Search results for ""new york review of books""

"A major event in contemporary political philosophy."-Peter Singer, The New York Review of Books

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In what Stanley Hoffmann, writing in The New York Review of Books, has called a "fine analysis and critique of American targeting policies," Sagan looks more at the operational side of nuclear strategy than previous analysts have done, seeking to bridge the gap between theory and practice.

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'Awarded'' the Howard R. Marraro Prize by the American Historical Association.' "Always fascinating...The reader will get from Goldthwaite's book on the economics of architecture a more lively and moreauthentic impression of life in Renaissance Florence than from many more general descriptions of Florentine culture."--Felix Gilbert, 'New York Review of Books.'

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Praise for Volume 1:" . . . a first-rate edition, which supersedes all other portable Peirces. . . . all the Peirce most people will ever need." —Louis Menand, The New York Review of BooksVolume 2 of this convenient two-volume chronological reader's edition provides the first comprehensive anthology of the brilliant American thinker Charles Sanders Peirce's mature philosophy. A central focus of Volume 2 is Peirce's evolving theory of signs and its appplication to his pragmatism.

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"Not only one of the frankest of autobiographies, but also a brilliantly written book, Leiris' Manhood mingles memories, philosophic reflections, sexual revelation, meditations on bullfighting, and the life-long progress of self-discovery."—Washington Post Book World "Leiris writes to appall, and thereby to receive from his readers the gift of a strong emotion—the emotion needed to defend himself against the indignation and disgust he expects to arouse in his readers."—Susan Sontag, New York Review of Books

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Journalist Tim Judah’s classic account, now brought fully up to date to include the overthrow of Miloševic, the assassination of Zoran Djindic, the breakaway of Kosovo, and the arrest of Radovan Karadžic. Praise for the first edition: "A lively and balanced history of the Serbs."—Aleksa Djilas, New York Times Book Review "Judah writes splendidly. . . .The story he tells does much to explain both the Serb obsession with the treachery of outsiders and their quasi-religious faith in the eventual founding, or rather reestablishment, of the Serbian state."—Mark Danner, New York Review of Books "Judah's book is probably the best attempt to date to explain the calamitous situation of the Serbs today through a meticulous consideration of the Serb past."—David Rieff, Toronto Globe and Mail Tim Judah was Balkans correspondent for the London Times and the Economist, and has been a frequent contributor The New York Review of Books.

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"Remarkable for its relentless truth-telling, and the depth and thoroughness of its investigation, for the freshness of its sources, and for the shock power of its findings. Even a reader who is not unfamiliar with the sources and literature of the subject can be jolted by its impact."--C. Vann Woodward, New York Review of Books "Dark Journey is a superb piece of scholarship, a book that all students of southern and African-American history will find valuable and informative."--David J. Garrow, Georgia Historical Quarterly

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Rosemary Tonks (1928-2014) was a colourful figure in the London literary scene during the 1960s. She published two poetry collections, Notes on Cafés and Bedrooms and Iliad of Broken Sentences, and six novels, from Opium Fogs to The Halt During the Chase. Tonks wrote for the Observer, The Times, New York Review of Books, Listener, New Statesman and Encounter, and presented poetry programmes for the BBC.

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Rosemary Tonks (1928-2014) was a colourful figure in the London literary scene during the 1960s. She published two poetry collections, Notes on Cafés and Bedrooms and Iliad of Broken Sentences, and six novels, from Opium Fogs to The Halt During the Chase. Tonks wrote for the Observer, The Times, New York Review of Books, Listener, New Statesman and Encounter, and presented poetry programmes for the BBC.

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Rosemary Tonks (1928-2014) was a colourful figure in the London literary scene during the 1960s. She published two poetry collections, Notes on Cafés and Bedrooms and Iliad of Broken Sentences, and six novels, from Opium Fogs to The Halt During the Chase. Tonks wrote for the Observer, The Times, New York Review of Books, Listener, New Statesman and Encounter, and presented poetry programmes for the BBC.

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Robert Owen Paxton (1932) es un politólogo e historiador estadounidense especializado en la Francia de Vichy, el fascismo y Europa durante la época de la Segunda Guerra Mundial. Ha sido profesor en la Universidad de California, Berkeley y en la Universidad Estatal de Nueva York en Stony Brook antes de unirse a la facultad de la Universidad de Columbia en 1969. Trabajó allí durante el resto de su carrera, retirándose en 1997. Sigue siendo profesor emeritus. Ha contribuido con más de veinte revisiones a The New York Review of Books, desde 1978 hasta 2017.

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"Arguably the best work to date in the history of geology."—David R. Oldroyd, Science"After a superficial first glance, most readers of good will and broad knowledge might dismiss [this book] as being too much about too little. They would be making one of the biggest mistakes in their intellectual lives. . . . [It] could become one of our century's key documents in understanding science and its history."—Stephen Jay Gould, New York Review of Books"Surely one of the most important studies in the history of science of recent years, and arguably the best work to date in the history of geology."—David R. Oldroyd, Science

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John Polkinghorne brings unique qualifications to his exploration of the possibilities of believing in God in an age of science: he is internationally known as a theoretical physicist and as a theologian. In this thought-provoking book, Polkinghorne focuses on the collegiality between science and theology, contending that the inquiries of these "intellectual cousins" are parallel."Polkinghorne [presents] a polished and logically coherent argument."—Freeman J. Dyson, New York Review of Books"Short, accessible, and authoritative."—Carlin Romano, Philadelphia Inquirer"This book should be widely read."—Colin Tudge, New Statesman and Society"If you read one book on science and religion, this should be it."—Kirkus Reviews

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This collection provides readers with a perpetually exciting, compact edition of the revolutionary poet's most powerful work. Frederick Seidel has been hailed as 'the poet of a new contemporary form' (New York Review of Books), and 'the most frightening American poet ever' (Boston Review). His ambitious, disturbing and tender work has mystified and captured critics, poets and readers for decades. Select Seidel allows readers to appreciate the scope of Seidel's work over the past half-century and his uncanny ability to say the unsayable. Seidel is, in the words of the critic Adam Kirsch, 'the best American poet writing today'.

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In 1984 Czech writer Milan Kundera published his essay 'The Tragedy of Central Europe' in The New York Review of Books, which established the framework for disputes about the space between East and West for the following 30 years. Even today, the echo of those debates is still audible in spatial narratives. Discussing the way in which literary figures are positioned within new hierarchies such as gender, class, or ethnicity, this volume shows how the space of the imagined Central Europe has been de- and reconstructed. Special attention is paid to the role of the past in shaping contemporary spatial discourse.

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Un mestre de la sàtira anarquista. Una llegenda viva. (New York Review of Books)Els més honestos, directes, illuminadors i importants relats publicats en aquest país en els últims 20 anys. (San Francisco Chronicle)Un humor sardònic que sovint fa la impressió que W. C. Fields s'hagi reencarnat com escriptor. (Rolling Stone Magazine)Bukowski. Considerat per molts el millor escriptor americà. I per altres, possiblement el pitjor. Jo estic entre els primers. (Jim Christy, Toronto Hobe).Un profeta dels nostres temps. (The New York Times Book Review)Ha deixat enrere Jack Kerouac... Escrivint s'assembla a Charlie Parker tocant jazz. (Die Welt)És el campió mundial dels pesos pesants. (Der Spiegel)

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"The indispensable critic on the indispensable writer." -Geoffrey O'Brien, New York Review of Books A landmark achievement as expansive, erudite, and passionate as its renowned author, this book is the culmination of a lifetime of reading, writing about, and teaching Shakespeare. Preeminent literary critic-and ultimate authority on the western literary tradition, Harold Bloom leads us through a comprehensive reading of every one of the dramatist's plays, brilliantly illuminating each work with unrivaled warmth, wit and insight. At the same time, Bloom presents one of the boldest theses of Shakespearean scholarships: that Shakespeare not only invented the English language, but also created human nature as we know it today.

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Seated one, loved by the lavishing comband fingers of another woman demon-strating how attention and technique coalesceinto art. Where to gowhen the mother is gone.All occupations form to replace her.What relief to be a girl again for an hour,beneath the practiced wrists of her avatar.Paula Bohince is the author of The Children and Incident at the Edge of Bayonet Woods. Her poems have appeared in the New Yorker, the New York Review of Books, Poetry, Granta, the Nation, and elsewhere.

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'One of the great crime novels of all time' Tony Parsons, Express'Nobody has ever quite pulled it off the way Cain does, not Hemingway, and not even Raymond Chandler' Tom Wolfe'It is no accident that movies based on three [of Cain's novels] helped to define the genre known as film noir' NEW YORK REVIEW OF BOOKS'The most starkly elemental thing that has been written for years' EVENING STANDARDThe torrid story of Frank Chambers, the amoral drifter, Cora, the sullen and brooding wife, and Nick Papadakis, the amiable but inconvenient husband, has become a classic of its kind, and established Cain as a major novelist with a spare and vital prose style and a bleak vision of America.

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