson read widely in natural philosophy (or physics), chemistry, geology, botany, and comparative anatomy. When he left the church, it was to seek the truths written in the book of nature rather than in books of scripture. While visiting the Paris Museum of Natural History during his first European tour, Emerson experienced a revelation so intense that he declared, "I will be a naturalist." Once he was back in the United States, his first step in realizing this ambition was to deliver a series of lectures on natural science. These lectures formed the basis for his first publication, Nature (1836), and his writings ever after reflected his intense and continuing interest in science.Walls finds that Emerson matured just as the concept of "the two cultures" emerged, when the disciplines of literature and science were divorcing each other even as he called repeatedly for their marriage. Consequently, Walls writes, half of Emerson's thought has been invisible to us: science was central to Emerson, to his language, to the basic organization of his career. In Emerson's Life in Science, she makes the case that no study of literary history can be complete without embracing science as part of literature. Conversely, she maintains, no history of science is complete unless we consider the role played by writers of literature who helped to install science in the popular imagination.

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Historian, revolutionary and cricket writer, CLR James was one of the truly radical voices of the twentieth century. Born in Trinidad in the final days of the Victorian era, he debated with Trotsky, played cricket with Constantine, was published by Leonard and Virginia Woolf, inspired Kwame Nkrumah, and was a profound influence on the British Black Power movement. And yet by the late 1970s, CLR James was all but forgotten. The books he had written over the past half century were nearly all out of print. There were a few circles in which his name rang a bell: serious students of Black history; obsessive cricket fans. But that was it.When he died in Brixton in 1989, CLR James was internationally famous - lauded as the greatest of Black British intellectuals: the 'Black Plato', according to The Times.The ideas he put forward in his own time - of the importance of identity alongside class, of rebellion coming from below, of the leading roles of Black people, women and youth in political struggle - have gradually made their way to the forefront of our political thinking. His two great books, The Black Jacobins and Beyond a Boundary, still have the power to change readers' understanding of the world today.But while CLR James's work has been much examined, his long and remarkable life story has often been overlooked. For the first time, in a biography full of original research, human drama and keen insight, John L. Williams unveils the rich and compelling story of an intellectual giant. In doing so, he firmly establishes the importance of CLR James for the twenty-first century - if Black Britain has had a presiding genius, it remains CLR James.

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This provocative and unique work reveals the remarkably influential role of futuristic literature on contemporary political power in America. Tracing this phenomenon from its roots in Victorian Britain, Rumors of War and Infernal Machines offers a fascinating exploration of how fictional speculations on emergent or imaginary military technologies profoundly influence the political agendas and actions of modern superpower states. Gannon convincingly demonstrates that military fiction anticipated and even influenced the evolution of the tank, the development of the airplane, and also the bitter political battles within Britain's War Office and the Admiralty. In the United States, future-fictions and Cold-War thrillers were an officially acknowledged factor in the Pentagon's research and development agendas, and often gave rise—and shape—to the nation's strategic development of technologies as diverse as automation, atomic weaponry, aerospace vehicles, and the Strategic Defense Initiative ('Star Wars'). His book reveals a striking relationship between the increasing political influence of speculative military fiction and the parallel rise of superpower states and their technocentric ideologies. With its detailed political, historical, and literary analysis of U.S. and British fascination with hi-tech warfare, this lively and revealing study will appeal to students, literary and cultural scholars, military and history enthusiasts, and general readers.

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Beginning in the 1830s, the white actor Thomas D. Rice took to the stage as Jim Crow, and the ragged and charismatic trickster of black folklore entered—and forever transformed—American popular culture. Jump Jim Crow brings together for the first time the plays and songs performed in this guise and reveals how these texts code the complex use and abuse of blackness that has characterized American culture ever since Jim Crow’s first appearance.Along with the prompt scripts of nine plays performed by Rice—never before published as their original audiences saw them—W. T. Lhamon, Jr., provides a reconstruction of their performance history and a provocative analysis of their contemporary meaning. His reading shows us how these plays built a public blackness, but also how they engaged a disaffected white audience, who found in Jim Crow’s sass and wit and madcap dancing an expression of rebellion and resistance against the oppression and confinement suffered by ordinary people of all colors in antebellum America and early Victorian England.Upstaging conventional stories and forms, giving direction and expression to the unruly attitudes of a burgeoning underclass, the plays in this anthology enact a vital force still felt in great fictions, movies, and musics of the Atlantic and in the jumping, speedy styles that join all these forms.

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Neil MacGregor's A History of the World in 100 Objects takes a bold, original approach to human history, exploring past civilizations through the objects that defined them. Encompassing a grand sweep of human history, A History of the World in 100 Objects begins with one of the earliest surviving objects made by human hands, a chopping tool from the Olduvai gorge in Africa, and ends with objects which characterise the world we live in today. Seen through MacGregor's eyes, history is a kaleidoscope - shifting, interconnected, constantly surprising, and shaping our world today in ways that most of us have never imagined. A stone pillar tells us about a great Indian emperor preaching tolerance to his people; Spanish pieces of eight tell us about the beginning of a global currency; and an early Victorian tea-set speaks to us about the impact of empire. An intellectual and visual feast, this is one of the most engrossing and unusual history books published in years. 'Brilliant, engagingly written, deeply researched' Mary Beard, Guardian 'A triumph: hugely popular, and rightly lauded as one of the most effective and intellectually ambitious initiatives in the making of 'public history' for many decades' Sunday Telegraph 'Highly intelligent, delightfully written and utterly absorbing ' Timothy Clifford, Spectator 'This is a story book, vivid and witty, shining with insights, connections, shocks and delights' Gillian Reynolds Daily Telegraph

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What do you do if the family business is magic and you’re all fingers and thumbs? If your family are magicians and builders of tricks and illusions for other magicians and you can’t even pull a rabbit from a hat, do you turn your back on magic and walk away as far away from Abracadabra Street as you can…or do you try and overcome the hand you’re dealt? This is the question on Benjamin Blackstone’s mind. He has hope, however, in the form of a book his great grandfather bought about magic, a Victorian popup book of a street on which a long line of magic shops sat. This is called Abracadabra Street. The book is said to be truly magical in some way – and young Benjamin wants to get his hands on it. But this book is no toy to be played with which Benjamin soon finds out as he discovers the book after a long search locked in a trunk and discovers a living, breathing magical street! And that’s before a mysterious magician appears seemingly from inside the book. Benjamin knows it must be all smoke and mirrors, but he finds his own magic unlocked inside his head as he becomes obsessed to know how the book works and where the magician is really coming from. Because real magic isn’t real…right?

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Bicycling for Ladies is the trailblazing book that introduced women to bicycling and shocked a Victorian culture on its release in 1896. Today it remains comprehensive and useful, but also celebrates women’s advancement in the sport and offers an inspiring, and amusing, look back.Maria E. Ward let the social norms and gendered expectations of the nineteenth century eat her dust when she wrote the groundbreaking guide to bicycling for women. In chapters such as Women and Tools, Dress, and How to Make Progress, Ward explains the function of wheels, gears, and spokes, gives instruction on how to safely and efficiently ride, and discusses optimal attire (layers and a stretchy corset, of course).Ward’s detailed mechanical and physical instruction, paired with helpful images and charts, makes daunting ordeals like hill climbing, navigating traffic, and bike maintenance a breeze. In modern times, when so much is outsourced, automated, and unreliable, Ward’s approach to transportation is refreshing. But while bicycling is rich with health and environmental benefits, male bicyclists still outnumber female riders, most competitive cyclists are male, and women are more likely to report feeling unsafe on a bike. Ward’s text gives women the tools they need to claim their stake of the road. For seasoned cyclists or those just starting out, it is a timeless and relevant directive—ideal for today’s woman who’s ready to take the world by the handlebars.The photos and instructional images throughout Bicycling for Ladies are the result of a collaboration between Ward and Alice Austen, one of America’s earliest and most prolific professional female photographers. The volume has an elegant new design and is small enough to ride with.

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Can it get any stranger? Absolutely! When Peg, Meg, and Teg were first summoned Over Where, vast and varied life experience (along with wide reading choices) helped them adjust to a world where they were the only humans, magic was real, ships could fly, and reincarnation was a confirmed fact. In the company of the “inquisitors,” Xerak, Grunwold, and Vereez, the three newly appointed mentors rediscovered the Library of the Sapphire Wind, and, within it, revelations that transformed the young people’s pasts into a vast tangle of lies and half-truths. But there are still questions to be answered. Before they are done, Meg the retired librarian, Teg the archeologist-turned-mage, and the multi-talented, ever surprising Peg will deal with kidnappings, betrayal, arcane artifacts, romantic intrigues, and the inescapable reality that past lives cast long shadows. Together, the three mentors and their young allies will uncover the startling truth about what lies on the other side of the Aurora Borealis Bridge—a truth that holds the secret of Over Where, and that will change all their lives forever. About Jane Lindskold: “Intricately plotted. . . . a thought-provoking tale of magic and politics, enlivened by Firekeeper's wry and wolfish point-of-view.” —Publishers Weekly on Wolf's Blood “Lindskold delivers an exotic historical fantasy that takes the reader from Victorian England to Egypt.” —Publishers Weekly on The Buried Pyramid “I loved it. A thrilling, edge-of-the-seat read—I couldn't put it down!” —Tamora Pierce on Fire Season (cowritten with David Weber)

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Shaped by eighteenth-century assumptions, Liverpool nonetheless laid the foundations for the nineteenth-century Britain that emerged from the Reform era. Robert Banks Jenkinson (1770-1828), 2nd Earl of Liverpool, was Britain's longest serving prime minister since William Pitt the Younger. Liverpool's tenure in office oversaw a series of seismic events including the War of 1812 withthe United States, the endgame of the Napoleonic Wars and the Congress of Vienna, the Corn Laws, the Peterloo Massacre, and escalating contention over the issue of Catholic Emancipation. However, Liverpool's overall standing within British political history has been overshadowed by contemporaries such as Castlereagh and Canning, and his reputation and achievements were downplayed by the Reform period that followed. This new political biography explores Liverpool's career and puts his efforts at resisting change into context, bringing this period of transformation into sharp focus. It shows Liverpool as a defender of the eighteenth-century British constitution, documentinghis efforts at adapting institutions to the challenges of war and then the very different post-1815 world. Shaped by eighteenth-century assumptions, Liverpool nonetheless laid the foundations for the nineteenth-century Britain that emerged from the Reform era. This book uses his career and outlook as a way of exploring the crucial transition from the Georgian to the Victorian era. WILLIAM ANTHONY HAY is Associate Professor of history at Mississippi State University and a fellow of the Royal Historical Society.

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Few institutions were as central to nineteenth-century American culture as the home. Emerging in the 1820s as a sentimental space apart from the public world of commerce and politics, the Victorian home transcended its initial association with the private lives of the white, native-born bourgeoisie to cross lines of race, ethnicity, class, and region. Throughout the nineteenth century, home was celebrated as a moral force, domesticity moved freely into the worlds of politics and reform, and home and marketplace repeatedly remade each other. At Home in Nineteenth-Century America draws upon advice manuals, architectural designs, personal accounts, popular fiction, advertising images, and reform literature to revisit the variety of places Americans called home. Entering into middle-class suburban houses, slave cabins, working-class tenements, frontier dugouts, urban settlement houses, it explores the shifting interpretations and experiences of these spaces from within and without. Nineteenth-century homes and notions of domesticity seem simultaneously distant and familiar. This sense of surprise and recognition is ideal for the study of history, preparing us to view the past with curiosity and empathy, inspiring comparisons to the spaces we inhabit today—malls, movie theaters, city streets, and college campuses. Permitting us to listen closely to the nineteenth century’s sweeping conversation about home in its various guises, At Home in Nineteenth-Century America encourages us to hear our contemporary conversation about the significance and meaning of home anew while appreciating the lingering imprint of past ideals. Instructor's Guide

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On the 150th anniversary of the death of the English historian and politician Thomas Babington Macaulay, Robert Sullivan offers a portrait of a Victorian life that probes the cost of power, the practice of empire, and the impact of ideas.His Macaulay is a Janus-faced master of the universe: a prominent spokesman for abolishing slavery in the British Empire who cared little for the cause, a forceful advocate for reforming Whig politics but a Machiavellian realist, a soaring parliamentary orator who avoided debate, a self-declared Christian, yet a skeptic and a secularizer of English history and culture, and a stern public moralist who was in love with his two youngest sisters.Perhaps best known in the West for his classic History of England, Macaulay left his most permanent mark on South Asia, where his penal code remains the law. His father ensured that ancient Greek and Latin literature shaped Macaulay’s mind, but he crippled his heir emotionally. Self-defense taught Macaulay that power, calculation, and duplicity rule politics and human relations. In Macaulay’s writings, Sullivan unearths a sinister vision of progress that prophesied twentieth-century genocide. That the reverent portrait fashioned by Macaulay’s distinguished extended family eclipsed his insistent rhetoric about race, subjugation, and civilizing slaughter testifies to the grip of moral obliviousness.Devoting his huge talents to gaining power—above all for England and its empire—made Macaulay’s life a tragedy. Sullivan offers an unsurpassed study of an afflicted genius and a thoughtful meditation on the modern ethics of power.

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A human and global take on a beloved vacation spot. The crash of surf, smell of salted air, wet whorls of sand underfoot. These are the sensations of the beach, that environment that has drawn humans to its life-sustaining shores for millennia. And while the gull’s cry and the cove’s splendor have remained constant throughout time, our relationship with the beach has been as fluid as the runnels left behind by the tide’s turning.The Lure of the Beach is a chronicle of humanity's history with the coast, taking us from the seaside pleasure palaces of Roman elites and the aquatic rituals of medieval pilgrims, to the venues of modern resort towns and beyond. Robert C. Ritchie traces the contours of the material and social economies of the beach throughout time, covering changes in the social status of beach goers, the technology of transport, and the development of fashion (from nudity to Victorianism and back again), as well as the geographic spread of modern beach-going from England to France, across the Mediterranean, and from nineteenth-century America to the world. And as climate change and rising sea levels erode the familiar faces of our coasts, we are poised for a contemporary reckoning with our relationship—and responsibilities—to our beaches and their ecosystems. The Lure of the Beach demonstrates that whether as a commodified pastoral destination, a site of ecological resplendency, or a flashpoint between private ownership and public access, the history of the beach is a human one that deserves to be told now more than ever before.

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A human and global take on a beloved vacation spot. The crash of surf, smell of salted air, wet whorls of sand underfoot. These are the sensations of the beach, that environment that has drawn humans to its life-sustaining shores for millennia. And while the gull’s cry and the cove’s splendor have remained constant throughout time, our relationship with the beach has been as fluid as the runnels left behind by the tide’s turning.The Lure of the Beach is a chronicle of humanity's history with the coast, taking us from the seaside pleasure palaces of Roman elites and the aquatic rituals of medieval pilgrims, to the venues of modern resort towns and beyond. Robert C. Ritchie traces the contours of the material and social economies of the beach throughout time, covering changes in the social status of beach goers, the technology of transport, and the development of fashion (from nudity to Victorianism and back again), as well as the geographic spread of modern beach-going from England to France, across the Mediterranean, and from nineteenth-century America to the world. And as climate change and rising sea levels erode the familiar faces of our coasts, we are poised for a contemporary reckoning with our relationship—and responsibilities—to our beaches and their ecosystems. The Lure of the Beach demonstrates that whether as a commodified pastoral destination, a site of ecological resplendency, or a flashpoint between private ownership and public access, the history of the beach is a human one that deserves to be told now more than ever before.

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In Scandal Work: James Joyce, the New Journalism, and the Home Rule Newspaper Wars, Margot Gayle Backus charts the rise of the newspaper sex scandal across the fin de siècle British archipelago and explores its impact on the work of James Joyce, a towering figure of literary modernism. Based largely on archival research, the first three chapters trace the legal, social, and economic forces that fueled an upsurge in sex scandal over the course of the Irish Home Rule debates during James Joyce’s childhood. The remaining chapters examine Joyce’s use of scandal in his work throughout his career, beginning with his earliest known poem, “Et Tu, Healy,” written when he was nine years old to express outrage over the politically disastrous Parnell scandal. Backus’s readings of Joyce’s essays in a Trieste newspaper, the Dubliners short stories, Portrait of the Artist, and Ulysses show Joyce’s increasingly intricate employment of scandal conventions, ingeniously twisted so as to disable scandal’s reifying effects. Scandal Work pursues a sequence of politically motivated sex scandals, which it derives from Joyce's work. It situates Joyce within an alternative history of the New Journalism’s emergence in response to the Irish Land Wars and the Home Rule debates, from the Phoenix Park murders and the first Dublin Castle scandal to “The Maiden Tribute of Modern Babylon” and the Oscar Wilde scandal. Her voluminous scholarship encompasses historical materials on Victorian and early twentieth-century sex scandals, Irish politics, and newspaper evolution as well as providing significant new readings of Joyce’s texts.

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In SS Great Britain, Helen Doe provides a narrative account of this famous and historically important ship. Experimental and controversial, Great Britain led the way for iron shipbuilding and screw propulsion. The book charts the ship’s brilliant design and construction, and the tribulations of her owners as they battled financial crises to turn Isambard Kingdom Brunel’s vision into reality. Brunel was passionate about this ship and was devastated when a navigational error stranded her in Dundrum Bay, Ireland. She was rescued in a great feat of salvage and went on to a long life at sea, carrying passengers to New York, troops to the Crimea and India, and thousands of emigrants to Australia. Helen Doe highlights the contribution of the many individuals connected to the ship, ranging from crew members to passengers, at least one grand Victorian scandal, and the mysterious disappearance of her long-serving captain. In this way, the ship’s life and times are recreated and the history of a technical marvel is given a human face. The ship was salvaged a second time, when she was rescued from the Falkland Islands and towed home across the Atlantic. She now sits in splendour in her original dock in Bristol and is one of the most visited attractions in Britain. This a compelling account of an iconic ship and of an important moment in industrial history.

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The elegant Bible you'll keep coming back to because it's so easy to read and use. This edition is published in large KJV Comfort Print type, which was designed exclusively for Thomas Nelson to be the most readable at any size.Enjoy the classic King James Version in a traditional Scripture design optimized to help you quickly navigate through the Bible. The 2-column, large print text is easy to read, and the blue headings and verse numbers stand out while providing a restful, thoroughly enjoyable Scripture-reading experience. With over 72,000 cross references, this Bible gives you the tools you'll need to dive deeply into God's Word for yourself.Features include: Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Premium Bible paper in opaque white creates a high contrast with the black text, improving readability Words of Christ in black for a reading experience that is easy on your eyes throughout Scripture Ultra-flexible sewn binding lays flat in your hand or on your desk End of page cross references allow you to find related passages quickly and easily Wide double-faced satin ribbons help keep track of where you were reading Full color maps show a visual representation of Israel and other biblical locations for better context Clear and readable 10.5-point KJV Comfort Print More than 400 years since its initial publication, the bestselling King James Version Bible continues to inspire, encourage, and strengthen people from all walks of life. The KJV is considered one of the most influential and beautiful works of literature in the English language and continues to be the favorite translation for millions of Christians.About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.

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The Victorians called him 'Bobby' after Sir Robert Peel, the Home Secretary who created the Metropolitan Police in 1829. The generations that followed came to regard the force in which he served as 'the best police in the world'. If twenty-first century observers sometimes take a more jaundiced view of his efforts, the blue-helmeted, unarmed policeman remains an icon of Britishness, and a symbol of the relatively peaceful nature of our social evolution. In The Great British Bobby, Clive Emsley traces the development of Britain's forces of law and order from the earliest watchmen and constables of the pre-modern period to the police service of today. He examines in detail such milestones in police history as the establishment of the Bow Street Runners in the 1740s, the Police Acts of 1839, the introduction of women police officers during the First World War, and the Macpherson Report of 1999 into the death of Stephen Lawrence. Threaded through his narrative are case-studies of real-life Bobbies, drawn from police archives, evoking the day-to-day reality of the policeman's lot over two and a half centuries: the boredom of patrolling on foot in all weathers, the threats to life and limb of policing rough areas, and the diverse historical challenges of industrial unrest, the growth of cities, the arrival of the motor car and the ethnic diversification of society. From Robert Grubb, patrolling the mean streets of Georgian London with rattle and cudgel, to Norwell Roberts, the first black officer to be appointed to the Metropolitan Police, The Great British Bobby presents a cast of mostly honest coppers performing a testing role to the best of their ability. A distinguished historian and criminologist, Clive Emsley is ideally placed to tell - candidly but affectionately - the fascinating story of Britain's police force. The Great British Bobby is nothing less than a social history of Britain over the last 250 years, viewed through the prism of one of its most remarkable and distinctive institutions.

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